User talk:Mchristophroy

Manas Roy

Philosophy, Phenomenology, Photönomy

School: Photönomy

Tradition: Analytic

Notable Concept(s): Photö, Photösyntagmatics, Photö-Dynamics (PD), Photö-Vita (PV)

Innovation(s) / Department(s): Photö-phenomenology, Déconcert Theory, Photölinguistics, Concertölogy

"Photö": The reflected soul of the external world upon human consciousness

"Photö Dynamics": One kind dynamism of ‘epoché’

"Déconcert": The Theory of culturing syntagms (of photö images especially) by ‘photödynamics’ (PD), by concerting themselves with suitable literatures, making new and plying all at a time.

[Photösyntagms are the syntagmatic formations or, a formative structure as usually reflects upon mento-retinal-imagiinal-graphic sphere space, outcomes as photö images of a phenomenon with in their respective-objective dimensional boundary. And Photö syntagmatics is the scientific study of those Photö syntagms which outcomes finally in the form of new photö-language(s), as we know every photö has its own language like every phenomenon has. It is the subject concerned (I) who may innovate their phonetics through series extrospection(s) and may understand the syntagmatics of the concerned photö, even realizing God in Phonetics through photö-dynamics (PD)]

Reference: http://www.c-s-p.org/Flyers/Concerting-Deconstruction1-4438-2285-X.htm

Being extrospective epoché-L dynamism, “Photö-Dynamics” (PD) plays vital role in “Déconcert Theory” towards formulization of syntagmatic / artistic photö-atomic components, presenting Pheno→Photö→Word→Art concertö with their respective-subjective value(s). Derrida while déconstructing Husserlian phenomenology, he undertook phenomena as a constructed form of appearance; but it’s not in all the case that all appearance may have or presents the same pheno/photö-being-in-the-world form with respect to space-time-causationabsolute and photö-reflection/refraction relativity. It is found that necessity to introduce Absolute’s supremeness & the effects of Einstein’s Theory of Relativity as are the major determining factor-tools towards locating the “Existentio Phenomenologistic” loca-standi of any phenomenal reality of the universe. One may receive ‘photövita’ from a ‘phenomena’ in the form of Epoché-L reflective/refractive ‘pheno-drops’; One may receive ‘Photö-drops’ in the form of ‘Photö-syntagmatics’ or ‘Photö-vishown’ but can’t catch ‘photö’ atoms. It’s uncertain & impossible like Heisenberg’s atomic principle; as both the atomic criterias (photo and photö) fall under the same universal principle though varies from different disciplines. This way "Concertölogy" launches as: “The systematic study about photö-atomic determination of ‘Phenomenology’ by Déconcert Theory; presenting Pheno→Photö→Word→Art concertö with their respective-subjective value(s).”

Reference: http://www.c-s-p.org/Flyers/Concertology--The-New-Philosophy1-4438-2856-4.htm

As a ‘prism’ helps one to vishown all the inherent seven colours of the SUN through V-I-B-G-Y-O-R steps, this way we may discover “Concertölogy” as a kind philo-prismical device, with the help of which “Phenomenology” of any phenomenon can be understood better by a successive Pheno→Photö→Word→Art steps, towards one new manifestation of "Photönomy": The phenomenological school, concerned with photö concepts in philosophy, where “Phenomenology” is the SUN and “Concertölogy”: The philo-prism.

Source:-

Home Page: http://phenomenologycenter.org/author/mchristophroy/