User talk:Erick.bittenbender

Edit History
I left some comments on the Sidney Janis talk page with suggestions on improving the article with better citations and more information.

Potential Article Ideas
Improve on Sidney Janis page

Start or improve (if it does exist and I couldn't find it during my initial search) Irish Exhibition of Living Art page

Improve Norah McGuinness page

Irish Exhibition of Living Art

 * This is a fascinating topic, and one totally foreign to me. I'm painfully ignorant about contemporary Irish painting. If you have decided on this, would you add it to the list of "assigned articles"? Thanks! Aolivex (talk) 16:26, 23 February 2015 (UTC)

Introduction
The Irish Exhibition of Living Art (IELA) was a yearly exhibition of Irish abstract expressionism and avant-garde Irish art that was started in 1943 by Mainie Jellett.

World War II Ireland
During World War II, Ireland remained mostly uninvolved in the war that swept through most the rest of Europe, known only as "the Emergency" in Ireland. In this war period and the time that immediately followed, Ireland and its artists sought a way to modernize Irish art and determine what the overarching style and expression of "Irish Art" would be.

Art In Ireland
Art in Ireland during the 1930s and 1940s still primarily comprised of traditionalist art. It was not until the late 1930s that this began to be seriously reconsidered as Irish artists began seeking an Irish artistic identity. With artists like Mainie Jellett, the traditionalist forms of art were challenged.

History of IELA
The IELA was formed in 1943 after a group of middle-class artists in Ireland sought to oppose the traditional hegemony created by the Royal Hibernian Academy (RHA). Artists in this group included Norah McGuinness, Mainie Jellett, Evie Honie, and Louis le Brocquy, among others. After Jellett openly criticized the RHA, other modernist artists like le Brocquy had their works rejected for exhibitions hosted annually by the RHA. In response to this, Jellett and other modernist artists established the IELA to create a forum to display the work of artists regardless of what school or style they subscribed to.

Rough Draft Article
The Irish Exhibition of Living Art (IELA) was a yearly exhibition of Irish abstract expressionism and avant-garde Irish art that was started in 1943 by Mainie Jellett.

World War II Ireland
During World War II, Ireland remained mostly uninvolved in the war that swept through most the rest of Europe, known only as "the Emergency" in Ireland. Taking a "neutral" stance in the war, Ireland did not engage directly in the war on either side and declined to make any kind of established allegiance to the Axis or Allied powers. As a result, Ireland experienced a period of isolation from the rest of the Western world, with few Irishmen travelling abroad and few foreigners travelling to Ireland. This period of isolation set in motion a period of criticism and questioning of the fledgling country's national identity and ideals, with various factions unhappy with the status quo in the island nation. Some of the primary concerns for those unsatisfied with the state of the Ireland at the time included a government unconcerned with the republican ideals the nation was created with, widespread poverty in Ireland, and a general inability for the nation to be a major player on the world stage capable of defending itself. With these concerns and isolation, the Irish people sought to question the direction Ireland was headed in. And in this war period and the time that immediately followed, Ireland and its artists also sought to question what constituted "Irish art" and how that would impact Irish identity.

Art In Ireland
Art in Ireland during the 1930s and 1940s still primarily comprised of traditional representational art. Championed by the Royal Hibernian Academy and the National College of Art, this traditionalist art remained the favored style of visual artistic creation following the Emergency period. However, seeing as there was a lack of an "Irish tradition" in visual arts, unlike that established in literature and theater, many Irish artists rejected the established institutions and sought for philosophical inspiration from other fields, particularly that of literature. Although it was not until the late 1930s that the character of Irish art was to be seriously challenged as Irish artists began seeking an Irish artistic identity. With artists like Mainie Jellett leading the way, artists of Ireland, who more frequently received no formal education due to some of the institutions more restrictive policies, found an outlet to challenge the traditionalist movements in Ireland through organizations like the IELA. .

History of IELA
The IELA was formed in 1943 after a group of middle-class artists in Ireland sought to oppose the traditional hegemony created by the Royal Hibernian Academy (RHA) and the National College of Art in Ireland. Artists in this group included Norah McGuinness, Mainie Jellett, Evie Honie, and Louis le Brocquy, among others. While not all of them subscribed completely to the modernism of the rest of western Europe and the United States, these artists did seek to stray off the path established by Irish art institutions. In fact, many artists who displayed art in the IELA also displayed art through the other traditional institutions such as the RHA. Nonetheless, the IELA's main goal was to provide a forum for artists who sought to reshape the Irish artistic landscape and provided them the means through which to do that.

The beginnings of the IELA can be traced to an open criticism of the RHA by Jellett which ultimately led to other modernist artists like le Brocquy having their works rejected for exhibitions hosted annually by the RHA. In response to this, Jellett and other modernist artists established the IELA to create a forum to display the work of artists regardless of what school or style they subscribed to. Reviews of the IELA's first show in 1943 indicated the division in the art world over artistic identity and creativity. However, even with this division, much of the art world remained fairly well connected. While the modernist and traditionalist camps were fairly well divided, the institutions that represented and displayed the works of these groups managed to stay relatively peaceful. Ultimately, this coexistence allowed for institutions like IELA to be friendly with organizations such as the RHA, without which the IELA would have no traction in the Dublin art world.

To this day, the IELA remains a showcase for contemporary art and has since expanded to include other art forms such as performance, video, and installation art. The IELA has played an enormous role in developing the Irish art scene and providing an outlet through which the artists of Ireland can display their works while also challenging the norm in Irish art.

Additional References I Plan to Use
=Peer Edit= Hi Erick, I also have not yet gone live with my article. I've been working on my rough draft offline, but will be moving my work over within the next day or so. As for the work that you've done thus far, I think you've done a great job. I like how you set everything up, it is consistent and easy to follow. It is also very interesting! It is quite ambitious starting an entirely new wikipedia page and you've really done a lovely job with it up to this point. Lakirkpatrick (talk) 03:13, 23 March 2015 (UTC)