User talk:Praveshpardeshi

The great writer "Pardeshi".
An eminent name in hindi literature adorns fifty published works. An established short-story writer, he is one of the early members of the progressive writers association bombay, founder member of indo-soviet friendship association, bombay, belongs to the BLITZ school of journalist-writers. For sevral years member of the Sahitya Academy Rajasthan. While in bombay worked as an editor or Asst editor in Dharmayug Times of India Sargam, Samtulan, Jyotu, Rajasthan Malwa Times, Congress Patrika, Banswara, Chetana etc. was adviser to publisher, publicity officer in kalakar chitra - motio picture producers, printing press manager. Contributed sories to Sargam of K. A. Abbas and on the advice of his friend and admirer Shri Ramkrishna Bajaj, assisted late Hari Bhau Upadhyay in editing the famous letters of Mahatma Gandhi written to seth Jamanalal Bajaj. A staunch Nehruite, thinks 'Marxism' as one and only way out for the economic ills and exploitation prevailing in the country. Sometimes on account of his impatience for the speedy development and progress of the country, friends call hime an 'extremist' and no doubt his early writings reflect such lights and shades, but only a limited number is aware of the fact that the author in his earlier days suffered a lot. In his personal life Pardeshi is a devotee of Kalidas, Kabir, Tulsidas and Advaitdarshan (non-dualism) 'an original research work.' A wonderful book. An authority on International Affairs, his famous book (Asia Ki Rajneeti 1956) was accorded warm tributes. 'Jai Mahakal' was awarded "1952 Award' of Raj. Sahitya Acedemy for the best hindi novel. His novel (Chattanen 1955) was serialised in Dharmayug weekly in the year 1952-53. His 'immortal piece of art' is (Bhagwan Buddha Ki Atmakatha) an autobiographical.

Asia Ki Rajniti "This volume by a well known writer in Hindi is a compregensive publication which deals with the political forces and impules that move the Asian countries in the international spere.... "The learned author has in this book in a very interesting and readable manner the thrilling story of Asia's rise to consciousness and power. The treatment bears distinct stamp of study and scholarship of the author whos has collected his material from various sources-right from Vedic literature to the present foreign embassies in India. "This is the first book of its kind in Hindi, an original novel on the life of Buddha. The literary critics in their comparative studies placed Bhagwan Buddha ki Aatmakatha on a higher level citadel than "Baanbhatta ki Aatmakatha" an outstanding novel by old guard Shri H.P. Dwivedi.

Comments
Book on modern politics of a vast continent which now plays a decisive role in the world polity. It cpntains a valuable found of information not only for students of international affairs but also for our parliamentarians and legislators, who can bring their knowledge on the subject up to date. "Pardeshi is a master of words and uses them with an ease and felicity and that make his writings so readable....The printing and getup is very neat and compasses well with foreign publications...." -Nagpur Times. July 14, 1957

"In ASIA-KI-RAJNEETI the author aims to inform the vast and ever growing number of hindi readers about postwar development of the Asian countries and tries to give an insight into the all enveloping urge of the Asian Nations to shake off the shackles of the imperialist rule and to march towards their goal of progress and peace.... "The author pays fulsome tribute to Nehru who represents the resurgent Asia. The book should certainly prove very infomative and interesting. The last nine chapters describe the news national urges and upsurges in the countries of Africa, who are partners in the Afro-Asian group in the U. N. O."								- Free Press Journal, May 2, 1957

Commented The Hindu, Madras (Sept. 1957) "If all the books published on Buddha the book under review is unique....The author has given an entirely new and interesting turn to the events in the life of the Buddha.... "The Buddha is portrayed in the story as a rebel against the then exiting order of society. He is stirred to his depths by the poverty in the realm, and is willing to disobey even royal edicts if they stand in his way of bringing relief to the people. The emphasis in those days was more and more on moral and spiritual life and the Buddha raised his banner of revolt against the domination of the priesthood and a social order that denies spiritual freedom and equality to a large section of the people.... "The problem of today is more econoic and the author takes the liberty of using the language of leftlist groups of today. In that he aims at making the story vivid and topical. The talk of Daridranarayan, class war and exploitaion of the poor seem modern concepts only in phraseology. But in reality the Buddha also fought for the same principles though under different lables..... "On the whole the Buddha's personality as a man of noble sentiments and lofty ideals has been well brought out in the book and story made ineresting by the introduction of lively and effective dialouge....The style is forceful...."

Bhagwan Buddha ki Aatmakatha This is the powerful life story of Siddhartha who later became Gautam Buddha, the enlightened one. The narrative is in the first person as if Gautam is recounting his own story of experiments with life in the attainment of wisdom. In doing this the author had to enter into the spirit of the Great Soul to be able to describe all his sojourns in the path of self-realization. The task of the author is very delicate and a very audacious one if one may say so. It is by no means easy to be completely at one with the spirit of the Buddha without which no faithful delineation is possible and if the artist's hand falters a little the whole picture would look ridiculous. It must be said to the credit number of the author that he has performed this very delicate task admirably. It is like an autobiography by Gautam Buddha himself describing all his pangs of sorrow and pain, frunstration and dis-illusionmen, his endless self-questionings and gropings in the dark, the terrible mental conflict and then the final fulfilment and the dawn of light. There jis an intensity of feeling in the narration which has made it so realistic. It is undoubtedly a matter of credit for the young writer who has bandled a grand theme in such an effective and sucessful manner.... "Another merit of the book is that seeks to interpret of modern trends of thought in terms of the teachings of Buddha. Though the phraseology and a voracious reader of literature....for the last thirtyfive years, has been studying books on various subjects. World-fiction and poetry, world-history and geography, political science and international affairs, sexology and philosophy, Vedant, Jainism and Buddhaism-all attracted and enchanted him. For hours together he can recite Vedic Richas, Geeta, Ramcharitmanas, Meghdoot, Geet Govind and numerous poems of Sanskrit, Urdu, English and Hindi poets.	He is well versed in English, Hindi, Urdu, Sanskrit, Gujarati, Marathi and Bangala. Translated English, Gujarati and Marathi literary works into Hindi. His outstanding short-stories have been translated and published in English, Punjabi, Gujarati, Marathi, Urdu, Telgu and Malayalam etc.	Pardeshi has friends and readers in every class and echelon of society: artists and scientists, philosophers and politicians, socialists and capitalists, rightists and ultra-liftists, ascetics- 'Siddhas' and seekers of sensual pleasures. In bombat or in his literary career he came in the close contact of immortal Sudarshan, Shailendra, Dr. Mulkraj Anand, Harikrishna 'Premi', K. A. Abbas, Kulbhushan, R.K. karanjia, Dr. Dharmaveer Bharati, Ratanlal Joshi, Dr. Jagdish Chandra Jain, Dr. Raghubir Singh, 'Anchal', Narendra Sharama, Krishan Chander, Gulabdas Broker, Balraj Sahani, Yashpal, Satyakam Vidyalanker, Jainendrakumar Jain, Narayanprasad Jain, Ramrikh Manhar, Bharat Vyas, Satya, Vrajendra Gaur, Ramkumar, Satyendra Sharat, Pradeep, Satyaprakash Joshi, Nilkanth Tiwari, Janardan Muktidoot, Kishori Raman Tandan, Bhawani Prasad Mishra, Nandkishore Mittal, Qaifi Azami and others. He was introduced to great phillars of Gujarati-literature such as Dhoomketu-the greatest novelist of all the times, Mansukhlal Zaveri, Umashankar Joshi, Jyetindra Dave, Prof. Bhayani, Gulabdas Broker [an ackowledged and very popular name in Hindi] and Gunwatrai Acharya....Raman of the The Illustrated Weekly, K.C.K. Pannicker-Malayalm poet and D. Mahidhar-Telgu writer.

Comment:
Atmosphere created by the author takes you back to an era 2500 years ago, the problems of hunger, cloth and suffering, of harted and conflict, of hypocrisy and charlatanism and all modern problems which agitate the Great Soul and press for solution. In this, the author has sought to underline the universality of wisdom whom time does not wither or change."									-Nagpur Times, July 14, 1957

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