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= Vashyavachas (K S Sasidharan) =

== Vashyavachas (born in Chavakkad Thrissur Kerala) is Film script writer,Novelist and poet in Malayalam. His poems and articles have been published in periodicals.He is currently working as Operation Manager at Guruvayoor in Gokulam Group of Hotels, He was Mofussil  correspondent  of Express Malayalam daily in 1980's. ==

Thirakalkkappuram
=== The first film he wrote was Thirakalkkappuram 1998, Directed by-Anil Adithyan Starred by Suresh Gopi, Manju Warrior,Murali ,Siddique, Maniyan pilla Raju and Mini Nair Mala Aravindan,Nedumudi Venu,K.B. Ganesh Kumar,Kuthiravattam Pappu,etc. ===


 * Suresh Gopi as Changgan
 * Manju Warrier as Sethamma
 * Murali as Moothoru
 * Siddique as Ramutty
 * Mini Nair as Panjami
 * Kuthiravattam Pappu as Kittunni
 * Nedumudi Venu as Vellayudhachan
 * Maniyanpilla Raju
 * Ganesh Kumar
 * Mala Aravindan
 * Raghavan
 * Meena

'Thirakalkkapuram opens with the life story of a motherless child, Seethamma, who is also believed to be the centripetal force of curses since her birth. She is looked after by her mother's sister and husband (Moothar) who do not have kids themselves. Seethamma's mom is believed to have died because she eloped against the rules of the Ocean and the community. Chengan is the male protagonist, projected as a gullible young fisherman with a mother who hates his attitude. Seethamma believes that her mother Karuthamma lives in a kingdom beyond the waves. The story follows the chit-chats to superstitions and lifestyle of the fishermen community in Kerala. The plot thickens when Chengan and Seethamma fall in love. but tangles when superstitions direct the community against the alliance. While some believe Chengan is inviting doom to his family, others condescend him as the evil eye of the community. Amidst the betrothal and confirmation of the alliance, sneers and snarls lead to a fight where Moothor calls off the marriage. After repeated attempts of trying to coax his community and Moothor to let them marry, Chengan decides to take the upper-hand and take the hand of Seethamma independently. The woman-centric plot spices-up when Seethama declares her love for Chengan in front of the community but refuses to walk out with him. Seethamma vents her anger on Chengan who decides to challenge fate, sea and his love by plunging into the ocean to make a daredevil-catch during the violent weather. Days pass while villagers fret in worry about the petty fate they weaved for Chengan and Seethamma. Although Seethamma tries to kill herself, she is seen revived by a potential groom. Chengan's oars and boat come back without Chengan; and Moothor declares his death at sea. Consecutively, the community elders suggest Moothor to accept another alliance, one for Seethamma from the man who saved her from the suicidal attempt. Seethamma silently witnesses the progress and weeps to her Mother Ocean. Some fishermen see hallucinations of Chengan while others mourn the fate. One night, Seethamma wakes up in the middle of the night and walks to the shore. She feels the waves lashing at her feet and cries. Suddenly, Seethamma sees a shadow rising out of the ocean. Within a few seconds, her crease on the lips widens into a smile and we see Chengan walking out of the sea. Chengan holds Seethamma and takes her back with him into the ocean.'

Manjukalavum Kazhinju
=== Second Film was Manjukalavum Kazhinju 1998, Directed by Benni Saradhi Late Film Director and starred by Manoj K Jayan , Sukanya , N F Varghese  and Jose  Pellissreri ,Sudheesh, etc ===


 * Manoj K. Jayan - Raghu
 * Nedumudi Venu - unniyettan
 * Sudheesh - Antappan
 * Sukanya - Shobha

'''Raghu gets accused of murder when he tries to expose the corrupt practices of some officers in a company. However, he must prove his innocence before it is too lateWatch the full movie, Manjukalavum Kazhinju is a 1998 Indian Malayalam film, directed by Benni Saradhi and produced by Moncy B Pulikkottil, M. Jayarajan. The film stars Manoj K Jayan, Nedumudi Venu, Sudheesh and Sukanya in lead roles. The film had musical score by Johnson.'''

Third film, Kadha 2002 Directed by Sunder Das and it is starred by  Prithviraj Sukumaran, Kavya Madhavan, Abbas  etc
Status - Not released

Shooting location - Kunnamkulam

Director - Sundar Das

Produced by - Menaka Sureshkumar

Banner - Revathi Kalamandir

Story - Vashyavachas

Screenplay - Vashyavachas

Dialogue - Vashyavachas

Lyrics by - Girish Puthanchery

Music by Ousepachan

Singers - KS Chitra, Sujatha Mohan, G Venugopal, Ousepachan, Asha Menon, Franco, Santhosh Keshav, Vidhu Pratap

Cinematography - Venugopal

Editing - L Bhuminathan

Art direction - Premachandran

Costumes - Indrans Jayan

Make up - Jayachandran

Design - Ann's

Distribution - Friends-Anju Films Release

After a long wait, Madhava and Sethulekshmi are blessed with a male child, Nandu. They want him to become a doctor, but problems arise when he has other plans after growing up.
'''Katha movie tells a love story in a very different manner. It was after a long wait and much of prayers that Madhava Menon and his wife Sethulekshmi were blessed with a child, a son. And hence they gave their son Nandu so much love and care that he grew up to be a very mischievous and playful youth. Madhava Menon wants his son to be a doctor, but Nandu is least interested. And then, a girl named Meera makes her entry into Nandu’s life. This is bound to be a turning point in Nandu’s life.ast interested. And then, a girl named Meera makes her entry into Nandu’s life. This is bound to be a turning point in Nandu’s life.'''

Dheepangal Sakshi
=== He wrote Sreen play and Dialogues for Malayalam film named Dheepangal Sakshi Directed by K B Madhu and it was starred by Manoj K Jayan, Indra Jith, Navya Nair,Salim Kumar etc ===

Indrajith Sukumaran - Rishikesh

Navya Nair - Krishna Veni

Narendra Prasad - Mullakkal Bhaskaran Nair -

Rekha Unnikrishnan - Rakhee

Manoj K. Jayan - Vinod

Jagannatha Varma - M. K. Menon

Manka Mahesh - Devaki

Salim Kumar - Advocate

Sadiq - Bhuvanachandran

Madhupal - Jeevan Issac

Venu Nagavalli - Advocate '''Deepangal Sakshi movie tells Rishi (Indrajit) who is a sub-collector. He is given the job of executing debt recovery by attachment of an ancestral house owned by Kesavan. He executes the court order and recovers the house. Kesavan, unable to stand the humiliation, commits suicide and his only daughter Krishnaveni (Navya), is left roofless. Rishi, who comes to know of this, has a guilty feeling but he is helpless since he was duty-bound to execute the court order. He begins to help Krishnaveni by offering to marry her. This upsets Rishi’s uncle who had brought him up and had planned to get his daughter Rakhee (Rekha) married to Rishi. ASI Vinod (Manoj), a relative of Krishnaveni, enters to further complicate the situation. How Rishi overcomes the hurdles and marries Krishnaveni forms the climax.'''

Karutha daivathinte kanavil - കറുത്ത ദൈവത്തിന്റെ കനിവിൽ
'''Karutha daivathinte kanavil - കറുത്ത ദൈവത്തിന്റെ കനിവിൽ '''This novel does not tell anything new. There is a reason for that - as much as it can be said, it is a description of the killing spree of evil man against nature. Someday, this novel may trigger the thought of ``Don't  in the corner of someone's mind when they see nature being decimated in the name of ``development . In the first chapter, from the point where Mary came to see her father's country with her baby at some point in time, and was surprised to find no such country beyond, to the last sentence that there are no people, culture or black gods, the novel only talks about nature and human'''

'''ഈ നോവൽ പുതിയതൊന്നുംതന്നെ പറയുന്നില്ല. അതിനു കാരണമുണ്ട് -ഇത് പറഞ്ഞുപോകുന്നതത്രയും ദുരമൂത്ത മനുഷ്യൻ പ്രകൃതിക്കുനേരെ നടത്തുന്ന കൊലവിളിയുടെ വിശേഷങ്ങളാണ്. പ്രകൃതിയെ 'വികസനം' എന്ന ഓമനപ്പേരിട്ട് ഇല്ലായ്മ ചെയ്യുന്നത് കാണുമ്പോൾ എന്നെങ്കിലും, ആരുടെയെങ്കിലും മനസ്സിന്റെ കോണിൽ 'അരുത്' എന്ന ചിന്തയുണർത്താൻ ഈ നോവൽ കാരണമായേക്കാം. ആദ്യ അധ്യായത്തിലെ, കാലത്തിന്റെ ഏതോ ബിന്ദുവിൽ കൈക്കുഞ്ഞിനേയുമെടുത്ത് അച്ഛന്റെ നാടുകാണാനെത്തിയ മേരി, അപ്പുറത്ത് അങ്ങനെയൊരു നാടില്ലാതെകണ്ട് അത്ഭുതപ്പെട്ടു എന്നിടത്തു തുടങ്ങി അവിടെ മനുഷ്യരോ സംസ്‌കാരമോ കറുത്ത ദൈവങ്ങളോ ഇല്ലാതാകുന്നു എന്ന അവസാനവാക്യം വരെ നോവൽ പ്രകൃതിയെക്കുറിച്ചും മനുഷ്യൻ്റെ ആർത്തിയെക്കുറിച്ചും മാത്രം പറയു'''

Vernica - (വെർണിക്ക)
'''Vasyavachas's Vernica gives a wonderful vision of instilling all the miseries of a woman in society into one. A glimpse of the folk tradition that Bernica is destined to suffer. Along with that, she also shows that she fights against these concepts and patriarchy in her own way. The cultured may find those practices abhorrent. It may be meaningless. But it is a war. A woman's courage that says that she will not bow before those who are about to conquer her, she will not salute them with her feet.'''

'''വശ്യവചസ്സിന്റെ വെർണിക്ക സമൂഹത്തിൽ ഒരു സ്ത്രീയനുഭവിക്കുന്ന ദുരിതങ്ങളെയെല്ലാം ഒരാളിലേക്കു സന്നിവേശിപ്പിക്കുന്ന അത്ഭുതക്കാഴ്ച തരുന്നു. വെർണിക്ക ദുരിതം പേറാൻ വിധിച്ചവളാണെന്ന നാട്ടുരീതിയുടെ നേർക്കാഴ്ച. അതിനൊപ്പം അവൾ ഈ സങ്കല്പ‌ങ്ങൾക്കും പുരുഷാധിപത്യത്തിനുമെതിരെ അവളുടേതായ രീതിയിൽ പടപൊരുതുന്നതും കാണിച്ചു തരുന്നു. സംസ്കാരസമ്പന്നർക്ക് ഒരുപക്ഷേ ആ രീതികൾ മ്ളേച്ഛമായിരിക്കാം. അരുതാത്തതായിരിക്കാം. എന്നാലതൊരു യുദ്ധമാണ്. തന്നെ കീഴടക്കാനൊരുങ്ങുന്നവർക്കു മുന്നിൽ അടിയറവിനില്ലെന്ന്, അവരെ കാലുതൊട്ടു വന്ദിക്കാനില്ലെന്ന് പറയുന്ന,'''

Mounanantharam - (മൗനാന്തരം)
'''This is how the idea of ​​a book emerged and came to fruition from the friendships kept intact from the late 70s to the early 80s. The poetry of those days is still the light that the black candle provides. The poems that came out of this renaissance have not only memories of the past but also humanity and present realities. This light is cold. All the participants have poured that warmth into their poems. The collection is richoks he wrote in different thought lines, idioms and writing styles.'''

'''എഴുപതുകളുടെ അവസാനം മുതൽ എൺപതുകളുടെ ആദ്യം വരെയുള്ള കാലഘട്ടത്തിൽ നിന്ന് ഇതുവരെ അറ്റുപോകാതെ സൂക്ഷിച്ച സൗഹൃദക്കണ്ണികളിൽ നിന്നാണിങ്ങനെ ഒരു പുസ്‌തകം എന്ന ആശയം ഉയർന്ന് വന്നതും, പ്രാവർത്തികമാകുന്നതും. അന്നത്തെ കവിത്വം ഇന്നും കരിന്തിരി കത്താതെ നൽകുന്ന വെളിച്ചം. ഈ നിറതിരിവെളിച്ചത്തിൽ നിന്ന് വന്ന കവിതകളിൽ ഗതകാല സ്മ‌രണകൾ മാത്രമല്ല, മാനവികതയും വർത്തമാനകാല യാഥാർത്ഥ്യങ്ങളുമെല്ലാമുണ്ട്. ഈ വെളിച്ചമൊരു കുളിർമ്മയാണ്. ആ കുളിർമ്മ ഇതിലെ പങ്കാളികളെല്ലാം അവരുടെ കവിതകളിലേക്ക് പകർന്നിട്ടുണ്ട്. വ്യത്യസ്‌തമായ ചിന്താസരണികൾ, ഭാഷാശൈലികൾ, രചനാശൈലികൾ എന്നിവകൊണ്ട് സമ്പുഷ്ടമാണീ സമാഹാ'''