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This article is about the 1977 film. For the 1997 Malayalam film, see The Car (1997 film). For other uses, see The Car (disambiguation). The Car The Car movie poster.jpg Promotional poster Directed by	Elliot Silverstein Written by Michael Butler Dennis Shryack Lane Slate Story by Michael Butler Dennis Shryack Produced by Marvin Birds Elliot Silverstein Starring James Brolin Kathleen Lloyd John Marley Elizabeth Thompson Ronny Cox Cinematography	Gerald Hirschfeld Edited by	Michael McCroskey Music by	Leonard Rosenman Colour process	Technicolor Distributed by	Universal Pictures Release date May 13, 1977 Running time	98 minutes[1] Country	United States Language	English The Car is a 1977 American horror film[2][3] directed by Elliot Silverstein and written by Michael Butler, Dennis Shryack and Lane Slate. The film stars James Brolin, Kathleen Lloyd, John Marley and Ronny Cox, along with real-life sisters Kim and Kyle Richards (as Brolin's daughters). It tells the story of an unmanned, self-driving mysterious car that goes on a murderous rampage, terrorizing the residents of a small town.

The film was produced and distributed by Universal Studios and was influenced by numerous "road movies" of the 1970s including Steven Spielberg's thriller Duel (1971) and Roger Corman's Death Race 2000 (1975).[citation needed] A spinoff sequel, The Car: Road to Revenge, was released on January 8, 2019, with Cox returning in the series.[4]

Contents 1	Plot 2	Cast 3	Production 4	Reception and home media 5	Spinoff 6	See also 7	References 8	External links Plot Two cyclists riding through a canyon are followed by a mysterious matte black car down the road. At a bridge, the car proceeds to crush one cyclist against the wall and ram the other from behind, catapulting him off the bridge. A hitchhiker, hoping to get a ride, encounters the car and insults it after it purposely tries to run him down. In response, the car runs over him several times and leaves. The local sheriff's office, called to the first of a series of hit and run deaths, gets a lead on the car that appears heavily customized and has no license plates, as pointed out by Amos Clemens (R. G. Armstrong) after he sees it run over the hitchhiker.

That night, in an apparent bid, to kill Amos, the car instead runs over Sheriff Everett Peck (John Marley), leaving Chief Deputy Wade Parent (James Brolin) in charge. During the resulting investigation, an eyewitness to the accident states that there was no driver inside the car, furthering Wade's confusion. Wade asks his girlfriend, Lauren (Kathleen Lloyd), who is a teacher at the local school, to cancel the upcoming marching band rehearsals for their safety. Lauren and her friend, the wife of Wade's deputy Luke Johnson (Ronny Cox), ask him to let them rehearse, to which Luke unwittingly agrees.

The car enters the town and attacks the school marching band as it rehearses at the local showground. It chases the group of teachers and students into a cemetery. Curiously enough, the vehicle will not enter onto the consecrated ground as Lauren taunts the purported driver that any of the townsfolk have yet to see. Seemingly in anger, the car destroys a brick gate post and leaves. The police chase the automobile along highways throughout the desert before it turns on them, destroying several squad cars and killing five of Wade's deputies in the process. Wade confronts the vehicle and is surprised to see that none of his bullets put a dent on the car's windshield or tires. After trying to open the door (it is revealed that the car has no door handles), Wade is knocked out by the car door when it opens by itself, and the car escapes. At the hospital, Wade is consoled by his remaining deputies and Lauren. He later offers to get her some spare clean clothes.

That evening, Lauren is picking up her things at home and talking to Wade over the phone when the car drives straight through her house and rams her. Luke suggests to a grief-stricken and maddened Wade the theory that it acted in revenge for the insults hurled on it by Lauren and notes that it did not enter the cemetery because "the ground is hallowed," a biblical reference. Wade concocts a plan to stop the car by burying it beneath a controlled explosion in the canyons that lie outside of town. After discovering it waiting for them in his garage, they are forced to carry out his plans post haste. He is pursued by the car into a mountainous canyon area where his remaining deputies have set a trap for the machine.

In a final confrontation, Wade and Luke stand at the edge of a cliff and bait the car into running straight at them, then jump aside as it goes over the cliff. As the dynamite detonates and rubble falls on the car, a monstrous, demonic visage appears in the smoke and fire of the explosion, shocking the deputies. Wade refuses to believe what the group saw in the flames, despite Luke's insistence.

The film concludes with the car prowling the streets of downtown Los Angeles, apparently having survived the crash.

Cast James Brolin as Captain Wade Parent Kathleen Lloyd as Lauren Humphries John Marley as Sheriff Everett Peck Elizabeth Thompson as Margie Johnson Ronny Cox as Deputy Luke Johnson R. G. Armstrong as Amos Clemens John Rubinstein as John Morris Kim Richards as Lynn Marie Parent Kyle Richards as Debbie Parent Roy Jenson as Ray Mott Kate Murtagh as Miss McDonald Doris Dowling as Bertha Clemens Eddie Little Sky as Denson Lee McLaughlin as Marvin Fats Melody Thomas Scott as Suzie Pullbrook Geraldine Keams as Donna Production The evil, black car in the film was a highly customized 1971 Lincoln Continental Mark III designed by famed Hollywood car customizer George Barris. There were four cars built for the film in six weeks. Three were used as stunt mules, the fourth for closeups. The stunt mules were destroyed during production, while the fourth is now in a private collection.

The car's bodywork was painted in steel, pearl and charcoal colouring. The windows were laminated in two different shades, smoked on the inside and amber on the outside, so one could see out of it but not into it. To give "the car" a "sinister" look as requested by director Elliot Silverstein, Barris made the car's roof three inches lower than usual and altered its side fenders that same length again both higher and longer. According to Silverstein, the distinctive sound of the horn of The Car makes spells out the letter X in Morse code.

Parts of the film were shot in St. George, Hurricane-LaVerkin Bridge, Zion, Kanab, Crazy Horse Canyon and Glen Canyon in Utah.[5]

The late Church of Satan leader Anton LaVey was given a "Technical Adviser" credit on the film. His quote, "Oh great brothers of the night who rideth upon the hot winds of hell, who dwelleth in the Devil's lair; move and appear", is given in the opening credits and is taken from the "Invocation of Destruction" in The Satanic Bible.

The film's main theme, heard predominantly throughout, is a reworked, orchestral version of the Dies Irae.

Reception and home media The film was panned by critics, citing poor dialogue and acting. The film holds a 28% approval rating from Rotten Tomatoes based on 18 reviews.[6]

Vincent Canby of The New York Times wrote that the film "has all the ingredients of a parody, although someone has made the mistake of doing it straight."[7] Chicago Tribune film critic Gene Siskel gave the film one star out of four and wrote, "What's worse than the rotten acting is that 'The Car' makes absolutely no sense as a story. In some scenes, the car is presented as a supernatural being, able to materialize at will. In other scenes, however, the car is hopelessly realistic. Even more surprising is the poor quality of the film's special effects."[8] Arthur D. Murphy of Variety wrote, " 'The Car' is a total wreck. The story concerns a phantom auto on a killing spree (allegory, anyone?) in a small western town where everybody overacts badly."[9] Kevin Thomas of the Los Angeles Times wrote that the film's "various special effects are superior," but stated, "With often laughable dialogue—some of it deleted after previews—the film's appeal is limited to the undiscriminating seeking a new sensation."[10] Gary Arnold of The Washington Post called it "a blatant, pitiful attempt to recycle elements from superior scare vehicles," namely Duel and Jaws. [11] John Gillett of The Monthly Film Bulletin stated that the film "manages to be a fairly brisk thriller" when the action was focused on the car, but lamented that director Silverstein "has been saddled with one of those small-town family scripts complete with Deputy Sheriff romping with his schoolteacher friend, a drink-and-neurosis-ridden police force, and some generally strained acting by a less than starry cast."[12]

The film is listed in Golden Raspberry Award founder John Wilson's book The Official Razzie Movie Guide as one of the 100 Most Enjoyably Bad Movies Ever Made.[13]

The Car was released in standard definition and without additional features on DVD by Anchor Bay Entertainment on July 20, 1999. Arrow Films released The Car on Blu-ray on December 15, 2015. The Blu-ray release features the first HD 1080p transfer of the film, as well as commentary and additional features.[14]

Spinoff In 2019, 42 years after the original film, a spinoff sequel was released called The Car: Road to Revenge.[15]

See also Similar titles Killdozer!, a 1974 film about a possessed bulldozer. The Hearse, a 1980 horror movie about a possessed hearse. Christine is a 1983 horror film inspired by Stephen King's novel about a possessed red 1958 Plymouth Fury. Nightmares, a 1983 movie made up of four separate story segments; the third, "The Benediction", features a travelling priest attacked the highway by a demonic 4x4. Maximum Overdrive, a 1986 horror movie, based on the short story "Trucks" by Stephen King (and directed by King). Trucks, a more faithful 1997 made-for-TV film based on the King short story. Wheels of Terror, a 1990 made-for-TV film about a mysterious car with an unseen driver terrorizing a small Arizona community. Black Cadillac, a 2003 film about a mysterious black Cadillac that stalks three young men as they make their way through the virtually deserted mountain roads of Wisconsin. Phantom Racer, a 2009 made-for-TV Syfy film about a race car possessed by the spirit of its driver seeking revenge against his former rival. Super Hybrid, a 2011 film about a shapeshifting monster that transforms into a car. "The Honking", a Futurama episode where Bender transforms into a similar-looking demonic car. References "THE CAR (AA)". British Board of Film Classification. May 16, 1977. Retrieved July 22, 2015. "The Car". "Existential Dread on Wheels: The Car (1977)". September 19, 2013. "'The Car: Road to Revenge' Isn't Quite the Sequel You're Expecting". /Film. January 11, 2019. Retrieved January 29, 2019. D'Arc, James V. (2010). When Hollywood came to town: a history of moviemaking in Utah (1st ed.). Layton, Utah: Gibbs Smith. ISBN 9781423605874. "The Car". Rotten Tomatoes. Retrieved December 19, 2018. Canby, Vincent (May 14, 1977). "Film: The Car". The New York Times. 10. Siskel, Gene (May 17, 1977). " 'The Car' could be The Turkey of the cinematic year". Chicago Tribune. Section 2, p. 9. Murphy, Arthur D. (May 11, 1977). "Film Reviews: The Car". Variety. 79. Thomas, Kevin (May 13, 1977). "Killer Auto Plays Hit, Run in 'Car' ". Los Angeles Times. Part IV, p. 22. Arnold, Gary (May 16, 1977). " 'The Car': A Real Lemon". The Washington Post. B9. Gillett, John (August 1977). "The Car". The Monthly Film Bulletin. 44 (523): 164. Wilson, John (2005). The Official Razzie Movie Guide: Enjoying the Best of Hollywood's Worst. Grand Central Publishing. ISBN 0-446-69334-0. "The Car". Arrow Video. Retrieved November 3, 2016. "'The Car: Road to Revenge' Isn't Quite the Sequel You're Expecting". /Film. January 11, 2019. Retrieved January 29, 2019.