User talk:PaulDaddy

Paul Daddy: Paul Daddy and his music, there's warmth and humanity everywhere you turn.

Introduction: Paul Daddy is a musicproducer from Europe. His work is recently presented with unforced, laid back intensity. You begin to wonder what Paul Daddy brings to the music table. Paul Daddy's styles vary greatly with influences from pop-dance through hip-hop and electronic-disco. It's definitely pop-rock and euro-pop in nature.

International: Paul's music has enjoyed tremendous support from the European and Asian audience. Paul Daddy's music is made for educational purposes only. Paul's performances include forays into balads, pop-rock, hip-hop and blues including originals like rock and disco favorites, stirring jazz sounds and reggae.

Covers: 'Relax', 'Hotel California', 'Owner of a lonely heart' and lately the new version of '19' have enjoyed tremendous support from the European and Asian audience. All his songs are published for educational purposes only.

Paul Daddy Publishing Rights: Performing Rights, Publication Royalties & Other Copyright: We all know about the trends, the impact of many recent developments in music participation, (video) cassette recording and the new formats of compact disc, DVD, digital audio tape and music publishing. Thousands of midifiles, mp3 files, JPEG files and many other files and formats have been published by thousands of people on the internet worldwide.

Arrangements and Rights: All music has been solely arranged and produced by Paul Daddy. Instruments and vocal arrangements are all by Paul Daddy. You may not copy, hire, lend, publish, public perform, and broadcast any of these recordings without permission.

Paul Daddy's Music: Paul Daddy's Music is mainly made for educational purposes. Paul presents sweet vocals and fast rhythms. '80s digital rhythms, reggae, dancehall, and hip-hop, but also vocals, techno-heavy beats and progressive-pop. Hiring, copying, lending or broadcasting prohibited. All rights reserved by UNO.

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Paul Daddy
Licences are only then issued to music users who wish to publicly perform or communicate these works, in exchange for fees. The fees are only then distributed as royalties to members of the society and to foreign affiliated societies.