User talk:Ron Price

I have an interest in autobiography, in the writing of memoirs, in diaries and journals. for this reason I have posted the following article on the subject of autobiography.-Ron Price, Tasmania -- SOME THOUGHTS ON THE WRITING OF AUTOBIOGRAPHY

The autobiographies of others, as I have indicated in several previous essays, illuminate ones own attempt to understand ones life through writing it down. St. Augustines (354-430 AD) Confessions has a distinctly modern flavour, before his conversion and after. Mine, a very moderate confessionalism, begins essentially with my conversion, although in my poetry the decade before my contact with the Bahai cause receives some attention. Like Augustine I certainly possess a sense of participating in an eternal plan. This is also true of Dantes(1265-1321) La vita nuova. For these writers as well as for me, the account is no final story, but a preparation for even more on the horizon.

Four hundred years later John Bunyan (1628-1688) wrote in his Grace Abounding(1666) an account of his life. Truth became known, it is argued, through his experience. For me, as well, it was truth becoming understood through my experience. I had had a massive influx of truth at fifteen and before. Indeed, my life was one of continual access to truth. Of course, truth is nosimple subject, but I leave that philosophical question for other essays.

Conversion was a beginning point for me and life provided one long, unending process of coming to understand its myriad ramifications. Dante accessed truth in dreams, some five in his autobiography; Bunyan had some ten mystical experiences or visions. Not for me a series of ecstatic moments in my curve of learning, much more a process which Baha'u'llah has described as a series of seven stages that we go through in our life, from crisis to victory. Bahaullahs Seven Valleys provides a detailed delineation of this process. It is complex, much more complex than anything autobiography had revealed by 1666.

For Bunyan all experiences partook equally in his ultimate deliverance. For me, certain events in my life stood out: getting to know two, perhaps, three personalities; my psychiatric illnesses; my moving to Australia; my two marriages; my parents; my career; my attempt to live a life consistent with the teachings of this new world Faith; my role as a pioneer.

For all these men and for me the presence of the divine was critical to their lives, albeit in different ways. By the time Bunyan wrote, the structure of belief upon which all previous historical autobiography was built, was beginning to fall into disrepair. With Benjamin Franklin(1706-1790) the edifice of autobiography came to be built entirely on human recollections alone.

Augustine had a contact outside of time through Christ; mine is and has been through Bahaullah. He is the ground of my being and the basis for any human consanguinity. My position is not unlike that of all autobiographers up to Franklin. Augustine addresses his narrative to God; what he writes is like a devotional colloquy. My entire corpus is addressed to my readers, in my minds eye, generations not yet born and holy souls who have passed on and who assist me in ways I do not know; as well as, and especially,  to a body of men which represents an institutionalization of the charisma at the heart of my belief system. Like Franklin, I offer up my autobiography on the authority of personal conviction and I offer it as a contribution to an understanding how one person lived his life within the framework of an emerging world religion, at an early stage in its development, its second century. I am not seeking, as Franklin apparently was, to get men to imitate me; far from it. But it is my hope that they would gain greater understanding of their religion and its history, its history as it was embodied in the life of one of its ordinary practitioners, one of its votaries during the second to the fourth epochs of what was called its Formative Age.

Augustine, Dante and Bunyan used the form of autobiography to dramatize their belief that an eternal truth guided their lives. For Franklin it was reason which centred and dramatized his life; in writing his autobiography he was essentially reliving a successful life. It was his hope that the lessons of his own individual experience and self-reliance, would replace the role taken by revealed truth.

The truths of the Bab and Bahaullah, the God-men, if you like of this new religion, and their legitimate successors(1844-1995) are a critical anchorage for my own story; understanding and experience are the fruit of my life and this is another anchoraage. Experience does not replace revelation but is an important buttress of everything that has come to constitute me, my identity, my self, indeed, my soul.

Rousseau(1712-1778) tries through his autobiography, his Confessions, to secure an honoured place in history. For him truth lies in his feelings and in the continuity of his soul. I have written about this theme of fame or renown in my poetry and in my journal. If I secure some place in history through the efforts contained in all that is represented by Pioneering Over Three Epochs it will be because there is something worthwhile in what I have written and that there is some meaning and historical significance of some kind in what I write that illuminates a future age.

I find this an inspiring goal: to contribute to an ever-advancing civilization. This would make my contribution ongoing, beyond my life in a very concrete sense. If this does not occur, it will be because people do not find it of use, of interest. I will have gained, I trust, through my examination of my inner life and my outer life as I am asked to do in the Writings of my Faith.

Rousseau, like Franklin, secularizes historical autobiography. He describes how he came to be the way he was. I do the same. Rousseau tries to remake society in his image. Franklin tries to get people to imitate him. I try to do neither. Experience for Rousseau, as it was for Augustine, is the enemy of truth and happiness. For me the relation of the two is far more complex than this; indeed, it would require a separate essay to begin to explore this relationship. I, like Rousseau, enjoy my visits into the past to write autobiography. There is a nostalgia, a warm richness that coats the past. Unlike Rousseau I do not see the past as a sad concatenation of events that has led to my wretchedness. Rather, I see a series of events coated with many colours from dark blacks and browns to warm reds and spiritual blues, if one can give colours physical and psychological equivalents. There is sadness and there is joy; it depends where I look.

Augustine found true being outside of time; I do too, but I also find it in time. Rousseau found the thread, the link, the life of his soul in the undercurrent of feeling that ran through his entire life. Here he found a coherent, continuous whole and it was here that he reexperienced in imagination his enthusiasms, his hopes, his ambitions and pleasures. To tap into these feelings the narrator must relive his life. I find this particular aspect of Rousseaus approach to autobiography very helpful. He has put into words what I have tried to do. When I have been successful I have achieved a kind of root-tapping. Rousseau saw this retrospective activity more a form of self-realizaton. To him it was divine. It caused the world to vanish; it caused the writer to enter an ecstatic plane of self-possession, a necessary stage perhaps en route to self-forgetfulness. Rousseau came to see all his past wanderings as pointless and destructive. Viewed sub specie aeternitatis, I have found my pioneer wanderings as part of a meaningful whole, especially the suffering.

The action that is my past has been characterized by a certain degree of faithfulness and a certain degree of passion. Augustine emphasized the former and Rousseau the latter. Experience has been both my enemy and my friend; passion both the life of my soul and its death. This is true of just about everything one does. Everything changes with each movement. Remembered feeling becomes the criteria for the truest autobiographical statement. Autobiography, for Rousseau, becomes not so much the life he lived as the life he lived in the act of composing his life. I find this to be true of my own writing in whatever genre the autobiography is found. I find myself in autobiography, like some flickering light of an ineffable bliss. It helps in making the road to the grave profitable, enlightened by the two most luminous lights of intellect and wisdom. To claim any wisdom makes me a little uncomfortable in Australia, a land of an unpretentiousness and cynicism that lives luxuriously slightly beneath the surface of everyday events.

I am more than a little conscious of the transition from a relatively unreflective young adult to what could be seen as an excessively reflective man of middle years. But, like Bunyan, I fetch invigorating thoughts from former years and recreate an energy that has been lost or, better, transferred from brawn to brain. Like Wordsworth I rescue from decay the old/ By timely interference/ and so ripen;dawn into steady morning/, or perhaps late afternoon.(for surely the last half of middle adulthood-50 to 60-can be equated with late afternoon).

My purpose here is not so much to tell the story of my life, although I do achieve this in my narrative, but to look within, self-examine, gain self-knowledge, achieve some union between the knower(me) and the known. I find there is a certain stasis, quietness in my movement, reposeful condition, as a result of this writing process. The knowing and acting self has finally been brought together. The slow process of looking within and finding God, of acquiring virtues and contributing to the development of civilization, or of experiencing generativity and integration is all partially understood in the act of autobiography.

And so, like Wordsworth in his Prelude, I became a traveller in my own life. My primary vehicle has been poetry, although I have provided other genres largely for future readers should there be any. For poetry reveals, in Wordsworths words our beings heart and home; it allows discordant elements of our life to harmonize; it renovates the spirit in a priestly robe; it precedes from some creative and enduring source and becomes a source of knowledge, power and joy. Poetry is like a regulating device. It comes to see the parts of life in terms of the whole; indeed the recollected hours, again in the words of Wordsworth, have the charm of visionary things. Again, in Wordsworths idiom, poetry diffuses:

Through meagre lines and colours, and the press Of self-destroying, transitory things, Composure and ennobling Harmony.(VII, 769-71)

Wordsworth was not able to find his centre in an urban landscape. He always returned to nature for his centre. My centre has only been threatened in a deep and serious, a conscious and obvious way on rare occasions in the course of my life: during university for about a year in 1964-65; in 1968 during a stay in a mental hospital in Whitby Ontario;  in 1974 in the losing of my voting rights and the events that led up to them and, arguably, in 1995 when my experience of Bahai community life dried up. Much else could be said on this theme but now is not the time. One thing should be said; namely, that if my Centre did disappear from my life the very raison d-etre for my life-and hence my autobiography-would go with it. In contrast to Wordsworth, who turned to nature when his centre was lost, I turned to prayer, to a process of waiting and withdrawal, as well as a gradual reorientation to Bahai community life. Slowly the pattern of Bahai life, so eloquently and extensively described in the Bahai literature, would begin to emerge again in a form that I was comfortable with, which gave me joy and meaning and which was clearly an expression of finding my centre, safe and secure.

Wordsworth stated that life was like a river of remembrances which we try to shape into some pattern. But for him the view was dark and the movement of the soul was hidden from the reach of words, like forgotten experience which is hidden from our search on this intricate and difficult path. There are though, he stated, spots of time that nourish and invisibly repair our minds. They have a special virtue. This concept has some place in a Bahai perspective: our declaration of belief, our hearing of the Faith, the Fast, moments of prayer, etcetera. In some future and fuller autobiographical account I might pursue this theme further. In the end, Wordsworth was left with thought and faith and his own words, his life: this was his truth, the true being that he sought. At the end of my work, this autobiography, the reader will find something quite beyond a writer, a personality, in however much detail his life is displayed. He will find a human experience that is touched by the white radiance of eternity, by the spirit and teachings of several souls who are continuing to energize the whole world to a degree unapproached during their earthly lives.

Thomas de Quinceys Confessions place opium at the centre of a life, not a man or a divinity. De Quincey, like Franklin, had to rely on his own experience and the shared convictions of his culture to find any truth there was to find. De Quincey said that time breaks the self into impermanent, unrecapturable feelings, but that suffering brings it all together. Sometimes. There is a type of permanence, a type of capturing that autobiography creates. The fierce condition of eternal hurry which concerned De Quincey  I have been conscious of at least since the beginning of my pioneer life in 1962. I refer to it as the sense of urgency. I feel as if I have been running for three decades, although in the last several years the running has been more frequently in my head. In other ways, the road has been too slow and tortuous to suit me. One seems to have only some degree of influence on the process, a degree which can not be measured.

De Quincey said he never heard the eternal, celestial music of life, although he believed in it. If I examine the entire period of my life beginning in 1962, several years after I joined the Cause, I find an increasing intensification of the music of the spheres, punctuated by no sounds at all and such stygian gloom that the soul wondered if it would ever recover.

My poetry, though, allows my words to enter or become the readers reality in unique ways, if the reader possesses the necessary susceptibilities. He becomes infected with a mode of utterance; his mind whirls around in mine. It is not the historical events that make the life; that life is essentially ungraspable. I can not find my life in the narrative or, indeed, in some of the philosophically intertwined material there. I find only a handle of some kind which is graspable; I find a work about itself, about a ghost that is me. I find something that tries to tie me together, my past to my present. How does one express what it is that ties it all together. Poetry provides better linkages: fuller, deeper, more intimate; these linkages are linkages to my past, my society, my self and the future. The poetry seems to provide the oneness I seek. It connects me with the infinite through Bahaullah and provides a vehicle for expressing this connection. For how does one know what one thinks about a connection until one has put it in words, however briefly. The poetry brings together an outer man and an inner man, two men who are so very distinct. They each provide two distinct sets of feedback about who I am. My poetry throws a light which both unites and separates my selves in paradoxical and ironic juxtapositions.

The surface externalities: where I worked, what I did, those I knew, etcetera in some basic ways hide the man rather than displaying him; they veil the inner person. The inner person can be found much more clearly in my poetry: both the darknesses and the lights are there, the mystery and the simplicity, the ambiguity and those paradoxes. The inner passages of my being, all its chambers, its treasures and its rubbish heaps are found here. The emblematical gold, the priceless gem, that writers like Hawthorne looked for in vain, was handed to me on a platter at the age of fifteen. Thou without the least effort did attain thy goal. Yet, as Bahaullah says, I remained wrapt in the veil of self. To put it another way my life has been a testing of the gold with periodic fires. It is quite a different battle than it was for writers like Hawthorne fight. But my autobiography has many parallels with his. It is, as Spengemann puts it in describing the fictive autobiography of Hawthorne, a series of actions performed in the act of composition, a historical record and an interpretation of them. The process and the result tells me who I am, at least in part. I find some of my immortal self, a lifelong task. The search yields only some result; the definition of success, the measuring rod so to speak,  is found in the framework of a body of ethical and moral insights of the Baha&#8217;i writings.

Hawthorne and most of his contemporaries never possessed this framework and their search did not yield the beauty of His countenance.(HW, Persian, 22) All they found was a self, one created in the autobiography. A great deal of the who that I am, the what that I am, the garment of words can never tell. I am Gods mystery. But every atom in existence is ordained for my training. And so, on and on the quotations from the Writings pile high providing the perspective, the framework, that the contemporary secular autobiographer lacks. Every Bahai that follows the autobiographical road has this same framework, this same centre, within which he can sift the experience of his life.

It may just be that modern man in search of his soul requires a particular Centre; that the Augustinian assumptions regarding the soul and the self are not adequate for these days; that the reshaping of the self, the soul, can not be accomplished by autobiographical efforts in the context of experience itself without getting lost in an inherent subjectivity. As Keats put it for many: I have no Nature As Eliot put it: the self is everywhere present, and everywhere absent in the act of writing. The autobiographical experience is so enigmatic in this kind of framework as to discourage, frustrate and, in the end, seem just about meaningless. For the Bahai who has been exhorted to understand his inner life, his private character; to take account each day before the final reckoning; to see with his own eyes and know of his own knowledge; to find the inner light and get its radiance, be content with it and seek naught else; for such a Bahai who has turned his sight unto himself he may, through autobiography, find his Lord standing within him mighty, powerful and self-subsistent.(HW, Arabic, 13)

One thing I am very conscious of finding as I tell and retell, examine and reexamine my life, is a series of progressive and regressive periods repeating over time. Repose and adventure seem to be unstable states. Much of what could be called the romance of my story can be found in the oscillation between the saint, the hero, the courageous adventurer and the little fat man who preserves his comfort, his security, the chrysalis of everyday life To put the contrast another way: it is the contrast between the ordinary self and the heroic self, between ourselves as anti-heroes and heroes, that makes the real adventure, the colouration, the heart of the journey. The struggle with the ordinary self always involves courage and it is here that the road to high adventure is found.

Roger Bannister describes the moments when he neared completion of the four-minute mile this way: I had a moment of mixed joy and anguish, when my mind took over. It raced well ahead of my body and drew my body compellingly forward. I felt that the moment of a lifetime had come. There was no pain, only a great unity of movement and aim. The world...did not exist....I felt at that moment that it was my chance to do one thing supremely well.(J.A. Michener, Sports in America, Random House, NY, 1976,p.77.) My experience in the last three to four years has been much like this moment of Bannisters. The world did not exist for Bannister as he headed for victory. The world provides a fertile base of material for writing poetry as the world provided Bannister with the misc-en-scene for his achievement. In this sense I find the world is like a window into the future, richly laden with meaning. It drives the engine of my writing, endlessly it would seem. One day, inevitably, I will run out of gas. After what seems like an endless sequence of adventures and security blankets finally an integration has occurred. It is like winning the race, the game, the prize, the lottery. The drudgery, tedium and gracelessness of so much that is ordinary life is gone. This is the most apt thing I can say that brings this autobiography up-to-date. Time will tell what sort of longevity this experience possesses. Each writer, each poet, has his own story.

Ron Price 31 December 1995 (edited: 22/7/'09)