User talk:Liutoman

si ci sto provando anche con quella italiana ma sembra che li ci sia gente incompetente che giudica senza sapere! mi sono gia' arreso! a presto

C'é mezza dozzina dei liutisti qui'. Potresti migliorare anche la Wiki liutistica italiana, trascuratissima. Grazie per precisacione, vado ad esumare il CD, e' interrato in cantina. Non citarmi a TS pero'. Non ha parlato con me fin dalla scoperta che sono risponsabile per lo "S".Galassi 13:50, 7 March 2007 (UTC)

Non immaginavo di trovare persone cosi competenti sul liuto in giro per internet ;-) veramente molto piacere! Le sonate eseguite da Terrell nel cd sono le seguenti: Sonata for lute in D minor (Dresden MS No. 6; London MS No. 7) Sonata for lute in F major (Dresden MS No. 3; London MS No. 1) Sonata for lute in A major (Dresden MS No. 17; London MS No. 8) Sonata for lute in B flat major (Dresden MS No. 26; London MS No. 10) Sonata for lute in B flat major (Dresden MS No. 25) Sonata for lute in D major (London MS No. 2) dunque penso che possiamo lasciare S.L. come autore, magari si potrebbe vedere brano per brano perche' ad esempio il preludio e la bouree' che Terry ha aggiunto nella sonata in D minor non so dove li abbia presi ma non credo vengano dal Varsavia? (posso chiedergli siamo buoni amici). Poi penso che si dovrebbero fare le voci su Nigel North, Jacob Lindberg e sistemare Paul O'Dette...let's do it! ti scrivo presto per il progetto ucraina, mi sto scaricando le intavolature...

p.s. il progetto ucraino mi sembra interessante...posso contribuire sicuramente. Ma come faccio a contattarti? scusa ma qui non ci capisco ancora molto!

scrivimi un messaggetto a lute88ATgmailDOTcomGalassi 12:11, 6 March 2007 (UTC)

Ciao, Galassi mi fa piacere che ci siano altri amanti del Liuto. Riguardo il Ms. Varsavia ci sono opinioni diverse, e Terrell Stone e' riconosciuto come un'autorita riguardo agli studi sulla musica di Weiss, forse tanto quanto Barto ne e' riconoscuto da tutti come il miglior interprete. Comunque le partite eseguite (meravigliosamente) da Terry nei cd sono di S.L. Weiss, ad esempio la prima e' l'equivalente della sonata 36 (vedi i cd di "mr. Weiss" aka R. Barto) con aggiunte da altri manoscritti e un ottimo lavoro di ricostruzione.

Nel Ms. Varsovia solo questi pezzi appartengono a SLV (pezzi in sol e fa# sono certamente del suo papa') Warsaw W2004 / RM4137 Content of manuscript

There are 48 pieces by Weiss, 9 unique und 39 concordant. W2004/1r 	Praelude / Del Sig Weiss 	in d 	(Sm 571) W2004/1v 	Courante 	in d 	S-C 11,2 (Sm 56) LbmI/47v, Dl/35, W2003/69v, W2004/1v, W2005/36 W2004/2v 	Menue 	in d 	S-C 11,5 (Sm 59) LbmI/49v, Dl/37, W2003/71v, W2004/2v ("Menue"), W2005/40 W2004/3r 	Boure 	in d 	S-C 13,4 (Sm 71) LbmI/39v, LbmI/58r, LbmII/33v ("Presto"), Rou53.1A/59v ("Bouré"), W2008/70, W2009/88, AGöII/12r, BA/45v, Mcm/6v ("Bure"), St/21r ("Capricio"), Chil/448 W2004/3v 	Gig[ue] 	in d 	S-C 11,6 (Sm 60) LbmI/50v, Dl/38 ("Giga"), W2003/70v, W2004/3v, W2005/38 W2004/4v 	Praelude / Del Sig Weiss 	in F 	(Sm 572) W2004/5v 	Allemande 	in F 	S-C 1,2 (Sm 2) Dl/11, HarrII/92, LbmI/1v (au), V1078/39v (au), W2003/2r, W2005/1 W2004/6r 	Boure 	in F 	S-C 1,4 (Sm 4) LbmI/3v (au), Dl/13, W2003/3r, W2005/3 W2004/6v 	Courante 	in F 	S-C 1,3 (Sm 3) Dl/12, HarrII/65, LbmI/2v (au), Rou53.1A/75v ("Courand"), V1078/40v (au), W2003/2v, W2005/2 W2004/7r 	Sarabande 	in d 	S-C 1,5 (Sm 5) Dl/13, HarrII/97, LbmI/4r (au), V1078/42v (au), W2003/3v, W2005/4 W2004/7v 	Menuet 	in F 	S-C 1,9 (Sm 9) LbmI/6v (au), W2003/3v, W2005/4 W2004/8r 	Gique 	in F 	S-C 1,7 (Sm 7) Dl/14, HarrII/100, LbmI/5r (au), V1078/43v (au), W2003/4v, W2005/6 W2004/9r 	Chaconne 	in F 	S-C 1,11 (Sm 573) HarrII W2004/10r 	Praelude / Authore Sig Weis 	in A 	(Sm 574) W2004/10v 	Boure 	in A 	S-C 12,3 (Sm 63) LbmI/52v, Dl/138, W2004/10v W2004/11r 	Sarabande 	in f# 	S-C 12,4 (Sm 64) LbmI/53v, W2004/11r, V18829/24v W2004/11v 	Menue 	in A 	S-C 12,5 (Sm 65) LbmI/54r, Dl/139 ("Men:") W2004/11v 	Gique 	in A 	S-C 12,7 (Sm 67) LbmI/55v, Dl/158 ("Giq"), V18829/18v, W2004/11v, Po/18 W2004/12v 	Conclude 	in A 	(Sm 575) W2004/16v 	Allemande 	in Bb 	S-C 15,2 (Sm 86) LbmI/69v (au), Dl/217 ("Allem:"), W2004/16v W2004/17v 	Courante 	in Bb 	S-C 15,3 (Sm 87) LbmI/70v (au), Dl/218 ("Cour: moderato"), W2004/17v W2004/18v 	Paisane 	in Bb 	S-C 15,4 (Sm 88) LbmI/71v, W2004/18v W2004/19r 	Menue 	in Bb 	S-C 15,6 (Sm 90) LbmI/72v, W2004/19r W2004/19v 	Sarabande 	in Bb 	S-C 15,5 (Sm 89) LbmI/72r, W2004/19v W2004/20v 	Gique 	in Bb 	S-C 15,7 (Sm 91) LbmI/73v, Dl/224, W2004/20v W2004/22v 	Allemande 	in Bb 	S-C 49,1 (Sm 337) Dl/209, W2004/22v, Bk/9 W2004/23r 	Boure 	in Bb 	S-C 49,3 (Sm 339) Dl/212, W2004/23r W2004/24r 	Courante 	in Bb 	S-C 49,2 (Sm 338) Dl/210 ("Cour:"), W2004/24r W2004/25v 	Presto 	in Bb 	S-C 49,6 (Sm 341) Dl/214, W2004/25v, Telemann W2004/27v 	Sarabande 	in g 	S-C 49,4 (Sm 340) Dl/213 ("Sarab: Grave"), W2004/27v W2004/28v 	Menuete 	in Bb 	S-C 49,5 (Sm 342) Dl/216, W2004/28v W2004/29r 	Allemande 	in D 	S-C 90,1 Chil/528.1 W2004/29v 	Courante 	in D 	S-C 90,2 Chil/528.2 W2004/31r 	Allegro 	in D Chil/484.2 W2004/31v 	Menuet 	in D W2003/36 (in a suite not by Weiss) W2004/32r 	Polonoise 	in D 	S-C 90,5 W2004/32v 	Allegro 	in D 	S-C 90,6 W2003/35v, BA/95v, Chil/484.3 W2004/33r 	Menuete 	in D W2004/33v 	Allegro 	in D Chil/509.2, Mbs/34 ("Arlequinade"), Po/17, WRu/9 ("Gavotte") W2004/34r 	Menuete 	in D Chil/509.3, WRu/14 W2004/34v 	Menuete 	in D W2004/35r 	Menuete 	in D W2004/35v 	Paisana 	in D 	S-C 18,3 (Sm 106) LbmI/85v, V18829/12v, W2004/35v ("Paisana"), V1078/46v ("Paisanne",au), BA/90v, St/18v (no title), Chil/518.7 W2004/41v 	Allamande 	in D 	S-C 2,2 (Sm 12) HarrII/38, LbmI/8r (au), PthII/15v, W2010/36 W2004/42r 	Boure 	in D 	S-C 2,4 (Sm 14) LbmI/9v, Sst/29r W2004/42v 	Courante 	in D 	S-C 2,3 (Sm 13) LbmI/8v (part. au), Sst/28r W2004/43v 	Sarabande 	in D 	S-C 2,5 (Sm 15) LbmI/9v (part. au) W2004/44r 	Chaconne 	in D 	S-C 2,10 (Sm 576) Galassi 12:11, 6 March 2007 (UTC)

Riguardo a Hagen-Barto: concordo pienamente sul fatto che sia il migliore interprete della musica di Weiss (lo sappiamo tutti nel mondo del Liuto), e questo si puo' a mio avviso considerare un fatto, senza ombra di dubbio ;-) ma riguardo ad Hagen non credo che sia "l'unico capace di suonarlo" e dal mio punto di vista sarebbe piu' obbiettivo lasciare solo Weiss, anche perche' "the foremost interpreter" potrebbe essere criticato di imparzialita' (ma io concordo). Liutoman

Per ora e' obiettivo includere Hagen, perche nessun altro riesce a suonarlo anche coerentemente. Galassi 12:14, 6 March 2007 (UTC)

Ciao, Liutomane! La maggioranza delle Suites nel Ms.Varsovia sono del Weiss il papa'. E' lópinione di Beier e molti altri. Ed al proposito di Hagen: RB e' il unico capace a suonarlo. Galassi 08:39, 6 March 2007 (UTC)

Il nome davvero non occorre nelle categorie, ed eventualmente sara' rimosso dal bot. Vorresti contribuire qche mp3 o video al Progetto Ucraino, visto che sei capace?

Certo come si fa? sono nuovo da queste parti ;-)

E'facilissimo. Vai da http://www.polyhymnion.org/torban/ruthenicae.html, e scrivimi un messaggio all'indirizzo normale se ti trovi qosa gradevole. Ti chiedo perche una radio universitaria e' interessata del progetto ucraino.

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