User talk:Ali-grace.fleeman/sandbox

Article 1: Beauford Delaney Sources: Crouch, Kaye. “Beauford Delaney (American, 1910-1979).” Tennessee Historical Quarterly, vol. 61, no. 1, 2002, pp. 37–39. JSTOR, www.jstor.org/stable/42631069. Accessed 12 Nov. 2020. Baldwin, James. “On the Painter Beauford Delaney.” Transition, no. 75/76, 1997, pp. 88–89. JSTOR, www.jstor.org/stable/2935393. Accessed 12 Nov. 2020.Baldwin, James. “On the Painter Beauford Delaney.” Transition, no. 18, 1965, pp. 45–45. JSTOR, www.jstor.org/stable/2934841. Accessed 12 Nov. 2020.Johnson, Eloise. “OUT OF THE ASHES: CULTURAL IDENTITY AND MARGINALIZATION IN THE ART OF BEAUFORD DELANEY.” Source: Notes in the History of Art, vol. 24, no. 4, 2005, pp. 46–55. JSTOR, www.jstor.org/stable/23207949. Accessed 12 Nov. 2020.

Article 2: William E. Harmon Foundation Sources: Malan, Nancy E. “Photographs in the Harmon Foundation Collection.” African Arts, vol. 6, no. 2, 1973, pp. 33–32. JSTOR, www.jstor.org/stable/3334777. Accessed 12 Nov. 2020. Brady, Mary B. “THE WORK OF THE HARMON FOUNDATION.” Christian Education, vol. 11, no. 7, 1928, pp. 423–425. JSTOR, www.jstor.org/stable/41175532. Accessed 12 Nov. 2020.

Article 3: Palmer Hayden Sources: Ott, John. “Labored Stereotypes: Palmer Hayden's The Janitor Who Paints.” American Art, vol. 22, no. 1, 2008, pp. 102–115. JSTOR, www.jstor.org/stable/10.1086/587918. Accessed 12 Nov. 2020. Wolfskill, Phoebe. “Caricature and the New Negro in the Work of Archibald Motley Jr. and Palmer Hayden.” The Art Bulletin, vol. 91, no. 3, 2009, pp. 343–365. JSTOR, www.jstor.org/stable/40645511. Accessed 12 Nov. 2020.