User talk:50.107.182.60

That posted early by mistake somehow. It clarified the position of it fitting in as at least being not old fashioned, in its edit summary, and reworded it a little too, enough so that I liked it best.

I found that intelligent spelling error, too. Probably wasn't what made that get removed. It's a good one to me but won't push it as it's still a tough sell to this one editor here, at least.

You could infer the knights and/or ladies were overall up to something grander however?

There is at least one Celtic Revival story that specifically has its Danaan other world figure initially address the hero with that she no longer calls for war.

Her mother was human and what's somewhat an issue there, she sits alone by a lake at night longing for what humans have and somehow with the human hero finds relief. — Preceding unsigned comment added by 50.107.135.239 (talk) 10:15, 28 May 2022 (UTC)


 * The human hero on earth first experiences her as various enjoyable psychological issues while lore of the area is rife with warnings already having gone through similar with his father. I think it must be assumed that to the human hero she's also as beautiful as it gets and from the beginning to the ending he's up for anything that might be going on with her. 50.107.135.239 (talk) 10:33, 28 May 2022 (UTC)