User:Xaosflux/sandbox95

orig
1. Allegro molto (A major)
 * The main theme of the passionate first movement enters immediately. After a brief dialogue between the instruments, a second theme is introduced in the violin, modulating over a rising chromatic bass. The themes are developed extensively, the second theme "floating ethereally above deep, hushed piano chords", before finishing in a bold coda.

2. Andante (D minor)
 * The reticent slow movement begins in the rhythm of a barcarolle, the violin imitating the singing of a Venetian gondolier. The roles are then reversed, and a second theme in F major sparks a lively dialogue between the two instruments. A variation of the introduction returns, followed once again by the second theme, this time in D major, building to a climax "with astonishingly sonorous scoring".

3. Scherzo: Allegro vivo (A major)
 * The fast-paced scherzo is of light-hearted nature, blending lively runs with pizzicati. It is briefly interrupted by a lyric, slightly Schumannesque, trio in F♯ minor.

4. Finale: Allegro quasi presto (A major)
 * The dramatic and emotional finale begins dolcissimo on the violin, though it quickly transforms into the most energetic of the four movements, mesmerizingly oscillating around a recurrent C♯.A second, strikingly syncopated theme breaks out in double stop octaves on the violin. In development, the first theme is obsessively worked against a new violin melody. The piece culminates in a brief majestic coda of pure virtuosity.

subst
 Allegro molto (A major)
 * The main theme of the passionate first movement enters immediately. After a brief dialogue between the instruments, a second theme is introduced in the violin, modulating over a rising chromatic bass. The themes are developed extensively, the second theme "floating ethereally above deep, hushed piano chords", before finishing in a bold coda.

Andante (D minor)
 * The reticent slow movement begins in the rhythm of a barcarolle, the violin imitating the singing of a Venetian gondolier. The roles are then reversed, and a second theme in F major sparks a lively dialogue between the two instruments. A variation of the introduction returns, followed once again by the second theme, this time in D major, building to a climax "with astonishingly sonorous scoring".

Scherzo: Allegro vivo (A major)
 * The fast-paced scherzo is of light-hearted nature, blending lively runs with pizzicati. It is briefly interrupted by a lyric, slightly Schumannesque, trio in F♯ minor.

Finale: Allegro quasi presto (A major)
 * The dramatic and emotional finale begins dolcissimo on the violin, though it quickly transforms into the most energetic of the four movements, mesmerizingly oscillating around a recurrent C♯.A second, strikingly syncopated theme breaks out in double stop octaves on the violin. In development, the first theme is obsessively worked against a new violin melody. The piece culminates in a brief majestic coda of pure virtuosity.

