User talk:Curly Turkey/Maus

List of sources
List of sources

Possible references

 * Of Mice and Memory Joshua Brown 1988 "And why did the editor forget Joshua Browns essay Of Mice and Memory which is one of the best readings of MAUS I ever read?"


 * LaCapra, Dominick. "'Twas the Night before Christmas: Art Spiegelman's Maus". History and memory after Auschwitz, pages 139–179. Cornell University Press, 1998. ISBN 978-0-801-48496-4
 * Chute, Hilary. "History and Graphic Representation in Maus". A Comics Studies Reader (editors: Heer, Jeeet; and Worcester, Kent). University Press of Mississippi, 2009. ISBN 978-1-604-73109-5
 * Chaney, Micahel. Graphic Subjects: Critical Essays on Autobiography and Graphic Novels. University of Wisconsin Press, 2011. ISBN 978-0-299-25104-8
 * Eakin, Paul John. "Reading Comics: Art Spiegelman on CD-ROM" (pages 13–16)
 * Hirsch, Marianne. "Mourning and Postmemory" (pages 17–44)
 * McGlothlin, Erin. "Art Spiegelman and AutoBIOGRAPHICAL Re-Vision" (pages 45–50)
 * "Breakdowns and Breakthroughs: Looking for Art in Young Spiegelman'' (pages 51–59)
 * Miller, Nancy K. "Cartoons of the Self: Portrait of the Artist as a Young Murderer—Art Spiegelman's Maus". M/E/A/N/I/N/G (editor: Schor, Mira), pages 388–404. Duke University Press, 2000. ISBN 978-0-822-32566-6



Hayden White
White, Hayden V. "Historical Emplotment and the Problem of Truth". Figural Realism: Studies in the Mimesis Effect, pages 27–42. JHU Press, 2000. ISBN 978-0-801-86524-4

"a masterpiece of stylyzation, figuration, and allegorization" "...Maus is not a conventional history, but it is a representation of past real events or at least of events that are represented as having actually occurred."
 * 31:"it makes the difficulty of discovering and telling the whole truth as much a part of the story as the events whose meaning it is seeking to discover"
 * 32:"in this absurd mixture of a "low" genre with events of the most momentous significance, Maus manages to raise all the crucial issues regarding the "limits of representation" in general."

Amy Hungerford

 * "Surviving Rego Park" 88:"motivated by history, albeit family history"