User talk:Venu1513

Vyshnavie Sainath, Bharatanatyam & Odissi Artiste with Kalari & Contemporary dance too.

Gifted with a natural flair for dance, Vyshnavie, daughter and disciple of the renowned Bharathanatyam artiste Rajeswari Sainath, is blossoming into one of the finest exponents of dance in the younger generation. Her performances are an amalgam of traditional rigour and elegance. She has been under the tutelage of her mother Rajeswari Sainath, who from the tender age of three has groomed her in the nuances of Bharathanatyam. She is also undergoing training in the Laya (Rhythm) aspects of dance directly from Mridangam Maestro Guru Kaaraikkudi Mani.

Her quest for other modes of artistic expression led her to explore the Odissi style of dance from the renowned guru Shri Durga Charan Ranbir of Bhubaneshwar. Combining the two strong classical styles, she has been presenting "Praag Daksina", a confluence of Bharathanatyam and Odissi styles of dance.

Awards She was awarded the Rukmini Devi Memorial Endowment Prize for her meritorious concert on her very first appearance at the Sri Krishna Gana Sabha in 2006. She is the recipient of the National Merit Scholarship from CCRT, Govt. of India and the Young Achiever's Award instituted by the Public Relations Council of India. She was identified as the Youth Icon of Andhra Pradesh by the India Today Publications in 2009. She was conferred the title "Natya Chuddar" by the Karthik Fine Arts, Chennai in 2010.

Performances National Vyshnavie has performed across major cities in India - Hyderabad, Chennai, Mumbai, New Delhi, Bhubaneshwar, etc., She has given solo recitals at prestigious sabhas, including the Madras Music Academy, Sri Krishna Gana Sabha, Brahma Gana Sabha and the Karthik Fine Arts in Chennai.

She has donned the role of Durga (Nava Durga Charitham Telugu Ballet), Radha (Bhajare Gopalam Sanskrit Ballet), Krishna (Krishna Darshan Hindi Ballet), Shakuntala (Menaka English Ballet), Esther (Peace on Earth English Ballet), Godha Devi (Amuktha Malya - A production of Tirumala Tirupathi Devasthanam -Bhakthi Channel).

Inter National --Venu1513 (talk) 13:39, 2 January 2014 (UTC) She was invited to perform for the Avarthana Festival at the Croydon Theatre, (London), the Re-Orient Festival (Sweden), Mummoorthigal Festival (Australia), and at venues in USA and Canada in Guru Karraikkudi Mani's productions. She also had the distinction of performing on the closing day of the Cultural Festival of FINA (World Swimming Championship) in Australia.

Media he has won applause from innumerable critics for maintaining the purity of both styles as a performer.

Margazhi Music Awards - The Rising Star Vyshnavie has been awarded with "The Most Promising Talent" -Chennai Times, 17th March 2010, Chennai

Confluence of Styles Vyshnavie has been creating waves with her versatility. - Chennai Times, 5th Jan. 2010, Chennai

At ease in two styles Vaishnavie Sainath presented Bharathanatyam and Odissi without blurring the boundaries. Grace and rhythm came across as distinct entities in the dance recital by Vaishnavie Sainath. Crisp theermanams found expression in the Bharathanatyam style as long stretches and silhouetted poses fused with the adavus. The tall dancer explored the stage well through her agile movements. Firm footwork and thattu mettus gave the item punch and vigour. -The Hindu, 1 Jan. 2010, Chennai

Fest par excellence She appeared to be a string of figures coming alive systematically in succession from the ancient sculptures. -The Hindu, 18 Dec. 2009, Visakhapatnam

Seamless blend of styles Lithe and lovely Vyshnavie walked away with laurels on her very first solo presentation of dual dance genre: Bharathanatyam and Odissi. The dancer seemed born with a smile on her face. Her expressive eyes changed from one emotion to another in quick succession with out a trace of manipulation at any point of time. Energetic, exact execution marked the complex jatis excellently handled in three cycles with wonderful teermanams.There was no repetition of either the adavus or the avarthan. She was able to peg the erotic at the romantic level without giving room to vulgar twists and turns in her abhinaya keeping well within the classical norms. It was a series of footwork delineations marked by curvaceous movements and postures reminiscent of temple sculptures. She emoted through her doe-like eyes. -The Hindu, 31 July, 2009, Hyderabad

Truly a dance feast Tall and elegant Vaishnavie simply stole the show with her combinations of jati spells. She went for a tillana with lot of pirouettes and picturesque and statuesque posturing. -The Hindu, 22 Aug. 2008, Hyderabad