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Darko Ronald Suvin (born Darko Šlesinger) is a Yugoslav born academic, writer and critic who became a Professor at McGill University in Montreal &#x2014; now emeritus. He was born in Zagreb, which at the time was in Kingdom of Yugoslavia, now the capital of Croatia. After teaching at the Department for Comparative Literature at the Zagreb University, and writing his first books and poems in his native language (that is, in the standardized Croatian variety of Serbo-Croatian language), he left Yugoslavia in 1967.

He is best known for several major works of criticism and literary history devoted to science fiction. He was editor of Science-Fiction Studies (later respelled as Science Fiction Studies) from 1973 to 1980. After his retirement from McGill in 1999, he has lived in Lucca, Italy. He is a Fellow of the Royal Society of Canada (Academy of Humanities and Social Sciences).

In 2009, he received Croatian SFera Award for lifetime achievement in science fiction. He is also a member of the Croatian Writers Society (HDP).

Recently, Suvin published the series of memoirs on his youth as member of the Young Communist League of Yugoslavia during the Nazi occupation of Croatia and Yugoslavia, and first years of Josip Broz Tito's Yugoslavia, in the Croatian cultural journal Gordogan. His 2016 book Splendour, Misery, and Potentialities: An X-ray of Socialist Yugoslavia (published in translation as Samo jednom se ljubi: radiografija SFR Jugoslavije in Belgrade in 2014, in two printing), an attempt at dialectical history of socialist Yugoslavia, is now widely quoted in most recent books and articles in the emerging field of "post-Yugoslav studies".

Early life
Suvin was born in Zagreb, Kingdom of Yugoslavia, on July 19, 1930 to a Croatian Jewish family of Miroslav and Truda (née Weiser) Šlesinger. In Zagreb he attended the Jewish elementary school in Palmotićeva street. In 1939 his family changed the surname from Šlesinger to Suvin due to political situation and antisemitism caused by Nazi propaganda. When Suvin was a young child, there was great political strife in Yugoslavia. Originally a monarchy, Yugoslavia quickly succumbed to the Fascist occupation, and then later various other types of government. In the early 1940s, before the end of World War Two, a Nazi controlled bomb exploded close to Suvin, an event that was ultimately responsible for piquing his interest in Science Fiction, not because of the technology behind the bomb, but because he realized in even a slightly alternative world, he might have been killed right then and there. Many members of his family perished during the Holocaust, including his paternal grandparents Lavoslav and Josipa Šlesinger.

Interest in Literature
After World War Two, Suvin became even more infatuated with science fiction. He earned his PhD from Zagreb University. Soon after, he published his first article, which was little more than a brief overview and survey of the SF genre. He continued to earn a living by translating a wide variety of science fiction books into his native language. They included The Seedling Stars and Day of the Triffids. In general, the more fascinating he found a book, the more likely he was to translate it.

In Yugoslavia during the early 1960s, Suvin published his first book, a historical introduction to, or general overview of, science fiction as a whole. The works of Asimov, Heinlein and others were discussed in great detail, and several individual SF books were analyzed. The book also included the results of his first article initially published in 1957.

Move to North America
In 1967, Suvin emigrated to North America to teach in universities. Shortly after arriving, college students in the United States were revolting. Students wanted many things, but among them were more courses, one of which was Science Fiction. At this point, Suvin's expertise was extremely desirable, and there were many educational institutions that were looking to hire him.

Suvin was hired as a Science Fiction professor at McGill University in Montreal in 1968. About five years later, the number of students signing up for SF courses dropped significantly, leaving him to teach English and Literature courses. Through his teaching career, he has published numerous works and contributed to the study of Science Fiction. In 1999, Suvin retired and moved to Italy, where he lives to this day.

Awards

 * The SFera Award for lifetime achievement in science fiction, 2009.


 * The Lyman Tower Sargent Distinguished Scholar Award by the North American Society for Utopian Studies, 2013.


 * A Distinguished Service Award by the European Utopian Studies Society, 2019.

Science Fiction
Works of Science Fiction all begin with the idea of framing a hypothesis - a new thing or novum. The most common of these hypotheses is likely time travel, although there are many thousands of distinct alternate realities used in books and movies that do not utilize time travel as a hypothesis. It is Suvin's opinion that some of the most commercially successful works of SF have only used this idea of framing a hypothesis as an ornament. In other words, Suvin believes that the most popular mainstream SF works, like Star Wars, are not truly SF at heart—they simply utilize the genre as a way to take advantage of the special effects and uniqueness that go along with the genre. Suvin said that SF is "a developed oxymoron, a realistic irreality" to address science fiction's factual basis in science and the small tweaks to those facts that make things fiction.

Cognitive estrangement
In Suvin's opinion, the focus of the genre lies in encouraging new ways of thinking about human society, or to inspire those who are oppressed to resist. Suvin has labeled this idea of subversive thinking as cognitive estrangement. Those works of SF that could be characterized as using cognitive estrangement rely on no one particular hypothesis, but instead on the cognitive presentation of alternative realities that directly contradict the status quo.

Works

 * Dva vida dramaturgije: eseji o teatarskoj viziji (Zagreb 1964) &#x2014; "Two aspects of dramaturgy: essays on theatrical vision", in Croatian language
 * Od Lukijana do Lunjika (Zagreb 1965) &#x2014; "From Lucian to Lunik", in Croatian, anthology and theory of science fiction. Major parts of this book and other early essays, published in the 1960s in Croatian language, were later reworked for Metamorphoses of Science Fiction.
 * Other Worlds, Other Seas: Science Fiction Stories From Socialist Countries, selected and edited with Preface and notes, New York: Random House, 1970; New York - Berkeley, 1972; German edition 1972 and 1975; French 1973; Dutch 1976; Japanese 1976, Spanish 1981)
 * Uvod u Brechta (Zagreb 1970) &#x2014; "Introduction into Brecht", in Croatian language
 * Russian Science Fiction, 1956–1970: A Bibliography (1971) and later editions
 * Science-Fiction Studies: Selected Articles on Science Fiction, 1973–1975 (1976) &#x2014; editor with R. D. Mullen
 * Dramatika Iva Vojnovića: geneza i struktura (Dubrovnik, Vol. 20, 1977, issue 5-6) &#x2014; "Ivo Vojnovic's Dramatics: Genesis and Structure", the whole issue of the magazine printed Suvin's PhD from University of Zagreb; often wrongly cited as the book
 * H. G. Wells and Modern Science Fiction (1977) &#x2014; edited by Darko Suvin, with Robert M. Philmus
 * Science-Fiction Studies: Selected Articles on Science Fiction, 1976–1977 (1978) &#x2014; editor with R. D. Mullen
 * Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre (Yale University Press, 1979) (also French version 1977; German 1979; Spanish 1984 and 1987; Italian 1985; Japanese 1991; Croatian 2010; Chinese 2011).
 * Victorian Science Fiction in the UK: The Discourses of Knowledge and of Power (1983)
 * To Brecht and Beyond: Soundings in Modern Dramaturgy (1984)
 * The Long March, Notes on the Way 1981–1984, Poems (1987)
 * Positions and Presuppositions in Science Fiction (1988)
 * Armirana Arkadija (Zagreb 1990) &#x2014; poems in Croatian
 * Lessons of Japan: Assayings of Some Intercultural Stances (1997)
 * Learning from Other Worlds: Estrangement, Cognition, and the Politics of Science Fiction and Utopia (Liverpool University Press, 2001) - edited by Patrick Parrinder, collection of essays on science fiction and utopian literature honouring the work of Darko Suvin, with Suvin's full and detailed bibliography in all languages
 * US Science Fiction and War/Militarism (Fictions, Studi sulla narrativita, Anno III, Pisa 2004, issue 3: 1-166) &#x2014; guest editor, with Salvatore Proietti, special issue in English
 * Gdje smo? Kuda idemo? Za političku epistemologiju spasa: eseji za orijentaciju i djelovanje u oskudnom vremenu (Zagreb 2006) &#x2014; "Where are we? What are we getting to? For a political epistemology of salvation: essays for the orientation and doing in time of needs", in Croatian language (translated from English manuscript with author's supervision)
 * "Of Starship Troopers and Refuseniks: War and Militarism in US Science Fiction", Part 2 ("1975–2001: Post-Fordism, and Some Conclusions") printed in Extrapolation, 48.1 (2007): 9-34; Part 1 ("1945–1974: Fordism"), in D.M. Hassler and C. Wilcox (eds.), New Boundaries in Political Science Fiction, University of South Carolina Press, 2008, 115-144; integrally printed (in Croatian language, authorised translation from the manuscript) in Ubiq, Zagreb 2009, No. 5
 * "Spoznaja, sloboda, The Dispossessed kao klasik" (In: Ubiq, Zagreb 2008, No. 2) &#x2014; "Cognition, Freedom, The Dispossessed as a Classic"; major work on Ursula K. Le Guin's novel, in Croatian translation with author's supervision, English version partially printed in Paradoxa (2008, No. 21, Ursula K. Le Guin Issue)
 * Naučna fantastika, spoznaja, sloboda (Belgrade 2009) &#x2014; "Science fiction, cognition, freedom", in Croatian and Serbian language, selected essays on science fiction translated from English manuscripts or printed in Croatian, from 1960s to 2000s; selection from Yugoslav, Croatian and Serbian journals
 * Defined by a Hollow: Essays on Utopia, Science Fiction and Political Epistemology (Peter Lang, 2010) &#x2014; preface by Phillip Wegner
 * Kje smo? Kam gremo? Za politično ekonomijo odrešitve (Ljubljana: Založba Sophia, 2010) &#x2014; "Where are we? What are we getting to?" in Slovene translation
 * Darko Suvin, a Life in Letters (Washington 2011) &#x2014; edited by Phillip E. Wegner, Paradoxa, No. 23, selected writings and poems
 * Preživjeti Potop: fantasy, po-robljenje i granična spoznaja (Ubiq, 2012) &#x2014; "Surviving the Deluge: fantasy, commodification and liminal cognition", in Croatian, the book collects Suvin's recent writings on fantasy
 * In Leviathan's Belly: Essays for a Counter-Revolutionary Time (Borgo Press, 2012) &#x2014; essays
 * Samo jednom se ljubi: radiografija SFR Jugoslavije (Rosa Luxemburg Stiftung South East Europe, 2014) &#x2014; "You Love Only Once. Radiography of SFR Yugoslavia, 1945–1972", in Croatian language, translated from English manuscript
 * Splendour, Misery, and Potentialities: An X-ray of Socialist Yugoslavia, foreword Fredric Jameson, Brill, 2016. [Original of above book, slightly amplified]
 * Brechtovo ustvarjanje in horizont komunizma - "Brecht’s Works and the Horizon of Communism", Slovene edition of essays on Bertold Brecht, Ljubljana: MLG, 2016
 * Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre, Ralahine Classic, expanded edition, ed. Gerry Canavan. Peter Lang, 2016