User talk:Wanderer57/CDeneuve

(Wikipedia version - July 17, 2006 - with paragraphing further changed for comparison purposes) - Catherine Deneuve (born October 22 1943, Paris) is an Academy Award-nominated French actress.

A model of Gallic elegance, cultivated lust object for art house filmgoers everywhere, and one of the best-respected actresses in the French film industry, Catherine Deneuve made her reputation playing a series of beautiful ice maidens for directors such as Luis Buñuel and Roman Polanski. The daughter of French stage and film actor Maurice Dorléac, Deneuve was born in Paris on October 22, 1943. She made her screen debut at the age of 13, with a role in the 1956 film Les Collegiennes, and went on to make a string of films with directors such as Roger Vadim (with whom she had a child) before getting her breakthrough role in Jaques Demy's charming musical, Les Parapluies de Cherbourg(1964). The burst of stardom that accompanied her portrayal led to two of her archetypal ice maiden roles, first in Roman Polanski's terrifying Repulsion in 1965 and then in Buñuel's 1967 Belle de Jour. Deneuve's startling portrayal of an icy, sexually adventurous housewife in the latter film helped to establish her as one of the most remarkable and compelling actresses of her generation. She further demonstrated her talent that year in Demy's Umbrellas musical follow-up, Les Demoiselles de Rochefort, which she starred in with her sister, Françoise Dorléac. Deneuve continued to work steadily through the 1960s and 1970s in films such as the 1970 Tristana (her second collaboration with Buñuel) and A Slightly Pregnant Man (1973), in which she starred with her lover at the time, Marcello Mastrioanni (who would father her daughter, the actress Chiara Mastrioanni). Despite or perhaps because of her stardom, Deneuve chose to avoid Hollywood, limiting her appearances in American films to The April Fools (1969) and Hustle (1975). Tellingly, her most significant American screen work of that period was probably the series of commercials she did for Chanel perfume in the mid-'70s, which led to the creation of her own perfume a decade later. Deneuve also did prolific work through the 1980s, appearing in such films as François Truffaut's Le Dernier Métro (1980) and Tony Scott's The Hunger (1983). The latter film saw Deneuve playing a bisexual vampire alongside David Bowie and Susan Sarandon, and her performance won her an indelible cult status in the States among lesbians, goths, and artistically inclined teenage boys. In the 1990s, Deneuve garnered further international acclaim for her roles in several films, including the 1992 film Indochine (for which she won a French Academy Award and a Best Actress Oscar nomination) and two films directed by André Téchiné in which she played Daniel Auteuil's sister, Ma Saison Préférée (1993) and Les Voleurs (1995). In 1996, she paid homage to the director who had first given her fame by taking part in the documentary L'Univers de Jacques Demy. Closing out the final years of the 1990's Deneuve remained consistantly working in numerous films (in 1999 alone she appeared in no less than five films; Est-ouest, Le temps retrouvé, Pola X, Belle-maman, and Le vent de la nuit ) continuing to turn in compelling performances. In 2000 Deneuve recieved much critical attention when cast alongside eccentric Icelandic singer Bjork in the Lars von Trier's melancholy musical Dancer in the Dark. Though it polarized critics and audiences alike, Dancer nevertheless won the Palme d'Or at Cannes Film Festival.

Career
She made her movie debut in Les Collégiennes in 1956.

Her breakthroughs came with the musical film The Umbrellas of Cherbourg) (1964, Jacques Demy), the late Surrealist masterpiece Belle de Jour (Luis Buñuel, 1967), and the Franco-English production Repulsion (Roman Polanski, 1965).

She won the César Award for Best Actress in 1981 for her performance in Le Dernier métro (1980). She won the César Award for Best Actress a second time for her starring role in the 1992 film, Indochine and was nominated for an Academy Award for Best Actress for the same performance.

César Award Nominations

 * 2006 - Palais royal! (by Valérie Lemercier) (Best Supporting Actress)
 * 1999 - Place Vendôme (by Nicole Garcia) (Best Actress)
 * 1997 - Thieves (by André Téchiné) (Best Actress)
 * 1994 - My Favorite Season (by André Téchiné) (Best Actress)
 * 1989 - Drôle d'endroit pour une rencontre (by François Dupeyron) (Best Actress)
 * 1988 - Agent trouble (by Jean-Pierre Mocky) (Best Actress)
 * 1982 - Hôtel des Amériques (by André Téchiné) (Best Actress)
 * 1976 - Le Sauvage (by Jean-Paul Rappeneau) (Best Actress)

Deneuve was the face of Chanel No. 5 in the seventies and caused sales of the perfume to soar in the United States. So much so that the American press, captivated by her charm, had nominated the French actress as the world's most elegant woman. Deneuve is currently a model for Mac Cosmetics and L'Oréal Paris. Her visage has also been used to symbolize 'Marianne', the national symbol of France.

Life
She is the mother of two children: Christian Vadim (born 1963), by her relationship with the director Roger Vadim, and Chiara Mastroianni (born 1972), by her four-year relationship with Marcello Mastroianni. She has been married once, from 1965 to 1972, to the British photographer David Bailey.

She possesses two homes: a country house in France and an apartment in the luxe Parisian neighborhood of Saint-Germain-de-Prés.

Filmography

 * Palais Royal! (2005)
 * Princesse Marie (TV) (2004, by Benoît Jacquot)
 * Les temps qui changent (2004, by André Téchiné)
 * Roi et reine (2004)
 * A Talking Picture (2003, by Manoel de Oliveira)
 * Les liaisons dangereuses (TV) (2003)
 * Au plus près du paradis (2002)
 * 8 Women (2002)
 * The Musketeer (2001)
 * Je rentre à la maison (2001, by Manoel de Oliveira)
 * Dancer In The Dark (2000, by Lars von Trier)
 * Belle maman (1999)
 * Est-Ouest (1999)
 * Le Temps retrouvé (1999)
 * Pola X (1999)
 * Le vent de la nuit (1999, by Philippe Garrel)
 * Place Vendôme (1998)
 * Généalogies d'un crime (1997, by Raoul Ruiz)
 * Court toujours : L'inconnu (TV) (1996)
 * Thieves (1996, by André Téchiné)
 * The Convent (1995, by Manoel de Oliveira)
 * Ma saison préférée (1993, by André Téchiné)
 * Indochine (1992)
 * La reine blanche (1991)
 * Drôle d'endroit pour une rencontre (1988)
 * Fréquence meurtre (1988)
 * Agent trouble (1987)
 * The Scene of the Crime (1986, by André Téchiné)
 * Paroles et musique (1984)
 * Fort Saganne (1984)
 * Le bon plaisir (1984)
 * The Hunger (1983, by Tony Scott)
 * L'Africain (1983, by Philippe de Broca)
 * Le choc (1982)
 * Hôtel des Amériques (1981, by André Téchiné)
 * Le choix des armes (1981)
 * Je vous aime (1980, by Claude Berri)
 * Le dernier métro (1980, François Truffaut)
 * Courage fuyons (1979)
 * A nous deux (1979, by Claude Lelouch)
 * Ils sont grands ces petits (1979)
 * Ecoute voir... (1979)
 * L'argent des autres (1978)
 * Casotto (1977)
 * March or die (1977)
 * Anima persa (1977)
 * Si c'était à refaire (1976)
 * Hustle (1975)
 * Le sauvage (1975)
 * L'agression (1975)
 * Zig zig (1975)
 * La femme aux bottes rouges (1974)
 * Touche pas à la femme blanche (1974, by Marco Ferreri)
 * Fatt di gente per bene (1974)
 * A Slightly Pregnant Man (1973, by Jacques Demy)
 * Un flic (1972)
 * Liza (1972, by Marco Ferreri)
 * Ca n'arrive qu'aux autres (1971)
 * Peau d'âne (1970, by Jacques Demy)
 * Tristana (1970, by Luis Buñuel)
 * The Mississippi Mermaid (1969, by François Truffaut)
 * The April Fools (1969)
 * Mayerling (1968, by Terence Young)
 * Manon 70 (1968)
 * Benjamin (1968)
 * La chamade (1968)
 * Belle de jour (1967, by Luis Buñuel)
 * Les demoiselles de Rochefort (1967, by Jacques Demy)
 * Les créatures (1966)
 * La vie de château (1966)
 * Le chant du monde (1965)
 * Repulsion (1965, by Roman Polanski)
 * Un monsieur de compagnie (1965, by Philippe de Broca)
 * La chasse à l'homme (1964)
 * Les Parapluies de Cherbourg (1964, by Jacques Demy)
 * La costanza della ragione (1964)
 * Vacances portugaises (1963)
 * Le vice et la vertu (1963, by Roger Vadim)
 * Les portes claquent (1960)