User talk:Scmoore11/sandbox

Peer Review - Xe Your draft has a really good start; the writing is clear and detailed. You explain jargon and terminologies really well; I also like how you incorporated specific examples into each section. The examples are heavily referenced from SM Entertainment, I am wondering if you can find methods employed by other entertainment and see if it similar to SM. You also touch on the idea of localization by employing idol members that are of another Asian heritage; it would be interesting to do a comparison between learning the language and producing songs in that language (Chinese, Japanese, English) to appeal to international audiences, using members that speak that language, and appealing through Korean language and music. For example, what would be the difference between BOA and EXO and NCT? Xchang20 (talk) 02:12, 1 April 2018 (UTC)

Peer Review - Beatriz
Even though there are still some unfinished parts, I learned a lot from reading this! I especially liked the breakdown of the four core stages. I agree with Xe that your examples are strongly centered around SM and it would be interesting to see how other entertainment agencies are implementing these concepts. In the "Marketing" section you might also consider mentioning outreach via an idol group's own reality/variety shows, such as "Run BTS" and "EXO's World Travel On a Ladder", or media specials like "The 72 Hours of TVXQ!" Bmora97 (talk) 21:11, 1 May 2018 (UTC)