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Black Hybridity
Black Hybridity Definition and History

Black Hybridity is a new term that means the mixture of black people with people from other races. Compared to the term racial hybridity, the use of black hybridity is much narrower. Since the slavery trade in the 15th century, lots of black people began to live in Europe and the North America. When black people had marriage with white people or people with other colors, their descendants became the black hybridity races. The term racial hybridity was first mentioned to refer to the mixture of different races and cultures.

Theories Related to Black Hybridity

Lots of researchers have mentioned about the concept of cultural hybridity. In the book Debating cultural hybridity: Multicultural identities and the politics of anti-racism by Bhabha focused on the basic concepts of hybridity has been built based on the topic. The author questioned why the existing hybridism does not help to solve the issues of racism and xenophobic behavior. Based on the book, dependence on hybridity to end racism is still not near achievement as it is only used to cover the social and cultural continuities underneath it.

In various films and videos, the theme of racism has been stressed. The TED show in 2017 approaches hybridity from the angle of uniting different races and lack of social identity for the racial hybrids. In the video, Amara Pope examines how Drake, a hip hop artist, unites people from different races and social classes because of his black hybridity. According to Amara, Drake, who is half black and half white, explores these ties and makes people unite in following his music. The problem, however, is the fact that he is struggling with identifying the real person he is in terms of race. In the video, Amara says that Drake is immediately viewed as an immigrant when he talks of his identity. The video is a typical example of a material that can be used to handle such a topic because it uses a well-known example to express the facts that a researcher needs.

The other author Velasquez shared his shares his opinion on how President Donald Trump sidelines hybrid citizens of the United States. Moreover, he touches on black hybridity, specifically through his reference to the rule of President Barack Obama. Velasquez considers Obama rule as successful because as a hybrid, he was more knowledgeable, and he also accommodated hybrids into his cabinet.

The author Nixon also asked some questions about the perceptions towards black people and identity issues faced by black hybrids in the United States and the Caribbean. The narration of the girl depicts her as a person who is suffering from identity issues in a society where people ask her questions concerning her origin. Black hybridity works as a disadvantage to her, but she settles for being black rather than white (p.95).

Black Hybridity and Mimicry

Black hybridity refers to the mixture of culture of black people with other culture and to extent, it means something positive. Mimicry is always seen as something shameful. When black men involved in mimicry, he or she was always derided by his group to behave in such way. In the literature forms, black people were always connected with mimicry. In the essay “Of Mimicry and Man”, Bhabha described mimicry as something unintentional. To some extent, mimicry refers to some kind of performances that exposes the artificiality of all symbolic expressions of power. In colonial and postcolonial literature, it is expected that it is hard to think of single examples in postcolonial literature. Mimicry is postcolonial literature to mean the colonial and immigrant minorities.

In contrast with mimicry, hybridity is a much relative fixed and broad idea. Black hybridity always means the mixture of black and western culture. Within colonial and postcolonial literature, the concept always means colonial subjects from Africa who has already found a balance between the African and western cultural attributes. Bhabha clearly thought hybridity as subversive tool where westerners might challenge different forms of oppression. But the term hybridity always lies on the metaphor from biology level and it is used to refer to the cultural mixing between the African culture and western culture.

Racial Hybridity and Black Hybridity

The term originates from biology and the term means the merger of two genetic streams and it means the hybridity in terms of races. The term racial hybridity is much broader than that of black hybridity. Compared to racial hybridity, the scope of black hybridity is much narrower. It could be said that black hybridity is one kind of racial hybridity. Most formerly colonial societies have their very specific, localized words to describe people of mixed race ancestry, and the term “hybrid” is generally not used in the context of race.

The idea of “racial hybridity” today seems awkward, in large part because it clearly relies on the idea, inherited from nineteenth-century race science, that racial difference is an empirically-verifiable reality. In fact, it is unclear that racial markers such as “African” have any precise meaning. The black hybridity means the mixture of African and Western culture, arts, literature and linguistics.

Individual Story of Black Hybridity

My name is John Doe. I was born in Pennsylvania in America. Notably, my educational background constitutes a degree in sociology. Critically, my interest in sociology started while I was young, based on personal observation and perception. Furthermore, I became interested in different cultures and civilization witnessed across the globe. For example, I was intrigued by the culture of the Maasai people found in Kenya and Tanzania. Particularly, I was fascinated with their nomadic lifestyle and interactions with nature. As stated by Chavez, “Preservation of one's own culture does not require contempt or disrespect for other cultures.” (Orgganization, 2017). Thus, cultural appreciation is a distinguishing factor that I learned from my interest in sociology. ]

[Notably, my infatuation with culture has modified my interests in life. It is from the standpoint that I have become interested in black hybridity, which is a new social concept. Decisively, I have an ambitious and adventurous personality that enables me to search for discoveries. Moreover, I believe that the comprehensive understanding of different cultures and civilizations will enable the development of sustainable communities that address the needs of all individuals. Thus, the intent to analyze black hybridity and focus on causes such as slavery and the challenges faced by individuals in the group is a strategic approach in addressing social challenges. It is from this standpoint that the knowledge gained will be instrumental in addressing social problems such as racial discrimination, which affects the development of society. Hence, my fascination with culture and black hybridity will lead to a better understanding of the group in society. ]

File:Https://commons.wikimedia.org/w/index.php?curid=47357892 A group of Maasai Men Herding [[Media:https://en.wikipedia.org/wiki/Racial_discrimination https://en.wikipedia.org/wiki/Hybridity https://en.wikipedia.org/wiki/Socialism https://en.wikipedia.org/wiki/History_of_slavery https://en.wikipedia.org/wiki/Cultural_identity]]

Organization. (2017, December 07). Cesar Chavez's Words Of Wisdom Are All — Preceding unsigned comment added by Chocopiee (talk • contribs) 02:09, 23 July 2019 (UTC)

References

Alexandre, Valentim (2000). Velho Brasil, Novas Africa: Portugal e o Império (1808-1975). Oporto: Afrontamento.

Bhabha, H. (1994). The location of culture. London, UK: Routledge.

Bhabha, H. (2015). Debating cultural hybridity: Multicultural identities and the politics of anti-racism. Zed Books Ltd.

Brah, A., & Coombes, A. E. (Eds.). (2000). Hybridity and its discontents: Politics, science, culture. London,UK: Routledge.

Fowler, Roger (1991). Language in the news: Discourse and ideology in the press. London: Routledge.

Gandy, Oscar H. (2000). Race, ethnicity and the segmentation of media markets. In James Curran & Michael Gurevitch (Eds.), Mass media and society (pp.44-69). London: Arnold

Jin, D. Y. (2016). New Korean Wave: Transnational cultural power in the age of social media. Chicago, IL:University of Illinois Press.

Kress, Gunther & Van Leeuwen, Theo (2001). Multimodal discourse: The modes and media of contemporary communication. London: Arnold.

Lewis, Reina (2002). Looking good: The lesbian gaze and fashion imagery. In Nicholas Mirzoeff (Ed.), The visual culture reader (pp.654-668). London: Routledge.

Nixon, A. V. (2008). What racial hybridity?–sexual politics of mixed-race identities in the Caribbean and the performance of blackness. Lucayos, 1, 90-105.

Morato A. R. (n.d). Cultural hybridization in Europe [Blog post]. Retrieved from https://culturalbase.eu/cultural-hybridization-in-europe/

Pieterse, Jan Nederveen (2001). Hybridity, so what?—The anti-hybridity backlash and the riddles of recognition. Theory, Culture and Society, 18(2-3), 219-245.

TEDx Talks. (2017, October 27). Hybridity: an exploration of identity | Amara Pope | TEDxKitchenerED [Video file]. Retrieved from https://www.youtube.com/watch?v=DeAplJCos6I

Velasquez-Manoff, M. (2017, March 4). What biracial people know. Retrieved from https://www.nytimes.com/2017/03/04/opinion/sunday/what-biracial-people-know.html