Wikipedia:Articles for creation/2008-01-20

Internet traffic management.
When someone is downloading and/or uploading a particularly large amount of information over a long period of time, it can slow down the Internet speed for other users who might just be checking their email or browsing online. So to make sure internet services are fair for everybody, companies sometimes moderate the speeds during peak times for customers who are downloading and/or uploading an unusually large amount at these times.

This ensures that the service doesn't get blocked up with people using more than their fair share - which means a lot less internet lag.

Fred Woodward
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Fred Woodward’s staple, magazine graphic design work has earned this southern gentleman a reputation in the business that he only could have dreamed about, as a stand out art student at Mississippi State University. Woodward was born in 1953 in the small, Mississippi town of Noxapater (population 500). Though clueless of the term “graphic design,” he passion for music led to his interest in the field. If Woodward would purchase a new record, he would find himself consumed in the album cover art; It was Crosby, Stills, Nash, and Young’s album, Déjà Vu, that shot Woodward into a world wind of fascination with the visuals of “rock and roll.” During his college years, where Woodward attended Mississippi State University, he found himself struggling to find a path that appease both his interest and his parents approval. After switching his major from journalism to physical education, and then to political science it seemed like Woodward could not seem to settle on anything. It wasn’t until his junior year of college that he was introduced to graphic design by a friend with the passion for the field, but a major in landscape architecture. Watching his friend, Woodward’s mind began linking his childhood interest with a potential future in something he could actually see himself doing, the only set back was that Mississippi State did not offer a graphic design degree. One day before registration, Woodward was in packed U-haul, bound for Memphis. The closest school offering his sought degree was Memphis State, and Woodward was determined to take a chance on the one path in which he found actual passion. During the meeting with his registration advisor, the woman reported turned to Woodward and said, “My advice to you is to turn around and go back to Mississippi.” Luckily for Woodward and those who have enjoyed over twenty years of his hard work, he stayed in Memphis. Memphis State would prove challenge, yet exciting. Woodward’s first class was a senior-level typographical course that introduced him to design. Though the course was meant to overwhelm Woodward into dropping out of the university, it had quite a different effect. Woodward quickly found himself consumed in his work. Spending twenty-four hours at a time working on projects, Woodward would only break for vital reasons. Woodward knew this would be his career and his work begun sending the same message. With only two classes toward his major under his belt, Woodward took his first graphic design job. It was at Jack Atkinson’s design studio in Memphis that Woodward was finally able to sink his teeth into some real work experience. Woodward used this as a valued learning opportunity as well as a stepping stone, as the job only paid forty dollars a week, and his dream was to work for a much edger company. In 1980, upon graduation, Woodward was again on the move. Dallas was the next step on his road to success, and it was there were he landed his first big magazine job. Woodward worked on the staff of D Magazine, a publication that covers everything from art to politics in the Dallas/Fort Worth region. Staying in the Dallas area for his next endeavor, Woodward took a job with a Dallas Times-Herald’s Sunday supplement, Westward Magazine. The Westward was an interesting time for Woodward. He finally had a job where he could use all of his tools, as the staff consisted of only Woodward and two editors. What trouble Woodward, was the lack of attention that the magazine were getting, which in turn meant the lack of attention he was getting. Woodward, being the savvy, innovator that he was, entered the Art Directors Club competition, in 1982, as a means of getting his name and work out among his peers. He work was extremely well received and this would mark the turning point of his career. The name “Fred Woodward” would now mean something to those in the art and graphic design world, and for the first time Woodward was showing confidence and trust in his abilities as a designer. By 1983, Woodward had expanded his borders bound Dallas, and took a at Texas Monthly. The out react of the magazine far surpassed that of his previous works, and this would be a chance to broadcast his talents to a significantly higher number of readers. Woodward also had much greater tools to work with. At Texas Monthly, Woodward had some of the nations best illustrators and photographers. Like a kid in a candy story, Woodward used all of his new advantages to their potential and began to earn nation recognition of his own. Woodward enjoyed his job and the success at Texas Monthly, but other offers began to come in and after only four years, Fred Woodward got the job offer he had been waiting ten years for. The world proclaimed “bible of rock and roll,” Rolling Stone Magazine, had extended their hand and, in 1987, Woodward happily accepted the offer. Rolling Stone was the top of the mountain, and though some would curl up in the presence of its greatness, Woodward stood bold and dared to make changes. The magazine had strayed away from the little details that used to be ingrained in its rich history. A more modernized structure had overtaken the pages and Woodward, a long time fan of the publication, vowed to restore Rolling Stone to its former greatness with the philosophy of Henry Wolf, a man Woodward considered an inspiration, which was “innovation grounded in tradition.” Woodward’s first duty was to reimplement the Oxford rule framing all editorial, which had been scrapped to make way for the magazines new look. “It turned out to be incredibly liberating,” Woodward said. “I felt that whatever I did, if I did it inside that border, it was Rolling Stone.” Woodward spent twenty-one years perfecting an art and creating a masterpiece with Rolling Stone. Woodward was able to see a dream actualized, working in a company in which he had such high esteem, working with the great Crosby, Stills, and Nash, who’s album cover helped inspire him so many years before, and working to change the face of design in magazine. In 2001, Fred Woodward left Rolling Stone and took the job or design director at GQ, where his plan left him with only two questions, “How simply could I make it and it still be interesting? How far could I strip it down?” Woodward’s simple, yet elegant redesign of GQ to the magazine to another level and earned him the Society of Publication Designers’ Magazine of the Year award in only his first year with GQ. His personal flare, and professional eye make all he touches turn to gold. Woodward works as design director at GQ, in New York City, to date, but it is his career as at Rolling Stone that made him famous and earned him induction into the Art Directors Hall of Fame, as the youngest inductee, in 1996. “Fred is truly a visionary in the field of magazine art direction," says Jann Wenner, chairman of Wenner Media and the editor and publisher of Rolling Stone. "He’s a creative force whose energy, skill, and talents continue to amaze and astonish me. After close to ten years, his creative DNA has become an integral part of the Rolling Stone spirit."

Sea Lion (album)
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Jimmy Buff's Italian Hot Dogs
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Jimmy Buff's of 14th Ave. & 9th St. in Newark, NJ is where the hotdog with an Italian twist was first concocted by the founder James "Bluff" Racioppi in 1932. Grandpa got his nickname from his style at the card table. Translation from Italian to English came up with the nickname "BUFF". In the 20s and 30s everyone had a nickname and hence James Racioppi became known as "Jimmy Buff".

The sandwich was first served as a treat by the Racioppi's for close friends and relatives. It went over so big with them it became the center of their menu and ultimately a customer favorite. The fresh onions, peppers, and potatoes combines with a hot dog is what allows the speciality its claim to originality.

Today, over 75 years later, the Italian Hot Dog and it's nearest relative, the Italian Sausage, are the staple fare at Jimmy's Buff's and take turns outselling each other.

Today we cook our Italian Hot Dogs and Sausages in cholesterol free soybean oil just like Grandpa Buff did in 1932. The tradition lives on.

Fiascoism
Fiascoism is a philosophical belief established on January 20, 2008 to state the contents of today's society. 'Fiascoists' believe that the world, and everything in it, is made up of two groups of things. The good and the bad, & Food and Liquor.

Julian M Kelly
Julian Kelly is an American Memoirist, Poet, Actress and Musician born on September 28th 1983 in Baltimore, Maryland. She is the author of the Poetry book Essence in A Minor, Rage: a Black-white memoir(2007), as well as the book I Hate My Therapist Because I tell Lies(2008). In 2001 Julian received a presidential accolade from President Bush for her outstanding achievements. She has appeared in various mediums of film and television including the Pindar Film's movie " The Devil's Courthouse", " Deadlands" and " Syringe." She is affiliated with the Citizen's Commission for Human Rights as well as American Jewish Committee.

Tight Eyez
Tight Eyez AKA Young Truth (Ceasare' L. Willis), born January 3rd, 1985, is a minor celebrity in the media and a major influence in the world of KRUMP. He is a key originator in the KRUMP movement that started in South L.A. and arguably the most skilled KRUMP dancer. As the "big homie" of the Eyez KRUMP family he absorbs a great amount of attention on youtube, there being several videos in tribute to him, highlighting his dance moves. He is a main cast member in the movie Rize and was featured in So You Think You Can Dance and in the beginning of the movie Stomp The Yard. He is also a co-founder of the Krump Kings, a Krump dance group that travels the world influencing the movement of KRUMP throughout foreign countries. He and others have created a series of instructional dance videos teaching the basic and advanced techniques of Krump along with elaborations of the different styles of the dance as well as its meaning.

BES (software)
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A GPL licenced program for Windows 2000/XP computers that implements CPU throttling on a per-process basis. It does not depend on hardware technologies such as Intel's SpeedStep.

It is described as an "active cooling" program, whose purpose is to stop the CPU from getting too hot by its throttling action.

According to the author, the full name of the program (Battle Encoder Shirase) is an anime reference relating to the rogue processes that consume all CPU that BES is intended to control.

The last version (1.2.2a) was released on November 22 2007, but there is no mention of Windows Vista compatibility.

Similar Programs

 * ThreadMaster command line freeware, working globally by default (although it can also target specific processes)
 * Process Lasso. Lowers priority, but can also set CPU limits.
 * Process Tamer. Only lowers priority. Contains nag screens.

reanne sutton
i love reanne sutton. shes fit

Herschel Garfein
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Herschel Garfein is the composer of the opera Elmer Gantry, written with the librettist, Robert Aldridge.

Mick Walsh Songwriter/ Singer
Mick Walsh is a songwriter and singer from Stevenage, England. He co-wrote Dirty Cash (Money Talks) with Steve Vincent (Stevie V) in 1989. The song, performed by the band The Adventures Of Stevie V (Steve Vincent, Melody Washington and Mick Walsh) was turned down by six top record companies before the band signed with Mercury in the same year. The first Mercury release was a flop and the record struggled to make the BBC top 100. Eventually due to the tenacity of the band, the song reached New York on white label and was heard by Producer David Morales who remixed the track. The Morales re-mix was re-released in the Summer of 1990 and the track shot to the top of the charts eventually knocking Madonna's "Vogue" off the #2 spot in the UK. Dirty Cash stayed on the BBC chart for 13 weeks in the UK. In the US the song reached #25 on the Billboard Top 100 and #1 in the US Dance chart. Two further singles followed, Body Language and Jealousy plus the album "The Adventures Of Stevie V". For a short while he was signed as an artist to Simon Cowell's "Arista" label but released from contract and no single was ever released. In 1992 Mick wrote another US dance number 1 hit in the shape of Set Me Free by Clubland. In the late 1990's he became a back up singer and backed Paul McCartney and the Spice Girls among others. He is now a successful vocal coach in New Jersey, USA.

Singles by The Adventures Of Stevie V

* 1990 : "Body Language" * 1990 : "Dirty Cash (Money Talks)" * 1991 : "Jealousy" * 1991 : "That's The Way It Is" * 1993 : "Push 2 The Limit" * 1994 : "Paradise" * 1995 : "Paradise" (second release with more remixes) * 1997 : "Dirty Cash (Money Talks) '97" (remix)

Singles by Mind Electric

* 2006 : "Dirty Cash (Money Talks)"

The song Dirty Cash (Money Talks) was also featured on the 2006 Album "X" by the band Liberty X.

Singles by Clubland

* 1993 : "Set Me Free"

Albums by Clubland

* 1993 : "Adventures In Clubland"

Dirty Cash (Money Talks)

Chart Performances: Hot Dance Music/Club Play #1 Hot R&B/Hip-Hop Singles & Tracks #75 The Billboard Hot 100 #25

Set Me Free

1992 US Hot Dance #1, US #90

apple-touch-icon
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Lisa Simon
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lisa Is Tony's Beautiful Girlfriend And He Loves Her So Much. She Means Everything To Him And She's The Best Person In The World. He Cannot Say Enough About Her, Therefore Is Often Desperate For Words To Describe Her Wonderful Way Of Living.

Egyptian LNG
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Egyptian LNG is considered one of the world’s largest producers of this strategic commodity. It aims to produce liquefied natural gas (‘LNG”). Located at Idku, 50km East of Alexandria, Egyptian LNG can accommodate an expansion of up to six trains in total with potentially different ownerships and sources of feedgas. Currently, two trains are up and running, each at a capacity of 3.6 million tones per annum. Egyptian LNG is Egypt's largest liquefied natural gas joint venture comprising of both local shareholders, such as (“EGPC”), (“EGAS”) and foreign shareholders, such as BG Group plc, PETRONAS and Gaz de France (“GDF”), all of which are prominent international players in the industry. For more info. please refere to the site: www.egyptianlng.com

Keith Wyatt
Keith Wyatt is a long time tutor at The Guitar Institute of Technology in the Musicians Institute and has played alongside the likes of Albert Collins, Jack Bruce, and the Ginger Baker Band. He currently plays in The Blasters.