User:Willardthecat/George Lewis (trombonist)/Bibliography

This is the section current in the article 28 Aug 20 Books and essays [by George E. Lewis]

 * Lewis, George E. "Lifting the Cone of Silence From Black Composers." The New York Times. July 3, 2020.
 * Lewis, George E. and Benjamin Piekut, ed. The Oxford Handbook of Critical Improvisation Studies, Vols. 1&2. New York: Oxford University Press, 2016.
 * Lewis, George E. "Americanist Musicology and Nomadic Noise." Journal of the American Musicological Society, Vol. 64, No. 3 (Fall 2011), pp. 691–95.
 * Lewis, George E. "Interactivity and Improvisation". In Dean, Roger T., ed. The Oxford Handbook of Computer Music. New York and Oxford: Oxford University Press (2009), 457-66.
 * Lewis, George E. A Power Stronger Than Itself: The AACM and American Experimental Music. Chicago: University of Chicago Press, 2008.
 * Lewis, George E. "The Virtual Discourses of Pamela Z". In Hassan, Salah M., and Cheryl Finley, eds. Diaspora, Memory, Place: David Hammons, Maria Magdalena Campos-Pons, Pamela Z. Munich: Prestel (2008), 266-81.
 * Lewis, George E., "Foreword: After Afrofuturism." Journal of the Society for American Music, Volume 2, Number 2, pp. 139–53 (2008).
 * Lewis, George E., "Stan Douglas's Suspiria: Genealogies of Recombinant Narrativity." In Stan Douglas, Past Imperfect: Works 1986-2007. Ostfildern, Germany: Hatje Cantz Verlag, 42-53 (2008).
 * Lewis, George E., "Improvising Tomorrow's Bodies: The Politics of Transduction." E-misférica, Vol. 4.2, November 2007.
 * Lewis, George E., "Mobilitas Animi: Improvising Technologies, Intending Chance." Parallax, Vol. 13, No. 4, (2007), 108–122.
 * Lewis, George E., "Living with Creative Machines: An Improvisor Reflects." In Anna Everett and Amber J. Wallace, eds. AfroGEEKS: Beyond the Digital Divide. Santa Barbara: Center for Black Studies Research, 2007, 83-99.
 * Lewis, George E. "Live Algorithms and the Future of Music." CT Watch Quarterly, May 2007.
 * Lewis, George E. Improvisation and the Orchestra: A Composer Reflects. Contemporary Music Review, Vol. 25, Nos. 5/6, October/December 2006, pp. 429–34.
 * Lewis, George E. "The Secret Love between Interactivity and Improvisation, or Missing in Interaction: A Prehistory of Computer Interactivity". In Fähndrich, Walter, ed. Improvisation V: 14 Beiträge. Winterthur: Amadeus (2003), 193-203.
 * Lewis, George E. 2004. "Gittin' to Know Y'all: Improvised Music, Interculturalism and the Racial Imagination". Critical Studies in Improvisation (peer-reviewed online journal), Vol. 1, No. 1, ISSN 1712-0624, www.criticalimprov.com.
 * Lewis, George E. 2004. "Leben mit kreativen Maschinen: Reflexionen eines improvisierenden Musikers". In Knauer, Wolfram, ed. Improvisieren: Darmstädter Beiträge zur Jazzforschung, Band 8. Hofheim: Wolke Verlag, 123-144.
 * Lewis, George. 2004. Afterword to "Improvised Music After 1950": The Changing Same. In Fischlin, Daniel, and Ajay Heble, eds. The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. Middletown: Wesleyan University Press, 163-72.
 * Lewis, George E., "Too Many Notes: Computers, complexity and culture in Voyager." Leonardo Music Journal 10, 2000, 33-39. Reprinted in Everett, Anna, and John T. Caldwell, eds. 2003. New Media: Theories and Practices of Intertextuality. New York and London: Routledge, 93-106.
 * Lewis, George, "Teaching Improvised Music: An Ethnographic Memoir." In Zorn, John, ed. Arcana: Musicians on Music. New York: Granary Books (2000), 78-109.
 * Lewis, George, "Improvised Music After 1950: Afrological and Eurological Perspectives." Black Music Research Journal, vol. 16, No.1, Spring 1996, 91-122. Excerpted in Cox, Christoph, and Daniel Warner. 2004. Audio Culture: Readings In Modern Music. New York: Continuum, 272-86.


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