User talk:Musictogetherinfo

Your submission at Articles for creation: Grigor Palikarov (February 5)
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WikiDan61 ChatMe!ReadMe!! 17:47, 5 February 2018 (UTC)

Your submission at Articles for creation: Grigor Palikarov has been accepted
 Grigor Palikarov, which you submitted to Articles for creation, has been created.

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Isaac Selya
Isaac Selya is an American conductor.

Family
Isaac is the son of Dr. Roger Mark Selya, a scholar of the economic development of Taiwan and also an amateur cellist and pianist. His mother is Barbara Selya, former copy editor of the HUC press, and an amateur violinist and violist. In high school, she performed the Mendelssohn violin concerto with the Minnesota Symphony Orchestra as part of their youth concerto competition. His family has Sephardic Jewish origins. Selya's family started him on cello lessons when he was 5 years old, and soon thereafter included him in their chamber music sight-reading sessions.”

Education
Isaac started his professional music career at the age of 18 singing in the chorus of the Great Synagogue in Jerusalem. While living in Jerusalem, he studied cello with Schmuel Magen at the Jerusalem Academy of Music. He holds a BA from Yale College, where he was principal cellist of the Yale Symphony and sang in Yale’s Schola Cantorum under Simon Carrington. At Yale, he studied cello primarily with Ole Akahoshi, with additional instruction from Aldo Parisot. He started his formal conducting studies at Yale, under Toshiyuki Shimada, supplemented by studies at the Pierre Monteux school during the summer. He completed an MM in conducting at Mannes College, where he won a competitive grant from the New School Green Fund to present a concert dealing with environmental advocacy. At Mannes, he studied theory with Carl Schachter and David Loeb, score reading with Robert Cuckson, and conducting with Joseph Colaneri, David Hayes, and Mark Shapiro. He holds a doctorate from the University of Cincinnati-College Conservatory of Music, where he studied with Mark Gibson. Isaac’s doctoral research focused on Mozart’s use of the baritone voice.

Career as Conductor
A musician of remarkable versatility, Isaac Selya has extensive experience as a conductor, pianist, vocal coach, cellist and entrepreneur. He is the founder and Artistic Director of Queen City Opera, where he has led acclaimed performances that combine high-caliber opera with contemporary relevance, including a production of Mozart’s Don Giovanni that featured workshops on sexual assault and consent. He is one of the few conductors in the world who has conducted all of Mozart’s German-language operas. His conducting of Die Zauberflöte with was described as “stylistically perfect” by Seen and Heard International. His performance of Wagner’s Siegfried was the first production of the work in Ohio in over a century. In recognition of his talent and entrepreneurialism, Musical America featured him as a Spotlight Artist. Committed to ensuring that music education is accessible to everyone, Isaac serves as a Teaching Artist and conductor at the MYCincinnati Youth Orchestra, an El Sistema-inspired program in Cincinnati.

As an operatic guest conductor, Isaac’s engagements include Pacific Opera Project, and Opera Memphis. Equally at home in the symphonic repertoire, Isaac has conducted the Xiamen Philharmonic, the Dayton Philharmonic, the National Symphony of Guatemala, the Chelsea Symphony, and the Cincinnati Chamber Orchestra, where he serves as Resident Conductor. He has served as Assistant Conductor for Cincinnati Opera and the Glimmerglass Festival, where he conducted the first-ever reading of the revised version of Philip Glass’s Appomattox, with the composer present.

Isaac maintains a catalogue of parallel fifths and other voice leading violations he finds in the works of common-practice composers. You can see them, as well as commentary on counterpoint and voice-leading at his blog. Isaac has two cats, named Tosca and Aida.

Reviews
-Rafael de Hacha, seen and heard international:

“Conductor Isaac Selya led his instrumental and vocal forces in a stylistically perfect reading of Mozart’s score, stepping up the pace when needed, giving weight to the solemn moments, and keeping the singers in touch with the pit and with each other.”

-Evans Mirageas, quoted in Musical America:

“For someone so young he had a command of the overall flow of this propulsive sixty minutes of the best of Wagner.”

-Janelle Gelfand:

″What is so remarkable about the efforts of the company’s founding music director Isaac Selya is the quality that he has been able to achieve on a shoestring. His orchestra — complete with five extraordinary horn players, harp and timpani — filled nearly half of the auditorium floor.And what a noble and glorious sound he drew from those musicians! Their playing was impressive, especially given the tricky acoustics in the old auditorium. Selya paced the work expertly and also summoned some lovely atmospheres.″

Family
Isaac is the son of Dr. Roger Mark Selya, a scholar of the economic development of Taiwan and also an amateur cellist and pianist. His mother is Barbara Selya, former copy editor of the HUC press, and an amateur violinist and violist. In high school, she performed the Mendelssohn violin concerto with the Minnesota Symphony Orchestra as part of their youth concerto competition. His family has Sephardic Jewish origins. Selya's family started him on cello lessons when he was 5 years old, and soon thereafter included him in their chamber music sight-reading sessions.”

Education
Isaac started his professional music career at the age of 18 singing in the chorus of the Great Synagogue in Jerusalem. While living in Jerusalem, he studied cello with Schmuel Magen at the Jerusalem Academy of Music. He holds a BA from Yale College, where he was principal cellist of the Yale Symphony and sang in Yale’s Schola Cantorum under Simon Carrington. At Yale, he studied cello primarily with Ole Akahoshi, with additional instruction from Aldo Parisot. He started his formal conducting studies at Yale, under Toshiyuki Shimada, supplemented by studies at the Pierre Monteux school during the summer. He completed an MM in conducting at Mannes College, where he won a competitive grant from the New School Green Fund to present a concert dealing with environmental advocacy. At Mannes, he studied theory with Carl Schachter and David Loeb, score reading with Robert Cuckson, and conducting with Joseph Colaneri, David Hayes, and Mark Shapiro. He holds a doctorate from the University of Cincinnati-College Conservatory of Music, where he studied with Mark Gibson. Isaac’s doctoral research focused on Mozart’s use of the baritone voice.

Career as conductor
A musician of remarkable versatility, Isaac Selya has extensive experience as a conductor, pianist, vocal coach, cellist and entrepreneur. He is the founder and Artistic Director of Queen City Opera, where he has led acclaimed performances that combine high-caliber opera with contemporary relevance, including a production of Mozart’s Don Giovanni that featured workshops on sexual assault and consent. He is one of the few conductors in the world who has conducted all of Mozart’s German-language operas. His conducting of Die Zauberflöte with was described as “stylistically perfect” by Seen and Heard International. His performance of Wagner’s Siegfried was the first production of the work in Ohio in over a century. In recognition of his talent and entrepreneurialism, Musical America featured him as a Spotlight Artist. Committed to ensuring that music education is accessible to everyone, Isaac serves as a Teaching Artist and conductor at the MYCincinnati Youth Orchestra, an El Sistema-inspired program in Cincinnati.

As an operatic guest conductor, Isaac’s engagements include Pacific Opera Project, and Opera Memphis. Equally at home in the symphonic repertoire, Isaac has conducted the Xiamen Philharmonic, the Dayton Philharmonic, the National Symphony of Guatemala, the Chelsea Symphony, and the Cincinnati Chamber Orchestra, where he serves as Resident Conductor. He has served as Assistant Conductor for Cincinnati Opera and the Glimmerglass Festival, where he conducted the first-ever reading of the revised version of Philip Glass’s Appomattox, with the composer present.

Isaac maintains a catalogue of parallel fifths and other voice leading violations he finds in the works of common-practice composers. You can see them, as well as commentary on counterpoint and voice-leading at his blog. Isaac has two cats, named Tosca and Aida.

Rewies
-Rafael de Hacha, seen and heard international:

“Conductor Isaac Selya led his instrumental and vocal forces in a stylistically perfect reading of Mozart’s score, stepping up the pace when needed, giving weight to the solemn moments, and keeping the singers in touch with the pit and with each other.”

-Evans Mirageas, quoted in Musical America:

“For someone so young he had a command of the overall flow of this propulsive sixty minutes of the best of Wagner.”

-Janelle Gelfand:

[https://janellesnotes.wordpress.com/2016/11/12/critics-notebook-the-chapter-of-the-gods-concludes/ ″What is so remarkable about the efforts of the company’s founding music director Isaac Selya is the quality that he has been able to achieve on a shoestring. His orchestra — complete with five extraordinary horn players, harp and timpani — filled nearly half of the auditorium floor.And what a noble and glorious sound he drew from those musicians! Their playing was impressive, especially given the tricky acoustics in the old auditorium. Selya paced the work expertly and also summoned some lovely atmospheres.″]

Your submission at Articles for creation: Isaac Selya (December 10)
 Your recent article submission to Articles for Creation has been reviewed! Unfortunately, it has not been accepted at this time. The reasons left by Robert McClenon were:

The comment the reviewer left was:

Please check the submission for any additional comments left by the reviewer. You are encouraged to edit the submission to address the issues raised and resubmit when they have been resolved.


 * If you would like to continue working on the submission, go to Draft:Isaac Selya and click on the "Edit" tab at the top of the window.
 * If you now believe the draft cannot meet Wikipedia's standards or do not wish to progress it further, you may request deletion. Please go to Draft:Isaac Selya, click on the "Edit" tab at the top of the window, add "db-self" at the top of the draft text and click the blue "publish changes" button to save this edit.
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 * You can also use Wikipedia's real-time chat help from experienced editors.

Robert McClenon (talk) 17:18, 10 December 2018 (UTC)

Your draft article, Draft:Isaac Selya


Hello, Musictogetherinfo. It has been over six months since you last edited the Articles for Creation submission or Draft page you started, "Isaac Selya".

In accordance with our policy that Wikipedia is not for the indefinite hosting of material deemed unsuitable for the encyclopedia mainspace, the draft has been nominated for deletion. If you plan on working on it further, or editing it to address the issues raised if it was declined, simply and remove the, , or  code.

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Thanks for your submission to Wikipedia, and happy editing. Cpt Viraj  (Talk) 12:38, 11 June 2019 (UTC)

Guido Mancusi moved to draftspace
An article you recently created, Guido Mancusi, does not have enough sources and citations as written to remain published. It needs more citations from reliable, independent sources. (?) Information that can't be referenced should be removed (verifiability is of central importance on Wikipedia). I've moved your draft to draftspace (with a prefix of " " before the article title) where you can incubate the article with minimal disruption. When you feel the article meets Wikipedia's general notability guideline and thus is ready for mainspace, please click on the "Submit your draft for review!" button at the top of the page. buidhe 23:01, 5 February 2020 (UTC)

Concern regarding Draft:Guido Mancusi
Hello, Musictogetherinfo. This is a bot-delivered message letting you know that Draft:Guido Mancusi, a page you created, has not been edited in at least 5 months. Draft space is not an indefinite storage location for content that is not appropriate for article space.

If your submission is not edited soon, it could be nominated for deletion under CSD G13. If you would like to attempt to save it, you will need to improve it. You may request userfication of the content if it meets requirements.

If the deletion has already occured, instructions on how you may be able to retrieve it are available here.

Thank you for your submission to Wikipedia. FireflyBot (talk) 13:08, 22 March 2021 (UTC)

Your draft article, Draft:Guido Mancusi


Hello, Musictogetherinfo. It has been over six months since you last edited the Articles for Creation submission or Draft page you started, "Guido Mancusi".

In accordance with our policy that Wikipedia is not for the indefinite hosting of material deemed unsuitable for the encyclopedia mainspace, the draft has been nominated for deletion. If you plan on working on it further, or editing it to address the issues raised if it was declined, simply and remove the, , or  code.

If your submission has already been deleted by the time you get there, and you wish to retrieve it, you can request its undeletion by following the instructions at this link. An administrator will, in most cases, restore the submission so you can continue to work on it.

Thank you for your submission to Wikipedia! UnitedStatesian (talk) 13:39, 8 April 2021 (UTC)