User talk:Poonkanchi

Poon Kan Chi
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Bio: Born 1987 in Hong Kong, Poon Kan Chi received her Master of Arts in Fine Art Degree at The Chinese University of Hong Kong. PKC’s artistic output spans from digital photography to sculpture ,video and drawing.Her work addresses private space and personal identity in a rapidly changing society.Artworks has been collected by Art organisation and private collector. Education : The Chinese University of Hong Kong Master of  Arts in Fine Arts

Artist in Residency: 2015 Artist in Hangzhou Residence Program, China Hangzhou 2014 Shangyuan Art Museum ,China Beijing

Solo Exhibition: 2014 Flower ,The gallery of Hong Kong Art School ,Hong Kong Arts Centre

Selected Awards : 03/2011 Ms Poon Sau Kuen Sponsorship for  To Pangyao International Photography Festival2011, The Hong Kong Art School ,Hong Kong 10/2010 Good Poster Hong Kong Winner ,Outer Limits Design Association (OLDA) Sino Group’s ’Art in Hong Kong’OC Gallery,Hong Kong 10/2010 Preventing Sexual Harassment short video -2 nd Runner –up, The Chinses University of Hong Kong,Hong Kong 09/2010 The Best Cover Design Award – 2 nd Runner –up, <> 22nd Anniversary “THE COVER DESIGN CONTEST WITH Club Monaco” Hong Kong 07/2009 Certificate of Excellence movie : Love is blind ,The 2nd Hong Kong Mobile Film Festival,Hong Kong 07/2008 The Best Experimental Short Film Award in 2008 The Hong Kong art school,Hong Kong 07/2006 The best academic award in Visual Art The Hong Kong art school,Hong Kong

Selected Group Exhibitions: 2017 “Liu he ya ji ”Kuan art Space, China Beijing 2017 Inter-Youth ArtMuseum of CAA ,China Hangzhou 2016 The China-Korea Art Exchange Exhibition,Fine Arts EQUIVALENCE, China Beijing 2016 Weekend ART Contemporary Art Salon Tianjin Tianjin China 2016 "Collision - Chinese Cultural Association of Artists Management Board Member of excellent works exhibition" The First Sound Gallery "China National Art" magazine 798 2015 Through Art, We Grow ,The gallery of Hong Kong Art School ,Hong Kong Arts Centre 2014 2014-2015 Exhibition for Nominated Young Artist in Asia, songyangart798 , China Beijing 2014 Taipei Free Art Fair YIRI ARTS / Freedom Men Art Apartments Huashan 1914-Creative ParkTaiwan Tapei 2014 Alone / Together Seven people group show ,Fine Arts EQUIVALENCE, China Beijing 2014 Breeze/Landscape: Invitation & Exhibition of Shangyuan Artists, Shangyuan Art Museum ,China Beijing 2013 “Embrace Our Culture Empower Our Future - CUHK Alumni Art Exhibition” CUHK 50th Anniversary Celebration Committee, Exhibition Gallery of Hong Kong Central Library ,Hong Kong 2013 Osage pop up market - Boing! (Love lost PhotoBooth) Osage Kwun Tong ,Hong Kong 2013 Cliftons Art Prize Finalist Hong Kong 2013 ,Level 33, 9 Queens Road ,Hong Kong 2012 SEESAW CUHK MA Fine Arts 2010 ,CUHK Art Museum Gallery Ⅰ ,Hong Kong 2011 Study and exhibition tour for students and alumni to Pingyao, China Pingyao International Photography Festival 2011 2011 NEMFA – little Mermaid 2011, Seoul International NewMedia Festival NEMAF 2011 , South Korea 2010 VAFA - Video Art For All “Ego trip 2008” VAFA in China Macau 2009 Ego Systems Curated by Andrew Guthrie, Tse Ming chong The Hong Kong arts centre 10/F ,Hong Kong 2007 East/West Telematic Exchange, Looptopia Festival ,Chicago, USA and Hong Kong Collection 2016 by the Chinese Association for the management of culture and management (1) 2015 by Artist in Hangzhou Residence Program, China Hangzhou(10) 2014 by Fine Arts EQUIVALENCE, China Beijing (1) 2013 by Hong Kong Osage (1)

Publication/interview: 2016 CHINA DAILY 20161108 by Lin Qi 2015 HighLife magazine P80-83 2014 HighLife magazine P86-91 2014 Artlink P16-17

Art work development :

Since 2012 starts to create a series of painting about flower, which is only because a very pure idea about express personal favourite .At those moment recognise “flower” as a very attractive element that found in daily life such as the pattern design object and cotton print. (Suddenly discover “flower “as another most attractive items after “ human face” ) Keep painting as a process development for find out the reason behind the attractiveness. Until is 2014, continue develop creation in pass three years, quite sure about flower as a common element which exit in daily life which same as function of symbols, represent as a common pattern find in bedding and curtains, and develop the use of change to become a pattern on my dress and flowers which receive. If Saliormoon cartoon contain a important meaning of my mental development and accompanied significance, then “flower” as symbol is forming a familiar sense of security , following and tracing boring and repeating pattens and colour collage , physical education of aesthetic feeling training and understanding of nature plants. Those objects needed to contain by a container, the most natural and inertia space as “Room” , a citizen must exit in this area, a private space is a own planet. In this planet, we can do whatever you like to in the way of no another body was there. When there was a time for alone, the moment of dazing before fall asleep is a good time for thinking. At those moment, feeling strongly lonely as an imagination space of unknown , like a window you cannot see through. Trace back to 2008, the second years I study in Hong Kong Art School, I start to think about the original starting point of my creation. Discovered the first desire of “controllable drawing” as copying the Sailormoon cartoon. By digestion and precipitation of this “discover “for few years, to get the real meaning for myself and start to create the body of art work in a more concrete and simple way. Wish this exhibition could bring a magic “click moment” for the audience about the memory and perception of private space ,or /and the feeling about uncertain of personal identity experience. Thank you! Additionally, the pastel colour series draw on cotton cloth, using fine liner maker as a tool  to create the teenage dream, which including the girl’s exploration of their uncertain identity, the friendship moment and the build up of  ego. A world which is full of flower pattern and projection of the ideas of the artist imagination.

About Swan in Artist ’s point of view: Swan in lake, Water in lake, Flower in lake and waiting the most elegant water drop in lake.

When seeing the animals, projecting the personal ideas to the picture, which can be about love, about the temperature during the interaction .If the analogy with a writing style that is a quasi-physical method. But, I am using the brush to paint.

About landscapes, wild view that is a static object, close up there are delicate magic.

About Little cat, remember the first time I start to apply ink as my creation medium was in the end of the year 2014,which is the moment I back from the residency from Beijing, that experience allow me to feel the environment in three dimensional and the atmosphere of the new perspective and different layers .Totally different from the words or social digital media third people expression and transferring. But let me to immerse deep inside and touch over there, many time of mix and combine in mentally and physically, stimulation and understanding and misunderstanding of the different in oral langue to discover the “sharing dust”. Somehow to open and break “ME”in twenty something just after a year of graduation of my Master Degree study. So, the self- study and deeper interest of ink art start at same time, when I was planning the creative direction for the next Artist in residency in HangZhou 2015. This is a very important step. Cat became Muse and show on the rice paper though the brush .I never own a cat ,but the gesture of  little cat live in my heart.

简历: 潘柬芝,1987年 生于 香港. 毕业于香港中文大学,艺术硕士. 运用绘画,摄影和录像不同的手法表达和探索对个人身份的不确定性和私人空间存在形象的感知. 以视觉构造内部的精神层面. 把内心的世界以艺术工作的劳动手法投射向社会. 作品被藝術機構及私人藏家收藏. 现在旅居及创作于北京.

学历 : 2010 -2012 香港中文大学, 艺术硕士

驻场计划: 2015 杭州两岸文化研究与交流中心两岸艺术家驻站计划 中国杭州 2014 上苑艺术馆 中国北京

个展： 2014 草花头香港艺术学院艺廊香港艺术中心

部份获奖: 2011 潘秀娟助学金， 新生代摄影展 2010 好香港海报设计比赛得奖 2010 君子杂志22周年纪念封设计赛第三名 2009 第2届流动影节 优异短⽚ 2008 最佳实验短⽚奖 香港艺术学院 2007 最佳视觉艺术学术奖⾹港艺术学院

部份联展: 2017 六和雅集 宽的空间 中国北京 2017 “ 实验•绘画——Inter-Youth国际青年绘画展” 中国美术学院美术馆 中国杭州 2016 中韓藝術交流展 上能艺术当量中国宋庄上能艺术当量美术馆中国北京 2016 WeekendART 天津当代艺术沙龙 天津中国 2016《碰撞—中国文化管理协会艺术家委员会优秀会员作品联展》先声画廊 《中国国家艺术》杂志 798艺术区 2015 香港艺术学院校友作品展香港艺术学院艺廊 香港艺术中心 2014 亚洲青年艺术家提名展songyangart798 中国北京 2014 台北艺术⾃由⽇ 伊日美学⽣活基⾦会/自由⼈人艺术公寓 台湾台北 2014 Alone / Together 7人展上能艺术当量中国宋庄上能艺术当量美术馆 中国北京 2014 微景致上苑艺术家作品邀请展 中国北京 2013 传承.开创香港中大学禧校庆校友艺术作品展香港中央图书馆 中国香港 2013 奥沙弹出的市场- 嘣! 港奥沙观塘 中国香港 2013 Cliftons Art Prize Finalist Hong Kong 2013 中国香港 2012 香港中文大学文学硕士毕业展2012:思嗦 中国香港 2011《 黑白分明‧ 新生代摄影展》赛马会创意艺术中心 中国香港 2011 中国平遥国际摄影大展游学及参展团 中国平遥 2011 韩国NEMFA - 美人鱼 韩国首尔 2011「好视多磨」 香港中文大学 中国香港 2010 Video Art For All Orient Foundation Casa Garden Gallery VAFA 中国澳门 2010 Asia New Digi "The 10th Seoul International New Media Festival 韩国首尔 2010 JIAO 角香港艺术中包画廊 中国香港 2009 Ego Systems / 份实例香港艺术中心中国香港 2008 菊诡戏香港艺术中- agnes b.电影院中国香港 2007 East/West Telematic Exchange Looptopia Festival 芝加哥,美国及香港 2007 IRIS, Interactive video installation (Collective Exhibition )香港艺术学院香港艺术中⼼ 中国香港

部份收藏 2016年 被中国文化管理协会艺术家委员会收藏 2015年 被杭州两岸文化研究与交流中心收藏 2014年 被上能艺术当量美术馆中国北京收藏 2013年 被奥沙观塘中国香港收藏 出版/採訪： 2016 中国日报 20161108 2015 上层杂志 P80-83 2014 上层杂志 P86-91 2014 藝訊 P16-17

作品自述: 从2012年开始创作了一系列关于花的绘画,那个时候纯粹是想画一些自己喜欢的东西吧,那状态是一种很想表达我个人喜欢的东西的感觉,就是去到任何地方第一时间最吸引我的都是花瓣设计的纹路又或者花布之类的东西. (那时候发现了花是我除了人面之外,特别有感觉的东西. )那时我还不知道什么原因让我去画这一些花朵,但我相信透过绘画,可以慢慢去用视觉寻找出来的. 现在是2014年,经过大约三年的持续创作,我发现花朵是一种回归日常生活的元素,是一种生活情境里面常常出现的一个符号,代表着的是由小时候家里的床铺和窗帘的花纹,慢慢发展到长大之后的穿上的碎花裙和收到的鲜花. 如果在我创作里面,童年时看到的美少女战士卡通片有着重要在精神上、成长上、陪伴的意义,那么”花”这个符号的构成,就带着熟悉的安全感、沉闷而重复的追寻图案与颜色的拼合，有关美感与颜色及自然植物的物化教育. 而这些东西需要一个空间去盛载,在生活中最自然与惯性的一个空间便是”房间”,一个城市人必然存在的空间,以这个私密的空间,是一个个人的世界. 在这个世界里面,我们可以做自己喜爱的事情,就像是没有第三者看见似的. 每当独处的时候,发呆直至睡着之前,会构成一个很好的思考的时间,在那个时间,便会产生一种感强烈的孤独感,这种感觉就像是一个未知的空间,充满无限想像的空白,一个看不清楚的”窗”. 另外,粉色系列的布上作品,使用彩色马克笔让少女的个人世界,包括对自身形象不确定性的探索; 对女孩子之间的友情的瞬间描述和自我的精神形象塑造都以幼细的线条绘画在粉色的棉布, 在充满碎花的世界,投射妙妙的少女心事来粉色的梦幻国度里.

關於天鵝的創作感語：湖中鵝，湖中水，湖中花兒等待優雅的水滴. 觀看著動物的時候，會投射自己的想法去這個畫面，關於愛，關於互動的溫度. 如果用寫作手法比喻便是擬物法了. 但是，我是用毛筆畫的.

關於風景，遠看是一整體靜態，近看見是精緻神奇.

關於小貓，記得第一次打算以水墨的媒介畫貓是2014年尾的時候，也是剛剛從北京駐館回來的時候，駐館經驗使我對在北京經歷的，立體而抽象視覺影像感知道有了豐富的，新的，真實的層面. 從文字，數碼媒體中的他者表達傳遞去到自主的接觸，浸透，多翻混合混血的精神上，物理上的刺激與理解語言上的差距與發現當中的共通粉末. 方方面面打開又打碎那個二十多僅畢業一年碩士的我. 說回來，水墨的研究也自我從那時開始，籌劃著接著的2015杭州駐館的創作方向，這是非常重要的一步，當時靈感之神以貓的化身，於宣紙上透過畫筆展現了不同的形態. 我沒有養過貓，但小貓的造形活在我心.