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2-3-The Stars of Pop Music Before Rock and Roll: chsSubtitles
1 00:00:00,810 --> 00:00:07,890 我们将继续讨论1955年之前、摇滚乐出现前的主流流行音乐. While we continue our discussion of mainstream popular music in the period before 1955, the world before rock and roll.

2 00:00:07,890 --> 00:00:15,140 在前两个视频中，我们讨论了歌曲是最重要的元素，而它们的某个特定演奏并不是的. In, the first two videos, we talked about how an important thing for us to know is that the songs that they, not a particular performance of it.

3 00:00:15,140 --> 00:00:22,440 以及音乐是如果通过乐谱打入市场的. 这是当时音乐出版业最重要的收入渠道. And how a lot of songs were, marketed via sheet music, and that was one of the most important ways of making money in the publishing business.

4 00:00:22,440 --> 00:00:30,790 音乐出版商们是非常重要的角色，1955年之前的音乐市场是由他们来真正运营的. And publishers are very, very important, they're really, sort of, driving the bus here, when it comes to the popular music business in this period before 1955.

5 00:00:30,790 --> 00:00:36,929 我们还讨论了音乐在主流流行乐全国观众群体的形成中扮演的重要角色. we also talked about how the important role that radio played in creating a national audience for mainstream pop.

6 00:00:36,110 --> 00:00:41,710 目前为止，我们还没有谈论过太多有关西部乡村音乐以及节奏蓝调的内容. 我们将会在下一个视频中开始接触他们. Now not so much country and western and rhythm and blues, and we're going to talk about that in a future video here coming

7 00:00:41,710 --> 00:00:49,030 不过现在，我们主要还是在讨论无线电台给主流流行乐提供的全国观众群体. just up. But for now of mainstream pop sets up radio, sets up a national audience for mainstream pop.

8 00:00:49,030 --> 00:00:52,113 之后，我们也稍微提及了一些有关电影的内容. And then we set a little bit, up, in movies to a certain extent too.

9 00:00:52,113 --> 00:00:56,340 最后呢，我们谈到了全国的观众们将会转移向电视. But then we said a little about how that, that national audience is going to migrate to television,

10 00:00:56,340 --> 00:01:03,990 这就给节奏蓝调和西部乡村音乐在二次世界大战后带来了巨大的机遇. and it will leave opportunities for rhythm and blues and country and western, in the period after the second world war, after 1945, when it

11 00:01:03,990 --> 00:01:05,408 所以现在我想要讨论一下 does. So now, what we want to talk about is

12 00:01:05,408 --> 00:01:15,570 那段时期，从1920到1955年间的主流流行乐到底听起来是怎样的. what did mainstream popular music sound like during these years, this period from say about, oh, 19th to 1920's, into the period leading up to 1955.

13 00:01:15,570 --> 00:01:17,265 所以接下来我会提到很多不同的人物. So, I'm going to go through a lot of names here.

14 00:01:17,265 --> 00:01:23,460 记住你得自己去找这些音乐来听. 我强烈建议你一定要去听一下. And remembering that it's going to be up to you to find some of this music and listen to it. And I really encourage you to do so.

15 00:01:23,460 --> 00:01:27,520 如果你在一节音乐课上从来没有欣赏过音乐的话，那实在是太无聊了. It's, it's really no fun to take a music course if you never hear any music.

16 00:01:27,520 --> 00:01:29,690 所以你非常有必要去找找看这些曲子. So, you really need to go out and look for some of this.

17 00:01:29,690 --> 00:01:33,800 现在我会给你介绍一编这些演奏曲目，之后你可以去自己找来欣赏并且建立你自己对他们的看法. I'll run through some of these performance for you, and then you can check them out and see what you think for yourself.

18 00:01:33,800 --> 00:01:39,980 不只是在课本里，网络上也到处都是相关的信息，你肯定会希望去了解一下. Plenty of other information about them, not only in the book but also in all kinds of sources in the internet, so you want to check this out.

19 00:01:39,980 --> 00:01:52,470 也许20世纪前半叶最重要、最成功的、最具有影响力的音乐家要归Bing Crosby莫属. Maybe the most important artist we need to mention for the period, the first half of the 20th century, one of the most successful, one of the most influential artists in the first half of the 20th century was Bing Crosby.

20 00:01:52,470 --> 00:01:57,090 在现在Bing Crosby也许有一些被人们所遗忘了. These days Bing Crosby is maybe a little bit sort of ignored or forgotten.

21 00:01:57,090 --> 00:02:05,630 但是他是一位不可思议的明显，也许还是第一个、至少是第一批真正灵活运用麦克风的歌手之一. but he was a fantastic star, a singer who is maybe the first singer, or at least one of the first singer to really take advantage of the microphone.

22 00:02:05,630 --> 00:02:09,047 Bing Crosby之前的歌手们并没有发掘麦克风的优势 And that the singers before Bing Crosby day didn't have the advantage or weren't

23 00:02:09,047 --> 00:02:13,314 或者没有被训练去使用麦克风. 他们的表演 really trained to use microphones. They all their, their performances were

24 00:02:13,314 --> 00:02:17,750 更加倾向于原声唱法，所以他们有着能够响彻整个大堂的声音. done acoustically, so they had to have voices that, cut to the back of the hall.

25 00:02:17,750 --> 00:02:21,770 他们要盖过管弦乐团的演奏，所以你会经常听到那些非常洪亮的嗓音. They'd cut over the orchestra, and so you got these really big voices.

26 00:02:21,770 --> 00:02:26,563 并不完全是歌剧唱法，但是你可以大致上理解他们的声音确实有点大过头了. Not exactly operatic voices, but you get the idea voices that could really cut through.

27 00:02:26,563 --> 00:02:30,848 而麦克风的发明意味着你的嗓音有多洪亮变得不再那么重要. With the invention of the microphone, it meant that it wasn't so important how loud you sang, you could get the

28 00:02:30,848 --> 00:02:33,872 你可以把麦克风放在嘴边，这就让你有办法 microphone right up next to your mouth and then allowed for a certain kind of

29 00:02:33,872 --> 00:02:42,344 唱的更加委婉一些. 很多歌唱技巧都不需要洪亮的声音. intimacy. A certain amount of sort of vocal technique that didn't require the big voice, but could require other out areas

30 00:02:42,344 --> 00:02:51,700 但是却对其他方面有着要求. 而Bing Crosby正是第一位将这种委婉的唱法运用起来的哼唱歌手(crooners). of the voice. And Bing Crosby was one of the first crooners to really develop that technique and that, that sense of intimacy.

31 00:02:51,700 --> 00:02:59,630 Bing Crosby的哼唱并未与浪漫情怀联系在一起. Now, in Bing Crosby's case, the intimacy was never thought of as something that was even remotely romantic in any kind of way.

32 00:02:59,630 --> 00:03:03,520 Bing Crosby更像是大家都喜欢的一位邻家大叔. Bing Crosby was more like everybody's favorite uncle.

33 00:03:03,520 --> 00:03:07,910 他打高尔夫、抽烟，抽那种小雪茄，不，我是说他抽那种小烟斗. He played golf, he smoke, smoked a little cigar, I mean, a little a little pipe.

34 00:03:07,910 --> 00:03:11,580 他总是穿着整洁的针织毛衣. He always had a nice, sort of, knit sweater on.

35 00:03:11,580 --> 00:03:15,612 他看起来一点都不具有压迫感，是那种非常和蔼的大叔. He was absolutely non-threatening, he was he was just seemed like a really nice old

36 00:03:15,612 --> 00:03:22,168 那种你会希望在感恩节大餐、过圣诞的时候或者是在夏天出去野餐时碰到人. uncle. The kind of guy who you were happy to see at Thanksgiving meals, and Christmas time, and when you went on picnics in

37 00:03:22,168 --> 00:03:29,683 尽管他有着这样的一个形象，他仍旧非常的成功. the, in the summertime. And so that was the image that he, that he fostered, but he was enormously successful.

38 00:03:29,683 --> 00:03:32,983 像我之前提到的，他主持了一个全国范围的电台节目很多年. As I said hosting a, a, a coast to coast radio show for years, was one of the

39 00:03:32,983 --> 00:03:40,965 也是当时最常在电影里出现的名星. 同时还在1940和50年代拥有许多的畅销歌曲. number one celebrities appearing in films and having a whole string of hit records up into the 1940's and 50's.

40 00:03:40,965 --> 00:03:51,245 比如说1938年的《 I've Got a Pocketful of Dreams》 1940年的《Only Forever》 1944年的《Swinging On a Star》 Some of those would be songs like I've Got a Pocketful of Dreams from 1938, Only Forever from 1940, Swinging On a Star from 1944

41 00:03:51,245 --> 00:04:00,510 他最著名的录音《White Christmas》在1942年和1945年分别获得排行榜第一名. and his famous recording of White Christmas which went to number one on the charts both in 1942 and again in 1945.

42 00:04:00,510 --> 00:04:09,617 因此，Bing Crosby是一位非常重要的人物. 他象征了二战前的主流音乐界. So, Bing Crosby, a very very important figure who characterizes much of what was going on in mainstream pop in the period before, at least before the second world war.

43 00:04:09,617 --> 00:04:10,894 同时，谈到主流流行乐， Also, in mainstream pop we have to think

44 00:04:10,894 --> 00:04:14,075 我们必须得谈及大型乐队. 一般大型乐队总会和 about the big bands. And the big bands are usually though of

45 00:04:14,075 --> 00:04:18,360 爵士乐的历史联系在一起，可见他们是如此的重要. when we think about the history of jazz music, because they were so important.

46 00:04:18,360 --> 00:04:22,390 Paul Whiteman的乐队是早起最重要的代表之一. Paul Whiteman's band was one of the most important early instance of that.

47 00:04:22,390 --> 00:04:25,620 有趣的是，大型乐队实际上并不唱歌. Interestingly about the big bands is they weren't really about the singing at all.

48 00:04:25,620 --> 00:04:27,620 他们是真正的乐队，专注于演奏. It was about the bands, it was about the playing.

49 00:04:27,620 --> 00:04:34,590 那是当时一个乐团的职责. 就像今天俱乐部里的摇滚乐团是为了让人们不停地跳舞一样. This was back in the day when a, a band's job, like a rock band in a club today, is really to go to a dance and to keep people dancing.

50 00:04:34,590 --> 00:04:38,230 乐队的任务就是让人们留在舞池里. Right, their job was to keep them, keep them on the dance floor.

51 00:04:38,230 --> 00:04:40,650 所以这些大型乐队又被成为伴舞乐队(Dance Bands). So these guys, so these big bands were often called dance bands.

52 00:04:40,650 --> 00:04:51,172 那时候有Paul Whitman的乐队. 双簧管演奏家Benny Goodman也有一只乐队. 其他还有Tommy Dorsey, Jimmy Dorsey和Glenn Miller的乐队. You had Paul Whitman with band. A virtuoso clarinetist Benny Goodman with a band. Other bands came from Tommy Dorsey, Jimmy Dorsey, and Glenn Miller.

53 00:04:51,172 --> 00:04:52,918 在非洲裔美国人群体中， in the African American community you had

54 00:04:52,918 --> 00:04:56,080 你可以找到Duke Ellington乐队和 Count Basie乐队. the Duke Ellington Band and also the Count Basie Band.

55 00:04:56,080 --> 00:05:02,350 这里有一些重叠的部分. 不过一般来说白人乐队还是会在白人场馆演出，而黑人乐队则会在黑人场馆演出. There was some crossover there, but mostly the white bands played the white venues, and the black bands played the black venues.

56 00:05:02,350 --> 00:05:04,910 我们现在讨论的美国在那些年间还是非常隔离化的. We're still talking about a country that's very segregated during these

57 00:05:04,910 --> 00:05:07,366 如果你想要找个具体的例子 years. If you want to look for a particular

58 00:05:07,366 --> 00:05:10,130 来了解一下大型乐队的音乐听起来是怎样的， example of what The Big Bands sound was like.

59 00:05:10,130 --> 00:05:18,100 我会推荐你听一下《String of Pearls》. 这是Glenn Miller管弦乐团非常有代表性一首曲子. 它也位居1942年的畅销榜首. I would recommend String of Pearls, which is kind of the signature tune for the Glenn Miller Orchestra, it was the number one hit in this country in 1942.

60 00:05:18,100 --> 00:05:21,076 你欣赏《String Of Pearls》的时候，便可以大体上了解 If you listen to String Of Pearls, you'll get kind of an idea of what Big Band

61 00:05:21,076 --> 00:05:24,920 那个时期的大型乐队是怎样的. 那时候也有很多歌唱团体. music was about during this period. We also had a lot of singing groups.

62 00:05:24,920 --> 00:05:28,696 Andrew Sisters组合中三位来自明尼苏达的歌唱家姐妹 The Andrew Sisters three, three singing sisters from Minnesota, singing in

63 00:05:28,696 --> 00:05:37,478 一般作为其他大型乐队管乐环节的伴唱外援. harmony vocal with a kind of a debt, some of their vocal styling their harmony vocal styling almost had a debt to big band horn sections.

64 00:05:37,478 --> 00:05:45,870 她们伴唱的方式几乎跟大型乐队中萨克斯、喇叭和长号的编排一致. To the ways in which they would harmonized together, almost sounded like saxophones, or trumpets, or trombones in a big band arrangement.

65 00:05:45,870 --> 00:05:49,680 她们的重要作品包括《In The Mood》. Some, their most important tunes were In the Mood.

66 00:05:49,680 --> 00:05:52,360 她们在Glenn Miller乐队的乐曲《In the Mood》中加入了唱词. They took this Glenn Miller hit In the Mood and put lyrics with it.

67 00:05:52,360 --> 00:05:56,848 所以现在你应该真正了解了歌词家们和乐队 So, there you really get the connection between the vocals and, and the big band

68 00:05:56,848 --> 00:06:07,880 尤其是管乐技术之间的联系. 同样1938年的《Bei Mir bist du Schoen》、1943年的《Shoo Shoo Baby》以及1945年的《Rum and Coca Cola》都十分出色. tech, and the big band horn tech. But also from 1938, Bei Mir bist du Schoen, and from 1943, Shoo Shoo Baby, and from 1945, Rum and Coca Cola.

69 00:06:07,880 --> 00:06:10,824 Andrews Sisters经常和Bing Crosby一起出席他的广播节目， The Andrews Sisters would often appear with Bing Crosby on his radio show and

70 00:06:10,824 --> 00:06:14,182 他们也合作了一些曲子. 我印象最深的是 they would do numbers together, one that I can remember particularly vividly is

71 00:06:14,182 --> 00:06:19,280 《Don't Fence Me In》. 这首曲子很好地把Bing Crosby和Andrew Sisters的特点融合在了一起. Don't Fence Me In, which features Bing Crosby and The Andrew Sisters together.

72 00:06:19,280 --> 00:06:23,960 其他的团体跟Bing Crosby的合唱 Another group that would, that would sing with Bing Crosby and where it's slightly

73 00:06:23,960 --> 00:06:33,260 会有一些微妙的不同. 除此之外，四位黑人教堂乐风格的歌唱家组成的Mills Brothers组合在当时也颇负盛名. different, in a different kind of way, were The Mills Brothers, four African American singers who came out of the black church tradition.

74 00:06:33,260 --> 00:06:36,300 他们有着惊人的广泛吸引力. And these guys had a tremendous amount of crossover appeal.

75 00:06:36,300 --> 00:06:39,800 我提到的广泛吸引力是指那时候鲜有黑人艺术家 And by crossover appeal, I mean, it was relatively rare for black artists to sell

76 00:06:39,800 --> 00:06:43,763 能够出售大量录音给白人听众. 所以，“广泛”真正是指对那些 a lot of records to white listeners. So, to crossover really meant people

77 00:06:43,763 --> 00:06:49,650 可能会因为你的肤色把你归于节奏蓝调观众群体的人而言的. thought that you were somebody who probably was because of your skin color, more appropriate to a rhythm and blues audience.

78 00:06:49,650 --> 00:06:51,820 事实上，你可能其实是在为白人听众演奏. And here you were singing to a white audience.

79 00:06:51,820 --> 00:07:01,030 Mills Brothers 1943年的《Paper Doll》和1944年的《You Always Hurt The One You Love》都获得了巨大的成功. But the Mill, the Mills Brothers had tremendous success in 1943 with Paper Doll, and 1944 with You Always Hurt The One You Love.

80 00:07:01,030 --> 00:07:04,380 我非常推荐你在网上找这两首曲子 With all these tracks, as I say, I really suggest you seek them out on the internet

81 00:07:04,380 --> 00:07:08,026 来听听看. 如果能够找到视频的话， and have a listen to them. If you can get video of them that's

82 00:07:08,026 --> 00:07:10,878 就更棒了. 不过除非他们在电影里演出，视频可能有点不好找. great, although video's going to be a little bit tough unless they appear in a

83 00:07:10,878 --> 00:07:14,465 尤其是在1945年之前的这段时期. film, singing it. And especially in this period before

84 00:07:14,465 --> 00:07:21,542 现在，当我们谈到了二战后，1945年到1955年这段时期，最重要的人物应该要数 1945. Now in the period after the second world war, after 1945, and leading to 1955, probably the most important person we

85 00:07:21,542 --> 00:07:26,878 Frank Sinatra. 尽管我们刚才提到 have to think about is Frank Sinatra. Even though ice was, was talking about

86 00:07:26,878 --> 00:07:29,650 Bing Crosby曾经作为独唱歌手还参与过电影演出，甚至当过美食家（Bon vivant疑误） Bing Crosby having a singing career as a soloist, and a movie career, and Bon

87 00:07:29,650 --> 00:07:33,320 等等一系列的事情. Vivant, and all the kinds of things was going on with him.

88 00:07:33,320 --> 00:07:40,920 还有有关Andrews Sisters和Mills Brothers的故事. 但是在1940年代，大型乐队还是占有主导地位. and The Andrews Sisters and The Mills Brothers, mostly during this big band era of the 1940's where the bands and the instrumentation was the thing.

89 00:07:40,920 --> 00:07:43,700 歌手则位居其次. 这点十分有趣. The singers were kind of secondary, it's kind of interesting.

90 00:07:43,700 --> 00:07:46,790 这跟摇滚乐歌曲的情形正好相反. Exactly the inverse of what we see in rock and roll tunes.

91 00:07:46,790 --> 00:07:49,606 大多数的摇滚乐中，一般是吉他 Rock and roll tunes, the songs are mostly sung, and then there will be a guitar

92 00:07:49,606 --> 00:07:52,620 独奏一分钟，然后歌手会回来继续演唱. solo for a minute and the singer will come back in.

93 00:07:52,620 --> 00:07:55,326 而大型乐队的编排主要以乐器演奏为主， These big band arrangements, they would be mostly played instrumentally, the

94 00:07:55,326 --> 00:07:57,950 歌手只是作为点缀偶尔献唱一会，然后又回到乐器演奏中去. singer would come in for a minute as kind of a special thing and then go back out

95 00:07:57,950 --> 00:08:01,546 而 Frank Sinatra便是这样的歌手之一. again. And Frank Sinatra was one of those

96 00:08:01,546 --> 00:08:04,208 事实上有很多歌手都跟大型乐队一起演出. singers. In fact there were a bunch of singers who

97 00:08:04,208 --> 00:08:06,960 而歌手们大多数时候都只是站在一边，只是偶尔 sang with big bands, and for most of the gig the singer was on the sideline, the

98 00:08:06,960 --> 00:08:09,669 出场献唱，作为一种余兴节目. singer would just come out as a kind of featured number, as a kind of featured

99 00:08:09,669 --> 00:08:13,960 而Frank Sinatra正是这群人之一. soloist kind of thing. Frank Sinatra was one of those guys.

100 00:08:13,960 --> 00:08:18,080 他在Harry James 乐队及Tommy Dorsey 乐队中都有献唱. He had sung with the Harry James Band and with the Tommy Dorsey Band.

101 00:08:18,080 --> 00:08:21,980 不过在1943年的时候，他开始了作为独唱歌手的职业生涯. But in 1943, he launched his career as a solo singer.

102 00:08:21,980 --> 00:08:33,024 很多人认为Frank Sinatra疯了. 没有乐队的支持，一个歌手怎么可能幸存下来呢？ 那时候的Frank Sinatra是一个年轻 People thought Frank Sinatra was crazy. How could a singer possibly survive if not attached to one of these big bands. Frank Sinatra at that time was a young,

103 00:08:33,024 --> 00:08:37,848 富有吸引力的人，不像Bing Crosby并没有非常吸引女士们的注意力， attractive, and unlike Bing Crosby who didn't really excite the ladies so much,

104 00:08:37,848 --> 00:08:46,180 Frank Sinatra深得女士们的喜爱. 那些为Frank Sinatra尖叫的女孩子曾被称为波比短袜派（ bobby-soxers）. Frank Sinatra did. The girls who used to scream and faint over Frank Sinatra were called the bobby-soxers.

105 00:08:46,180 --> 00:08:55,496 当我们以后看到女孩子们冲着猫王或是甲壳虫乐队尖叫的时候， And Frank Sinatra was maybe, we think, when we look at girls sort of screaming over Elvis, or girls screaming over the Beatles later in this course, you'll see

106 00:08:55,496 --> 00:09:02,680 你就会知道在1943~1945时，Frank Sinatra的情形. that that was happening with Frank Sinatra back in 1943, 1944, 1945.

107 00:09:02,680 --> 00:09:09,808 Frank总是给予那些以前和他在大型乐队中一起演奏的音乐家们很高的评价. 他说自己的歌唱技巧是通过观察那些音乐家们的演奏，并 Frank all, always gave a lot of credit to the musicians he played with in the big bands, saying his vocal technique came from watching how those guys played, and

108 00:09:09,808 --> 00:09:12,940 思考自己该如何用自己的歌声来表达他们 trying to do with his voice the expressive things the guys in the bands

109 00:09:12,940 --> 00:09:19,472 正在表达的情感. 作为一个明星，他绝对是一个 were doing with their instrument. but as a star he was, he was clearly a

110 00:09:19,472 --> 00:09:23,828 青年偶像. 他那个事情的代表作品包括 teen idol there for a while and some representative tracks from this period

111 00:09:23,828 --> 00:09:28,470 1945年的《Nancy with the Laughing Face》. are Nancy with the Laughing Face from 1945.

112 00:09:28,470 --> 00:09:30,310 这首曲子背后其实还有个小故事. There's actually a little story that goes with that one.

113 00:09:30,310 --> 00:09:36,640 以及1948年的《All of Me》和1948年的《I've got a crush on you》. All of Me from 1948, and I've got a crush on you from 1948.

114 00:09:36,640 --> 00:09:41,420 想象一下现在，一首《 I've got a crush on you honey pie》会是怎样的曲子. Think today what would a song be like and said I've got a crush on you honey pie.

115 00:09:41,420 --> 00:09:45,074 但那个年代时要单纯了的多的日子. 《 Nancy with the laughing face》其实是 These were much more innocent days actually Nancy with the laughing face is

116 00:09:45,074 --> 00:09:49,018 一些人专门给女孩子生日聚会写的曲子. interesting was written by some guys who whenever they would do a girl's birthday

117 00:09:49,018 --> 00:09:53,368 他们会在各种加入女孩的名字 party, would insert whatever the name of that girl was into the into the song, to

118 00:09:53,368 --> 00:10:03,246 让这首曲子听起来更加的具有个人特色. 他们在Frank Sinatra女儿Nancy的生日宴会上也是这么做的. personalize the song. And they did it at a birthday party for Frank Sinatra's daughter, Nancy, and this is, this is the way the story goes

119 00:10:03,246 --> 00:10:09,412 这之后的故事有些难以置信. 他们在曲子中加入了 sometimes these stories are apocryphal. they, they they inserted the name Nancy

120 00:10:09,412 --> 00:10:13,840 “Nancy with the laughing face”. Frank Sinatra则误会了， with the laughing face into the song. Frank Sinatra misunderstood, he thought

121 00:10:13,840 --> 00:10:17,190 他以为这是他们特地为他女儿所作的曲子. 于是边开始流泪着说着： they'd written the song especially for his daughter who started crying and said

122 00:10:17,190 --> 00:10:21,066 我必须要录下这首歌. 之后这首曲子便成为了他的又一畅销曲目. I have to record that song. And so he did, and it became a hit for

123 00:10:21,066 --> 00:10:26,192 有些时候一些事情怎样联系起来的过程非常有趣. 有些歌手试图 him. So, it's interesting how sometimes these things come together. Some of the other singers that that

124 00:10:26,192 --> 00:10:29,507 模仿Frank Sinatra并希望能够借助他的成功的基础. 当我们谈到50年代的猫王 imitated Frank Sinatra or tried to play on his success, and we talk about Elvis

125 00:10:29,507 --> 00:10:33,876 以及60年代的甲壳虫乐队. 我们会提到猫王和 in the 50s, and The Beatles in the 60s. We'll talk about how Elvis and The

126 00:10:33,876 --> 00:10:36,732 甲壳虫乐队开始出名的时候，其他音乐家们 Beatles both started something going, and once they got it going other musicians

127 00:10:36,732 --> 00:10:41,688 会开始来，在某种意义开始，借他们的成功为己用. sort of, other singers and acts sort of came in, trying to capitalize on a success that they, that they had had, sort of ride their coat tails in a

128 00:10:41,688 --> 00:10:46,008 这些事情也发生在了Frank Sinatra身上. certain kind of sense. Some of those things happened with Frank

129 00:10:46,008 --> 00:10:55,500 比如说1951年的时候Johnnie Ray富有感情地演唱了《Cry》. Tony Bennett 在1953年演唱了《 Rags to Riches》 Sinatra too. In 1951 we get Johnnie Ray with his emotional delivery of the song, Cry. Tony Bennett in 1953 with Rags to Riches.

130 00:10:55,500 --> 00:10:59,720 Eddie Fisher在1954年也表演了歌曲《Oh My Papa》 And Eddie Fisher in 1954 with the song called Oh My Papa.

131 00:10:59,720 --> 00:11:02,587 事实上在50年代早期的时候，有段时间Frank Sinatra In fact, there was a period there in the early 50's where Frank Sinatra was

132 00:11:02,587 --> 00:11:05,360 被认为日薄西山，而Eddie Fisher则将成为 thought to be sort of on the wane and Eddie Fisher was going to be the next

133 00:11:05,360 --> 00:11:09,954 下一代青年偶像. 这个时期其他还有一些重要的， teen heartthrob. Other music that important on the charts

134 00:11:09,954 --> 00:11:14,310 能够给你一些摇滚乐1955年出现前流行音乐概念的曲子: to give you an idea of what popular music sounded like before rock and roll in

135 00:11:14,310 --> 00:11:18,386 1950年Patti Page的《Tennessee Waltz》（强推） 1955. Patti Page's Tennessee Waltz from 1950

136 00:11:18,386 --> 00:11:28,200 获得了巨大成功. Les Paul和Mary Ford在1951年演奏的《How High The Moon》，也许是他们最重要的单曲了. was a very big hit. And Les Paul and Mary Ford, How High The Moon, 1951, may be their most important sing maybe their most important single.

137 00:11:28,200 --> 00:11:31,220 下一个视频中我们会讨论一下Les Paul. We'll talk a bit about Les Paul in the next video.

138 00:11:31,220 --> 00:11:34,413 现在让我们来回顾一下我们这节课讲了些什么. So, just to review a little bit about what we've talked about.

139 00:11:34,413 --> 00:11:37,269 这里有一些你需要知道的非常重要的艺术家们 Here are some of the most important artists that you're going to want to

140 00:11:37,269 --> 00:11:40,635 活跃在20年代、30年代到55年的主流音乐界. think about in this period of mainstream pop, in a period from about the 1920's,

141 00:11:40,635 --> 00:11:52,420 Bing Crosby、大型乐队、Andrew Sisters、Mills Brothers、Frank Sinatra、Johnnie Ray、Tony Bennett、 Eddie Fisher、Patti Page、Les Paul和Mary Ford. 1930's up to 1955. Bing Crosby, The Big Bands, The Andrew Sisters, The Mills Brothers, Frank Sinatra, Johnnie Ray, Tony Bennett, Eddie Fisher, Patti Page, Les Paul and Mary Ford.

142 00:11:52,420 --> 00:11:56,389 在下一个视频中，我们会详细地讨论 In fact, in the next video, we'll take a especially close look at Les Paul and

143 00:11:56,389 --> 00:12:03,630 Les Paul和Mary Ford，以及Les Paul作为吉他手的重要发明等. Mary Ford and some of the great innovations by Les Paul, the guitarist, and so many other things.