Wikipedia:Articles for deletion/Afro fusion


 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was no consensus‎__EXPECTED_UNCONNECTED_PAGE__. Doczilla Ohhhhhh, no! 06:10, 4 May 2024 (UTC)

Afro fusion

 * – ( View AfD View log | edits since nomination)

This particular music genre fails WP:GNG, WP:NMUSIC and WP:SUBNOT. It has not been discussed in reliable secondary sources, and there isn't a single reliable source that discusses the genre in detail. All of the article's sources involve artists self-describing their music as Afro-fusion via press releases and interviews. The page creator gathered tons of random sources that mention the term "Afro fusion" and piece them together to create the article. Note to closing administrator: This discussion needs adequate time and my hope is that enough participants contribute to the discussion. Let me also add that the article contains false information. The page creator claims that the genre was "developed in South Africa" and "universalized by Freshlyground". However, the source cited to support this info doesn't state any of this. As a matter of fact, the source states that Freshlyground's style of music is unofficially called Afro fusion and that it "contains elements of traditional South African music with blues, jazz and a spoonful of indie rock".

Here are a few sources from the article. I created the table below to show that none of the article's sources discuss the music genre. The table isn't complete but if you go through each source, you will see that none of them discuss the music genre.

 Versace1608  Wanna Talk? 02:14, 10 April 2024 (UTC)
 * Note: This discussion has been included in the list of Music-related deletion discussions.   Versace1608   Wanna Talk? 02:14, 10 April 2024 (UTC)
 * Comment: Afro fusion is a fusion genre "Fusion music, also known as crossover music, is a genre that blends various musical styles together to create unique and innovative compositions. It often combines elements of different genres such as jazz, rock, classical, or world music to create a new sound that transcends traditional boundaries . The essence of fusion music lies in its experimental nature and the exploration of new musical horizons." ([1 ]) which by definition and explicit demonstration is the style of music associated-acts of afrofusion, illustrate.
 * A Google books search on "afro fusion" retains over 1000 results.
 * "The band is known for its eclectic sound that combines elements of South African traditional music, jazz, blues, and indie rock. Freshlyground's music often features a mix of languages, including English, Xhosa, Zulu, and French, and their lyrics often address social and political issues such as poverty, inequality, and corruption." (Freshlyground) (African Music Library Org)
 * "their sound is equally diverse, dipping into kwaito, folk, blues and jazz" (Freshlyground) (Mail & Guardian, 2006)
 * "There have always been rock, reggae, jazz and Afro-fusion bands in South Africa", "A brief profile of Laka's Afro fusion band image" - (Gavin Steingo, Kwaito's Promise Music and the Aesthetics of Freedom in South Africa, JSTOR - ISBN:9780226362687, 022636268X)
 * "Kenyan afrofusion arrived on the scene soon after the turn of the of the twenty-first century..." - (Georgina Born, Music and Digital Media A planetary anthropology, ISBN:9781800082434, 1800082436)
 * Qaqaamba (talk) 07:13, 10 April 2024 (UTC)
 * Note: This discussion has been included in the list of South Africa-related deletion discussions.  dxneo  (talk) 19:29, 10 April 2024 (UTC)
 * Note: This discussion has been included in the deletion sorting lists for the following topics: Africa and Nigeria.  dxneo  (talk) 19:31, 10 April 2024 (UTC)
 * Comment: So and  have an open discussion at WP:ANI complaining about content dispute/edit warring on "Khona" and related articles, use of foul language and breaking the WP:3RR rule just to mention a few. The discussion hasn't been concluded yet but here you are again on AfD.   dxneo  (talk) 19:49, 10 April 2024 (UTC)
 * Delete: The article lacks clarity regarding the specific stylistic elements or rhythmic patterns that distinguish Afro-fusion as a distinct genre. The article conflates afro fusion a term used in describing different genres of music as one specific genre of music. For example, artists such as Burna boy, BNXN, and Omah Lay are used within the article and the sources of the article. These artists are mostly Afrobeats artists with the name Afro-Fusion being used to describe their style of music as an offshoot or subgenre of afrobeats. Also, it is very important to note that the existence of the term afro fusion being used by multiple different sources on google books or jstor is not a good enough example of the existence of this genre especially considering that when these sources are reviewed one by one each of them are talking about different genres of music that often has nothing to do with each other, with some sources using the term afro fusion in referring to the fusion of foods. Bernadine okoro (talk) 18:26, 15 April 2024 (UTC)
 * Delete: Per above, the problem is not that "afro-fusion" as a term doesn't exist, because it obviously does. The problem is that various artists in different places (e.g Nigeria, South Africa) have used the name "Afro-fusion" to refer to /completely different things. This article, however, conflates them as some sort of connected, unified, related movement, which simply isn't the case and sources do not suggest as much. It's quite clear, for example, that what "Burna Boy" calls afro-fusion is simply an extension of Afrobeats, which is completely different to what, say, Sakaki Mango is calling "afro-fusion". This ultimately stems from the belief from the creator of the article that genre-names cannot be re-used by unrelated sounds. The result of this is a synthesis of various sources to suggest unrelated topics are all related to each-other. HarrySONofBARRY (talk) 20:36, 15 April 2024 (UTC)
 * Comment: I took a short wiki-break. As per Versace1608's stipulations at ANI prior to this AfD, Versace1608's main concerns appeared to be whether the genre originated in South Africa or not and that "Burna Boy coined the term afrofusion" - which has/have been answered/established via sources in the article. As per the purpose of this AfD does the particluar article fail WP:GNG, WP:NMUSIC, WP:SUBNOT and has it been discussed in reliable secondary sources? HarrySONofBARRY - as per https://en.wikipedia.org/wiki/Talk:Afroswing#Third_opinion you agreed that any re-directs  for "afrofusion" to afrobeats should be edited/deleted. Other editors appear to have edited multiple re-directs however it appears there is still a current re-direct from afrofusion to afrobeats,remainder/apparent. The stylistic origins/(influences) have been updated. In addition to previous listed stylistic origins ; world music, worldbeat, crossover music →  traditional African music,  Afropop and experimental music have been added as per sources, primary as well as secondary  and context of the dance genre and musical style. In regards to Afro fusion as a cuisine, I believe that is a completely different topic and would hypothetically speaking be article: afro fusion (cuisine). Qaqaamba (talk) 22:36, 15 April 2024 (UTC)
 * @Bernadine okoro
 * I have removed the Omah Lay, (now,previous) citation
 * I have removed Burna Boy paragraphs/mentions from the article as per taking an in-depth look as well as, as per Talk:Burna Boy discussion, although the artist claims he has pioneered Afro fusion as a genre, that proves to be false as per the article, in addition as per afrobeats' stylistic origins, the musical genres the musician has been blending up to date appear to be in fact the genres which indeed , make up afrobeats' (if I am not mistaken) and not afrofusion's true stylistic origins nor influences as per combined sources.
 * I have removed BXN's, (now previous) citation, although he blends an additional "non-afrobeats stylistic origin" genre Drill which is illustrative of the afrofusion musical style, in itself - the source stipulated previous contradictory information in regards to "it sees BNXN put his own stamp on Afrofusion – a term coined by Burna Boy to describe his own genreless style." As per afro-fusion article, sources and above we have established that Burna Boy did not coin the term.
 * @Versace1608 as per Talk:Burna Boy discussion and HarrySONofBarry's concerns will you still add a section inclusive of a hatnote in the afrobeats article differentiating in regards to afrofusion as an evidential term/ hypernym/idiom and the actual afrofusion dance genre and musical style?
 * Question: Should afrobeats be added as a regional scene in the afrofusion article i.e. "regional scene: {{hlist| afrobeats | Nigeria]]?
 * Qaqaamba (talk) 09:17, 16 April 2024 (UTC)
 * But then the issue isn't just about removing artists whose style of music have been described with the term Afro fusion the issue is whether Afro fusion exists as a musical style of its own hereby needing a standalone article. To classify Afro fusion as a musical style of its own it means it must have a rhythmic pattern of its own because all music has rhythmic pattern even noise has rhythmic patterns. For example, afrobeats has the Clave (rhythm) as a rhythmic pattern, rock music has four-on-the-floor pattern while house music has a four-by-four beat pattern with a bass drum kick hitting on every beat from the article afro fusion seems to not have one.The article dates the genre as early as the 1970s but it seems that there is already another musical style that has been described as Afro fusion dating to the 1950s. Also, I find this statement broad
 * “By definition of a fusion genre and illustration of the afro-fusion musical style by associated-acts it is a genre and musical compositional form which incorporates traditional African music as well as Afropop, additionally spans between and blends various genres in a crossover-like style.”
 * For one Afropop is not a specific style of music, most often Afropop is used in describing any genre of music that is popular within the African continent or simply any African music. The afropop article talks about this
 * Secondly if this style of music is the blending of any style of music with African traditional music, then that alone makes multiple different fusion styles of music that are within the continent to be afro fusion. But if that's what this article is about then the mentioning of 1970s South Africa as the cultural origins of this style of music will confuse readers because all fusion genres within the African continent didn't begin in South Africa. Also, there are fusion styles in Africa that predates the 1970s.
 * So basically, the problem is that the article is not specific on what Afro fusion is as regards to it being a specific musical standalone style.The article, at its most effective, appears to gather every and any references to afrofusion in music without providing a clear definition of the genre itself. Bernadine okoro (talk) 00:00, 17 April 2024 (UTC)
 * A musical style describes techniques and methodologies definied as or identified by composers of music and/or theorist of music..
 * "but it seems that there is already another musical style that has been described as Afro fusion dating to the 1950s" - if I am not mistaken and this is the source and specific sentence you are referring to " ...Ace Afrofusion pioneers one cannot forget to mention the ace Ghanian drummer Kofi Ghanaba (years active 1950s to 2008) whose late 1950s and early 1960s Afro-jazz style influenced Tony Allen (years active 1960s/1970s to 2020) and predated the afro-fusion music of Fela Kuti (years active 1960s to 1990s) by a decade" published by John Collins, in 2015 ( after the release of afrofusion and soca song "Waka Waka (This Time for Africa) (2010), which accelerated the usage of the term  to describe both former historical as well as present day illustrations of fusing African music with Western music. It appears the author used it as an adjective, additionally the author is referring to Afro-jazz (which appears to be a fusion of African music and jazz) which numerous African countries, claim or label and appear to have "pioneers" of e.g. Hugh Masekela ( years active 1950s to 2018) "Masekela began to hone his, now signature, Afro-Jazz sound in the late 1950s during a period of intense creative collaboration"  or Manu Dibango  ( years active 1968 to 2020). Google infobox for "Afro-jazz" - .  Furthermore African Jazz Pioneers (also Afro-jazz  ) (Years active:1950s -present) stipulates the origin as "still", Johannesburg, South Africa. African Jazz pioneers was also inclusive of  Dudu Pukwana a member of Assagai an afrorock band. Afrorock blends elements of rock music with African influences which would hypethically speaking , if not by sources also be described as or make useage of the term "an afrofusion band/ genre". The fact that the term was coined by South African/(s) Sylvia Glasser and Vincent Mantsoe has already been confirmed and established via numerous reliable primary and secondary sources years prior to the publishing of the specific book and source you are referencing.
 * Marabi, which combines numerous musical styles including jazz emerged and evolved from the 1890s to 1920s and beyond in, South Africa.
 * Afrofusion as a musical style and clear evidential fusion genre as per stylistic origins/ influences such as traditional African music or afropop genres and the technique, the rhythmic pattern of the song(s) would be and depend on which genre(s) are used at that specific time or point (from the perspective of a fusion genre that would mean, 100s if not 1000s of evidential rhythms ot as you've linked to display "rhythmic patterns" i.e. Freshlyground's musical compositions for instance often blended kwaito with indie-rock. A song released in this musical style's rhythmic patterns would then be  four on the floor , strumming pattern, ride cymbal and clave., if not more.
 * The fact is that there is a plethora of both reliable primary and secondary sources confirming the musical style's definite, existence additionally as a distinct dance and musical style, (particulary, afrofusion ).
 * I believe anything else, if necessary and of factual notable importance or significance could/ would be edited accordingly. The notion for this AfD is that "This particular music genre fails WP:GNG, WP:NMUSIC and WP:SUBNOT. It has not been discussed in reliable secondary sources, and there isn't a single reliable source that discusses the genre in detail."
 * Qaqaamba (talk) 12:24, 17 April 2024 (UTC)
 * As per reliable primary and secondary sources, afrofusion as both a dance and musical style emerged during the apartheid era, a period marked by limited access to well-recorded and easily shareable information.
 * "Also, there are fusion styles in Africa that predates the 1970s[22 ][23 ]". It is simply indicative of precursors possibly even for afrobeat or afrobeats.
 * The emergence of a musical genre involves a specific time period, reflecting the state of the world, country, or city at that time, along with distinct stylistic origins, influences, and locations. For instance, Tsapiky fused South African pop with native Malagasy traditions in the 1970s, indicative of the musical landscape and cultural influences of that era. While afrofusion originated in the 1970s to 1980s, it remains relevant, unlike Tsapiky, which has waned in popularity. Musical instruments, compositional techniques, and cultural influences evolve over time, shaping fusion genres differently across various periods and regions in African music history before the 1970s, various African fusion genres existed, each characterized by distinct time periods, stylistic origins, influences, locations, and cultural contexts within the diverse musical landscape of the continent.
 * Worldbeat, a genre blending pop or rock with world music, differs from afro-fusion, which originated in the 1970s in South Africa, blending various specifically African pop genres. Worldbeat emerged in the mid-1980s in the UK and US, reflecting integrated cultural influences. Afrofusion, being a progressive and living genre opposed to "dead genre" which would've meant did not regain or maintain mainstream popularity, incorporates elements from worldbeat and other styles, suggesting a stylistic connection. Artists like Miriam Makeba, prominent in afrofusion's early years, were influential figures in world music/ worldbeat as well. Although it diverges from the main topic, it seems possible that worldbeat could perhaps be considered a subgenre or derivative form of afrofusion, given the timeline and historical context.
 * As an umbrella term, afro-fusion does not negate the existence of precursors, it remains distinct from them. Its origins are firmly established in the 1970s to 1980s, supported by abundant reliable primary and secondary sources.
 * Qaqaamba (talk) 15:38, 17 April 2024 (UTC)
 * Bernadine okoro's claim that "To classify Afro fusion as a musical style of its own it means it must have a rhythmic pattern of its own" seems like an unreasonable standard. Heavy metal music and Punk rock are different styles but share the same basic rhythmic pattern. I know of at least one black metal song in 3/4 time, but that doesn't mean that it's in the same musical style as The Blue Danube. There are other elements that define a musical style. --Slashme (talk) 09:28, 22 April 2024 (UTC)
 * Right, there are other elements that define musical styles. The reason why I picked rhythmic patterns is because they’re a little bit more of an easier signifier of a musical style. However, I feel I didn't properly convey what i meant, i was trying to get to the very fact that every music has a rhythmic pattern the Afro-fusion article doesn't list any much signifier. So basically I'm trying to understand the style of music this genre of Afro-fusion is because multiple different musical styles use the term Afro-fusion to define their style of music like in the case of Burna boy using Afro-fusion to describe his unique style of afrobeats or Magixx who have also been described as an afro-fusion artist i.e. Afrobeats artist same with Maleek Berry   . The article is not clear for example it uses a source of the 2019 Pearl Rhythm Festival which was hosted in Uganda there aren't any sources that could back up the very fact as to regards whether the Afro-fusion mentioned in the source is the same as the one from South Africa . In all honesty, the article seems to amalgamate online articles or books that mention Afro-fusion into one single Wikipedia article, especially in the history section. And again this is faulty because there are multiple different styles of music that the term Afro-fusion has been used in describing . It is not one style of music stemming from South Africa and if it is, then the article needs to be a little bit more descriptive about that or leave a note at the top that conveys to readers that the afro fusion musical style practiced in uganda or nigeria is not the same as this south african one. Bernadine okoro (talk) 20:00, 22 April 2024 (UTC)
 * Emphasizing on stipulating rhythmic patterns seems irrelevant additionally it is inherent that any piece of music, be it a song or album, inherently contains rhythm. The mere act of afrofusion musical style assosciated-acts, composing and publishing music inherently involves incorporating rhythm. Without rhythm a song or album would not be possible or realistically exist, which indicates you are indirectly insisting on the non-existence of afrofusion as a musical style/ afrofusion published bodies of work.
 * Afrofusion, as per reiterated numerous times, is a fusion genre, musical style. A musical style encompasses a range of techniques and methodologies defined or identified by composers and music theorists, which in this case is afrofusion, a fusion genre, musical style. This fusion genre incorporates elements from multiple genres in a predominantly experimental   and crossover       manner, resulting in a diverse array of rhythms evident in published works . e.g.  afrofusion trio, Tananas' music fused jazz, ragtime, township jive, Mozambican salsa, and Spanish music., therefore the rhythmic patterns would be four on the floor, 2/4, 3/2, 2/3 and strumming pattern.
 * If my memory serves me correctly were you not the editor that previously linked Freshlyground and genre "afrofusion" to afrobeats in the bands music infobox although numerous sources clearly stipulate(s)/ed the bands genres being somewhat hyperly distinct from that of afrobeats as well as afrobeats being explicitly titled "afrobeats" and not afrofusion?
 * Afrofusion's title is explicitly, "Afrofusion" not e.g. Brazilian afrofusion or Chinese afrofusion, thus if a musician releases a body of work, as explicitly afrofusion  and more importantly to highlight - not as a term to describe another fusion genre or musical style-  it is in all probablity afrofusion. Georgina Born described afrofusion as "Kenyan" afrofusion in like 3 sentences in her book and throughout the rest of the book, over 5 other pages, if not more, it is explicity and simply, "afrofusion" . Another book, "Kenya is home to a diverse range of music styles, ranging from imported popular music, afro-fusion  and benga music to traditional folk songs.". Additionally, there is already a paragraph in the article that clearly stipulates  "regional scenes" and if I am not mistaken as well as  "music scenes."
 * As per Magixx's paragraph in the article and source " "Get to know Magixx, Nigeria's next big afro-fusion star" ,the musician fused trap, which is not a stylistic origin of afrobeats - (afrobeat, Igbo highlife,dancehall,fuji, hiplife, highlifekpanlogo ,hip hop,jùjú, R&B, soca, house), the source does not make any mention of afrobeats whatsoever. "Magixx's debut EP blends Afropop (literally 100s, if not more of African popular music genres), trap and dancehall production", In 2019, after struggling to pay for studio sessions in uni, Magixx released ‘Problem’, a succinct amalgamation of Afropop and Afro R&B sounds he was experimenting with at that time".
 * In the case of Maleek Berry's mention in the paragraph in the afrofusion article as well as, as per sources [49 ] [50 ]. It is not surprising nor weird that it may be mistaken as afrobeats given the Afro-Fusion redirect to Afrobeats etc., article. Maleek Berry featured in American rapper, GoldLink's, Diaspora album. Maleek Berry and Bibi Bourelly featured on the song, "Zulu Screams" in constrast to the song's title, "Zulu Screams" included Bibi Bourelly singing in Lingala[51 ]. Additionally, one of the other characteristics that make up afrofusion is and/or multilingualism, moreover not solely African languages. Which is not a characteristic of afrobeats [52 ][53 ][54 ][55 ].
 * The notes you are proposing appear to be irrelevant, misleading and non-constructive especially as this is an AfD nor is this a WP:DISPUTE. The most important notes/hatnotes would be one in the afrobeats article stipulating that Burna Boy is not the pioneer of afrofusion and is in fact making afrobeats as per yourself, Versace1608 and HarrySONofBarry stipulations  as well as the usage of it as a term/hypernym.
 * Qaqaamba (talk) 07:14, 23 April 2024 (UTC)
 * The reason why I asked for the rhythmic patterns goes back to what I have been saying in my replies which is that there are different styles of music that the term afrofusion has been used in describing. Now in order to differentiate which musical style you maybe referring to it all partly boils down to how each musical style is arranged in i.e. characteristics that define this style of music from other musical styles that has been referred to as afro-fusion. Rhythmic patterns are much easier to identify hence why I asked and by rhythmic patterns I mean the beat pattern that this style of music often follows and not occasionally follows. From what you are saying it seems as though you are insinuating that this style of music follows all available rhythmic patterns which can be confusing because I don't think there is a genre that encompasses all rhythmic patterns just because it’s a fusion genre. This further broadens this style of music making it harder to identify. Although various genres of music allow for the fusion of different rhythmic patterns, they all have unique or specific patterns they all follow It is important to note that this doesn’t mean it can’t share a specific pattern with other genres of music like in the case of rock music and EdM
 * As regards to Magixx, that specific source might not make any mention of Afrobeats but other articles refer to his music as Afrobeats in fact he even said he is”…looking to leave an unforgettable imprint on Afrobeats” now if his style of Afro-fusion was the south African version he would have made that clear because it doesn’t seem like the song problem has anything to do with Zulu harmony Herein lies the problem with this article if afropop and African rhythm and blues are what makes the songs released by Magixx a style of afro-fusion that you are describing what stops any fusion style from Africa from being classified as afro-fusion? For example, although highlife music is part of the stylistic origins of afrobeats a simple fusion of highlife and amapiano, does not make a song afrobeats but by your description with a few sources one can make an argument that the simple fusion of these styles of music can be classified as afro-fusion since it incorporates traditional African music and other genres of music. Maleek Berry’s style of music has been referred to as afrobeats one article classifying him as afro fusionist doesn’t make him an artist that does South African afro fusion.
 * Also from the afrobeats article, the genre is shared between Ghana and Nigeria, and Afrobeats artists from other countries apart from these two countries sing in their native languages as a result technically making multilingualism a part of Afrobeats. What am saying is that if you can describe a little bit more of the characteristics of this specific style of music it can help readers to differentiate what afro fusion is and what it is not when listening to it. Also, the notes/hatnotes should be in both the Afrobeats article and in this one too.                                                                                                  And, I am not the editor that previously linked Freshly ground “afro-fusion" to afrobeats in the band’s music infobox. I do not know what this is about, you are going to have to figure out which editor this is as it has nothing to do with me. Bernadine okoro (talk) 02:17, 24 April 2024 (UTC)
 * Most music's base rhythm is four on the floor, however all distinct from one another because of stylistic/cultural origins, typical instruments and other elements (rock, blues, house etc.)
 * There are not "different terms" of music Afro-fusion was used to describe. There's afrofusion as a crossover, experimental fusion genre, musical style , specifically yourself and HarrySONofBarry adding(ed) "afrofusion" as "other name", in the body,lede and creating(ed) redirects for "Afro-Fusion/Afrofusion" to afrobeats which obviously misleads, misinforms readers and is damaging to the purpose of the encyclopedia, and it being used as a term/hypernym ISBN  9780819575401.
 * You appear to be insinuating that because an artist is Nigerian or not South African, it is impossible for them to publish afro-fusion bodies of work. Additionally, it is not odd for a musician to  dabble in different/various musical styles or genres and regional scenes/ music scenes are stipulated in paragraphs. Both implied points are illogical and not how music or art for that matter works, at all.
 * Repeatedly emphasized, the distinctiveness of a musical style stems from its stylistic origins, cultural roots (both geographical and literal), the prevailing global context and the circumstances surrounding its emergence, including the how and why behind its development. Most if not, all forms of music and art have precursors. Highlife emerged in the 19th century, its stylistic origins are ; (Palm-wine music, Akan music, Akan folklore, African music) and incorporated jazz in the 1920s. Marabi's roots are a  fusion of European hymnology and spirituals during the late 19th to early 20th centuries as it developed from Makwaya,  incorporating elements of  jazz, ragtime, Pedi and Tswana bass traditions, alongside adaptations of Xhosa folk melodies into keyboard arrangements etc. (Both highlife and marabi evolved and emerged incorporating jazz 'round about the same time, although possible, South Africa "first" and then Ghana "followed"- ). I am not certain why you're stipulating notes or hatnotes should be made for possible precursors, hip hop does not need to be differientated from talking blues or rhythm and blues for numerous, obvious reasons.
 * Multilingualism is not included in the afrobeats article's characteristics. Afrofusion incorporated multilingualism as far back as the 80s,   , if not prior to, this would also be more evident or prominent, since South Africa is not solely close-national/descent homogenous (ethnic groups in South Africa) like that of for instance China or Nigeria. Afrikaans , an official language of South Africa , in itself emerged during the Dutch Cape Colony from Dutch dialects. Many Afrofusion bands are multi-cultural/national/racial/ethnic, contributing to the "fusion" and multilingual aspect by incorporating diverse cultural influences  , "Tananas, a multiracial five-piece group from Cape Town, reflected that city's mixed heritage" - Billboard ,18 Feb 1995, p. 43
 * Even after excluding musicians from the article who might have mistakenly been labeled as afro-fusion due to the reasons stated earlier etc., I find it puzzling, why you continue to bring up and focus on afrobeats, making comparisons and fixating on it as a central topic.The point of this AfD was/is "that music genre fails WP:GNG, WP:NMUSIC and WP:SUBNOT. It has not been discussed in reliable secondary sources, and there isn't a single reliable source that discusses the genre in detail."
 * Qaqaamba (talk) 06:17, 24 April 2024 (UTC)
 * To be clear, I agreed to a compromise solution so we could move forward with our conversation and ultimately deduced that a redirect is not as important as the other issues we were discussing.
 * As I raised there and on the Afrobeats talk page, I ultimately disagreed with your changes and wished to discuss it at a later date. HarrySONofBARRY (talk) 15:48, 16 April 2024 (UTC)
 * A redirect plays a crucial role in guiding readers to related and, most importantly, accurate articles.
 * As per numerous discussions elsewhere, I repeatedly stipulated that musical genre/styles cannot explicity share the exact name and that differentiations are always/have to be made, e.g. Hip hop and Hipco both rap genres, however distinct from one another in regards to predominant location of origin, culture as well as stylistic origins/influences. Both yourself and Bernadine Okoro appear to insistently oppose this methodology and logic. Furthermore, hypothetically speaking introducing Hip Hop vs. explicitly titled Hip Hop (actually, Liberian Hip Hop/rap) into the encyclopedia is not only misleading as well as confusing to readers however damaging to the encyclopedia. Versace 1608, indirectly stipulated this amongst viewpoints in discussion Talk:Burna Boy, in regards to the fact that afrofusion shouldn't be linked in Burna Boy's article and once more as per above, a hatnote needed to be included in the afrobeats article.
 * It has been consistently established through numerous discussions that Afrofusion (1970s - 1980s/2000s) does not explicitly ≠ Afrobeats (2000s/2010s), as well as obvious as per times of emergence and stipulated stylistic origins/influences. To conclude and addressing you as the most probable editor to possibly do this since you created the afrobeats article this aspect, the "undeletable/ ongoing" re-direct should be be deleted. Additionally, one cannot explicitly title afrobeats as afrofusion and even as other name in the infobox parameter, too would be confusing/misleading to readers. The hatnote appears to be the best solution.
 * Qaqaamba (talk) 09:47, 17 April 2024 (UTC)
 * Neutral:The first impression I had about this article was it will be notable but on looking at the sources I began to disagree with myself. I found sources that speak about the struggles of some supposedly "Afrofusion artists", top artists claiming their musical genre was Afrofusion (even though critics address them as Afrobeats), and a few mentions of this supposed musical genre. What I didn't see were sources dedicated to analyzing the musical genre which I believe is fundamental to establishing it as one. If it is not deleted, it should probably be listed as a derivative of Afrobeats. HandsomeBoy (talk) 15:10, 17 April 2024 (UTC)
 * Based on the article, reliable primary and secondary sources, and the preceding discussion, to reiterate, it's apparent that while some artists may use "afrofusion" as a hypernym or term, the musical style itself predates the emergence of afrobeats in the 2000s to 2010s. It experienced a period of relative obscurity during apartheid but regained mainstream popularity in the 2000s. Categorizing afrofusion solely as a derivative of afrobeats would be illogical and misleading to readers, given its established existence prior to the rise of afrobeats.   Qaqaamba (talk) 16:01, 17 April 2024 (UTC)
 * I have watched videos of Fela telling international journalists that his brand of music is Afrobeats, and he died in the 90s. Fela is also regarded as the initiator of Afrobeats, so you are very wrong to say Afrobeats started in the 2000s or 2010s. Perhaps, you should allow others participate freely in the AFD. No need reacting to all the votes with incorrect info. HandsomeBoy (talk) 00:23, 22 April 2024 (UTC)
 * {{U|HandsomeBoy}}, please provide sources.  dxneo  (talk) 00:54, 22 April 2024 (UTC)
 * I should provide sources for what exactly?? Someone countered some aspects of my comment with incorrect information WITHOUT SOURCES, and you are fine with that. But you aren't fine with my isolated points. Well for the sake of others, please read Fela Kuti you will see many sources there that talks about his connection with Afrobeats and the time he died. If you need something more concrete, please read his Britanica page that calls him "Pioneer of Afrobeats". Please leave me alone. No one is obligated to use my !vote in closing the discussion. HandsomeBoy (talk) 18:57, 22 April 2024 (UTC)
 * {{U|HandsomeBoy}}, relax I didn't mean to step on your toe, your comment caught my eye and I thought if you provided sources to back your claims then this would be over. Another thing, we are discussing "Afro fusion" not afrobeats, so Fela Kuti is relevant how?  dxneo  (talk) 20:33, 22 April 2024 (UTC)
 * Dxneo, I believe you didn't read his comments. Handsomeboy meant that most of the supposedly afro fusion artists are always derivative of the main genre Afrobeats, which is most to everyone. Infact, their music is afro beats and there is neither a reason why there should be some wrong claim of those artists' music being called afro fusion. We're here to build an Encyclopedia and it must be "just" as neutral as possible. — Safari Scribe Edits! Talk! 06:04, 27 April 2024 (UTC)

Relisting comment: To hear from more independent editors please Please add new comments below this notice. Thanks, Star   Mississippi  00:29, 18 April 2024 (UTC)
 * Note: This discussion has been included in the deletion sorting lists for the following topics: Africa and Kenya.  dxneo  (talk) 21:23, 17 April 2024 (UTC)
 *  {{resize|91%|Relisted to generate a more thorough discussion and clearer consensus.}}

Please add new comments below this notice. Thanks, Toadette {{sup| Edit! }} 16:39, 26 April 2024 (UTC)
 * Keep: since this AfD was raised, the sourcing has greatly improved. For example, Georgina Born's book, ({{Cite book |last=Born |first=Georgina |title=Music and Digital Media A planetary anthropology |publisher=UCL Press |year=2022 |isbn=9781800082434 |publication-date=12 September 2022 |page=67 |language=English}}), which discusses the genre and its history in good detail, and a lot of newspaper and magazine articles which show that the term is used consistently and widely. --Slashme (talk) 09:47, 22 April 2024 (UTC)
 * {{ping|User:Slashme}} Can you please provide a link to page 67? I believe you have access to this book since you've read page 67. I am trying to read the page you claimed discusses the genre in "good detail". I can't access it on my end without paying a fee.  Versace1608   Wanna Talk? 22:05, 24 April 2024 (UTC)
 * Hi Versace1608, here is a link to p.66, where the discussion of Afro Fusion starts --Slashme (talk) 14:53, 25 April 2024 (UTC)
 * Thanks for the link. I disagree with your claim that the book discusses the genre in good detail. As a matter of fact, the genre isn't discussed at all. The four paragraphs that make up the section "Developing Afro fusion" is primarily about GidiGidi MajiMaji and Eric Wainanina's respective albums (Ismarwa and Sawa Sawa). The author also stated that those two acts are significant figures in Kenya's Afro fusion scene.  Versace1608   Wanna Talk? 17:40, 25 April 2024 (UTC)
 * I disagree with your statement that "the genre isn't discussed at all". It talks about the institutional sponsors of Afro Fusion, the way that it's rooted in local culture, and the annual music festivals surrounding the genre. Saying that it's primarily about those two albums seems to me to be a strange mischaracterisation of the content. In fact, in the opening paragraph, the author says "Fostered by Nairobi's NGO sector and cosmopolitan middle class, and linked to the global 'world music' circuit, Kenyan Afro-fusion is marked by an aesthetic emphasis on live instrumentation over digitally programmed accompaniments, and the attempt to 'fuse' African aesthetics with Western popular music. It has thrived, as I will describe, on patronage from nongovernmental cultural institutions that find value in its underlying aim of cultivating a more modern 'Kenyan' sound." She then goes on to talk about these aspects in detail. This goes way beyond a simple mention of the topic, and absolutely supports the notability claim. Also, that section isn't the only part of the book that mentions the topic. It's referred to over and over again in discussions of the work of other artists. --Slashme (talk) 13:14, 26 April 2024 (UTC)
 * Well, we can both agree to disagree. The section titled "Developing Afro fusion" does not discuss Afro fusion. It talks about GidiGidi MajiMaji and Eric Wainanina's respective albums (Ismarwa and Sawa Sawa) and highlighted both artists for being significant figures in Kenya's Afro fusion scene. I challenge anyone here to click on the link provided by Slashme and see for yourself.  Versace1608   {{sup| Wanna Talk? }} 14:00, 28 April 2024 (UTC)
 * , please see the last two votes from {{U|ANairobian}} and myself on why this shouldn't have even made it to AfD.  dxneo  (talk) 14:54, 28 April 2024 (UTC)
 * Your opinion is your opinion and isn't superior to mines. I've read all of the keep votes in this AFD and they aren't convincing in my opinion. I will not lose sleep if the article is kept or deleted. I have participated in tons of AFD in the past that did not end up the way I wanted it to end.  Versace1608   {{sup| Wanna Talk? }} 15:02, 28 April 2024 (UTC)
 * Ok.  dxneo  (talk) 15:10, 28 April 2024 (UTC)
 *  {{resize|91%|Relisted to generate a more thorough discussion and clearer consensus.}}

{{clear}}
 * Delete: This is an article about music. However, looking at the discussion per se, it looks like the normal "Nigeria vs Ghana", ..vs South Africa", etc. On a note, Afro fusion does exist but for the article, it has so many claims even the ones removed and it alleges or neither shows it was written from a personal point of view (just like fans of Cristiano Ronaldo and fans of Lionel Messi will do to both article). There is only one way out: deletion to neutrality and a fundamental rewrite which should pass AFC and being to NPP. Safari Scribe Edits! Talk! 17:16, 26 April 2024 (UTC)
 * Keep per Slashme. There is sufficient coverage in WP:RS as per the sources cited by other editors, and the article meets our notability guidelines. However, I would suggest renaming to Afro fusion (music) to differentiate it from Afro fusion (cuisine) when created, as an editor noted above.Tamsier (talk) 18:48, 26 April 2024 (UTC)
 * {{U|Tamsier}}, renaming will be discussed separately after this AfD is closed and if/when the cuisine is created.  dxneo  (talk) 19:21, 26 April 2024 (UTC)
 * Tamsier, even if this should be closed as keep, it remains the primary topic and I can't find much research of the "cuisine". Until then, let's focus on AFD. — Safari Scribe Edits! Talk! 06:06, 27 April 2024 (UTC)
 * I agree with Tamsier, we can maybe change Afro fusion into a disambiguation article pointing to Afro fusion (music), Afro fusion (dance) and Afro fusion (cuisine). --Slashme (talk) 09:50, 28 April 2024 (UTC)
 * {{U|Slashme}}, you can always create Afro fusion (disambiguation) and all of them in there, just like "No Love" and No Love (disambiguation).  dxneo  (talk) 10:23, 28 April 2024 (UTC)
 * Keep: Per {{u|Slashme}}, why should it be deleted just so it can be recreated? {{U|SafariScribe}}? If it isn't neutral then {{clean up}} and {{re-write}} is required.  dxneo  (talk) 10:28, 28 April 2024 (UTC)
 * Keep: While this article may still have potential for improvement, it is sufficiently referenced in WP:RS to meet WP:GNG. It also seems to be generally written in a WP:NPOV. Hence, the discussion should be about how to improve it, rather than whether to keep it. ANairobian (talk) 12:11, 28 April 2024 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.