User talk:Nikostsinikas

‘Architecture & Music’ Nikos Tsinikas, Professor Emeritus Editor: University Studio Press, Thessaloniki, 2009 ISBN 978-960-12-1848-9

1 From Music to Acoustics to Architecture

1.1 Major chord and triangle 1.2 Sounds and colors 1.3 ‘Invisible’, ‘soundless’ envelope surface 1.4 The ‘architecture’ of noise 1.5 The pipe as self sounding musical instrument 1.6 Music terms in accordance with acoustics terms 1.7 Labyrinth and sound traps

2 Representation of Sound & Recording of Image

2.1 Sound, noise and music in painting 2.2 Sound, noise and music in sculpture and installations 2.3 ‘White’ and ‘silence’ as symbols in art 2.4 Writing, representation of music, staff 2.5 2D and 3D representation of sound 2.6 Optical representation of the directivity of musical instruments 2.7 Chladni vibration patterns 2.8 Equal loudness contours and noise level contours 2.9 Noise maps 2.10 ‘Translation’ of images to sounds 2.11 Patterns as the basis for music composition

3 ‘Architecture’ of Music & ‘Music’ of Architecture

3.1 Transpose of notes 3.2 Representation of chords 3.3 Relations between notes 3.4 Music improvisation systems 3.5 Music terminology and architectural design 3.6 Contrapunto 3.7 Rhythm and space 3.8 Kinds and forms of music composition 3.9 Subjective evaluation of sounds, chords, music 3.10 ‘Translation’ of music, acoustical and architectural terms

4 Sound Spaces Between Musical Instruments & Concert Halls

4.1 ‘Sound-buildings’ 4.2 Sound interactive toys 4.3 Interactive Sound-buildings 4.4 Orchestra shell as a musical instrument 4.5 Acoustic models 4.6 ‘Sound’ spaces for a particular music composition

Architecture & Music, a Chronicle

Bibliography

The book is printed in greek language