User talk:Fishslice

Spectral Music
The Stockahusen-inspired German composers you mention as (in effect) co-inventors of spectral music must take second place to the French. The defining characteristic of spectral music is the use of computer-generated FFT analysis of timbre as the basis for composition, and that starts at IRCAM, I believe. The Germans must be seen as immediate predecessors or like-minded contemporaries. Systematic, computer-aided spectral music starts in France, not "France and Germany". Please correct me (and I want to see your sources) if I am wrong. MdArtLover 19:50, 15 April 2007 (UTC)