User talk:Kwsherwood

On Wiki Editing
Hello, Kwsherwood,

and welcome to Wikipedia! I hope you like the place and decide to stay. Here are some pages you might find helpful: I hope you enjoy editing here and being a Wikipedian! Please sign your name on talk pages using four tildes ( ~ ); this will automatically produce your name and the date. If you need help, please see our help pages, and if you can't find what you are looking for there, please feel free to leave me a message or place  on this page and someone will drop by to help. We're so glad you're here! Matthewvetter (talk) 14:21, 7 March 2017 (UTC)
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Thanks Matt. This works. Kwsherwood (talk) 19:21, 7 March 2017 (UTC)

Vicuna References
Here are some sources to look at:

Amich, Candice, ‘From Precarity to Planetarity: Cecilia Vicuña’s Kon Kon’, The Global South, 7 (2014), 134–52

Bianchi, Soledad, ‘Pasaron Desde Aquel Ayer Ya Tantos Años, O Acerca de Cecilia Vicuña Y la “Tribu No”’, Hispamérica, 17 (1988), 87–94

Isbel, Billie Jean, and Regina Harrison, ‘Metaphor Spun: A Conversation with Cecilia Vicuna’, in Quipoem/The Precarious: The Art and Poetry of Cecilia Vicuna, ed. by M. Catherine de Zegher (Wesleyan University Press, 1997), pp. 17–46

‘Jacket 32 - April 2007 - Jena Osman: Is Poetry the News?: The Poethics of the Found Text’  [accessed 8 March 2017]

Kuhnheim, Jill S., ‘Decentering the Word: Cecilia Vicuna’, in Spanish American Poetry at the End of the Twentieth Century: Textual Disruptions (University of Texas Press, 2004)

Lippard, Lucy, ‘Spinning the Common Thread’, in Quipoem/The Precarious: The Art and Poetry of Cecilia Vicuña, ed. by M. Catherine de Zegher (Wesleyan University Press, 1997), pp. 7–17

Lynd, Juliet, ‘Precarious Resistance: Weaving Opposition in the Poetry of Cecilia Vicuña’, PMLA, 120 (2005), 1588–1607

Mendez-Ramirez, Hugo, ‘Cryptic Weaving’, in Quipoem/The Precarious: The Art and Poetry of Cecilia Vicuna, ed. by M. Catherine de Zegher (Wesleyan University Press, 1997), pp. 59–72

———, ‘Sound Written and Sound Breathing: Versions of a Palpable Poetics’, in Quipoem/The Precarious: The Art and Poetry of Cecilia Vicuña, ed. by M. Catherine de Zegher (Wesleyan University Press, 1997), pp. 73–93

‘Oral Tradition Journal’  [accessed 8 March 2017]

Phillips Brown, Julie, ‘“touch in Transit”: Manifestation / Manifestación in Cecilia Vicuña’s Cloud-Net’, Contemporary Women’s Writing, 5 (2011), 208–31  Sepúlveda, Magda, ‘Cecilia Vicuña: La Subjetividad Poética Como Una Operación Contracanónica’, Revista Chilena de Literatura, 2000, 111–26

Sherwood, Kenneth, ‘A Reader’s Guide to the Writing of Cecilia Vicuna’  [accessed 8 March 2017]

———, ‘Elaborate Versionings: Characteristics of Emergent Performance in Three Print/Oral/ Aural Poets’, Oral Tradition, 21, 119–47

Ugalde, Sharon Keefe, ‘HILOS Y PALABRAS: DISEÑOS DE UNA GINOTRADICIÓN (ROSARIO CASTELLANOS, PAT MORA Y CECILIA VICUÑA)’, INTI, 2000, 53–67

Vicuña, Cecilia, ‘CeciliaVicuna.com’, Cecilia Vicuña  [accessed 8 March 2017]

———, Cloud-Net (Art in General, Incorporated, 1999)

———, ‘Entering, Origin of Weaving, The Precarious’, in In Other Words: Literature by Latinas of the United States, ed. by Roberta Fernández, trans. by Eliot Weinberger (Arte Publico Press, 1994), pp. 219–24

———, Palabrarmas (RIL Editores, 2005)

———, Spit Temple: The Selected Performances of Cecilia Vicuña, ed. by Rosa Alcala (New York: Ugly Duckling Press, 2012)

———, ‘Thread of the Voice: Myth for Us Is Language’, RIF/T, 4 (1995)

———, Unravelling Words and Weaving Water (Graywolf Press, 1992)

Vicuña, Cecilia, and Ernesto Livon-Grosman, eds., The Oxford Book of Latin American Poetry: A Bilingual Anthology (Oxford University Press, 2009)

Zegher, M. Catherine de, ed., Quipoem/The Precarious: The Art and Poetry of Cecilia Vicuña (Wesleyan University Press, 1997) de Zegher, M Catheri