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Feature-length (40 minutes and over)
 Technicolor System 4

The films in this list are products of Technicolor System 4 (1932). They were mostly filmed with Technicolor three-strip cameras with release prints being made by dye-transfer (imbibition [IB]), as opposed to photochemical methods, by Technicolor Corp at Hollywood or, from 1937, its associate, Technicolor Ltd, at Harmondsworth in England. The system was phased out in the early-mid 1950s with the introduction of color monopack (chromogenic) negative film though the manufacture of IB prints from Eastmancolor and other color negative films continued as Technicolor System 5.

The first feature film in three-strip Technicolor was Becky Sharp (1935), the last being The Feminine Touch (1956). Not all features released in this period credited as "Technicolor", "in Technicolor" or "color by Technicolor" were filmed using Technicolor's three-strip cameras. Other methods of original photography included:


 * Successive Exposure (or Frame) Cameras – these were used for animated films except for very early short films which used three-strip cameras. The use of SE cameras for animation continued after the demise of Technicolor three-strip cameras and into the 1970s, Snow White and the Seven Dwarfs (1937) and Robin Hood (1973) being the first and last features respectively.
 * Kodachrome 16mm – introduced in 1935 for amateur use, this monopack reversal film stock was used from 1941 for a few feature films, mainly wartime documentaries and, later, Disney True-life Adventures.
 * Technicolor Monopack (with a capital “M”) – the trade name for 35mm Kodachrome, used exclusively by Technicolor from 1941 as a motion picture stock in black and white cameras. The uses for Monopack were:
 * situations where three-strip cameras proved cumbersome, early publicised examples being Dive Bomber (1941), Captains of the Clouds (1942) The Forest Rangers (1942);
 * when a shot needed to be filmed simultaneously from different angles, such as the bear fight in The Yearling (1946);
 * on location, the first being Lassie Come Home (1943); films using Monopack on difficult locations include Scott of the Antarctic (1948), King Solomon's Mines (1950) and Mogambo (1953);
 * for entire features, either as an economy or because of a shortage of three-strip cameras. Early examples were Thunderhead, Son of Flicka (1945), Son of Lassie (1945) and Easy to Wed (1946);
 * industrial and military training films.
 * Technichrome – with a shortage of three-strip Technicolor cameras in England, and Technicolor Monopack taking too long to process, much of the action of the 1948 London Olympic Games was filmed in a bipack system dubbed “Technichrome”.
 * Eastmancolor and other color negative films – ie Technicolor System 5. Some films were hybrids of both systems: Easy to Love (1953 - finale in Ansco Color), The Purple Plain (1954 - locations in Eastmancolor),

1934
* The Technicolor animated sequence, The_Hot_Choc-late_Soldiers, was filmed with a 3S camera. Subsequent animations in this list used successive exposure cameras.

1936
* Special Achievement Academy Award

1937
* Special Achievement Academy Award

1938
* Special Achievement Academy Award

1944 live-action
https://filmcolors.org/timeline-entry/1302/#/infobox/38451

1945 animated
Add The Enemy Bacteria, monopack and animation https://archive.org/details/american-cinematographer-1945-11-pdf/page/n11/mode/2up?q=monopack

1952 animated
Since 1937, animated films "In Technicolor" had been made using sequential exposure cameras. This technique long-outlasted the use of the live-action three-strip Technicolor cameras. No animated films after 1952 are listed here.