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Bahram Ahmadi, born May 22, 1996 in Isfahan, Iran, is a contemporary multimedia artist and university professor, with several publications and exhibitions to his credit in France and Iran.

Bahram Ahmadi is born in Isfahan, Iran, is a contemporary multimedia artist and university professor, with several publications and exhibitions to his credit in France and Iran.

Training: He studied traditional Iranian painting at the School of Fine Arts in Isfahan in Iran where he Shajanian and Bahram Taheri, and was also a traditional student of Javad Rostam Shirazi. He continued his studies at the University of Tehran, he graduated with a degree in painting in 1992.

In 2006 he obtained a scholarship which allowed him to settle in France for his doctorate. He stayed in France from 2006 to 2012. During his stay he obtained a Master's degree in Contemporary Art History at the University of Tours in 2007 with a thesis entitled "The teaching of painting in Iran, genesis of a university discipline " under the direction of Eric de Chassy, ​​professor of the history of contemporary arts, at the François-Rabelais University of Tours. Eric de Chassya has published essays on 20th and 21st century art, including "After the end: suspensions and resumptions of painting in the 1960s and 1970s", a book which Bahram Ahmadi teaches during contemporary art classes at the university.

He subsequently obtained his doctorate in History of Contemporary Art in 2011 at the University of Aix-en-Provence after writing his thesis on "University teaching of painting in Iran: problems and influences " under the direction of Yves Porter. His thesis was then published by Presses Académiques Francophones. During this same year he organized an exhibition at the Charles X pavilion in Saint-Cyr-sur-Loire. Bahram exhibited in 2008 at the arts fair at Espace Malraux in Joué-lès-Tours and Bahram won the prize for watercolor painting in this arts fair. Back in Iran, he taught History of Art and painting at the University of Yazd and published numerous articles in the Revue de Tehran. In 2018 he published "Image language and Painting method" published in Iran. He exhibited during the year 2018 at the Charles X pavilion for a second time7. In 2021, he wrote with Sara Farahmand Drav "Kamal al-din Behzad's Realism in “The Battle of Camels" published in Journal of Art and Civilization of the Orient 9. One of his articles is "Journey of an Iranian Artist: Mansoureh Hosseini" who was a source for the article "HOSSEINI, MANSOUREH" in the Encyclopædia Iranica10. The First National Conference on Presentation Methods in New Arts, Named "Turquoise Blue Shadows", was held in Yazd on December 4 and 5, 2019, and the scientific secretary of the conference was Bahram Ahmadi. For some years, he works on traditional fabrics of Yazd with the dimensions of one meter by two and with acrylic paint in several parts, which puts the viewer in interaction. In Yazd, these old and traditional black and white striped fabrics are used for the bread tablecloth and Bahram has done conceptual work using them. In other words, the fabric must be considered in the traditional culture with its function.