User:Valf3112/sandbox

Artnet. (2021). Anton Corbijn. Retrieved March 20, 2021, from http://www.artnet.com/artists/anton-corbijn/

This website is more specific than any other that discusses Corbijn’s style, as it is so specific as even to mention “shutter speed,” which causes the dishevelled and somewhat unprofessional effect that other writers have detailed.

Dashkin, M. (2015). From Edward Curtis to Eve Arnold, snap up these timely titles: Focus on Photography. Library Journal; New York, 140(15), n/a.

Dashkin also states that within 1-2-3-4, there are “appreciative prose pieces by musicians from Arcade Fire, R.E.M., Metallica, Depeche Mode, and Nirvana,” which is something not mentioned in many other sources and will be useful for the ‘About’ section.

Siegal, N. (2015, May 25). Giving Rock Music a Disheveled Glamour. The New York Times. Retrieved from https://go-gale-com.ezproxy.library.sydney.edu.au/ps/i.do?p=AONE&u=usyd&id=GALE%7CA414801784&v=2.1&it=r

Siegal presents Corbijn’s vision of his photography, as well as the reception from the public. Siegal also details the lack of professional training that Corbijn received.

Smyth, D. (2015). Anton Corbijn 1-2-3-4. The British Journal of Photography, 162(7838), 12.

This article details the contents of 1-2-3-4, writing about the subjects of the photographs as well as the relationship that Corbijn developed with them in the creation of his art.

Wood, J. (2014). Anton Corbijn. In Last Words: Considering Contemporary Cinema (pp. 20-24). New York, NY: Columbia University Press.

Wood includes Corbijn’s words, thoughts and feelings about his work, therefore causing the source to be more reliable, especially when considering his vision in photography.