Victor Lewis

Victor Lewis (born May 20, 1950) is an American jazz drummer, composer, and educator.

Early life
Victor Lewis was born on May 20, 1950, in Omaha, Nebraska. His father, Richard Lewis, who played saxophone and mother, Camille, a pianist-vocalist were both classically trained musicians who performed with many of the "territory bands" that toured the midwest in the forties. Consequently, Victor grew up with jazz as well as popular and European classical music at home. He would also go with his father to hear touring big bands as they passed through Omaha, such as Duke Ellington, Count Basie and Woody Herman.

Victor started studying music when he was ten and a half years old. Too small for the acoustic bass, he began on cello, but switched to the drums a year and a half later inspired by the drum line marching in holiday parades. As part of his formal studies, he also studied classical piano.

Career
By the time he was 15, Victor began playing drums professionally on the local scene. As one of the few drummers who could read music, he jumped ahead of many of the older musicians for calls on commercial jobs. His big band jazz drumming style was greatly changed after hearing a record of Tony Williams with Miles Davis' Quintet. In addition to Williams, he was greatly influenced by the jazz combo styles of Art Blakey, Kenny Clarke, Max Roach and Philly Joe Jones. He started his own small group to play around town and quickly ascended to playing with nationally known jazz musicians, the first of which was accompanying Hank Crawford in Omaha.

In 1974 Lewis moved to Manhattan, Victor's first gig there was a night at Boomer's with bassist Buster Williams, where he met trumpeter Woody Shaw. Lewis joined the trumpeter's band, becoming a steady member, and a just a few months later he made his recording debut on Shaw's classic, The Moontrane. In the early seventies, the fusion and pop-jazz scenes were becoming popular. Quickly adapting, the drummer was soon recording with Joe Farrell, Earl Klugh, Hubert Laws, Carla Bley and David Sanborn. On his first outing with Sanborn, Lewis recorded his own compositions, "Seventh Avenue" and "Sophisticated Squaw" (a/k/a "Agaya") and later "The Legend of the Cheops."

In 1980, Lewis left Shaw's group to join Stan Getz, in a long collaboration that lasted until the saxophonist's death in 1991. Throughout the eighties, Lewis was one of jazz's busiest freelancers, touring and recording with, among others, Kenny Barron, Art Farmer, J.J. Johnson, Mike Stern, John Stubblefield, Grover Washington Jr., The Manhattan Jazz Quintet, Bobby Hutcherson and Bobby Watson.

As an educator, Lewis has contributed as a freelance instructor with The New School University Jazz School-Mannes Music School Jazz Program in New York City and appears in drum clinics around the world. In 2003 Lewis joined the faculty of Rutgers University in New Brunswick, NJ where he teaches drummers and coaches jazz combos.

In the press, there have been several feature articles about him in publications such as Downbeat, The Wire, Jazz Times and Modern Drummer.

As leader

 * 1992: Family Portrait (AudioQuest) with John Stubblefield, Edward Simon, Cecil McBee, Don Alias, Jumma Santos
 * 1992: Know It Today, Know It Tomorrow (Red) with Eddie Henderson, Edward Simon, Christian McBride, Seamus Blake
 * 1997: Eeeyyess!! (Enja) with Seamus Blake, Terell Stafford, Stephen Scott, Ed Howard (Enja)
 * 1998: Three Way Conversations (Red) with Seamus Blake, Steve Wilson, Terell Stafford

As sideman
With John Abercrombie, Arthur Blythe, and Jeff Palmer With George Adams With Don Alias With Franco Ambrosetti With Kenny Barron With Gary Bartz With Roni Ben-Hur and Nilson Matta With Andy Bey With Carla Bley With Paul Bley With Anthony Braxton With George Cables With James Carter With Cyrus Chestnut With Marc Copland With Eddie "Lockjaw" Davis With Art Farmer With Barry Finnerty With Stan Getz With Dexter Gordon With G.org featuring Randy Brecker and Chuck Loeb With Steve Grossman With Mark Helias With John Hicks With Bobby Hutcherson With J. J. Johnson With Jonny King With Oliver Lake With the Hubert Laws Group With Dave Liebman With Abbey Lincoln With Carmen Lundy With Charles McPherson With Helen Merrill With Karlheinz Miklin With Ralph Moore With David Murray With New York Rhythm Machine With Judy Niemack With Jeanfrançois Prins With Charlie Rouse With George Russell's New York Band With Joe Sample With David Sanborn With Woody Shaw With Lew Soloff With John Stubblefield With Charles Sullivan With Steve Swallow With Harvie Swartz With Lew Tabackin With Charles Tolliver With Steve Turre With Tom Varner With Jack Walrath With Cedar Walton With Bobby Watson & Horizon With Randy Weston With Larry Willis
 * Ease On (AudioQuest, 1993)
 * Nightingale (Blue Note, 1989)
 * Grey (Quinton, 2001)
 * Live at the Blue Note (Enja, 1993)
 * What If? (Enja, 1986)
 * Live at Fat Tuesdays (Enja, 1988)
 * Quickstep (Enja, 1991)
 * The Moment (Reservoir, 1991)
 * Other Places (Verve, 1993)
 * Sambao (Gitanes/EmArcy, 1992)
 * Things Unseen (Verve, 1997)
 * Shadows (Timeless, 1991)
 * Mojave (Motéma, 2011)
 * Shades of Bey (12th Street/Evidence, 1998)
 * Tuesdays in Chinatown (12th Street/N2K Encoded Music, 2001)
 * Heavy Heart (Watt, 1983)
 * Night-Glo (Watt, 1985)
 * Sextet (Watt, 1987)
 * The Very Big Carla Bley Band (Watt, 1991)
 * 4 x 4 (Watt, 2000)
 * Live in Montreal (DVD-V, Universal, 2003)
 * Speachless (SteepleChase, 1995)
 * Reality Check (SteepleChase, 1996)
 * Seven Standards 1985, Vol. 1 & 2 (Magenta, 1985 & 1986)
 * Senorita de Aranjuez (Meldec Jazz, 2001)
 * Looking for the Light (MuseFX, 2003)
 * A Letter to Dexter (Kind of Blue, 2006)
 * My Muse (HighNote, 2012)
 * Icons & Influences (HighNote, 2014)
 * In Good Company (HighNote, 2015)
 * The George Cables Songbook (HighNote, 2016)
 * Gardenias for Lady Day (Columbia, 2003)
 * Present Tense (EmArcy, 2008)
 * A Million Colors in Your Mind (HighNote, 2015)
 * Crosstalk (Pirouet, 2011)
 * The Heavy Hitter (Muse, 1979)
 * Blame It on My Youth (Contemporary, 1988)
 * Straight Ahead (Arabesque, 1994)
 * The Dolphin (Concord Jazz, 1981)
 * Spring Is Here (Concord Jazz, 1981 [1992])
 * Billy Highstreet Samba (EmArcy, 1981 [1990])
 * Pure Getz (Concord Jazz, 1982)
 * Stan Getz Quartet Live in Paris (Dreyfus Jazz, 1982 [1996])
 * Line for Lyons with Chet Baker (Sonet, 1983)
 * The Stockholm Concert (Sonet, 1983 [1989])
 * Voyage (BlackHawk, 1986)
 * Anniversary! (EmArcy, 1987 [1989])
 * Serenity (EmArcy, 1987 [1991])
 * Sophisticated Giant (Columbia, 1977)
 * A New Kind of Blue (A Nest of Eggs, 2004)
 * Perspective (Atlantic, 1979)
 * The Current Set (Enja, 1987)
 * Naima's Love Song featuring Bobby Watson (DIW, 1988)
 * East Side Blues (DIW, 1988)
 * Lover Man: A Tribute to Billie Holiday (Red Baron, 1993)
 * Cry Me a River (Venus, 1997)
 * Cruisin' the 'Bird (Landmark, 1988)
 * Standards (EmArcy, 1991)
 * Heroes (Verve, 1998)
 * Above All (Sunnyside, 2010 [2012])
 * Heavy Spirits (Freedom/Arista, 1975)
 * A Hero Ain't Nothin' but a Sandwich (Original Motion Picture Soundtrack) (Columbia, 1978)
 * Setting the Standard  (Red, 1993)
 * A Turtle's Dream (Gitanes/Verve, 1994)
 * Good Morning Kiss (BlackHawk, 1986)
 * This Is Carmen Lundy (Afrasia, 2001)
 * Something to Believe In (Justin Time, 2003)
 * Jazz and the New Songbook: Live at the Madrid (Afrasia, 2005)
 * Night and Day (Afrasia, 2011)
 * First Flight Out (Araesque, 1994)
 * Manhattan Nocturne (Arabesque, 1998)
 * Brownie: Homage to Clifford Brown (Verve, 1994)
 * Next Page (1991)
 * Furthermore (Landmark, 1990)
 * Lucky Four (Tutu, 1988)
 * MX (Red Baron, 1992)
 * Blues March: Portrait of Art Blakey (Venus, 1992)
 * Moanin': Portrait of Art Blakey (Venus, 1992)
 * Blue Nights (BluJazz, 2007) featuring Jeanfrançois Prins, Gary Bartz, Jim McNeely
 * El Gaucho (Challenge Records, 2012) featuring Rich Perry
 * Soul Mates (Uptown, 1988 [1993]) featuring Sahib Shihab
 * Live in an American Time Spiral (Soul Note, 1982)
 * Invitation (1993)
 * David Sanborn (Warner Bros., 1976)
 * Promise Me the Moon (Warner Bros., 1977)
 * The Moontrane (Muse, 1975)
 * Love Dance (Muse, 1975)
 * The Iron Men (Muse, 1977, released 1980)
 * Rosewood (Columbia, 1977)
 * Stepping Stones: Live at the Village Vanguard (Columbia, 1978)
 * Woody III (Columbia, 1979)
 * For Sure! (Columbia, 1980)
 * With a Song in My Heart (Milestone, 1998)
 * Bushman Song (Enja, 1986)
 * Countin' on the Blues (Enja, 1987)
 * Kamau (Arabesque, 1995)
 * Carla (Xtra Watt, 1987)
 * Urban Earth (Gramavision, 1985)
 * Smart Moves (Gramavision, 1986)
 * Desert Lady (Concord, 1989)
 * With Love (Blue Note, 2006)
 * Rhythm Within (Antilles, 1995)
 * Steve Turre (Verve, 1997)
 * TNT (Trombone-n-Tenor) (Telarc, 2001)
 * Jazz French Horn (Soul Note, 1985)
 * Journey, Man! (Evidence 1995)
 * Composer (Astor Place, 1996)
 * No Question About It (Blue Note, 1988)
 * Post-Motown Bop (Blue Note, 1990)
 * The Inventor (Blue Note, 1990)
 * Present Tense (Columbia, 1992)
 * Midwest Shuffle (Columbia, 1994)
 * Khepera (Verve, 2000)
 * Let's Play (SteepleChase, 1991)