User talk:QueenJulianaYouTube

June 2023
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Hello QueenJulianaYouTube! Your additions to Juliana Luecking have been removed in whole or in part, as they appear to have added copyrighted content without evidence that the source material is in the public domain or has been released by its owner or legal agent under a suitably-free and compatible copyright license. (To request such a release, see Requesting copyright permission.) While we appreciate your contributions to Wikipedia, there are certain things you must keep in mind about using information from sources to avoid copyright and plagiarism issues.


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It's very important that contributors understand and follow these practices, as policy requires that people who persistently do not must be blocked from editing. If you have any questions about this, please ask them here on this page, or leave a message on my talk page. Thank you. Tacyarg (talk) 16:28, 16 June 2023 (UTC)

Managing a conflict of interest
Hello, QueenJulianaYouTube. We welcome your contributions, but if you have an external relationship with the people, places or things you have written about on the page Juliana Luecking, you may have a conflict of interest (COI). Editors with a conflict of interest may be unduly influenced by their connection to the topic. See the conflict of interest guideline and FAQ for organizations for more information. We ask that you:


 * avoid editing or creating articles about yourself, your family, friends, colleagues, company, organization, clients, or competitors;
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In addition, you are required by the Wikimedia Foundation's terms of use to disclose your employer, client, and affiliation with respect to any contribution which forms all or part of work for which you receive, or expect to receive, compensation. See Paid-contribution disclosure.

Also, editing for the purpose of advertising, publicising, or promoting anyone or anything is not permitted. Thank you. Tacyarg (talk) 16:29, 16 June 2023 (UTC)


 * Hi Tracyarg,
 * Thanks so much for being in touch. Looks like I didn't read the fine print. Sorry for the trouble.
 * Many years ago I pasted a bunch of my stuff from my performance bio on Wikipedia, and it was acceptable then. Then I pulled a bunch down when I was applying for nursing school and nursing jobs because I didn't want the admissions and HR folks to learn too much about me.
 * But I get it. Totally.
 * Lately, I saw my name on the Rebel Grrl Wiki page as and the International Underground Pop Convention Wiki page, which is so cool. So I was trying to reconnect the dots a bit. Anyway, thanks for taking the time to contact me, and wishing you well.
 * Best,
 * Juliana Luecking QueenJulianaYouTube (talk) 21:14, 16 June 2023 (UTC)
 * Thanks for your reply. You really are very welcome to point other editors to references they can use to add to the article - it would be great if it can be expanded. Best wishes, Tacyarg (talk) 22:07, 16 June 2023 (UTC)
 * Hi again Tracyarg,
 * Thanks for suggesting I point to other editors to references they can use. As I locate useful citations, can you tell me the best way send them to other editors? I found a good one from the Los Angeles Review of Books Quarterly Journal for both the Wiki page for "Rebel Girl (Bikini Kill Song) and Wiki page for Juliana Luecking. The reference for this excerpt is:
 * McDonnell, Evelyn. “The Rebel Girl.” Los Angeles Review of Books: Quarterly Journal, vol. 15, 2017, pp. 41–42.
 * Excerpt
 * In 1991, Bikini Kill singer Kathleen Hanna was living in Washington, DC, where she met and befriended Juliana Luecking, whose single “Wheel” had partly inspired Hanna’s own interest in spoken-word performance. When they first met, Queen Juliana, as she was known, showed Hanna some videos of her performances and her “crazy spray-painted bike,” then they walked around DuPont Circle, winding up at a dance party hosted by the political punk band Nation of Ulysses. A short time later, Kathleen invited Juliana to a Bikini Kill show, where she dedicated a new song to the performance artist with the gently ironic and determinedly unapologetic style.
 * In many ways “Rebel Girl” is an ode to the queer culture that Queen Juliana embodied and Hanna, who has identified herself as bisexual, admired. “In her kiss, there’s revolution,” Hanna sang four years before Jill Sobule kissed a girl. (Juliana says their relationship was platonic.) In the version of the song recorded with Joan Jett, Kathleen sings, “They say she’s a dyke but I know, she is my best friend.” In other versions, dyke becomes “slut” and the song becomes an attack on slut shaming, decades before that became a term. The song shouts out, in its wonderfully prurient adolescent voice, female sovereignty (“that girl thinks she’s the queen of the neighborhood, and I have news for you: she is!”), female pride (“she holds her head up so high”), female identity (“I want to try on her clothes”), and female love (“I wanna be her best friend”). It’s an intensely personal celebration of identity politics and cultural feminism, not a call to the barricades. There is revolution in it, but “the revolution is in her hips” — a clever pun and perhaps a reference to the alleged saying of some other early 20th-century feminist foremother: “If I can’t dance, I don’t want your revolution” (the quote has been wrongly ascribed to Emma Goldman). Bikini Kill liked their own song so much, they recorded and released it three times. It has been widely covered, including versions by Lutefisk and the Melvins with Teri Gender Bender. “Rebel Girl” became the most prominent anthem not just of Riot Grrrl but of third wave feminism. Thousands, if not millions, of girls and women took up its call for personal and cultural revolution, adopting the way that the song wrapped the common-sense ideas of feminism in a cloak of humor. And that chorus — the chorus that could be chanted, over and over.
 * Both Joe Hill’s and Bikini Kill’s songs capture key moments in the history of American resistance in the guise of odes to iconic muses. They both anchor their revolutionary moment in the body of a particular, strong woman. In “The Rebel Girl,” Joe Hill was a man ahead of his time, pointing out the failure of inclusivity on the part of the IWW and the worker’s rights movement. “Rebel Girl” takes feminism to the next stage of female empowerment: it is a song written mostly by women (the band shares writing credits), about women, for women. It’s big, bold, explosive — one of the best punk rock songs ever. What really unites these Rebel Girls is the way both use inspirational figures to create inspirational songs. These rebel girls were not just imagined icons, they were lived experiences.
 * McDonnell, Evelyn. “The Rebel Girl.” Los Angeles Review of Books: Quarterly Journal, vol. 15, 2017, pp. 41–42.
 * LINK: https://dev.lareviewofbooks.org/wp-content/uploads/2017/08/Revolution17_LARB_INT_v3-MemberEdition.pdf
 * CONTACT:
 * Los Angeles Review of Books
 * 800-788-3123
 * Thank you very much, Tracyarg!
 * Best,
 * Juliana Luecking QueenJulianaYouTube (talk) 13:32, 20 June 2023 (UTC)