User:Visarga/Para-triska-vivarana Old Notes

New notes
User:Visarga/Para-triska-vivarana

Old notes

 * Pasyanti, Madhiyama and Vaikhari
 * Sambandha - the guru-disciple relationship (6 types)
 * The various meanings of Anuttara
 * The triad of pramatri, pramana, prameya
 * The various meanings of Kaula
 * Kaulika Siddhi
 * The four energies Kechari, Gochari, Dikcari, Bhucari
 * Aham and Maha
 * The four Anda
 * The Siva-Sakti-Nara diagram, Iccha-Jnana-Kriya
 * The 3 worlds : bhava, abhava, atibhava
 * The triad Para, Para-apara, Apara
 * The four subjects - cit pramata, citta pramata, prana pramata and deha pramata
 * The triad of satta (existence), Sambandha (relation), Arthakriya (purpose)
 * The Vama system, the five Ms (meat, fish, wine, mudra, maithuna)
 * The 5x5 Matrika Table for the first 25 phonemes
 * Mala
 * On Tattvas, Prithivi
 * The phonematic emanation
 * Creation as Evolution
 * Bimba-Pratibimba
 * The two overlapping triangles of Siva trikona and Sakti trikona, (pramata, prameya, pramana)
 * Aspects of manifestation - udyoga, avabhasa, carvana, vilopana
 * The quanta of Fire, Sun and Moon of
 * The six branches of yoga is K.S.
 * Esoteric Nyasa (5 zones)
 * Bhakti
 * The force centers (chakras) in K.S.
 * the five means of knowledge (pramāṇas): perception, inference (three types of inference ), testimony, etc
 * bhāsā - the light of Consciousness, without obstacles
 * aham is Mātṛkā
 * visarga, the virile energy, permeates the universe
 * anuttara is to be attained by visarga
 * mālinī, its role in the apparition of thoughts
 * centering on the I-consciousness in the heart and navel
 * kechari sāmya - identity with the Divine Consciousness
 * to be called vira or yoginī one must have attained kechari sāmya - identity with the Divine Consciousness
 * śat-tarka - pure reasoning leading to liberation of one's self and of the others; immediately precedes samādhi in Trika-yoga
 * bindu and visarga - the same creative energy, related to the phases of resorption and respectively emission
 * kalā and svara - the same realities of the phonematic sound, in internal and external aspect
 * the four aspects of manifetation: udyoga, avabhāsa, carvaṇa and vilāpana ; their substrate is brahman or sāmarasya
 * the 16 forms (kalā) of experience (pramiti) : (pramātā, pramāṇa, prameya and māyā) x (udyoga, avabhāsa, carvaṇa and vilāpana); the 17th form of experience is parā-śakti or svātantrya
 * the divisions of the subject(fire/Agni), knowledge (sun/Surya) and object (moon/Soma)
 * the two types of spanda: general (sāmānya spanda) and particular (viśeṣa spanda)
 * the six limbs of yoga according to Śaivāgama
 * anuttara - transcendence but not separation
 * amṛitabīja - description and effects
 * parā and aparā - definitions
 * "everything in in the form of everything else" - principle - sarvasarvātmakatā vapuḥ
 * the heart - the essential nature of the phenomenal reality, is brahman ; hṛdaya is also identified with "icchā after ānanda", a form known as pure consciousness - bodhamaya ; hṛdaya is defined as union of akula and the pulsating kulaśakti, and all those who a re joined in this primal state


 * ānandaśakti is the base of the rise of pure icchāśakti; pure icchāśakti is implicit in ānanda ; the creative desire is well linked with kulaśakti  ; leves of icchā
 * Brahman - virile principle full of the mass of bliss - ānandaśaktighanaṃ
 * yāmala, union of a vira and a yogini, conduces to experience of the beatitude of the Self
 * using breath as support for calming the mind in meditation - the mind is "permeated" by vāyu
 * lingam(male organ) - associated with jñānaśakti and yoni(female organ) associated with kriyāśakti
 * phoneme "sa" - the third brahma of the formule 'auṃ tat sat'
 * hṛdayaṃ - the place of repose of the Lord, source of all creative energy
 * uccāra - short definition - by the recitation of the mantra, the yogi becomes tottaly absorbed in prāṇa
 * 8 deities presiding over the groups of phonemes - Yogīśvari, Brāhmī, Maheśvarī, Kaumārī, Vaiṣṇavī, Vārāhī, Aindrī, Cāmuṇḍā
 * the triangle of śaktis : parā(uppper), aparā(left) and parāparā(right), presided by Parātītā devi - transcendence(center)
 * phisical union of a couple is kriyāmudrā; spiritual union of deities is jñānamudrā and does not entail an actual intercourse; a vira and a yoginī unite without ejaculation, even as they exprience orgasm* to be called vira or yoginī one must have attained kechari sāmya - identity with the Divine Consciousness
 * stages of intercourse: pervasion of parā, pervasion of parāparā and pervasion of aparā
 * smarānanda - bliss of sexual union by recollection
 * amṛtakalās - the four vowels ṛ, ṝ, ḷ, ḹ - when they are dissolved inside, the entire objectivity is unified with one's Self ; also known as śunya-catuṣa - the four void vowels
 * caturdaśa - the number "40", described as the triad: parā, parāparā and aparā plus the 36 tattvas; the 36 tattvas are purified by supreme triad
 * ū (ūnatā) is the intermediate point between jñānaśakti and kriyaśakti
 * sāmānya spanda is identified with akula ; is is also equated to vimarśa-śakti of the Divine
 * the 16 vowels - a short review
 * the five kind of experients (physica, pranic, subtle, inner self, supreme self) ; five bodies : spanda śarira, śākta śarira, puryaṣṭaka śarira, prāṇa śarira, sthūla śarira
 * śūnyātiśūnya (vyomasamādhi) - the void inbetween the stage of jñāna and kriyā ; its stages are represented by the void vowels
 * puryaṣṭaka - definition