Wikipedia:Articles for creation/2007-06-12

Antrix Project
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Antrix is a free, open source, cross-platform, object-oriented MMORPG server project, hosted on emupedia.com (since 20 May 2007) and licensed under the QPL. This project is one of the main, opensource projects server emulators that support the World of Warcraft network protocol. It is used to host private servers (public hosting against Antrix Terms of Use ) It does not support any Blizzard content. Antrix is written in C++. MySQL, Postgre SQL and Oracle are used to handle the database queries. It uses non-interactive (Daemon), and command-line interfaces. It also has a third-party interfaces which are being developed for different purposes. Antrix group contains anonymous volunteers.

The following is information cited from emupedia and wowps

Copyvio Removed

Dan Reitman
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Dan Reitman is a cool guy.

Ashman's Phenomenon
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.


 * 1) REDIRECT Ashman phenomenon

Jerry Goldstein (Space Physicist)
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Jerry Goldstein (born 23 December 1970) is a space physicist whose research has focused on the Earth's plasmasphere, a high-altitude extension of the ionized portion of the planet's upper atmosphere. During the years 2002-2005 he published a series of papers (thirteen first-authored, seventeen co-authored) on the density structure and global dynamics of the plasmasphere.

In addition to covering fundamental scientific aspects of plasmaspheric dynamics, Goldstein's research has brought attention to plasmaspheric influence on space weather, i.e., space-based phenomena that affect human activities and society. For example, when so-called "space storms" (otherwise known as geomagnetic storms) strike, they erode away the outer layers of the plasmasphere, and this erosion produces significant space weather effects in the form of increased radiation hazards for satellites and astronauts, and range errors in GPS navigation signals.

Goldstein got his Ph.D at Dartmouth College, where he studied magnetospheric cavity mode resonance, a phenomenon in which the Earth’s magnetic field traps electromagnetic waves. As a postdoc at Rice University (2000-2003), Goldstein’s job was to interpret and model the brand-new space weather data being obtained by the IMAGE satellite (launched in March 2000). During his stay at Rice, he also participated in public outreach and education, working with inner city high school algebra teachers to develop space physics problems for use in the classroom, and designing and teaching an eight-week Continuing Studies course in space physics.

At the Southwest Research Institute (after 2003), Goldstein continued his research on the inner magnetosphere of Earth. He also participated in analysis of Cassini data being returned from Saturn’s magnetosphere, taught graduate-level courses as an adjoint professor of U.T. San Antonio, and led the science operations center for the TWINS mission.

In 2006, Goldstein received several notes of recognition for his research. He was awarded the 2006 American Geophysical Union (AGU) Macelwane medal and granted the status of AGU Fellow. In 2006, Popular Science magazine named Goldstein one of its annual "Brilliant 10" young scientists, and San Antonio Business Journal included Goldstein in its "Forty Under 40."

Texas State Soil and Water Conservation Board
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

The Texas State Soil and Water Conservation Board (TSSWCB), established in 1939 by the Texas Legislature, works in partnership with the State’s 217 local soil and water conservation districts to encourage the wise and productive use of the State's soil and water resources in a manner that promotes a clean, healthy environment and strong economic growth.

Headquartered in Temple, Texas, the TSSWCB is governed by a seven-member board of directors composed of five locally-elected members and two Governor-appointed members, all of whom must be landowners actively engaged in farming or ranching.

The TSSWCB is the lead agency in the State of Texas responsible for:

• Coordinating the programs and activities of the State's 217 local soil and water conservation districts (Texas Agriculture Code §201.022)

• Planning, implementing and managing programs and practices for preventing and abating agricultural and silvicultural nonpoint source water pollution (Texas Agriculture Code §201.026)

• Administering the State Brush Control Program for the selective control, removal or reduction of noxious brush species such as juniper, mesquite, saltcedar or other phreatophytes that consume water to a degree detrimental to water conservation (Texas Agriculture Code §203.011)

To fulfill its water quality mandate, the TSSWCB jointly administers the Texas Nonpoint Source Management Program. The TSSWCB is committed to funding - through federal Clean Water Act Section 319(h) grants and State appropriations - projects encompassing water quality monitoring, bacterial source tracking (BST), watershed planning and modeling, outreach and education and demonstration and implementation of best management practices.

The TSSWCB collaborates with the United States Environmental Protection Agency, the United States Department of Agriculture Natural Resources Conservation Service, the Texas Commission on Environmental Quality, the Texas Department of Agriculture, the Texas Water Development Board, the Texas General Land Office, Texas Cooperative Extension, Texas Agricultural Experiment Stations, Texas Water Resources Institute and many other federal, state, regional and local entities.

For more information on agency programs, visit http://www.tsswcb.state.tx.us/.

Msgr. Geno Baroni
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Geno Baroni was born on October 24, 1930, in Acosta, PA, the son of Italian immigrants.

He was ordained on ........

He first served in Johnstown and Altoona, PA, later assigned to Sts. Paul and Augustine parish in Washington, DC (1960-1965) ministering to the urban poor.

Baroni, a "visionary and crusader whose concern was always human development," in the words of Rep. Marcy Kaptur, D-Ohio, spearheaded today's Campaign for Human Development when he gathered a group of people in 1969 to form an institution to study the urban poor.

Baroni famously noted: "People don't live in cities; they live in neighborhoods. Neighborhoods. Neighborhoods are the building blocks of cities. If neighborhoods die, cities die. There's never been a Federal policy that respected neighborhoods. We destroyed neighborhoods in order to save them. I used to think I wanted to save the world. Then I got to Washington, and thought I'd save the city. Now I'd settle for one neighborhood."

An additional stunning irony of this era was the expectation that the urban crisis could be resolved by strategies designed to combat racism. Msgr. Geno Baroni was among the first civil rights activists--Catholic Coordinator for the March in Washington at which Rev. Martin Luther King, Jr. gave his I Have A Dream Speech--to perceive the bankruptcy of racialism and classism in the politics and policy of the late 1960s. Baroni and his associates at the National Center for Urban Ethnic Affairs (NCUEA) developed an alternative approach to urban economic and cultural contradictions. This approach implied a critique of the civil rights movement and its advocate governmental agency, the U.S. Commission on Civil Rights. At bottom this difference involved ethnic and racial culturalism versus a White v. Black/Majority v. Minorities vision of America and the relative importance and emphasis on place and community v. individual rights and the universal claim of social justice. These advocates for urban neighborhoods and cultural pluralism argued for the creation of a National Neighborhood Commission which would promote the renewal of urban life and more adequately address the pluralistic character of American culture.

Baroni was appointed executive director of Office of of Urban Affairs of the Washington Archdiocese (1965-1967), then director of the Urban Taskforce of the US Catholic Conference (1967-1970). In 1971, father Baroni founded the National Center for Urban Ethnic Affairs (aid from Ford Foundation), which has been run by Dr. John A. Kromkowski since 1979 and is currently located at the Catholic University of America.

In 1977, was offered position in the Carter administration as Housing and Urban Development Assistant Secretary for Neighborhood Development, Consumer Affairs, and Regulatory Functions.

Msgr. Baroni was instrumental in founding the National Italian American Foundation in 1975 and served as its first president.

Author of "Pieces of Dream" (1972).

Msgr. Baroni died on August 26, 1984 after a long struggle with cancer.

More than two decades ago, faced with a similar effort to reduce government spending on the awkwardly-named “Section 202 Supportive Housing for the Elderly” program, Baroni offered this advice: “Let’s call it ‘Grandma Housing’ and no would be against it.”

Several speakers at the Eisenhower Foundation-sponsored symposium that began on what would have been Baroni’s 75th birthday recalled the priest was being cute but not facetious. Baroni, said Carter administration chief domestic policy adviser Stuart Eizenstat, did not speak in bureaucratic jargon. “He talked about poverty reduction and neighborhood preservation in moral terms,” said Eizenstat.

“Geno didn’t believe in ‘programs,’ ” said John Carr, secretary of the U.S. bishops’ Office of Social Development and World Peace and one of numerous Baroni protégés at the meeting.

Baroni, who died of cancer in 1984, did, of course, support “programs.” As director of Office of Urban Affairs of the Washington archdiocese and director of the Urban Task Force of the U.S. Catholic Conference in the late 1960s, he initiated or took advantage of any number of such efforts. As Carter’s assistant secretary for Neighborhood Development, Consumer Affairs and Regulatory Functions, Baroni launched others, everything from the Community Reinvestment Act (requiring banks to invest in local communities as a condition of their federal charter) to the Community Development Corporations he championed. But Baroni, agreed the forum participants, saw such efforts as a means to a specific end, as a way to build local communities where ethnic, religious and gender differences were recognized but did not divide, where white ethnics and minorities appreciated their common interest, such as the dignity that comes from jobs that pay a living wage.

Eizenstat, the Carter-era policy specialist who brought Baroni into government, said he drew lessons from Katrina that differ from those of the budget-cutting House members. The storm, and the public’s reaction to the poverty it revealed, presents an opportunity for conservatives, particularly those of a religious bent, and liberals to work together, he said.

Baroni’s commitment “to develop policies from the neighborhood up,” his moral message, and his desire “to build bridges of understandings” among divergent groups, said Eizenstat, “gives us the right language” to pursue domestic antipoverty strategies today. He pointed to recent international debt relief efforts that brought together traditional supporters of international development but also such divergent personalities as rock star Bono, former North Carolina Sen. Jesse Helms and Kansas Republican Sen. Sam Brownback. The result has been “real and meaningful” and “gives the poorest people in the poorest countries a chance.” Similar coalitions based on moral appeals can work here in the United States, said Eizenstat.

Palisade Layer
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

A column of cells below the upper epidermis of foliage leaves that has many chloroplasts.

Linda Mason
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Early Life and Career
Linda Mason was born in Sunderland, in the northeast of England, on Friday, the 13th of September, 1946. Linda’s mother, who expertly imitated the hottest designer fashions of the day and whose eccentric home renovations transformed their neighborhood, inspired in her a fascination for artistic expression. She got her start in the beauty industry modeling for haute couture designers in Paris while studying makeup.

Career
Linda moved to Beirut to teach makeup and sell cosmetics for Lancôme. In the late 70s, she returned to Paris and became the premier makeup artist for Helena Rubenstein. While making rounds at fashion shows, Linda observed that makeup done by the models themselves was totally out of sync with the incredible fashions they were wearing. Linda then reinvented the role of makeup on the runway by personally applying the models’ makeup. She worked on early collections for Jean-Paul Gaultier, John Galliano, Commes des Garcons, Yohji Yamamoto, Giorgio Armani, and Issey Miyake. The diligence, skill, and ingenuity of these designers inspired her to further develop and refine her own work.

In the early 80s, Linda moved to New York, where her cutting-edge work continued to make headlines. In response to a look Linda created for photographer Steven Meisel, the Wall Street Journal stated that “Mason…took face painting out of punk and into high fashion.” Linda also worked with many celebrities, including Cameron Diaz, Uma Thurman, Brooke Shields and Charlize Theron.

Present
Linda launched her own makeup company, Linda Mason Elements, Inc., in 1987. In 1988, she developed cosmetic kits which were carried at Henri Bendel, Barney’s, Saks Fifth Avenue, and Nordstrom. Her habit of painting pictures of her daughter, Daisy, who was born in 1986, led her to discover her love for portraiture. She also continued to explore other styles of visual art, including multi-media collage and glass art. Her pieces range in style from classical to abstract, reflecting her dynamic personality and variety of sources of inspiration. In 1998 Linda opened “The Art of Beauty by Linda Mason,” a shop and gallery in Soho, New York City.

Publication
Linda has published several books: Linda Mason’s Sun Sign Makeovers (1985) and the collaborative Tanaka-Mason-Kostabi (1992), a collaborative book. More recently, Makeup, The Art of Beauty, a complete handbook of techniques and approaches refined over her career, was published in September 2003 and re-released in paperback May 2007; and in October 2004, Teen Makeup, Looks to Match Your Every Mood.

Patrick Vaden
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Restoration and Restrofitting Speedsters Today
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Suggested information regarding what is being done to recreate the excitement of these special automobiles 

AK Roy'aL
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

the best music artist of all time

Sandra Sexton
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Sandra Sexton, originally Sandra Valdesuso, is a United States retired burlesque stripper. She was a fixture in The French Quarter with revealing full size posters at The 500 Club on Bourbon Street in New Orleans, Louisiana from 1969 to 1970.

Originally from Cuba she was exiled with her family when Castro took over. She became a nationally known stripper when she became the first woman to streak The Superbowl in a bikini. For several years after she was one of the highest paid strippers in the United states.

Joshua David Willshon
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Aransas City, Texas
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Aransas City, Texas was founded by James Power, on Live Oak Point, in 1837. Aransas City, founded in what was once Refugio County, now lies dead in current day Aransas County. James Power built his home on the point before the Texas Revolution and added to it after the revolution was over, in what was once Spanish-Mexican held property. With help from his friend, Henry Smith, both parties helped to lay out and promote the town. The town was finally incorporated on January 28, 1839.

As the county seat of Refugio County and westernmost port in Texas before the founding of Corpus Christi, Aransas City was a prosperous town. Unfortunately, Comanche and Karankawa Indians raided the city on several different occasions, and it was sacked numerous times by Mexican irregulars.

By 1847, Aransas City was a dead town. The county seat had moved to Refugio, an on-going rivalry with Corpus Christi and Lamar as ports, as well as the loss of the customhouse forced the town into retirement.

Jesper Juul (family therapist)
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Jesper Juul (born ) is a Danish family therapist and author and a renowned international authority on the family. In his book Your Competent Child (1995, in Enlish 2001) he argues that today's families are at an exciting crossroads because the destructive values — obedience, physical and emotional violence, and conformity — that governed traditional hierarchical families are being transformed. The book has so far (2007) been translated into 13 languages and has in some countries like Sweden, Denmark and Norway become a classic for non authoritarian parenting.

Jesper Juul has for many years - and in a wide range of settings - been working with children and young people with behavior difficulties, pedagogical development in schools and kindergartens and also with groups of single mothers and parentgroups. He was the director of the Kempler Institute of Scandinavia Centre for family and post graduate education from 1979 until 2004.

In addition to this, Jesper Juul engaged himself, on a voluntary basis, in the work with children, young people and families in refugee camps during the war in the former Jugoslavia, where he also provided counselling and post graduate education to local professionals.

a
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. 
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Untitled
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

DZK is a rapper from the DC Metro

You are empty ( computer game )
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

You are empty is an action oriented fps computer game, developed by Digital spray, and released for the PC. The game story is in a ficticious time line, where communists scientists in the 50's experiment with human beings in biological and psychological areas. The result is the experiments revolting against their masters and the player having to confront both sides in order to survive.

Christopher John Lambly
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Christopher John Lambly; Born 28/07/1987

J. A. B.
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

(attack removed)

Feline Agility
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Feline agility is the sport of agility done with cats rather than dogs.

OneWorldTV
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

OneWorldTV is a public platform for filmmakers, video journalists, NGO’s and anyone with access to a video camera and an interest in social issues. It gives the user the opportunity to access video messages and short films from around the world. Anyone with access to a camera and computer can contribute their films.

We are part of OneWorld.net - the world's favourite and fastest-growing civil society network online, supporting people’s media to help build a more just global society.

India Beer
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

India Beer is manufacturered by Molson, only in Newfoundland. Not an India Pale Ale, it is named for the dog of the brewer who created this beer. Widely popular before being acquired by Molson Breweries in the 1960s, it has recently risen in popularity, despite no promotion.

Status Design
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Status Design wis a small design company out of Knoxville, TN. Started and ran by Justin Helton, its a graphic design company specializing in design for the music industry. With a portfolio of self designed and printed concert posters, status has been gaining ground since its conception in 2005. Status has worked with such companies as AC Entertainment, Blue Cats Music Club, OK Productions, Inland Emperor, Unjazz Inc, etc. As well as working with and designing materials for such bands as Keller Williams, Medeski Martin and Wood, Lucero, The Faint, El-P, Umphrey's McGee, My Morning Jacket, The Flaming Lips, and the list goes on. www.statusdesignco.com is in the works and should be up sometime in the near future, until then you can see status' work at www.myspace.com/status_serigraph

Awesome Car Funmaker
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

<B>Awesome Car Funmaker</B> is a pop, hyphy, glam band from Madison, Wisconsin. They were formed June, 2003 and are continuing to make music.

Awesome Car Funmaker
<B>Awesome Car Funmaker</B> is a pop, hyphy, glam band from Madison, Wisconsin. They were formed June, 2003 and are continuing to make music.

MetallicaMatt
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

MetallicaMatt is famous for being a youtube user. His first video was uploaded on febuary. He is 24 and currently seeing someone.

Sleight of Hand (album, July 2007)
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

When it came time to record the new Raising the Fawn album, we were just exhausted from being on the road. This is especially true of myself as between RTF and Broken Social Scene, I spent about 13 of 16 months touring. I’ve not felt so personally relieved as when I said to Scott and Dylan in November, “let’s just get home and make a record.”

The record in question became Sleight of Hand. We recorded the meat of it in a single week and the mixing was done in four days — warp speed for a band whose previous two full-lengths required months to complete. This new brevity was partially a challenge laid to ourselves.

The recording of 2006’s The Maginot Line left me pleased but exhausted. Rather than go through that again, we self-imposed a band boot camp. With so much groundwork already laid out, we wanted to push our preparation to the point where the performances were subconscious.

The biggest challenge was realizing these performances properly. In this respect, Sleight of Hand would have been impossible without the guidance of our producer, Ian Blurton (The Weakerthans, Amy Millan, Cursed). The week of recording passed with the delirium of a marathon runner on an August day. Ian’s patience and expertise was crucial here. It was all there, exactly as we had hoped.

Sleight of Hand is (by design) our shortest album yet. It is also both our most varied and most accessible release. After making our previous record with focus on group writing and live performance, Sleight of Hand’s blueprint was very different — a true studio album. Songs were given exactly what they needed, whether it was twelve tracks of vocals, two drumkits, synths and drum machine or just guitar and voice.

More than anything, we hope that this album reflects a natural shift for the band back to the world of melody — or maybe more accurately, an improved integration of our experimental side with the harmonies that have always been there. This is our pop album and it contains what I feel to be at least four of the best things I’ve ever written. John Crossingham - 2007

Kathy Moore
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Kathy Allison Moore was born in Asheville, NC, in 1948. She grew up in nearby Hendersonville, where she graduated from high school and became a member of the first class of freshmen girls admitted to the University of North Carolina at Chapel Hill.

Kathy double-majored in Journalism and in Radio, Television and Motion Pictures. She was inducted as a member of The Order of the Old Well for excellence in academics and in extracurricular activities. But her highest achievement was never missing one Carolina basketball game in her entire four years at UNC.

After graduation, Kathy became the only female reporter at WBTV News in Charlotte. She was assigned to cover education, which turned out to be the local story of the early 1970s. With the landmark Swann v. the Board of Education Supreme Court ruling, Charlotte became the first school district in the country ordered to bus students as a means of desegregating a local school system.

The social changes facing the community were difficult and often led to strife at endless school board meetings as well as to riots at the local schools. Kathy covered it all, including breaking an exclusive report of a citizen's secret desegregation plan, which led to a resolution of the busing crisis. Her education reporting included a documentary, "Swann v. the Board of Education: Ten Years After," which was honored in a prestigious Columbia-duPont Award to the WBTV News for News and Documentary Programming. The jurors called her work a "patient, thoughtful documentation of a local story with national significance... (an) hour-long study of continuing problems in racial adjustments." Throughout her career, she won local, state and national awards for much of her television work including a national Emmy.

In her eight years at WBTV News, Kathy served as reporter, correspondent, assignment editor, managing editor, documentary producer, executive producer and assistant news director.

In 1978, CBS News called, and Kathy left North Carolina for New York to become a producer for Walter Cronkite, Dan Rather, Ed Bradley, Bob Schieffer and Mike Wallace, among others. She covered the Three Mile Island nuclear accident, did much of the first reporting on the new disease we now know as AIDS, and became the Evening News expert on the American hostages being held in Iran. In 1983, she left New York to become Assistant Bureau Chief for CBS News in Los Angeles helping direct coverage of stories in California, Arizona, Nevada, Hawaii, Alaska, Washington and Oregon. She then became the first domestic female bureau chief at CBS News when she was named head of the CBS News Dallas Bureau. Kathy was in charge of network coverage in Texas, Oklahoma, Louisiana, Arkansas, Colorado, New Mexico and also was responsible for news in Mexico and parts of Central America. She helped direct coverage of the Mexico City earthquake, several Mexican elections and many immigration issues.

The CBS Evening News with Dan Rather asked Kathy to return to New York in 1988. She served eight years as Senior Producer, four of those as the number two person on the broadcast. Kathy was directly responsible for CBS News domestic coverage throughout the entire United States. During her 17-year-tenure at CBS, she was offered executive producer positions at The CBS Weekend News and The CBS Evening News but declined the offers and eventually left CBS to explore new adventures.

Kathy agreed to freelance for a start-up broadcast to learn more about television syndication. She then explored cable television after being asked to help launch the new MSNBC Network. In San Francisco, at the beginning of the Silicon Valley boom, she executive-produced the first hour-long daily news broadcast reporting on the Internet and high technology. “The Site” was the first television show purposely created and produced with a corresponding website containing original reporting and other content created specifically for and directly interrelated between the two mediums.

After having explored local, national, syndicated and cable television and the Internet, Kathy decided to commit to volunteer nonprofit work in San Francisco. Due to the series of tragic school and daycare shootings, she agreed to handle local, national and international public relations for news stories that evolved after an extremely high-profile March on Washington.

1200-1300 in Fashion
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Costume for both men and women in Europe during the thirteenth century was very simple, and quite uniform over the continent. Men wore a tunic or cotte with a surcoat. One of these surcoats was the cyclas, which began as a rectangular piece of cloth with a hole in it for the head. Over time the sides were sewn together to make a long, sleeveless tunic. When sleeves and sometimes hood were added, the cyclas became a ganache (a cap-sleeved surcoat, usually shown with hood of matching color) or a gardcorp (a long, generous-sleeved traveling robe, somewhat resembling a modern academic robe). A mantle was worn as a formal wrap. Men also wore hose, shoes, and headdress. The clothing of royalty was set apart by its rich fabric and luxurious furs. Hair and beard were moderate in length, and men generally wore their hair in a "pageboy" style, curling under at necklength. Shoes were slightly pointed, and embroidered for royalty and higher clergy. Working men wore a short cotte, or tunic, with a belt. It was slit up the center of the front so that they could tuck the corners into their belt to create more freedom of movement. They wore long underpants with legs of varying length, which must have been considered perfectly modest, as they were often visible as they worked (as seen in period art). Hose could be worn over this, attached to the crawstring or belt at the waist. Hats included a round cap with a slight brim, the beret (just like modern French ones, complete with a little tab at the top), the coif (a little tight white hood with strings that tied under the chin), the straw hat (doubtless in widespread use among farmers), and the hood.

Dress for women was restrained. a floorlenghth, loosely-fitted gown, with long, tight sleeves and and a narrow belt, was uniform. Over this was worn the cyclas (the sleeveless surcoat worn also by men). Richer women wore more embroidery, and their mantles, held in place by a cord across the chest, might be lined with fur. Individuality in women's costume was expressed through their hair and headdress. One distinctive part of thirteenth-century women's headwear was the barbette, a chin band to which a hat or various other headdress might be attached. This hats might be a "woman's coif", which more nearly resembled a pillbox hat, severely plain or fluted. The hair was often confined by a net called a crespine or crespinette, visible only at the back. Later in the century the barbette and coif were reduced to narrow strips of cloth, and the entire hairdress might be covered with the crespine, the hair fashionable bulky over the ears. Coif and barbette were white, while the crespine might be colored or gold. The wimple and veil of the twelfth century (still seen on nuns today) was still worn, mainly by older women and widows. Women also wore hose and leather shoes, like men.

Aclea, Battle of
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

The battle of Aclea occurred in 851 A.D. and fought between the forces of King Aethelwulf, king of Wessex and a large force of invading Vikings.

Scant sources for the battle exist are are primarily derived from the Anglo-Saxon Chronicle and Asser's "Life of King Alfred" (who almost certainly used the ASC as a source). The Chronicle's entry for the year 851 reads:

"...three-and-a-half hundred ships came into the mouth of the Thames, and stormed Canterbury and London and put to flight Beorhtwulf king of Mercia with his army, and then went south over the Thames into Surrey: and king Aethelwulf and his son Aethelbald with the West Saxon army fought against them at Aclea (oak field), and there made the greatest slaughter of a heathen raiding-army that we have heard tell of up to the present day, and there took the victory."

Asser's Life of King Alfred states:

"...the aforesaid pagan host went into Surrey, which is a district situated on the south bank of the river Thames, and to the west of Kent. And Aethelwulf, king of the West-Saxons, and his son Aethelbald, with all their army, fought a long time against them at a place called Ac-lea, and there, after a lengthened battle, which was fought with much bravery on both sides, the greater part of the pagan multitude was destroyed and cut to pieces, so that we never heard of their being so defeated, either before or since, in any country, in one day; and the Christians gained an honorable victory, and were triumphant over their graves."

The battle of Aclea is therefore notable as one of the few decisive victories of the English over the Vikings during the first phase of Viking incursions in the period between 793 and 865 A.D.

The arrival of the 'Great Heathen Army' in 865 heralded an escalation in the conflict that made the victory of 851 somewhat academic.

The precise location of the battle has never been identified. Suggested locations include the Oakley that lies some four miles to the north west of Bedford on the Great Ouse and the village of Water Oakley in Berkshire.

Robert DeProspero, Secret Service
Robert DeProspero (full name Robert Lee DeProspero, a.k.a. Bob, Bobby, and Bobby D), arguably one of the most respected protection agents the United States Secret Service has ever been honored to employee, graduated from West Virginia University (WVU) with a Bachelor's Degree (BS) in physical education in 1959 and a master's degree (MA) in education in 1960 and later joined the United States Secret Service (USSS), serving from 1965-1986. He was the Special Agent In Charge (SAIC) of the Presidential Protective Division (PPD) during a large part of the President Reagan era (January 1982 to April 1985), succeeding Jerry S. Parr. In fact, the SAIC of President Reagan's detail on that fateful day, the aforementioned Parr, had half a mind to have his deputy, DeProspero, go in his place to the Washington Hilton, but elected to go anyway. [Parr became a hero, protecting Reagan by shoving him into the open limousine along with Ray Shaddick (ATSAIC/ Shift Leader and later appointed by DeProspero to replace himself as SAIC of PPD in early 1985)]. . Parr chose a good replacement: DeProspero was the perfect agent to head reagan's detail in the wake of the assassination attempt .Fellow former agents Walt Coughlin, Jerry Kivett, Howell Purvis, Robert Snow, Darwin Horn, Mike Maddaloni, and a host of others waxed on about DeProspero's virtues to Secret Service expert Vince Palamara in unique interviews that Palamara conducted between 1991-2007.

Deprospero can be seen holding onto the rear handrails of Reagan's limousine (along with George Opfer, head of Nancy Reagan's detail), during the January 1981 inaugural .A light-hearted moment: during Reagan's attendance at the 1984 Olympics, Reagan turned to the unmoving, stern-faced DeProspero and said "Gee, Bobby, mine is ticking"

Declined. This article already exists in Wikipedia. RIP-Acer (talk) 21:24, 19 January 2008 (UTC)
 * style="text-align:center;" | This is an archived discussion. Please do not modify it. 
 * }
 * }

Onslaught (computer game)
{| class="navbox collapsible collapsed" style="text-align: left; border: 0px; margin-top: 0.2em;" ! |  Archived discussion follows below. Please do not modify it. <div class="boilerplate metadata afc" style="background-color: ; margin: 2em 0 0 0; padding: 0 10px 0 10px; border: 1px solid #AAAAAA;">
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * style="border: solid 1px silver; padding: 8px; background-color: white;" |
 * This request for creation has been reviewed. The reviewer comments appear below the article text.

Onslaught is a tower-defense type game where you defend area 51 from aliens. You can start with a cannon, a laser, a missle launcher, and a tazer. Other items will be unlocked as you progress, mainly stat-boosting objects. You can upgrade your towers, and defeat the enemies! (Actully, you can't, they just keep on coming.) One thing I find strange, however, is how some aliens look.... familier. Some look EXCATLY like printers, and others like a ship from Star Wars! However, it is a very fun and addicting game, with the phrase "You wanted to get anything done today?" as their slogan, advertising how additive it is. Many people will enjoy this game, and will also be very happy they found this page. Yes?