User:Wound theology/Sacred clown

A sacred clown (or ritual clown) is a recurrent figure in world mythology, ritual, and religion, an ambivalent or paradoxical figure.

Europe
Enid Welsford described the festival fool, in constrast to court jesters, as "ritual characters." The morris dances, mummer plays, Sword-Dance, and Plough Monday plays, which prominently feature fools, mark the transition between winter and the vernal equinox.

Pakistan
During the mendi rite of traditional Pakistani weddings, a cross dressing clown-like character, generally a young girl dressed as an old man, appears as a liminal figure marking the boundary between the end points of the wedding as a rite de passage.

Mayo
Capakobam

Maya

 * Howler monkey gods

Yaqui

 * Pahkolam

Yokuts lonewis
Lonewis clown

Lord of Misrule

 * Feast of Fools

Clown societies
Clown society is a term used in anthropology and sociology for an organization of comedic entertainers (Heyoka or "clowns") who have a formalized role in a culture or society.

Sometimes clown societies have a sacred role, to represent a trickster character in religious ceremonies. Other times the purpose served by members of a clown society is only to parody excessive seriousness, or to deflate pomposity.

In the sense of how clowns function in their culture: By doing ordinary things "the wrong way" the clown reveals what would otherwise be perceived as the serious or true state of things in a different fashion.
 * A clown shows what is wrong with the ordinary way of doing things.
 * A clown shows how to do ordinary things the "wrong way".

Members of a clown society may dress in a special costume reserved for clowns, which is often a ridiculously extreme or improper form of normal dress. Some members paint their body with horizontal black and white stripes, which represents a skeleton.

In the case of the Zuni clown society of the Puebloans, "one is initiated into the Ne'wekwe order by a ritual of filth-eating" where "mud is smeared on the body for the clown performance, and parts of the performance may consist of sporting with mud, smearing and daubing it, or drinking and pouring it onto one another". The sacred clown and his apparently antisocial behavior is condoned in Native American ceremonies.

While in their costume, clowns have special permission from their society to parody or criticize defective aspects of their own culture. They are always required to be funny. Other persons living within the same culture may recognize a clown when they see one, but seldom consciously understand what the clowns do for their society. The typical explanation is "He's just a funny man."

In the case of the jester at the English Royal Court with his cap of bells and pig's bladder stick he was allowed to make fun of, be indelicate and sometimes downright rude to members of the royal family and their entourage without fear of reprisal.

Clown societies usually train new members to become clowns. The training normally takes place by an apprentice system, although there may be some rote schooling as well. Sometimes the training is improvisational comedy, but usually a clown society trains members in well known forms of costume, pantomime, song, dance, and common visual gags. Occasionally these include a scripted performance, or skit, which is part of a standard repertoire that "never gets old," and is expected by members of the culture that the clown society is part of.

Humor assumes "a sacred position within ceremonials" in many Native North American societies; examples are found in Trickster traditions, Pueblo clown societies, Cherokee "Booger" dances, and aspects of the Northwest Coast Potlatch. Humor is a fundamental aspect of Native American life, and has many purposes related to sacred rituals and social cohesion.