Wikipedia:Articles for deletion/Prabhat Samgiita


 * The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review).  No further edits should be made to this page.

The result was   keep. J04n(talk page) 12:09, 14 February 2013 (UTC)

Prabhat Samgiita

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The best citation I'm able to find is the one included in the article: a footnote in a historical work on genocide attesting to the existence of this collection. What other little commentary exists is not independent, and based on this I don't see any way to establish notability. The above can fit comfortably within the Sarkar biographical article.

As always: while this collection is certainly an artifact of a "political or religious movement" I haven't been able to find any independent sources that attest to this collection having influenced such a movement. Likewise, Sarkar is a minor player in 20th C. Indian religious movements and as such his life and works have not been a common subject of academic study. Garamond Lethe 19:53, 29 January 2013 (UTC)

*Redirect to Prabhat Ranjan Sarkar as nom.
 * As nominator, it is assumed you support deletion/redirection - no need to also "vote".--Cornelius383 (talk) 16:53, 3 February 2013 (UTC)


 * Delete or redirect; still short of notability. It's impossible to develop neutral non-fringey content without sufficient coverage by independent sources. bobrayner (talk) 20:27, 29 January 2013 (UTC)
 * Note: This debate has been included in the list of Albums and songs-related deletion discussions. &#9733;&#9734;  DUCK IS PEANUTBUTTER &#9734;&#9733; 03:12, 30 January 2013 (UTC)
 * Note: This debate has been included in the list of Spirituality and songs-related deletion discussions. &#9733;&#9734;  DUCK IS PEANUTBUTTER &#9734;&#9733; 03:12, 30 January 2013 (UTC)
 * Note: This debate has been included in the list of India-related deletion discussions. &#9733;&#9734;  DUCK IS PEANUTBUTTER &#9734;&#9733; 03:12, 30 January 2013 (UTC)


 * Keep: It's very hard not to comment on other users here. I mean, Garamond Lethe and Bob Rayner... where have I seen those names before? But to avoid any kind of personal attack - though some might consider this very AfD to be a type of personal attack - let me keep my remarks somewhat lighthearted. Garamond and Bob do not see anything notable about a body of 5,018 songs, composed - or at least released - over a span of only eight (8) years. I mean... come on, anyone can put arbitrary notes to arbitrary words and call it a song, and anyone can post just about anything on YouTube nowadays, is it not? So I'm sure that Garamond and Bob know or know of many artists who have accomplished the same or much greater thing as Prabhat Ranjan Sarkar.  And, far be it from any editor on Wikipedia to even listen to a single one of Sarkar's 5,018 songs before commenting disparagingly. After all, listening to a song might amount to original research, and anyway the song itself comes from a primary source.  But let's consider Garamond's nomination. He says that he cannot find any evidence of notability - almost no independent commentary. And, being a diligent researcher presenting his findings in good faith, no doubt he made a search of all the various newspapers and magazines in India before commenting like that. No doubt he also searched for references to this body of music with all of the possible spellings and in all of the possible Indian languages, perhaps most notably Bengali and Hindi. And I won't even speculate on how he could have found the time for so much research, given that he was busy making so many other simultaneous AfD nominations on articles related to Sarkar's works.  But it does seem a bit unfortunate that Garamond may have missed the fact that all around India to this very day there are frequent public performances of Prabhat Samgiita (what Garamond describes in his AfD nomination as an "artifact" rather than art). Some of those frequent performances are associated with dramas or even a Bollywood movie. And it seems that many of those public performances are sufficiently noteworthy to get reported in Indian newspapers. For example: here, here, here, here, here, here, here, here, here, here, here, here, here, and here. If I had the time, I could probably put up another 100 links to English newspapers in India. Just imagine what I could do with a search in Bengali or Hindi! Then there are references - and, to some extent, reviews - on pages like here. But then none of the above are actually "peer reviews". Mea culpa. Could someone please remind me... what other late 20th or early 21st Century artist released more than 5,000 songs over a span of eight years? Unfortunately, Rabindranath Tagore, who I understand composed (only) somewhere around 2,200 songs (over a much longer span of time) died in 1941, forty years before Sarkar released the first of his songs. But maybe there's someone else? Maybe Garamond Lethe or Bob Rayner could step up with their own 5,000 songs to write a peer review. Oh, wait, it seems that they don't consider that to be a notable event, worthy of even so much as a separate article on Wikipedia, much less a peer review.  --Abhidevananda (talk) 06:24, 30 January 2013 (UTC)


 * Do you have any links that discuss the book? Garamond Lethe  14:54, 30 January 2013 (UTC)


 * Good grief, Garamond! You nominated this article for deletion, and you still don't know that Prabhat Samgiita is not a book but rather a collection of 5,018 songs? Did you even read the short article created by Cornelius383 before nominating it for deletion? Have you tried to understand anything said by anyone other than your chums at Fringe/n? --Abhidevananda (talk) 16:58, 30 January 2013 (UTC)


 * &lt;grin&gt; It's a book.  Garamond Lethe  17:18, 30 January 2013 (UTC)


 * Ok, I'm curious. Let's take a look at your links.
 * 1. New Stateman. Performance competitions organized by Ananda Marga.  Likely press release. 7 Oct 2011.
 * 2. The Hindu.  Notice of performance organized by Ananda Marga. Likely press release.  15 Sep 2009
 * 3. The Hindu.  Notice of performance organized by Ananda Marga.  Likely press release.  19 Jun 2009.
 * 4. The Hindu.  Notice of performance organized by Ananda Marga.  Likely press release.  21 Mar 2008.
 * 5. The Telegraph.  Notice of performance organized by Ananda Marga.  Likely press release.  27 Oct 2009.
 * 6. The Telegraph.  Notice of performance organized by Ananda Marga.  Likely press release.  25 Oct 2005.
 * 7. The Telegraph.  Notice of performance organized by Ananda Marga.  Likely press release.  27 Oct 2011.
 * 8. The Telegraph. No mention of Prabhat Samgiita. Notice of performance organized by Ananda Marga.  Likely press release.  26 Oct 2011.  Duplicate of #7.
 * 9. The Telegraph.  No mention of Prabhat Samgiita. Notice of performance organized by Ananda Marga.  Likely press release.  24 Oct 2011.  Duplicate of #7.
 * 10. The Telegraph.   No mention of Prabhat Samgiita. Notice of performance organized by Ananda Marga.  Likely press release.  25 Oct 2005.  Duplicate of #6.
 * 11. The Telegraph.   No mention of Prabhat Samgiita. Notice of performance organized by Ananda Marga.  Likely press release.  26 Oct 2007.
 * 12. Hindustan Times.  Notice of performance organized by Ananda Marga.  Likely press release.  07 Dec 2012.
 * 13. Afternoon Despatch and Courier.  Notice of performance organized by Ananda Marga.  Likely press release.  07 Jun 2011.
 * 14. mmusicz.com:  audio, video, lyrics search  Not a reliable source.


 * You've established beyond shadow of any possible doubt that Sarkar's group Ananda Marga likes to get together for a singsong from time to time and the local newspaper is kind enough to print their press release. This is far and away the strongest argument for notability put forward for any of Sarkar's works, but press releases don't establish notability.  Garamond Lethe  16:18, 30 January 2013 (UTC)


 * Garamond, leaving aside your snide remark about "singsongs", if you had read carefully what I stated along with my Keep vote, you would have grasped the fact that a meaningful search must include "all possible spellings". And had you considered that point, then you would have seen that items 8-12 do indeed mention Prabhat Samgiita. Apparently, The Telegraph's preferred spelling for "Samgiita" is "Sangeet". Quite frankly, Garamond, item 10 is so short that I find it a bit hard to believe that you managed to miss this point. But, as you did not dismiss items 8-12 as mere "press releases" or "likely press releases", perhaps you should now do the honorable thing and withdraw this rather outrageous nomination for deletion. You might also like to listen to one or two of the songs that you have dismissed as part of an "artifact" unworthy of an article in Wikipedia. --Abhidevananda (talk) 16:47, 30 January 2013 (UTC)


 * Thanks for the note on the spelling – I've corrected the links above. Garamond Lethe  17:25, 30 January 2013 (UTC)


 * Comment: Please pardon me for saying this, Garamond, but it is getting very difficult for me to maintain an assumption that you are speaking/acting in good faith. You have dismissed every article that I quickly listed as a "likely press release", something which neither you nor I would know. I mentioned that I could probably post another 100 links to English newspaper articles from India and many, many more on top of that if I were to include articles in other Indian languages like Hindi and Bengali. But what's the point of doing it when you could also locate those articles just as easily as I? And what's the point of doing it when you would almost certainly dismiss any additional article as a "likely press release" also. So let's just stick with the first 12 that I gave. Even if all of these 12 were press releases (though I doubt that it is so), it is still worth noting that all of these articles appeared in well established and prestigious newspapers, not tabloids. And, even if all of these 12 were press releases (though I doubt that it is so), it does seem impressive to me that a competition would attract so many performers in 54 districts of four states that there would be 700 finalists who came to Kolkata for the conclusion of the competition. And, even if all of these 12 were press releases (though I doubt that it is so), the articles seem to indicate that a good number of renowned artists in India appreciate Prabhat Samgiita. As I see it, these articles establish notability. But, hey, here on Wikipedia we can have a separate article for a single song by just about any Western band. Search for Wikipedia articles containing the words, "I wanna", and we get a remarkable 10,120 hits! But Cornelius created a single article about a set of 5,018 songs from a Bengali source, and our Garamond says: "I'm sorry, but that is not notable. It's not art - it's just an artifact of a political or religious movement." Well, I can hardly believe that we are still arguing about this matter. Clearly, the notion of "notability" on Wikipedia needs a major reworking when just about any degrading song that earns money and comes from the West is considered to be notable, but the entire collection of 5,018 inspiring songs from a single Indian composer is considered to be not notable. I am sorry to say it, but this AfD nomination simply reeks of bigotry. --Abhidevananda (talk) 20:34, 30 January 2013 (UTC)


 * Editor's long comment & note for the closing Admin.: for nearly a month the same group of users is proposing the deletion of dozens of articles I had written on WP. All articles belonged to the vast literary production of a single author. Let's suppose that some articles were poorly written, or that others were even not very encyclopedic. But that so many articles can be proposed for deletion by a single group of users, with various excuses, seems to me absurd and suspicious. WP was born to spread the totality of human knowledge, not only a part of it. Everyone is invited on WP to cooperatively create/maximize/improve new articles not to delete them. Deleting an article should only be an exceptional case and not a way of working of a group of editors. Censorship is an ancient art. I am experienced enough in history to be able to say that. Some expert users on WP seems not involved at all in the hard task of building new articles but in the relatively easy job of deleting many of them. Using bureaucratic quibbles as a weapon to censor/delete the encyclopedic representation of the part of knowledge that they simply don't like or don't understand.
 * Instead of devoting their energies to increase the number of new articles, literally they chase you all around WP, analitically examining your talks and articles to find loopholes or a reason to stop your editing if they don't agree with the contents. What I am saying are not chatter in the wind: you can easily check it by just doing an analysis of the historical contributions of many "deleters". Hundreds of hours used in inconclusive, furious quarrels, personal attacks, angry deletions reserved for the "enemies", many "good tips" and very, very few or no new articles at all.
 * My opinion is that this is the best way to kill WP: if everything will remain so many editors will go away one after another. At the same time the increasing volume of human knowledge will require in the near future an increasing number of editors... Thanks.--Cornelius383 (talk) 17:31, 30 January 2013 (UTC)


 * Keep: for the reasons above.--Cornelius383 (talk) 17:31, 30 January 2013 (UTC)
 * Delete or redirect. Arguments are essentially the same as for Idea and Ideology: Lack of coverage in independent reliable sources means this fails WP:NBOOK (i.e. HathiTrust lists it as a book) and WP:NMUSIC (which pertains to topics related to music, including artists and bands, albums, and songs). I also have heavy concerns regarding WP:SOAPBOX given the context of many similarly-created articles. Location (talk) 21:14, 30 January 2013 (UTC)


 * Finally, another Garamond compadre other than Bob has turned up here to vote... in a bizarre and partisan fashion. How does WP:NBOOK apply to a collection of songs? Even WP:NMUSIC hardly covers this point, as the Songs section is clearly about individual songs and singles. And then there is the statement at the top of WP:NMUSIC: "Please note that the failure to meet any of these criteria does not mean an article must be deleted; conversely, meeting any of these criteria does not mean that an article must be kept. These are merely rules of thumb used by some editors when deciding whether or not to keep an article that is on articles for deletion." So I stand by my remark above: "Clearly, the notion of 'notability' on Wikipedia needs a major reworking when just about any degrading song that earns money and comes from the West is considered to be notable, but the entire collection of 5,018 inspiring songs from a single Indian composer is considered to be not notable." --Abhidevananda (talk) 04:02, 31 January 2013 (UTC)


 * Redirect to Prabhat Ranjan Sarkar. It could be that a collection of over 5000 songs by Sarkar doesn't find significant coverage in reliable independent sources because of systemic bias ("availability of sources is not uniform"). Even if that is the case here, one has to wonder why none of the Indian news agencies or publication houses, even those from Kolkata, mention this collection in detail. Sarkar is not the only Indian spiritual writer whose discography doesn't meet WP's notability guideline. Kripalu Maharaj's Prem Ras Madira, a collection of 1008 songs on Radha and Krishna, doesn't have an individual article. Tagore's songs have an article but only because he is a Nobel laureate. Anuradha Paudwal's 5000+ religious songs in many Indian languages have a dedicated article, but it too looks on shaky grounds with regards to notability. Maybe Indian media is elitist and secular or the sheer volume of religious songs makes individual collections non–notable. Whatever be the reason for the insufficient coverage it makes little difference to the fact that without significant coverage in reliable independent sources writing an article of reasonable length will require original research, which of course is against policy. Therefore, it makes sense to redirect this article to Prabhat Ranjan Sarkar where this collection is already mentioned. If multiple sources do turn up later the article can always be recreated from them. Correct Knowledge  «৳alk»  23:21, 30 January 2013 (UTC)


 * Request to closing admin and comment: Here we see yet another one of Garamond's associates lending partisan support. I would request the closing admin to take note of the fact that Garamond Lethe, Bob Rayner, Location, and CorrectKnowledge have a considerable history of voting as an oppositional bloc in relation to all things connected with what some of them call the "Sarkarverse". Nevertheless, CorrectKnowledge raises two interesting examples, even if his presentation of those examples is highly misleading. For example, CorrectKnowledge implies that Kripalu Maharaj's 1,008 songs is comparable to Prabhat Ranjan Sarkar's 5,018 songs. But do the numbers really reflect that? 1008 songs is less than 1/2 of the number of songs by Rabindranath Tagore (who does have a dedicated article for his collection of songs) and only 1/5 of the number by Prabhat Ranjan Sarkar (who has a dedicated article that has here been nominated for deletion, with partisan support by CorrectKnowledge). But, frankly, I don't see why Wikipedians should object to a dedicated article about a collection of 1008 songs by a single composer. So I am left wondering as to whether anyone ever created an article specifically for Kripalu's music. Did that ever happen? And did that putative article go through an AfD process (with or without support for deletion or redirect given by CorrectKnowledge)? I doubt it. And, if not, how is CorrectKnowlege's example very relevant here? (As an aside, I would also point out that the language in the Kripalu Maharaj article that CorrectKnowledge cites is not at all neutral. "Jagadguru Shree Kripaluji Maharaj"... I can only wonder that no one at Fringe/n has yet come along to make deletions. It seems that Kripalu (born Ram Kripalu Tripathi) is totally flying under the radar on Wikipedia as he merits not just a "Shree" but also a "ji", a "Jagadguru", and a "Maharaj". ) Regarding CorrectKnowledge's second example, Anuradha Paudwal, the Wikipedia article on her does not state that she has composed even a single song. So CorrectKnowledge's reference to "Anuradha Paudwal's 5000+ religious songs in many Indian languages" is apparently just misdirection. What we have on Wikipedia is merely a "list of songs recorded (not composed) by Anuradha Paudwal". Furthermore, the list is not of 5000+ songs, as CorrectKnowledge (what a misnomer!) wrongly asserted. It is merely a list of a bit more than 1500 songs recorded over a period of 40 years. If we compare that to the 2,230 songs composed by Rabindranath Tagore over the course of his lifetime and the 5,018 songs composed by Prabhat Ranjan Sarkar and released over a period of just 8 years, then Anuradha Paudwal's achievement dwindles in significance. Quite possibly, not even one of the 1500 songs that she recorded was composed by her (although that does seem a bit unlikely). Nevertheless, if we were just taking here about songs that have been recorded by a musical performer, which we certainly are not, then I would expect that many popular musical performers in India have accumulated a similar number of songs in their repertoire over the course of a lifetime. For example, Ravi Shankar also has an impressive discography, and we also have Wikipedia pages for both the man and his music. But, coming back to the relatively trivial article that lists the songs recorded by Anuradha Paudwal, that article is supported by nothing more than an external link to smashits.com. So here I would have to agree with CorrectKnowlege. That article is indeed on shaky grounds in terms of Wikipedia standards. However, instead of nominating that article for deletion or redirect, CorrectKnowledge has come to this AfD nomination to vote in support of his buddy, Garamond Lethe. Apparently, CorrectKnowledge is more concerned to eliminate an article about a collection of 5,018 songs composed by Prabhat Ranjan Sarkar than he is concerned to eliminate a poorly sourced article about 1,500 songs merely recorded by a popular singer. CorrectKnowledge is correct in acknowledging systemic bias. He has probably used this argument in support of articles on Indian-related topics that he favors. Sadly, however, he would dismiss the factor of systemic bias when arguing against an article on an India-related topic that he does not favor. --Abhidevananda (talk) 06:24, 31 January 2013 (UTC)
 * Comment. I am happy to disclose my involvement in these articles since it has been called into question. I monitor various noticeboards including Reliable sources/Noticeboard and Fringe theories/Noticeboard. Earlier this month, User:Bobrayner posted a request for input in Fringe theories/Noticeboard. I discovered that Progressive utilization theory had been (and still is) protected due to an edit war and offered my input in resolving the dispute. Part of that dispute involves an overabundance of primary sources and a lack of reliable secondary sources independent of the subject. Checking the contribution histories for the editors responsible for this, I found a similar pattern of editing that involved the lack of proper sourcing in many other articles. So here I am. Location (talk) 06:59, 31 January 2013 (UTC)
 * Rebuttal: Come on, Location... it's more than just "involvement" with some articles. On Fringe/n, there is a thinly concealed effort to canvass support for AfD nominations regarding just about every article connected with the "Sarkarverse". And you seem to be parceling out among yourselves who will make the various nominations, all of them assured of group backing. You yourself took an active part in this process by recently filing two such AfD nominations: Articles_for_deletion/Ananda_Marga_Elementary_Philosophy and Articles_for_deletion/Microvitum_in_a_Nutshell. On both of those nominations, you quickly acquired support from several of the same persons we see here, notably Garamond Lethe, the nominator of this AfD as well as five other simultaneous AfD nominations pertaining to the works of Prabhat Ranjan Sarkar. Garamond Lethe supported your two nominations, so you came here to support this untenable nomination by him. Let's call a spade a spade, Location. You have been involved with systematic canvassing of support by a means that is technically legitimate but entirely contrary to the spirit of WP:CANVASS. And what we can easily see on Fringe/n is no doubt just the tip of the iceberg. Hence, your votes - and even your nominations - should be discounted by any impartial admin for their bad faith foundation. You may be motivated by what you believe to be good intentions, but you are gaming the system. As an intelligent person, you surely know that quite well. --Abhidevananda (talk) 08:01, 31 January 2013 (UTC)
 * Take it to WP:ANI. If you have a problem with my editing patterns, there are more appropriate forums than this. 14:37, 31 January 2013 (UTC)
 * Just to be clear I don't favour any of those artists, some of them may need pruning soon, and other stuff exists is not a valid argument. Rest of Abhidevananda's agruments were Ad hominem which is allowed though, I agree with Location, there are more appropriate forums to resolve them. Correct Knowledge  «৳alk»  15:32, 31 January 2013 (UTC)
 * Just to be clear, CK, I was merely responding to your WP:OSE argument - fighting fire with fire, so to speak. My response merely examined the two examples that you gave (WP:OSE), correcting the inaccuracies in your descriptions and exposing the dubious correlations that you asserted. As for the ad hominem element of my argument, it arose as a consequence of my effort to explain the disconnect between your words and your actions (evidenced even in your latest response). For the record, I know that ad hominem arguments are frowned upon. As a rational man, I also find such arguments generally repugnant. Nevertheless and regrettably, in the current context, it is not just appropriate but indeed necessary for me to point out that a group of individuals - strongly represented in this AfD discussion - have been systematically targeting every article within the 'Sarkarverse', seriously disrupting sincere efforts by editors to add significant, informative, accurate, neutral, and high-quality articles here on Wikipedia. I believe that the closing admin should be mindful of this fact while seeking to determine whether there was any consensus here. --Abhidevananda (talk) 17:45, 31 January 2013 (UTC)


 * Keep:This extensive body of work deserves an article of its own in Wikipedia. It seems nonsensical to even suggest the deletion of this article. As a relatively new editor (yet longtime lurker and user) ofWikipedia, it has been appalling to watch the decimation of the Sarkar articles for what appear to be mostly reasons of bias. I note the fact that no one here has contested the fact that Sarkar composed 5,018 songs. Perhaps no one else has ever composed so many songs in the course of an entire lifetime. That is an accomplishment worthy of a separate article on Wikipedia... regardless of any Western-biased rules about notability.--DezDeMonaaa (talk) 05:49, 1 February 2013 (UTC) — DezDeMonaaa (talk • contribs) has made few or no other edits outside this topic.
 * More references: It seems that there is more than one book about Prabhat Samgiita. This archive contains a PDF that I have just uploaded showing the cover and the early pages of a second book. This second book on Prabhat Samgiita is also published by Ananda Marga Pracaraka Samgha, but the author, a retired university professor, is not a member of Ananda Marga. In fact, none of the material in this PDF is written by members of Ananda Marga. In my opinion, the authors are all notable, reliable, and independent sources by WP standards. Fortunately, this book was published in English. Later today, I expect to post more links to articles, some of them perhaps in Bengali or other Indian languages. --Abhidevananda (talk) 07:47, 1 February 2013 (UTC)
 * Nope "Independent" in this context means the publisher does not have a conflict of interest. In this case, the publisher is publishing both the book and the appreciation (and is under effective control of the author of the book compounding the problem).  That's going to constrain the frankness of opinions in the appreciation.  The good news is that you've found an academic who has written a book on this topic, and it wouldn't surprise me to see that this academic recycled earlier peer-reviewed publications in writing the book (which is perfectly fine, btw).  You might also want to try looking at the work of Ramaranjan Mukherji.  Garamond Lethe  08:18, 1 February 2013 (UTC)


 * Strong Keep:Prabhát Saḿgiit (that has many varying spellings such as Prabhát Sauṋgiit, Prabháta Saḿgiita, Prabháta Sauṋgiita, Prabhát Saḿgiita, Prabhát Sauṋgiita, Prabhat Sangiit, Prabhat Sangeet, Probhat Sangeet, Prabhat Shangeet, Prabhat Songeet, Prabhat Sangit, Probhat Shangeet, Probhat Songeet, Probhat Sangit, Prabhat Shongeet, Prabhat Shangit, Prabhat Songit, Probhat Shongeet, Probhat Shangit, Probhat Songit, Prabhat Shongit, Probhat Shongit etc.) meaning "Songs of the new dawn" is a collection of 5018 songs, composed in 8 different languages by P.R.Sarkar (Compare Rabindra Sangeet).
 * Like other topics coming from the so-called third world countries, there are much less non-independent, online and English sources about the topic compared to the huge amount of independent non-English sources (online&offline) sources. That's why, in good faith, I'm asking from the closing admin, to keep an open eye and to let some more time those who are trying to improve WP, for them to find those sources. I have the prior knowledge, that indeed, this topic has really a huge amount of sources. --Universal Life (talk) 08:53, 1 February 2013 (UTC)


 * Another reference: This archive contains a PDF of what seems to be a doctoral dissertation on the subject of Prabhat Samgiita. It is by an academic. The publishing house is not Ananda Marga Pracaraka Samgha or Ananda Marga Publications. --Abhidevananda (talk) 13:35, 1 February 2013 (UTC)
 * Does it have a name? An author?  Nevermind....  Mysticism in Prabhat Samgiit, Miss Alakananda Paria, 2000, Ananda Book Trust.
 * "The book is the modified version of the dissertation prepared under the supervision of Dr. A. K. Mohanty, P. G. Department of Philosophy, Utkal University and submitted to the Utkal University for the Degree of M. Phil. in Philosophy. The book brings into focus the nature of the Mystical. Besides presenting a panoramic  glimpse of the world of Prabhat Samgiit, it undertakes to unearth the mystical underpinnings and outpourings therein."
 * I believe M. Phil. is a Master's degree. Note that the author is listed as "Miss Alakananda Parida" rather than "Dr. Parida".  And "Ananda Book Trust" is likely associated with "Ananda Marga", so you'll need to cite the dissertation proper.  Her bibliography might be useful, but I wouldn't consider a master's thesis in isolation to be sufficient to establish notability.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  14:43, 1 February 2013 (UTC)
 * Garamond, every Ananda you see is not connected to Ananda Marga, Ananda means happiness and in deed is a very popular and very wide-spread word in India (sometimes spelled as Anand). There is a series in Israel for example by the name Ananda. It's connected to India but no connections with Ananda Marga what-so-ever.--Universal Life (talk) 15:14, 1 February 2013 (UTC)
 * I'm not assuming every use of Ananda is associated with Ananda Marga, just the ones with the legal term "Trust" appended that pays for the publications of books associated with Ananda Marga. I don't think we'll need to reach that issue, however.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  16:51, 1 February 2013 (UTC)
 * However, it doesn't say Ananda Marga Trust, only Ananda Trust. --Universal Life (talk) 17:12, 1 February 2013 (UTC)


 * Another reference: This archive contains some extracts from a Bengali book called Buddhijiivider Drs't'ite. The extracts were written by persons who are not members of Ananda Marga. The book not only covers Prabhat Samgiita but also, among other things, the 26 volumes on philology that Sarkar produced over the same period of time as Prabhat Samgiita. However, if I am not mistaken, all of the extracts in this PDF are about Prabhat Samgiita. --Abhidevananda (talk) 15:07, 1 February 2013 (UTC)
 * Nope "Ananda Marga Publications".  If you get in the habit of providing a citation instead of just a bare link you'll save yourself some embarrassment.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  17:02, 1 February 2013 (UTC)
 * I don't know about this one, but there is one book (that I learned from my offline sources in India) called: Prabhat Samgiit: Philosophical and Literary Application by Prof. Subhas Sarkar. This professor is not a member of the organization, he's a (retired - if not mistaken) professor from Rabindra Vath University (or something similar, the voice isn't always very clear on the voip system). However, I think, as a means of saving money, the book was printed by Ananda Marga Publications. However, as the author of the book is not connected at all with the organization and the subject, the book definitely doesn't fall on the range of primary source. This is one of the offline sources, we'd spoken on your talkpage, that you could look up. --Universal Life (talk) 17:12, 1 February 2013 (UTC)
 * Ananda Marga Publications is non-neutral when it comes to publishing decisions on Sarkar material. While this material may be used (cautiously) to improve the article it cannot be used to establish notability.  What all this effort is telling me is that this book has been ignored outside the "walled garden" of Ananda Marga.  That's why this book isn't notable.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  17:38, 1 February 2013 (UTC)
 * Garamond, for God's sake! This is not a book, this is music, this is art! Secondly, I always put a lot of effort on everything that I do, I'm a perfectionist, whether I write my PhD dissertion, or an article about epigenetics or translating the interface of WP. So, don't infer anything negative from it. Moreover, effort is necessary because this is within the domain of systemic bias, there is no "walled-garden". And all articles related to Sarkar is under attack, by a group of fix-minded people gaming the system, mainly by canvassing, to further their own cause. I just can't stand injustice. This is the first time, in my more than 4 years experience with WP and its sister projects, that I lost my assumption of good faith to some editors. It's unfortunate, but true.--Universal Life (talk) 18:03, 1 February 2013 (UTC)
 * It's still a book.  The rest of your comment should probably be discussed elsewhere.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  18:27, 1 February 2013 (UTC)
 * No, the name of the book link you sent is Prabhát saḿgiita = Songs of the new dawn. Not Prabhat Sangeet or Prabhat Samgiit. Anyone could publish a book about Rabindra Sangeet, it still doesn't make "Rabindra Sangeet" a book, only it brings out the fact that there is book published about it. Do you see the difference? So, PS is not a book! (And if you can bring up the notion of walled-garden here, then the rest of the discussion as well belongs here, that's why actually we've this deletion page on the first page - however I do not wish to discuss any more right now, nothing beneficial comes out of it, I prefer to be constructive). --Universal Life (talk) 18:51, 1 February 2013 (UTC)


 * Another comment: It's really incredible.. Never happen to me such a systematic attack like this. WP should be mainly based on mutual aid of users, aimed to draw up or to improve new articles. Here we have the same group of users doing the opposite work and proposing tens of AfD's for all the items related with the same subject. What words can we use to define this activity, essentially aimed to hide knowledge rather than to spread it? I do not ask for help but I'm pointing out facts that anyone can check!--Cornelius383 (talk) 18:54, 1 February 2013 (UTC)


 * Collection of songs, not a book: The fact that books have been written about this collection of songs only establishes the notability of the collection of songs. It does not change the fact that the article that Garamond nominated for deletion is about the collection of songs and not about any particular book about that collection, especially not any book that merely talks about the lyrics of the songs without reproducing the melody of those songs (as indeed is the case with the two books (actually one series of books and an additional book) that have the words "Prabhat Samgiita" in their title. Of course, Garamond knows this full well. That is why he commented on the various newspaper articles that I listed, none of which were about any book, seeking to dismiss those newspaper articles as "likely press releases" (which, to the best of my knowledge, is not a valid ground for dismissal even if it were so). However, Garamond first introduced this remark about Prabhat Samgiita also being a book with a " ". So I assumed that he was being a bit facetious there. When Location parroted Garamond's assertion of this topic being about a book, I simply ignored that as further evidence that a chum of Garamond - someone working in tandem to game the system - was simply repeating a superficial and uninformed remark, merely to support his colleague. But now I see Garamond again arguing that this is a book, and I must point out that Sarkar composed 5,018 songs, both melodies and lyrics, and those complete songs are the topic of the article that Garamond has nominated for deletion. Anyone who reads the article under discussion would know that this is so. Accordingly, this type of misdirection by Garamond and Location is entirely dishonest. Their refusal to concede even a simple point like this is why it is impossible to have any meeting of minds with them in this AfD discussion and in the many other places where they operate as a voting bloc to bully others and game the system. --Abhidevananda (talk) 18:59, 1 February 2013 (UTC)


 * Note on reliable sources: While waiting for more information from my source in India (who mentioned that he would soon be going out of station for a few days), let me point out that I am not posting these references here because I consider them necessary to support the notability of this article in Wikipedia. In my estimation, that has already been well-established. I post these additional references here only to emphasize the outrageous nature of this AfD nomination and the total intractability of the nominator and his chums. But as Garamond has now started dismissing valid sources as invalid, let me reproduce here the Wikipedia policy regarding use of self-published material. According to WP:SELFSOURCE:


 * "Self-published or questionable sources may be used as sources of information about themselves, especially in articles about themselves, without the requirement that they be published experts in the field, so long as:


 * 1. the material is neither unduly self-serving nor an exceptional claim;
 * 2. it does not involve claims about third parties (such as people, organizations, or other entities);
 * 3. it does not involve claims about events not directly related to the subject;
 * 4. there is no reasonable doubt as to its authenticity;
 * 5. the article is not based primarily on such sources.


 * "These requirements also apply to pages from social networking sites such as Twitter, Tumblr, and Facebook."


 * In light of the above, it is clear that Garamond's objection to articles by independent and reliable sources simply because they appear in books that have been published by Ananda Marga Publications or Ananda Marga Pracaraka Samgha is contrary to established Wikipedia policy. And, anyway, these are not articles published by Sarkar about Sarkar. They are articles by independent persons talking about one of Sarkar's works. Yes, some of these articles are published by an organization that Sarkar founded, but they were not and are not currently published by Sarkar himself, because Sarkar died in 1990. --Abhidevananda (talk) 19:01, 1 February 2013 (UTC)


 * This fails the "self-serving" clause and the "based primarily on such sources" clause. Thanks for providing the quote.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  19:11, 1 February 2013 (UTC)


 * "Self-serving" is not the same thing as "unduly self-serving". And the articles in the books that have been listed are not based primarily on a "self-source" but rather independent sources. The newspaper articles may or may not be a partial product of press releases, but - even if so - there is nothing extraordinary about that. Of course, it is impossible to tell whether all of those newspaper articles are primarily based on press releases, partially based on press releases, or not at all based on press releases. But, in any event, this policy is clearly in relation to autobiographical material. When self-published material is even permitted as source for Wikipedia articles that are also essentially autobiographical, then obviously such material is permitted in articles that are in no way autobiographical. --Abhidevananda (talk) 19:28, 1 February 2013 (UTC)


 * Additional relevant newspaper articles: I had a look at the Talk page of Prabhat Samgiita, where it seems that Universal Life is compiling sources about Prabhat Samgiita. Here are two more newspaper articles, clearly not press releases.
 * Times of India: Divine music that heals
 * Deccan Herald: Dance/music review
 * Apparently, in India, some newspapers do not share Garamond's view - and the view of his Fringe/n pals - that Prabhat Samgiita is just "a book" or an "artifact of a political or religious movement". --Abhidevananda (talk) 07:20, 2 February 2013 (UTC)
 * I believe both of those were discussed already. One is a RAWA-sponsored performance and the other is either an op-ed piece or a letter to the editor.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  15:50, 2 February 2013 (UTC)


 * Summary In 1955, Prabhat Ranjan Sarkar founded the Ananda Marga organization which, among other activities, handled the publication of all of his subsequent work.  One of these was the Prabhat Samgiita at issue here.  Ananda Marga has subsequently published a volume of selections from this work, an appreciation, and a masters thesis.  Ananda Marga has also sponsored many performances and competitions based on this work.  However, if by some strange catastrophe all Ananda Marga publications and references to Ananda Marga-sponsored performances were to be wiped from the earth, our only potentially reliables sources for the existence of the Prabhat Samgiita would be an inaccessible master's thesis and a short, anonymous op-ed piece.


 * I have found no mention of this work in any history of Indian music, either online or in the UC Berkeley collection. Three other editors who would like to see the article preserved have worked tirelessly in trying to track down additional sources of notability, to no avail.  My two university contacts in Bengal were able to unearth some material that may prove useful in other Sarkar-related articles, but nothing that would help here.  As notability has not been established and is unlikely to be established going forward, deletion of the article remains warranted.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  15:50, 2 February 2013 (UTC)


 * Summary: (PA redacted by Dennis Brown - 2&cent;    &copy;  Join WER ) While it is true that the policy of Sarkar and hence Ananda Marga Pracaraka Samgha is to publish in-house, Prabhat Samgiita - as a collection of songs - is not published by the Ananda Marga Publications department but rather by the Rennaisance Artists and Writers Association (RAWA). In that regard, RAWA has published many CDs of Prabhat Samgiita. In addition to the CDs published by RAWA, there is also a fairly vast Web project at http://www.prabhatasamgiita.net/. On that site, anyone may access audio files (MP3s) for many or most of the 5,018 songs absolutely free of charge. Furthermore, the songs of Prabhat Samgiita have been sung by numerous artists, some of them members of Ananda Marga and some of them not members of Ananda Marga, some of them famous and some of them not-so-famous. In other words, the songs of Prabhat Samgiita have been released as part of the discography of many performers and through recording companies that are entirely independent of Ananda Marga Pracaraka Samgha. See, for example, Jyoshna. So, even if Garamond's pie-in-the-sky "catastrophe" were to take place - even if "all Ananda Marga publications and references to Ananda Marga-sponsored performances were to be wiped from the earth" - still Prabhat Samgiita would survive. Prabhat Samgiita would still have a significant and growing presence in the music of many performers. That ever-expanding presence is clear in the great number of YouTube videos connected with Prabhat Samgiita. So, perhaps now Garamond would like to extend his "catastrophe" to encompass all of the CDs containing a song of Prabhat Samgiita in anyone's house as well as the work of any performer who has ever recorded even a single Prabhat Samgiita song. And perhaps now Garamond would like to extend his "catastrophe" to encompass the destruction of YouTube, Google, and the entire Internet as well. Naturally, that would mean the intrinsic destruction of Wikipedia, but Garamond seems to be doing his utmost to achieve that end anyway.  --Abhidevananda (talk) 17:32, 2 February 2013 (UTC)
 * I think you have pushed rudeness as far as you need to. Stick to the merits please.  Dennis Brown -  2&cent;    &copy;  Join WER 12:53, 3 February 2013 (UTC)
 * and ROTFL. I see no reason to be dismissive of the reputable sources presented throughout this discussion. The Times of India and the Deccan Herald articles - the first by an anonymous author and the second by Mysore V Subramanya - are in widely reputable Indian newspapers. As well, a published masters thesis is by definition accessible. But Abhidevananda's summary and discussion above is correct, that is that Garamond Lethe is clearly predisposed to reject any source on this subject. All of the above discussion only proves that Garamond Lethe's research on this subject is inadequate and unreliable.--DezDeMonaaa (talk) 18:39, 2 February 2013 (UTC)


 * 38 sources and 19 references collected from users Universal Life and Abhidevananda added on the talk page of the article. Thanks--Cornelius383 (talk) 01:51, 3 February 2013 (UTC)
 * Well, Cornelius, there is some duplication in the links on the Talk page, which might reduce the number somewhat. But if we were to add all of the links to individual songs on http://prabhatasamgiita.net and also include links to YouTube videos of various performances of Prabhat Samgiita, then the number of links would probably come closer to 5,000. But, no doubt, Garamond Lethe would dismiss all of these links, because they are not secondary enough, they involve audio, and tomorrow the sky could fall. --Abhidevananda (talk) 05:37, 3 February 2013 (UTC)
 * Corrected the duplication error and added your ext. link to the list in the talk page of the article. I apologise for the error. Thanks--Cornelius383 (talk) 16:41, 3 February 2013 (UTC)


 * Another resource: If one is just interested in the lyrics (or poetry) of these 5,018 songs, then perhaps http://prabhatasamgiita.info might be a more convenient resource than http://prabhatasamgiita.net. I can't say who is running the prabhatasamgiita.info website. The site is marked "Copyright© 2007, SADHIKA Infosystems. All rights reserved." but I would wonder about that claim, given that 95% of the site appears to depend on the work of others. Nevertheless, we do find there a short (and anonymous) review of Prabhat Samgiita. The last paragraph of that review begins: "Prabha'ta Sam'giita is now a full-fledged school of music with its own distinct style." --Abhidevananda (talk) 10:27, 4 February 2013 (UTC)


 * Not Indepdendent Anonymous text promoting a product on a website built to sell that product is not a review. It's advertising.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  15:56, 4 February 2013 (UTC)


 * Actually, Garamond, I don't see any place on that website where Prabhat Samgiita is being sold. Yes, there are some products that are advertised, on the Releases page of that website, but not even one of those products mentions Prabhat Samgiita. So, if anything, it is the exact reverse of what you are alleging here. The company selling those products - InnerSong - is not a part of Ananda Marga Pracaraka Samgha. Rather, it is a private company that describes itself as "a cooperative project". And this private company seems to be piggybacking off the popularity and notability of Prabhat Samgiita to sell its products. --Abhidevananda (talk) 00:20, 5 February 2013 (UTC)


 * Another book on Prabhat Samgiita: Prabhata Samgiita; The Lyrics and Their English Renderings (Selected Songs Part 1). The translator in this book is different than in the other books, and the content seems to be just some selected songs (although apparently more than one volume is anticipated). The book was published by Ananda Marga Publications (some 13 years after Prabhat Ranjan Sarkar died). --Abhidevananda (talk) 10:41, 4 February 2013 (UTC)


 * They also put out another collection in 2007; that's what UC Berkeley has in their stacks. Neither collection was reviewed as best I can tell.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  15:56, 4 February 2013 (UTC)


 * Thanks for that additional information, Garamond. Whether or not these two books have been reviewed strikes me as somewhat irrelevant at this stage. The article that you nominated for deletion is Prabhat Samgiita, an article about a collection of 5,018 songs by a single composer. These are two more books written by persons other than the composer of those 5,018 songs. In other words, in addition to very many articles relating to Prabhat Samgiita in various newspapers and some assorted essays on Prabhat Samgiita (including a master's thesis), I believe we have now referenced at least 13 books about Prabhat Samgiita - all of them by persons other than the composer of this collection of songs. Taking help from the Talk page of the Prabhat Samgiita article, I count 10 books by Ac. Vijayananda Avadhuta and Avadhutika Anandamitra Acarya, another 1 book by Dr. Subhas Sarkar, and now 2 books by Ac. Priyashivananda Avadhuta. Even if these 13 books are all lacking in independence in that they have all been published by Ananda Marga Pracaraka Samgha, still I would maintain that one inescapable inference that must be reached from all of these books and newspaper articles is that Prabhat Samgiita is a prominent representative of a notable style of music. And - if we were to treat Prabhat Samgiita in terms of just its lyrics and on the basis of the notability required for books (as you seem to prefer) - then the inescapable conclusion is that Prabhat Samgiita has "has made a significant contribution to a significant political or religious movement" (per your own description of Ananda Marga and WP:NB). So, once again, I respectfully request you to withdraw your AfD nomination on this Wikipedia article. --Abhidevananda (talk) 00:53, 5 February 2013 (UTC)


 * question what notable Indian artists about whom we have articles have made recordings of these songs? Please be specific about the recordings,and I will try to track them down & see if there is any available criticism in a Western language at NYPL-Performing Arts  DGG ( talk ) 06:32, 5 February 2013 (UTC)
 * Thanks for your interest, DGG. I would have thanked you even more if you had prefaced your question with a "keep" vote. But, before replying to your question, let me also ask a question. Do we really need to go to such lengths to justify one small separate article on a collection of 5,018 songs when it seems that we already have over 10,000 Wikipedia articles on just singles that contain the words, "I wanna", in the title? This type of AfD nomination strikes me as really ridiculous, and I would go further to say that it is also shockingly oppressive. Okay, this is a WP:OSE argument, but I think the argument works in this instance. Almost six days ago, CorrectKnowledge pointed out that Wikipedia has a dedicated article that merely lists 1500 songs recorded by Anuradha Paudwal over a period 40 years. That article offers no source other than http://smashits.com! And since the time that this information came out - again, almost six days ago - has anyone here take the trouble to nominate that flimsy article for deletion? No, they have not. The fact is that, like it or not, Wikipedia has established a very clear precedent in respect to the standard required for articles about songs; and that standard is very low. Hence, it is manifestly unjust to seek a rigid and dogmatic imposition of strict rules for a small article like this - a small article about a collection of 5,018 songs composed by a single individual over a period of only eight years. Such strictness about rules goes far beyond what is applied elsewhere on Wikipedia. Already we know for sure that the Prabhat Samgiita article was nominated for deletion as part of a campaign by a group of individuals associated with Fringe/n. This is easily verified by examining the discussions there. And, from the discussions on Fringe/n, it is manifestly clear that the real reason why this article has been nominated for deletion is simply because the composer of this collection of songs was Prabhat Ranjan Sarkar. So, DGG, I hope you can understand why I find it somewhat irritating at this stage to think that I must open all of the articles in the newspapers listed above and go through the names of the artists listed in those articles - those who have either performed Prabhat Samgiita or talked about it - and then search on Wikipedia to see which of them have an article here... only in order to fend off the imminent deletion of this article. Anyway, DGG, I won't complete that tedious task now, but here are two examples that I quickly found by opening one of the earlier links to a newspaper article in The Hindu. We see there that Ashwini Bhide-Deshpande performed Prabhat Samgiita in Mumbai in June of 2009. We also see in that same article that Prabha Atre also spoke with wonder about the number of songs in this collection and the short span of time in which it was produced. But there are a lot of other names in that one article and many other articles to inspect. So, sorry, but I just don't have the time right now to continue with this exercise. Frankly, in my opinion, with the time we have all wasted on this outrageous AfD nomination, we could probably have brought the Prabhat Samgiita article up to the standard required for a WP:DYK or even an WP:FA! --Abhidevananda (talk) 11:19, 5 February 2013 (UTC)
 * We need evidence to show these songs are considered important, and that would be helped by showing they are on well-known recordings by notable musicians outside his circle, not one-time performances.  The question of whether the songs need be of importance to the general public outside the circle of his group is a difficult one; if you can even show that they are of central importance in their cultural circles, such as Luther's hymns in the Protestant church, that would be something, but the article on Ananda Marga gives no such indication. Even within the context of his work in general, I don't think there's evidence that these are one of his most important accomplishments--there seems to be much more discussion of his philosophy and social views.   I am among those who think that the WP consensus on notability of songs is over-broad, and tends to show a great cultural bias towards US popular music, but I would suggest we correct this by decreasing that over-coverage, not expanding it to other areas. I'm also aware of the difficulties of documentation about Indian topics, and am willing to be flexible about our standards, but not abandon them; some things may need to wait until there are adequate locatable reliable sources that fit the concept of this encyclopedia.    I need to say that I am very unlikely to give a keep opinion, but I first want to give it a fair chance by guiding you to finding the right evidence: you keep insisting that the number of songs is a criterion for notability , but it isn't.    I suggest this might be best handled by a merge into the article on the author--there is already a sentence there about them, and perhaps we could expand that into a paragraph. As a general guide, I think you might do better by not trying to make as many articles as possible, but on making the central articles on the man and his movement stronger, with third party sources that truly meet our standards--this will be much more useful to readers, and better achieve your purpose of increasing our information.  DGG ( talk ) 17:31, 5 February 2013 (UTC)
 * DGG, please allow me to respond to some of your points. (1) I believe that we have established that well-known musicians outside of Sarkar's circle have performed Prabhat Samgiita and have appreciated it. I think that it perhaps goes too far to then insist that those artists must also have made recordings and that those recordings must also be well-known. Quite frankly, I am not even sure that this would be permitted according to copyright, because of the policy within Ananda Marga to publish in-house. So may I suggest that here you are demanding a standard that does not fit well in this particular instance, but that lack of fit does not necessarily imply a lack of notability. (2) Actually, the article on Ananda Marga does give the indication that you request. Luther's hymns, if I am not mistaken, are sung in Church on Sundays. In Ananda Marga, members are encouraged to attend a weekly, collective meditation on Sundays. That instruction is given as part of the social code of Ananda Marga in the book, Caryacarya Part 1. And in the article on Ananda Marga, that weekly collective meditation is mentioned. As part of that weekly program, there is the singing of Prabhat Samgiita. I quote from the article: "Ananda Marga system recommends to its members the practice of collective meditation at least once a week. These meetings called Dharma Chakras (weekly held in a place called Dhyan Mandir) are preceded by the singing of few Prabhat Samgiita ("Songs of the New Dawn" composed by the Ananda Marga founder) followed by..." So I think that this corresponds quite well with the example of Luther's hymns that you mention. (3) While I understand your point about overly broad standards, I think you can appreciate my concern that, given the current precedent on Wikipedia, the exclusion of a single dedicated article about a widely appreciated collection of 5,018 songs due to some technicalities whereas the inclusion of 10,000 "I wanna" songs smacks of injustice. I am not asking that any "standards" be loosened here. I am only asking that the standards be equitably imposed. Eliminate the article on Prabhat Samgiita when there is anything resembling a corresponding strictness in other directions as well. Until that is apparent, it only comes across as systemic bias and religious discrimination to reject Prabhat Samgiita on some flimsy technicalities that reflect a Western bias and that are not even remotely applied in an evenhanded manner. (4) I respectfully disagree regarding the significance of numbers. Yes, if it were the difference between 5 and 10 songs, then it would not be significant. But when it is 5,018 songs in only 8 years, then that becomes a notable event simply because it could well be a record. But, record or not, people like to know how many songs were written by a composer. So, for example, there is an article on Johann Sebastian Bach, and there is a separate article for the List of compositions by Johann Sebastian Bach. And that second article begins with the number of compositions rather than any other fact: "There are over 1100 known compositions by Johann Sebastian Bach." Well, there are 5,018 known songs by Prabhat Ranjan Sarkar. Are these songs as well known as the songs of Bach? Perhaps not. But the real question is only do they deserve a mention on Wikipedia? And my answer to that - given everything else in the musical world that appears on Wikipedia - is why the heck not? Yes, I know you gave your reasons. But I respectfully disagree. And I respectfully cannot conceive of any harm being done to Wikipedia by retaining an article on this subject. Rather, I think it benefits Wikipedia and anyone who may come to Wikipedia to know more about this subject. Merging Prabhat Samgiita as a paragraph in the Prabhat Ranjan Sarkar article (as you have suggested) would only limit the scope for further expansion of this subject, something quite likely to happen in future (if other similar articles on the lifetime work of artists be taken as evidence). --Abhidevananda (talk) 18:41, 5 February 2013 (UTC)
 * DGG, if you see the talk page of the article, I've wikilinked some of the famous Indian musicians that sing or sang Prabhat Sangeet. Some other famous artists also sang/sing Prabhat Sangeet, that don't have WP articles, but normally are famous for singing Rabindra Sangeet. I'm right now, in the middle of adding more reliable sources to the talk page. If you want, go through what I wrote and also the sources. Also, please see the comment below. Thank you. --Universal Life (talk) 21:21, 5 February 2013 (UTC)

<hr style="width:55%;" />
 * Important Comment:
 * I've listed a bunch of secondary sources in the talk page of the article, with a lot of explanation. I've at hand some more sources to add, however I didn't have the time to add them yet. I'm starting again right now.
 * Another important note is that there are other offline sources, mainly from India, I'm trying to reach some friends over there so that they can find, locate and inform me. This might take a little while. So please hold on!
 * Moreover, there are a lot of controversies going on in here and closing this discussion with whatever result, will be condoning to these actions.
 * I was an uninvolved editor until recently. However, I started to be partially involved (in the sense that I'm trying to build more than discuss) as I can not condone such an attack to a religious minority, whatever their belief might be. I'll discuss this issue in the appropriate time, after collecting third-party resources to this article, in an appropriate location.
 * The nominator for deletion has voted as Redirect, as you see at the top. This brings suspicion to whether he actually intended to delete or just redirect.
 * Given all these sources and controversies at hand, I suggest to postpone the deletion process for a longer period of time. Respectfully, --Universal Life (talk) 20:56, 5 February 2013 (UTC)
 * Relisted to generate a more thorough discussion so a clearer consensus may be reached.


 * Please add new comments below this notice. Thanks, LlamaAl (talk) 03:09, 6 February 2013 (UTC)

<hr style="width:55%;" />
 * Merge I suggest merging and redirecting to Prabhat Ranjan Sarkar, per User:DGG. Content should be improved and maintained there before considering a separate article. Jujutacular (talk) 04:52, 6 February 2013 (UTC)
 * Comment Another week is enough to improve content see the talk page of the article. There are many third party sources implementing the importance of the article. And there are more, which I didn't have time to list yet. A week is enough to restructure the article with many third party sources. --Universal Life (talk) 08:40, 6 February 2013 (UTC)
 * I am now OK with keeping this article, given the recent changes. It seems to have expanded to a point that merging is no longer suitable. I would also like to say, this is an unreasonably long discussion. Most of the text is here is completely unnecessary, and only obfuscates the discussion. Jujutacular (talk) 01:50, 13 February 2013 (UTC)
 * Recording, independent music store, independent review: See Reddish Blossom by Dr. Jyoshna La Trobe. At this page we see an independent review by a writer from the New Zealand Herald. Looking at here, we see that Jyoshna (Dr. La Trobe) has been reviewed on many occasions. --Abhidevananda (talk) 13:18, 6 February 2013 (UTC)


 * Comment: It is unfortunate (I have told in few more AFDs too (not related to Shrii Sarkar's AFDs)) that news medias are more interested in covering news of "public demand". That's why if a film's heroine sneezes, that becomes a news. But, even if a renowned University professor or botanist or zoologist dies that does not excite news medias. It is more or less same everywhere. Now, I want to show the circumstance first. Since these songs are written in Bengali, the references are also in Bengali language newspapers etc. But, Bengali world wide web has almost nothing and renowned newspapers like Anandabazar Patrika does not store content before 2004-2005! I have seen multiple mentions of Shri Sarkar's works and these songs in few magazines and newspapers like Bartaman, Sangbad Pratidin! But, I don't know from where I can collect these references (now). All I can do is sending emails to these two mentioned newspapers and request them to give us the copies of the news items published in their newspapers. Tell me your opinion on this. Do you suggest me to email them? If you nod, then I say, chances are very low that they'll co-operate. I also had a wish to do a large scale study to work on Shri Sarkar related articles which I could not do due to financial issues! --Tito Dutta (talk) 18:19, 6 February 2013 (UTC)
 * The issue is the independence of the sources. If you think you can find listings for performances not sponsored by RAWA or independent reviews of any performances that would be very helpful.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  19:24, 6 February 2013 (UTC)
 * The question is "how"? Are you suggesting me to email those two mentioned newsapers? If so, then two questions/comments 1) there are almost no chance of getting assistance from them if I send email from my gmail.com id (yes, I have experience, I regularly send emails for content permission to sites and organizations, last one is this one, (I) almost never get reply), there are better chances of getting replies if someone from Wikimedia India approaches them from their wikimedia.in email id 2) if we really approach newspapers to provide news article copies from their old archive, why only this article? why not all articles in question? What do you think? Ananda Marga, the international organization could do the work, but, I don't know about them! --Tito Dutta (talk) 19:43, 6 February 2013 (UTC)
 * Newspapers maintain an archive of every single addition printed. Driving to their office and asking them for previous editions would be far more helpful than emailing them from wikimedia.in (assuming their offices are in Kolkata). Ananda Marga itself is notable and appears frequently in national media. Not so long ago they were mentioned on national television in connection with Purulia arms drop case. However, it's unlikely that you'll find any book review related to them, even in vernacular media. Though I am more hopeful about a collection of songs. Let's see what you come up with. Correct Knowledge  «৳alk»  20:01, 6 February 2013 (UTC)


 * Comment: What I glean from the immediately preceding discussion, starting with Tito's "Comment", is an implicit recognition of notability and just some niggling over detailed aspects of mere guidelines that most likely arises only due to systemic bias. Looking at this review in a reputable national newspaper, I can only wonder: Is it really very likely that a renowned singer, Ashwini Bhide-Deshpande, would take the trouble to learn and perform four songs from Prabhat Samgiita (one in Hindi, one in Sanskrit, and two in Bengali) and then never perform any of those songs again except in another concert organized by RAWA? Given the vast number of much weaker-sourced Wikipedia articles in respect to music, is this not an apt place where the fifth pillar of Wikipedia, WP:IAR, should kick in? If not here, then where? Is that fifth pillar just for decorative purposes, or does it have some practical implementation? And if that fifth pillar is employed on occasion, is it trotted out mostly to justify more instances of systemic bias? --Abhidevananda (talk) 04:07, 7 February 2013 (UTC)


 * Nope The review (such as it is) was written by the public relations secretary of RAWA, Acharya Divyachetanananda Avadhuta (who signed it). I expect the musicians were compensated for their time.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  04:58, 7 February 2013 (UTC)


 * Yes, the newspaper article that I used as an example is signed by Acharya Divyachetanananda Avadhuta, who was at the time the Public Relations Secretary for Ananda Marga Pracaraka Samgha in India. (RAWA does not have a public relations secretary.) But that has nothing to do with my argument. I did not suggest that this article in The Hindu met all of the detailed requirements for a third-party, independent review. We've been through that point about this article already. But, independent or not, it is still a review, and that review is published in the Review section of a prominent national newspaper, The Hindu. And this review contains a photograph, tending to prove that Ashwini Bhide-Deshpande did indeed perform at the event that is reported. I have no idea whether or not Dr. Bhide-Deshpande was paid to perform. Presumably, Garamond has even less idea than I do. But how is that relevant? Professional musicians earn their livelihood by performing. My point was only that if she performed these songs once, then it seems likely that she would perform them again... even if we cannot find any document to confirm it. And my larger point - which Garamond also did not address - was that we should be getting beyond just the very type of niggling that Garamond did here in response to my comment. We already know that he rejects this newspaper article as an adequate secondary source. Repeating the same objection and totally ignoring everything that I said only tends to reinforce my point, which was that, at some stage, Wikipedia must take into account WP:BIAS and offset the uneven standards rigidly advocated by a community of younger, White, male, Western, Christians... like... well, best if I not mention names. The article on Prabhat Samgiita - an oft-performed and oft-reported collection of 5,018 songs produced by a single composer over a period of just 8 years and about which at least 13 books have been written - is a glaring instance where the fifth pillar of Wikipedia, WP:IAR, should apply. There seems to be little doubt as to the notability of the topic. The only question is whether or not we will be able to uncover in this week or the next any specific document that will pass the type of strict muster that some persons seem hell-bent on imposing in respect to the WP article on Prabhat Samgiita but not in respect to other, much less deserving WP articles.  --Abhidevananda (talk) 06:02, 7 February 2013 (UTC)


 * Another review of Prabhat Samgiita: This archive contains a PDF of an article in The Hindu that reviews a 2001 performance of Prabhat Samgiita in Mumbai. Among the performers was Arati Ankalikar-Tikekar. This article is not presented as a press release but rather as an independent review, proclaimed by the bold headline (name of section) at the top of the page. --Abhidevananda (talk) 14:14, 8 February 2013 (UTC)


 * This is a RAWA-sponsored performance and not much in the way of a review (although it is much more substantial than the press releases provided earlier). As the review below is much stronger I'll focus my comments there.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  18:50, 8 February 2013 (UTC)


 * Yet another independent review of Prabhat Samgiita: This archive contains a PDF of an article in The Hindu written by Ranee Kumar that reviews a 2003 performance of Prabhat Samgiita in Hyderabad. Among the performers were Dr. Seshulatha Kosuru (aka K Seshulatha Vishwanath) and Pandit Vithal Rao. Once again, this article is not a press release but an independent review, not just of the performance but also of the music (Prabhat Samgiita). --Abhidevananda (talk) 14:27, 8 February 2013 (UTC)


 * Response The above is an actual review written by someone who, to the best of my knowledge, is not associated with AM.  This is far and away the strongest evidence of notability that has been presented thus far, and I want to congratulate Abhidevananda for his perseverance in tracking this down.
 * My remaining concern is that this is an Ananda Marga-sponsored performance of an Ananda Marga-published work. When the "reviews" are also published by Ananda Marga then the lack of notability is obvious (at least to me).  Given an independent critiques of the collection of the work or a set of non-Ananda Marga-sponsored performances with independent reviews I think the presence of notability is equally as obvious.  For this situation I'm genuinely unsure and would like to see some additional discussion of how this review changes the perception of this work.
 * One possible way forward would be renaming the article Performances of Prabhat Samgiita. That completely avoids the questions of self-publication and makes the question of RAWA-sponsored performances less relevant.  Additionally, this review directly supports the notability of the performance.  Comments?  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  19:09, 8 February 2013 (UTC)


 * NOPE The subject of Prabhat Samgiita merits its own dedicated article. I have no objection to creating yet another dedicated article specifically for listing "Performances of Prabhat Samgiita". And we could also have a third dedicated article listing all of the "Musicians Who Performed Prabhat Samgiita". But an article in chief on Prabhat Samgiita is well merited, and it should be a precursor for the additional articles that Garamond has now implicitly proposed.


 * Let me also address Garamond's remarks about self-publishing. While it is true that all of the songs of Prabhat Samgiita were composed by Prabhat Ranjan Sarkar, Sarkar did not actually publish any those songs, and he is not publishing them now (more than 20 years after his demise). An organization that Sarkar founded holds the copyright on his music and his literature. Like many similar organizations that hold a copyright on their founder's intellectual property, Ananda Marga Pracaraka Samgha prefers to publish Sarkar's works in-house. But I do not believe that such type of in-house publishing is comprised within WP:SELFPUBLISH. This is not at all a case of vanity publishing and should not be deemed or treated as such. --Abhidevananda (talk) 20:26, 8 February 2013 (UTC)


 * Policy requires a disinterested third party. Ananda Marga publishing does not fulfill that requirement, and neither does RAWA.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  20:51, 8 February 2013 (UTC)


 * Fine, then say non-independent or non-third-party. Do not say self-published, because that is incorrect. As for the third-party requirements, what I read at WP:THIRDPARTY is (1) "A third-party source is one that is entirely independent of the subject being covered, e.g., a newspaper reporter covering a story that they are not involved in except in their capacity as a reporter." (2) "At least two third-party sources should cover the subject, to avoid idiosyncratic articles based upon a single perspective." I believe that somewhere in the midst of all those newspaper articles that you dismissed as "likely press releases", the few that you did not dismiss as "likely press releases", and all the other assorted material, we certainly must have covered the minimal requirement for a stand-alone article on Prabhat Samgiita. Why not do the decent thing and withdraw your AfD nomination? --Abhidevananda (talk) 22:04, 8 February 2013 (UTC)


 * Indeed, one would think that somewhere in the mountain of citations that has been assembled there would be at least one performance not organized by RAWA. There isn't.  Here's what we have so far that may be independent from both RAWA and AM:


 * ) An anonymous editorial or letter to the editor.
 * ) An inaccessible masters thesis.
 * ) A potentially independent album whose single review needs sourcing
 * ) Two newspaper articles reviewing separate performances of a selection of songs


 * I can be persuaded that the performances are notable, but I cannot see how that notability goes to either individual songs or the thousands of songs that weren't performed. (Yes, the corpus is mentioned in passing in the two articles, but the corpus is not reviewed.)


 * The simplest way of establishing notability would have been an independent review of the corpus as a whole, and we haven't found that yet. A much harder way would be a collection of independent performances and their independent reviews.  There's one album that might fall in this category but we haven't seen the review yet.  And so we're left with two independent reviews of non-independent performances.  Taking all that together, in my opinion, doesn't establish the notability of the corpus.


 * I'll offer my compromise again. Move this to Performances from the Prabhat Samgiita where you're on solid ground wrt notability and you've have no problem picking up your DYK.  Alternatively you can keep trying to convince other editors here that you have the better argument.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  22:56, 8 February 2013 (UTC)


 * Keep Changing vote to keep and suggesting to consider withdraw nomination after last newspaper scans provided by Ac. Abhidevananda! --Tito Dutta (talk) 14:41, 8 February 2013 (UTC) the page has become excessively large. Ac. Abhidevananda, could you please make a list of all references you have provided here? You can make the table below --Tito Dutta (talk) 17:53, 8 February 2013 (UTC)


 * Tito, I think this would duplicate the effort that's being made at the talk page of the article. <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  18:47, 8 February 2013 (UTC)


 * Tito, I think that's a very good idea. While Garamond is right that there is already an effort by Universal Life to organize that documentation on the Talk page of the article, which is in the process of being rewritten, some of the material there may not have been posted here for consideration in respect to this AfD nomination. Moreover, what has been posted here is scattered throughout a long page, and so the abundance of coverage might not be fully apparent. So I agree with your suggestion, Tito; but I think it would be more efficient to request Universal Life to port that material over to this page. By the way, the rewriting of the Prabhat Samgiita article is looking very good. I think that once this AfD nomination is out of the way, this article will make a very good candidate for WP:DYK. "Did you know that Prabhat Ranjan Sarkar composed 5,018 songs, all within the last eight years of his life?" --Abhidevananda (talk) 19:30, 8 February 2013 (UTC)
 * I did not see the talk page link, I thought to collpase all references here and there scattered in this discussion and keep only the table! --Tito Dutta (talk) 09:29, 9 February 2013 (UTC)
 * Tito, here is the talk page and if you scroll down you'll see as many as 16 secondary sources. I haven't added there yet the latest secondary sources that I've found and that Ac. Abhidevananda has added to this page. However, I'm restructuring the main page; Prabhat Samgiita and I started adding all of them there. I think there'S no sense keeping the deletion tag up anymore, as it has been demonstrated that there are numerous independent and third-party sources about PS. --Universal Life (talk) 10:03, 9 February 2013 (UTC)

''Duffin, K. S. (1987). Prabhat Samgiit, Songs of the Dawn: A Study of Music in Modern Indian Society (Doctoral dissertation, Hollins College).'' --Universal Life (talk) 23:09, 8 February 2013 (UTC)
 * Request: Could anyone locate this PhD Dissertion:


 * Sweet! Ladies and gentlemen, we have an article!  Nice work, Universal Life, that took a nontrivial amount of effort.  I don't know if I can get that through interlibrary loan or not but I'll definitely call the university library on Monday and see what I can do.  If you would rather have someone else handle it I understand and will stand aside.  !vote changed from delete to keep.   <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  23:50, 8 February 2013 (UTC)
 * Great. This is great Garamond, finally, it was time :) --Universal Life (talk) 00:13, 9 February 2013 (UTC)


 * Yes, UL, that change of stance was long overdue. Regarding the Duffin paper that you cited, it appears that it is a master's thesis and not a doctoral dissertation. On the other hand, the good news is that it seems to be available. See Call No. Archives L-3: 1987 Duffin c.2 here. I have also been informed about another published book on Prabhat Samgiita by Dr. Aditya Mohanty from Orissa. I am told that Mohanty's book is based on his doctoral thesis. I have no further information on Mohanty's book just yet. Perhaps by tomorrow. If this AfD nomination is still open when I receive more information, I will post whatever else I learn about that book here. If not, I will post the information at Talk:Prabhat Samgiita. --Abhidevananda (talk) 05:56, 9 February 2013 (UTC)


 * Oh no! I changed my !vote based on this being a Ph.D. dissertation. Dammit, I thought we were done here.  Nice catch, Abhidevananda.  Well, let's keep digging.  The library may have gotten it wrong.  I do think we're close.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  06:08, 9 February 2013 (UTC)


 * Garamond, in my estimation, we passed "close" long ago. Out of curiosity, though, why do you think it makes a difference whether this is a doctoral or a master's thesis? The main point is that it is a published and available academic review (even if no one here may be able to get their hands on a copy in the short term). Here we are not seeking details about Prabhat Samgiita but only establishing notability. At WP:GNG, there is no distinction between a Ph.D and a Master's thesis. Furthermore, what is required are "secondary sources". And at WP:SECONDARY, it is clearly stated that "Secondary sources are not necessarily independent or third-party sources." So the fact that the various articles in newspapers are about performances organized by RAWA is entirely extraneous. And all of the books about Prabhat Samgiita that are published by Ananda Marga Publications but written by authors other than Prabhat Ranjan Sarkar should qualify as secondary sources pertinent to the establishment of notability. One other point I may mention here. You may recall that DGG indicated that notability might also be established if it could be shown that Prabhat Samgiita has a similar type of central importance in Ananda Marga cultural circles as Luther's hymns have for the Protestant church. I believe that I did indeed establish that point in my response to DGG, and I would be happy to amplify that point if DGG or anyone else is inclined to know more in this respect. So from all of these angles, it is my firm conviction that the notability of Prabhat Samgiita has been well-established here. --Abhidevananda (talk) 07:15, 9 February 2013 (UTC)


 * As to the difference between a Ph.D. and a Masters, well, first it's policy: WP:RS says "Masters dissertations and theses are only considered reliable if they can be shown to have had significant scholarly influence."  Having written one of each I can give you a firsthand account of why this policy is here.  A MS need be nothing more than a larger, two-semester term paper.  There's not necessarily a requirement for original research, the results are generally not published, there's much less scholarly review of the results and, for all of these reasons, they are cited in the peer-reviewed literature.  The Ph.D. dissertation is a multi-year effort with very close review by multiple scholars.  It can be published in its own right and is usually the basis for several other peer-reviewed publications.  There's also no problem with citing a dissertation directly.  I suppose the MS is the last bit of schoolwork and the dissertation is the first bit of scholarship.


 * As to Luther's hymns: I don't think Luther's estate owned the publishing company that printed the hymns, nor did it sponsor public performances of them.  I also assume there's a fair amount of independent scholarship in that area.  You might be able to convince DGG with that line of argument, but I don't think the parallels are close enough to convince me.


 * All that being said, you're on the trail of a Ph.D. dissertation and I think I've tracked down the author of the MS dissertation (which might contain cites to earlier academic work). If none of that pans out and we can't think of anything else then you can still have an article on the performances.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  14:01, 9 February 2013 (UTC)


 * Garamond, I humbly request you to read this. Even though you'll probably say to yourself, why is he sending this link to me for reading, I humbly request you to go through it, even if you don't read all fine prints. And I don't mean to make any point by this, only to remind you of two things. There is no/ there should be no bureaucracy in WP. We are not to abide by guidelines letter-to-letter. Principles are not independent of each other. They are parts of a whole, thus they should apply always in cooperation never losing sight of the fact that the aim is the improvement of WP. Being too wrapped up in rules can cause loss of perspective, so there are times when it is better to ignore a rule. "If a rule prevents you from improving or maintaining Wikipedia, ignore it." Please, don't loose sight of why the notability guideline exists! The principles and spirit of Wikipedia's rules matter more than their literal wording, and sometimes improving Wikipedia requires making an exception to a rule. I think, you have lost the elasticity in your thoughts about it, so you're trying to literally apply the rules, without having the larger vision of the improvement of Wikipedia. And honestly, if I was the one being said this, I wouldn't rush to reply, instead I would try to really get the message... as I'm totally writing this in good faith. Conventions in Wikipedia, have some significance, but please don't overestimate that significance, Wikipedia's core principles and its spirit is always and should always be superior to any convention what-so-ever. Friendly --Universal Life (talk) 15:01, 9 February 2013 (UTC)

I absolutely agree with all of this, but I don't think you appreciate how I've been putting it into practice.

We have two WP:SPA editors here who are editing untethered to any policy. Both have persistent issues with WP:IDHT and there are ongoing problems of WP:COI, personal attacks, spamming AfD with cut'n'paste diatribes, etc. All of this behavior is against policy. However, as you've pointed out above, we don't have to enforce those policies when doing so doesn't advance the larger goal. And so, at least for the moment, I've let that behavior slide.

That leaves the problem of how to deal with the WP:SOAPBOX that's been constructed. In my best judgement, deleting the obviously non-notable Sarkar articles in batches would get us to the point where we can bring the remaining articles up to compliance. Because of this surrounding context, I am not going to !vote for keeping this article unless notability is obvious and uncontroversial. We don't need another yet another marginal Sarkar-related article. If we do demonstrate notability, great! Then we'll have a solid article that will survive regardless of what else happens with the Sarkarverse, and I've love to use this article as a lever to improve the others.

So, to sum up: I don't mind bending the rules on WP:CIVILITY, WP:COMPETENCE and WP:COI in order to make a better encyclopedia. I don't think in this particular case bending the rules on those as well as WP:NOTABILITY accomplishes that goal.

PS: I may have some good news for you in ~24 hours.


 * (The good news: I've spoken with a subject expert and invited them to register an account and comment here.  I'll leave it to them to introduce themselves should they decide to participate.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  20:47, 10 February 2013 (UTC))

<span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe 22:18, 9 February 2013 (UTC)


 * (This response is subsequent to my earlier Wow response below. Here I only address GL's latest (indented) remarks that have been tacked on a day later but kept within the ambit of the earlier signature and time stamp.) Given that GL has now changed his vote again (for maybe the fourth or fifth time) - and his latest vote is "Delete" - I would hazard a guess that the potential "good news for you" that he was promising to UL a day ago was actually not good news for UL but rather for GL. And now, oddly enough, immediately following a rant alleging WP:SPA editors in this discussion, GL announces that he has "invited" someone to open a WP:SPA account in order to comment here.  But, leaving all of that aside, do we really need to hear from a "subject expert" when that subject expert is clearly not an expert on Wikipedia policies in respect to notability (the only matter that should be under consideration in this discussion)? Certainly not. Though I would welcome any and all commentary on the subject of Prabhat Samgiita, the quality of the compositions - assuming that this is the field of expertise of GL's 'expert' - is not really what we are considering here. In respect to notability, the most important point is that people are commenting on the subject, not whether the comments are favorable or unfavorable. Perhaps it would be better if GL were to "invite" his expert to write an article about Prabhat Samgiita, which GL could then reference in a Critiques section of the Prabhat Samgiita article. --Abhidevananda (talk) 03:01, 11 February 2013 (UTC)


 * Wow GL, most of those remarks have absolutely no relation to this discussion of your AfD nomination on Prabhat Samgiita. Indeed, most of those remarks might well cross the line on what is acceptable in such a discussion. However, when you talk about "deleting the obviously non-notable Sarkar articles in batches", I would point out that "obviously non-notable" is just your opinion, and I would also point out that you apparently considered Prabhat Samgiita to be "obviously non-notable". At this stage of our discussion, I think it is clear to everyone, including yourself, that this is not the case! --Abhidevananda (talk) 01:21, 10 February 2013 (UTC)


 * Speedy Keep: The nominator has voted keep. --Universal Life (talk) 00:13, 9 February 2013 (UTC)


 * Not Quite Speedy Keep Yet, but close as nom. <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  06:08, 9 February 2013 (UTC)


 * Three (3) more newspaper articles: Here are three more newspaper articles. They are quite old... from the era of cassettes rather than CDs, I believe. The Hindi article is from Nava Bharat newspaper. The Bengali articles are from Pratidin and Vartaman. If I am not mistaken, all of these newspapers are prominent and reputable. Perhaps the reviewers who wrote the articles are also. Someone else will have to do any necessary translation, as I am not competent for that task. --Abhidevananda (talk) 07:34, 9 February 2013 (UTC)
 * Some information about these scanned articles In the Pratidin scan (Bengali newspaper), the right-hand cassette features the picture of Ramkumar Chattopadhyaya/Chatterjee, a prominent and popular Bengali singer. His name is mentioned in the 2nd paragraph, 2nd line. The byline on the article is Konad Dasgupta. In the Vartaman scan (Bengali newspaper), the upper right of the six short articles is a review of the same cassette, featuring Ramkumar Chattopadhyaya/Chatterjee. His name is mentioned in the 2nd line. The byline on the article is Pradip Rakshit. The Nava Bharat scan (Hindi newspaper) is similar. In other words, they all review cassettes released by RAWA that feature popular, independent singers. --Abhidevananda (talk) 15:19, 10 February 2013 (UTC)
 * Details about Cassette: Sarkar, Prabhat Rainjan. "Prane Ceyechi Tomare" (Renaissance Cassette 41). Sung by Ramkumar Chattopadhyaya; instrumental arrangements by V. Balsara. © 1996 by RAWA. Cassette tape. --Abhidevananda (talk) 15:29, 10 February 2013 (UTC)
 * Information about Ramkumar Chattopadhyaya: Though he does not have a dedicated article on Wikipedia (for reasons unknown to me), he is best known for his performance of Tappa gan and Shyama Sangeet. The former WP article mentions Ramkumar Chattopadhaya prominently in the History section. --Abhidevananda (talk) 15:36, 10 February 2013 (UTC)


 * Another newspaper article: This archive contains a scan of a 1997 news article (byline "Our Correspondent") in the well-reputed national newspaper, The Asian Age. This article is clearly not a press release. The article talks about the release of six (6) audio cassettes of Prabhat Samgiita, sung by noted Indian singers: Ramkumar Chattopadhay, Indrani Sen, Kavita Krishnamurthy, and Sushmita Goswami. This article also quotes Ramkumar Chattopadhyay talking about Prabhat Ranjan Sarkar as well as his Prabhat Samgiita. --Abhidevananda (talk) 17:44, 10 February 2013 (UTC)


 * Yet another newspaper article: Going back in time, this archive contains a scan of a 1995 news article (byline Parnab Mukherjee), also in the well-reputed national newspaper, The Asian Age. Once again, this article is clearly not a press release. Rather, like the previous article, it is a news report. In addition to reporting the imminent release of state-of-the-art audio cassettes of Prabhat Samgiita, this article also talks about Prabhat Samgiita as a musical genre. Interestingly, the article reports the inclusion of Prabhat Samgiita as course material of the Nikhil Bharat Sangeet Samiti, which appears to be a tertiary educational institution. I quote the second paragraph of this newspaper article: "Prabhatsangeet is the name given to the genre of songs written and composed by Prabhat Ranjan Sarkar also known as Sri Anandamurthiji. Prabhatsangeet has also found a place in the curriculum of the Nikhil Bharat Sangeet Samity. A board have been formed to regulate the albums and a detailed syllabus have been drawn. Music personalities like V. Balsara, Ramkumar Chattopadhyay and Madhuri Chattopadhyay, Indrani Sen are involved with the genre." --Abhidevananda (talk) 17:44, 10 February 2013 (UTC)


 * The article is short enough to be reproduced here in its entirety.
 * " Global release of Prabhatgeet soon By Parnab Mukherjee. Calcutta, Dec. 15: Anandamargis are going hi-tech.  They ahve decided to launch their new range of Prabhatsangeet audio cassettes, recorded with state-of-art technology globally.  The latest Prabhatsangeet album wich will have an international release in January, feature[s] Kavita Krishnamurthy and is currently being remixed at London.  Informed sources revealed that the Anandamargis are tying up with National Cassettes to market Prahatsangeet albums all over the state."
 * " Prabhatsangeet is the name given to the genre of songs written and composed by Prabhat Ranjan Sarkar also known as Sri Anandamurthiji. Prabhatsangeet has also found a place in the curriculum of the Nikhil Bharat Sangeet Samity. A board have been formed to regulate the albums and a detailed syllabus have been drawn.  Music personalities like V. Balsara, Ramkumar Chattopadhyay and Madhuri Chattopadhyay Indrani Sen are involved with the genre."
 * " Priyashibananda Abdhut said: 'The songs of Anandamurthiji has gained popularity. We ahve released 16 albums among the devotees and for private circulation.  1,00 [sic] training schools have been established all over the state."


 * So we now have Ananda Marga sponsored recordings to go along with the Ananada Marga sponsored books and performances. The school might be a lead, but my first question is going to be whether it is affiliated with AM.  This moves me back to a firm delete.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  21:23, 10 February 2013 (UTC)


 * Very bizarre: (1) I have already explained that the copyright on Prabhat Samgiita is currently held by Ananda Marga Pracaraka Samgha and that it is the policy of Ananda Marga Pracaraka Samgha to publish in-house. Hence, there is nothing unusual or irregular to have primarily Ananda Marga sponsored books, performances, and recordings in relation to Prabhat Samgiita. Anything else, without explicit permission, might tend to violate that copyright. (2) The school (Nikhil Bharat Sangeet Samiti) is not associated with Ananda Marga. GL, is there any genuine evidence to that effect... other than your wish for it to be so? (3) Regarding your vote... let's see: Delete => Redirect => Nonsensical compromise => Keep => Not yet speedy keep but close => Firm delete. And what is the cause of the latest shift? A newspaper article that establishes notability. --Abhidevananda (talk) 00:21, 11 February 2013 (UTC)


 * Films already released that contain Prabhat Samgiita: (1) Namah Shivaya Shantaya (2) PROUT (The Movie) --Abhidevananda (talk) 00:34, 11 February 2013 (UTC)


 * For those joining in late, PROUT is a sister organization to Ananda Marga. Not sure why a blog is now considered a reliable source.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  07:06, 11 February 2013 (UTC)


 * This is just misdirection and misinformation, GL. I have already told you at least 20 times that PROUT is a social theory... that there is no organization associated with Ananda Marga called PROUT. There is, however, an organization called Proutist Universal, which propagates PROUT. And there is also an organization called Renaissance Universal - a part of Ananda Marga Pracaraka Samgha - that propagates PROUT. "PROUT (The Movie)" was produced by Renaissance Universal. Offhand, I don't know who produced Namah Shivaya Shantaya. Presumably, it was RAWA. Again, so what? I was just providing information. You discount the 13 books written about Prabhat Samgiita, because they were published in-house, but I do not. The same goes for films. However, if you look at the next bullet, you will see that I mentioned that that film is completely independent. --Abhidevananda (talk) 09:55, 11 February 2013 (UTC)


 * Film under production that will contain Prabhat Samgiita: The upcoming feature film, Stars in Her Eyes, directed by Athina Tsoulis (see New Zealand Writers Guild) with Jyoshna La Trobe as musical director (see here), will contain two Prabhat Samgiita songs: (1) Tumi dhara dile (2) Tomare bhalobasi. I have no link to prove that... just some personal correspondence from the musical director, which I can convert to a formal document, should that serve any practical purpose. Note that this film is completely independent of Ananda Marga Pracaraka Samgha and RAWA. --Abhidevananda (talk) 00:47, 11 February 2013 (UTC)


 * I don't think this needs any further comment. <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  07:06, 11 February 2013 (UTC)


 * Well, yes it does require further comment, Garamond. I stated that this completely independent film will include Prabhat Samgiita in the soundtrack. I also stated that, if need be, I can get a signed letter from the musical director of the film that this is the case. However, if anyone is not satisfied with my word on this, then s/he may directly contact Jyoshna. She is not hard to find... I see, for example, that she is on Facebook. As to the relevance of this point, it has to do with the nominator's remark (in his nomination for deletion) that Prabhat Samgiita is just an "artifact of a political or religious movement". This proves that Prabhat Samgiita is not "just an artifact" - that it is very much in use in the present day, for example, in this independent film project. --Abhidevananda (talk) 10:09, 11 February 2013 (UTC)


 * Another newspaper article: This archive contains a scan of a 2002 news article (byline Libini Joy) in the well-reputed regional newspaper, Deccan Herald. This article is not a press release, although an interview of some sort almost surely would have occurred. The article talks at length about Prabhat Samgiita and Prabhat Ranjan Sarkar. The article ends with information about an upcoming event in Bangalore to be introduced with a dance production by the Shambhavi School of Dance (not associated with Ananda Marga). --Abhidevananda (talk) 01:20, 11 February 2013 (UTC)


 * "The composer has sought to bring about a true awakening of the human soul by kindling the spark of real devotion." Doesn't read like a third-party review to me.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  07:06, 11 February 2013 (UTC)


 * Even though Garamond thinks that a sentence or even some sentences do not read like a third-party review, the fact is that there is a clear byline attached to the article (Libini Joy), and the article talks at length about Prabhat Samgiita and Prabhat Ranjan Sarkar. It is also an undeniable fact that the article ends with a mention of an upcoming performance in association with an independent dance school, the Shambhavi School of Dance. Obviously, the correspondent did research of some sort, perhaps reading statements by others (like Ramkumar Chattopadhyay)... but then isn't that exactly what we also do here on Wikipedia? ? --Abhidevananda (talk) 10:37, 11 February 2013 (UTC)


 * And another newspaper article: This archive contains a scan of a 2002 news article (byline AB) in The New Indian Express. This article is not a press release. This Monday news article reports on a "cultural evening organised by RAWA last Saturday [2002-09-07]". The article talks about Prabhat Ranjan Sarkar, Ananda Marga, and RAWA (which, it seems, should also have a dedicated Wikipedia article that, maybe, would not be nominated for deletion by Garamond Lethe and his FRINGE/n chums ). Perhaps the most interesting aspect of the article is the remark by the Vice Chancellor of the University of Madras. I quote: "At some point in our lives, we are elevated to great heights through art. Tonight was one such experience." --Abhidevananda (talk) 01:56, 11 February 2013 (UTC)


 * Again, for those joining late, RAWA is an Ananda Marga sub-organization. <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  07:06, 11 February 2013 (UTC)


 * Yes, RAWA is an affiliated organization of Ananda Marga Pracaraka Samgha. But the University of Madras is not. And the correspondent who wrote this article (AB) would almost certainly have attended the event as that is how the article is written. So when we read in the article a quotation from the Vice Chancellor of the University of Madras in his closing words after the program, that amounts to a reliable report of an independent endorsement of Prabhat Samgiit by a reputable academic, Rev Fr Dr S Ignacimuthu. --Abhidevananda (talk) 10:37, 11 February 2013 (UTC)


 * Another newspaper article: This archive contains a scan of a 2002 news article (no byline) in a popular Indian daily newspaper, The Hindu. This article is not a press release. It is a more-or-less neutral report of what took place at a RAWA-organized cultural event in December 2002 at Mumbai's Nehru Centre. Perhaps of particular interest in this news report is the fact that yet another renowned singer, Shruti Sadolikar Katkar, performed three Prabhat Samgiita songs at the event. --Abhidevananda (talk) 16:52, 11 February 2013 (UTC)


 * Statement regarding Prabhat Samgiita and the upcoming film 'Stars in Her Eyes': As Garamond Lethe expressed derision regarding the significance of my assertion that two Prabhat Samgiita songs will be included in the soundtrack of the upcoming, independent film, Stars in Her Eyes, I requested a statement from the Musical Director of the film to confirm that fact. Here is the signed statement from Dr. Jyoshna La Trobe that I have just received. --Abhidevananda (talk) 09:36, 12 February 2013 (UTC)
 * Trivially fails WP:RS. <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  13:25, 12 February 2013 (UTC)
 * Come on, GL: Did you just make that one up? I've had a look at WP:RS, and nowhere do I find anything like "trivially fails". Here we have the musical director of an upcoming film talking about what will be included in the soundtrack of that film. Surely this is as reliable a source for that information as we can get. Even in the highly unlikely event that these two songs never make it into the final soundtrack, the intention to include them in the soundtrack is itself pertinent to the question of notability for Prabhat Samgiita. Furthermore, as a person holding a doctorate in ethno-musicology, the words of Dr. La Trobe in respect to Prabhat Samgiita do carry weight. Although her words should not be treated as undeniable fact, they are still relevant as expert opinion. Indeed, it seems odd that you would even question such a thing, much less disparage it, after having announced only a day ago that you had canvassed a "subject expert" and encouraged her/him to set up a WP:SPA only for the purpose of weighing in on this discussion. --Abhidevananda (talk) 15:31, 12 February 2013 (UTC)


 * "Wikipedia articles should be based on reliable, published sources..." is the first sentence of WP:RS. This letter isn't published.  End of story.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  17:58, 12 February 2013 (UTC)


 * GL, we are only establishing notability here. No one has suggested that we write an article based on this one statement or even that we should include this statement or any reference to it in the article itself. However, the fact is that this letter has indeed been published. It was published the moment I pointed everyone to a location on the Web where it has been archived. According to WP:RS: "The term 'published' is most commonly associated with text materials, either in traditional printed format or online. However, audio, video, and multimedia materials that have been recorded then broadcast, distributed, or archived by a reputable party may also meet the necessary criteria to be considered reliable sources." Here, the question arises as to who or what is a "reputable party". Frankly, I have seen no official definition of "reputable" in respect to Wikipedia. However, this entire matter is such a small point that it is hardly worth arguing about. The only purpose of this document was to establish the intent of the musical director of a film to include some songs of Prabhat Samgiita in the soundtrack of an independent film. I am confident that this purpose has been satisfactorily achieved. --Abhidevananda (talk) 20:13, 12 February 2013 (UTC)


 * And yet another newspaper article: This archive contains a scan of a 2001 news article (byline Srimpy Wadhwa) in The Statesman. This article is not a press release. Rather, it is a detailed and independent review of two cassettes of Prabhat Samgiita released by RAWA. --Abhidevananda (talk) 08:23, 13 February 2013 (UTC)

Argument summations
As we seem to be coming to the end of a lengthy AfD debate, I believe that it is time to start summarizing the evidence presented for deletion or retention of the Prabhat Samgiita article. Additional evidence or comments are, of course, still welcome; but I respectfully suggest that they be placed above this portion of the page. --Abhidevananda (talk) 16:06, 12 February 2013 (UTC)
 * I realize that you are new to the Afd process, so you may want to take a look at Articles for deletion. WP:AFDEQ indicates that Afds are not to be structured in a format that tallies !votes, and WP:AFDFORMAT suggests that you do not need to bold every new comment. In line with WP:TLDR, it certainly helps others to understand your recommendations when you stay focus and keep your comments brief. Thanks. Location (talk) 21:31, 12 February 2013 (UTC)
 * I think the intent was for me to provide a summary so that the unlucky admin who wanted to close this would not be forced to wade through all of the previous comments. However, while this was done in good faith I do see how it could be misinterpreted as asking everyone to re-!vote in the proper box.  I prepared a summary of my point of view and will post it here if requested by the (potentially) closing admin.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  00:30, 13 February 2013 (UTC)

For 'delete'
(see above) <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  00:30, 13 February 2013 (UTC)


 * Garamond, I have moved your remarks to the section set aside for your summation. I believe that it will be much clearer for the closing admin if we do not interrupt each other's summations and if we adhere to this structure. As I am now summing up the arguments for keep, I am not inclined to engage in further debate. I completely agree with Jujutacular's remark that this AfD nomination has become "an unreasonably long discussion". --Abhidevananda (talk) 10:52, 13 February 2013 (UTC)


 * I've restored my comments to the intended section. A summary would have been acceptable if you had summarized.  As you're restating every argument you made without addressing any of the criticisms of the argument I suppose we need to continue the conversation.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  17:42, 13 February 2013 (UTC)

For 'keep'

 * Prabhat Samgiita as a notable event: The argument against retention is purely on the grounds of notability. To counter that, let us first consider Prabhat Samgiita as an event - the creation of 5,018 songs (and possibly a new genre of music) by a single composer, Prabhat Ranjan Sarkar, over a span of just eight years at the very end of his life. For notability of an event, the requirements are set out in detail at WP:EVENT. Prabhat Samgiita meets all of the requirements listed on that page in respect to lasting effects, geographical scope, depth of coverage, duration of coverage, and diversity of sources. To substantiate this point, the following table is only a partial list of Indian newspapers that have reported and commented on aspects of the event. This list is derived from the limited and relatively recent coverage available on the Web as well as clippings that were only rarely collected and preserved. As the event took place between the years 1982 to 1990, there would have been articles on the subject ever since 1982 (31 years). Here, however, we see only articles from the last 12 years, the oldest dating back to 2001. Keeping in mind the great difficulty experienced in regard to collecting information from an underdeveloped non-Western country, this list is impressive. Furthermore, keeping in mind that this list mostly consists of articles from English-language newspapers, we can only speculate as to the amount of material that has come out in non-English newspapers and magazines, but presumably it would be a lot. (Notes: (1) Only newspaper articles are listed in the following table. But there have also been at least 13 books and two master's theses published on the same subject. These are all referenced in the above discussion and at Talk:Prabhat Samgiita. (2) As the subject pertains to music, there have undoubtedly been numerous radio and television programs - not just news reports - that have also covered this subject. Audio-visual media are more suited than the printed word to coverage of an art form. Nevertheless, due to the much greater difficulty of locating and reproducing such coverage, no attempt has been made to do so.)


 * {| class="wikitable" style="width: 100%;"

! colspan="3"| Indian newspapers that have run articles concerning Prabhat Samgiita ! Newspaper !! URL of article or archive !! Comment
 * The Times of India || Times of India: Divine music that heals ||
 * The Telegraph (Calcutta) || Timeout (Performing Arts 2011)
 * The Telegraph (Calcutta) || Timeout (Performing Arts 2011)
 * The Telegraph (Calcutta) || Timeout (Performing Arts 2011)

Timeout (Performing Arts 2009)

Timeout (Performing Arts 2007)

Timeout (Performing Arts 2005) ||
 * The Hindu || Prabhat Samgiita Divas celebrated
 * The Hindu || Prabhat Samgiita Divas celebrated

Friday Review Delhi (Songs of Dawn)

Friday Review Bangalore (Music for humanity)

A feast of dance, music and drama


 * Deccan Herald || Deccan Herald: Dance/music review
 * Deccan Herald || Deccan Herald: Dance/music review
 * Deccan Herald || Deccan Herald: Dance/music review

Songs of the dawn

||
 * The Statesman || Driven by devotion
 * The Statesman || Driven by devotion

Soul-stirring


 * The Asian Age || Prabhat Sarkar's cassettes released
 * The Asian Age || Prabhat Sarkar's cassettes released
 * The Asian Age || Prabhat Sarkar's cassettes released

Kavita Krishnamurthy sings for Margis


 * Hindustan Times || Your weekend guide: Listen (Songs of the new dawn) ||
 * The New Indian Express || Art for society ||
 * Bartaman || Bengali newspaper article on release of cassettes involving prominent musical artists ||
 * Sangbad Pratidin || Bengali newspaper article on release of cassettes involving prominent musical artists ||
 * Nava Bharat || Hindi newspaper article on release of cassettes involving prominent musical artists ||
 * Afternoon (newspaper) || Top cultural icon feted ||
 * }
 * Sangbad Pratidin || Bengali newspaper article on release of cassettes involving prominent musical artists ||
 * Nava Bharat || Hindi newspaper article on release of cassettes involving prominent musical artists ||
 * Afternoon (newspaper) || Top cultural icon feted ||
 * }
 * Afternoon (newspaper) || Top cultural icon feted ||
 * }
 * }


 * --Abhidevananda (talk) 16:06, 12 February 2013 (UTC)


 * Prabhat Samgiita as a notable collection of songs: This argument is complicated by the fact that WP:NMUSIC does not seem to cover an entire collection of 5,018 songs. Rather, it covers much less expansive topics - single songs, albums, recordings, composers, lyricists, performers, and the like. Perhaps the reason for this omission is that such collections are very rare; and whenever such a collection is written up in a dedicated article on Wikipedia, no one presumes to nominate that article for deletion. See, for example, Rabindranath Tagore and Rabindra Sangeet. See, for example, Kazi Nazrul Islam and Nazrul Sangeet. So the question naturally arises: What is so different in respect to Prabhat Ranjan Sarkar and Prabhat Sangeet? Leaving aside the fact that Prabhat Samgiita contains literally thousands more songs than both of those other two music collections combined (and avoiding any comment about richness and diversity of melodies), the only significant difference is that someone - or rather some persons - have taken upon themselves the mission to stop what they consider to be the proliferation of Wikipedia articles on topics connected with what they call the 'Sarkarverse' (see User:Mangoe/Sarkar articles). But is that a legitimate reason to reject valid articles - articles that would pass muster without a blink if the author or composer were someone else? No, it is not. Rather, if such discrimination were to be accepted, it would only reflect poorly on Wikipedia.


 * Although nothing at WP:NMUSIC directly applies to such a huge collection of songs as Prabhat Samgiita - a collection of songs that some experts consider to have established a new genre of music - still some sections of the guidelines there may have indirect relevance. For example, the section entitled Others lists five criteria for "composers and performers outside mass media traditions". Presumably, if a composer meets any of those five criteria, s/he may be deemed notable. However, Prabhat Ranjan Sarkar meets all five of those criteria. Going up a bit on the page, the final two sentences of the preceding section Criteria for composers and lyricists read: "Where possible, composers or lyricists with insufficient verifiable material to warrant a reasonably detailed article should be merged into the article about their work. When a composer or lyricist is known for multiple works, such a merger may not be possible." Here, our situation is the exact inverse of that. We have too much verifiable material and too detailed an article to be reasonably accommodated through merger in the article about the composer, who is known for multiple works. Though the situation is the inverse, the conclusion is the same - such a merger may not be possible (and indeed that is the contention here).


 * Finally, to substantiate the notability of Prabhat Samgiita as a collection of songs, here is a table listing notable, independent musicians who have either performed Prabhat Samgiita or commented favorably on it. The table is gleaned from the preceding AfD debate (including the newspaper articles referenced in the preceding table) and Talk:Prabhat Samgiita. Note that no claim is made that this table is in any way complete. No doubt many additional entries could be added in future.


 * {| class="wikitable" style="width: 100%;"

! colspan="3"| Notable, independent musicians who have performed Prabhat Samgiita or commented favorably on it ! Musician !! Performance or appreciation !! Comment
 * Ramkumar Chattopadhyay || Performance and appreciation || Also released six cassettes of Prabhat Samgiita (later re-released as CDs)
 * Jyoshna La Trobe || Performance and appreciation || Also released one independent CD containing Prabhat Samgiita songs and will soon release an independent film with two Prabhat Samgiita songs in its soundtrack
 * Rashid Khan || Performance and appreciation ||
 * Archana Udupa || Performance and appreciation ||
 * R. K. Srikantan || Appreciation ||
 * Shzr Ee Tan || Performance ||
 * Haimanti Sukla || Performance ||
 * Manoj Kumar || Performance ||
 * Ashwini Bhide-Deshpande || Performance ||
 * Kavita Krishnamurthy || Performance ||
 * Seshulatha Kosuru || Performance ||
 * Vithal Rao || Performance ||
 * V. Balsara || Performance ||
 * Sushmita Goswami || Performance ||
 * Shruti Sadolikar Katkar || Performance ||
 * }
 * Ashwini Bhide-Deshpande || Performance ||
 * Kavita Krishnamurthy || Performance ||
 * Seshulatha Kosuru || Performance ||
 * Vithal Rao || Performance ||
 * V. Balsara || Performance ||
 * Sushmita Goswami || Performance ||
 * Shruti Sadolikar Katkar || Performance ||
 * }
 * V. Balsara || Performance ||
 * Sushmita Goswami || Performance ||
 * Shruti Sadolikar Katkar || Performance ||
 * }
 * Shruti Sadolikar Katkar || Performance ||
 * }
 * }


 * In addition to all of these performers, we also see appreciative statements by reputable and independent academics like Rev Fr Dr S Ignacimuthu, the then Vice Chancellor of the University of Madras. Furthermore and greatly significant, the preceding AfD debate reveals that various independent dance schools, music schools, and dramatists have gotten involved with Prabhat Samgiita. Prominent among them are the Shambhavi School of Dance and the Nikhil Bharat Sangeet Samiti, which according to one news report in The Asian Age has included Prabhat Samgiita as part of its curriculum.


 * --Abhidevananda (talk) 16:06, 12 February 2013 (UTC)


 * A few words about the nomination itself: Let us examine, sentence by sentence - and sometimes clause by clause - the words of the AfD nomination to see whether that nomination has been substantiated.


 * {| class="wikitable" style="width: 100%;"

! colspan="2"| Has the nomination for deletion been substantiated? ! Statement in the nomination !! What the AfD debate revealed
 * The best citation I'm able to find is the one included in the article: a footnote in a historical work on genocide attesting to the existence of this collection. || However, we have seen that there are many, many other citations. There are at least thirteen books dedicated to Prabhat Samgiita (including at least one book that appears to be independently written and independently published); scholarly works (master's theses and also a brief mention in a Sohail Inayatullah book, Understanding Sarkar: The Indian Episteme Macrohistory and Transformative Knowledge (Brill, 2002, ISBN 9004121935)); some films (including one upcoming and entirely independent film); and a huge number of newspaper reports (mostly detailing presentations organized by RAWA).
 * What other little commentary exists is not independent... || Clearly, the word "little" is erroneous in that clause. And the implied assertion that, for example, none of the many newspaper articles are independent is nothing short of ludicrous.
 * ... and based on this I don't see any way to establish notability. || If the nominator's research accurately reflected all of the information that is available, then maybe it would have been difficult to establish notability. But, as demonstrated over the course of this debate, the nominator's research was highly deficient.
 * The above can fit comfortably within the Sarkar biographical article. || Perhaps the original article, which was just a stub, could have fit comfortably into the Sarkar biographical article. But it was never intended that the Prabhat Samgiita stub would remain so incomplete. Certainly, the greatly expanded article now being written by Universal Life will not "fit comfortably" inside another article. Moreover, from the AfD debate, it seems reasonable that at least one additional, dedicated article about Prabhat Samgiita be created simply to list RAWA performances of Prabhat Samgiita (per the suggestion of the nominator himself). And, considering Wikipedia precedent, yet another dedicated article could be created simply to list all 5,018 songs within the collection of songs known as "Prabhat Samgiita", referencing the two websites  dedicated to Prabhat Samgiita for music and lyrics and the many books that discuss only the lyrics of the songs (see Talk:Prabhat Samgiita).
 * As always: while this collection is certainly an artifact of a 'political or religious movement' I haven't been able to find any independent sources that attest to this collection having influenced such a movement. || Clearly, from all of the evidence presented above, Prabhat Samgiita is not just an "artifact". Equally clearly, from all of the evidence above, Prabhat Samgiita certainly has influenced Ananda Marga. It would be absurd to imagine otherwise. Given the amount of evidence available - much of it easily found by a Google search - it is somewhat surprising that the nominator was not able to find any independent sources attesting to that influence. As seen in the AfD debate, many newspaper articles have reported independent sources remarking not merely on the influence of Prabhat Samgiita in respect to Ananda Marga but indeed on the entire field of music and even potentially on all humankind. Regarding the words at the beginning of the nominator's sentence, "as always", those words merely reflect the nominator's predisposition to reject any achievement of Prabhat Ranjan Sarkar.
 * Likewise, Sarkar is a minor player in 20th C. Indian religious movements... || The claim by the nominator that "Sarkar is a minor player in 20th C. Indian religious movements" stands in stark contrast to what other, presumably more knowledgeable persons have stated. For example, Johan Galtung, who - unlike the nominator - has no doubt taken the trouble to inspect some of Sarkar's works, stated: "Sarkar is so much deeper and more imaginative than most. He is an intellectual giant of our times." Former President of India, Giani Zail Singh, stated "P. R. Sarkar was one of the greatest modern philosophers of India." Leonardo Boff stated: "The Indian master P. R. Sarkar, who did more than thirty years of studies and practical concrete work with the poor of India, is very important for all who yearn for a liberation which starts from economics and opens to a totality of personal and social human existence." I could list other testimonials, but I believe the point is made. The nominator was only expressing a gratuitous opinion.
 * ...and as such his life and works have not been a common subject of academic study. || From all of the discussion in this debate, I think it is clear that (1) there has been a lot more academic study of Sarkar's works than the nominator acknowledges (2) that there may be reasons other than the nominator's opinion that Sarkar was just a "minor player in 20th C. Indian religious movements" that might have impacted the amount of "academic study" that has been carried out to date.
 * }
 * As always: while this collection is certainly an artifact of a 'political or religious movement' I haven't been able to find any independent sources that attest to this collection having influenced such a movement. || Clearly, from all of the evidence presented above, Prabhat Samgiita is not just an "artifact". Equally clearly, from all of the evidence above, Prabhat Samgiita certainly has influenced Ananda Marga. It would be absurd to imagine otherwise. Given the amount of evidence available - much of it easily found by a Google search - it is somewhat surprising that the nominator was not able to find any independent sources attesting to that influence. As seen in the AfD debate, many newspaper articles have reported independent sources remarking not merely on the influence of Prabhat Samgiita in respect to Ananda Marga but indeed on the entire field of music and even potentially on all humankind. Regarding the words at the beginning of the nominator's sentence, "as always", those words merely reflect the nominator's predisposition to reject any achievement of Prabhat Ranjan Sarkar.
 * Likewise, Sarkar is a minor player in 20th C. Indian religious movements... || The claim by the nominator that "Sarkar is a minor player in 20th C. Indian religious movements" stands in stark contrast to what other, presumably more knowledgeable persons have stated. For example, Johan Galtung, who - unlike the nominator - has no doubt taken the trouble to inspect some of Sarkar's works, stated: "Sarkar is so much deeper and more imaginative than most. He is an intellectual giant of our times." Former President of India, Giani Zail Singh, stated "P. R. Sarkar was one of the greatest modern philosophers of India." Leonardo Boff stated: "The Indian master P. R. Sarkar, who did more than thirty years of studies and practical concrete work with the poor of India, is very important for all who yearn for a liberation which starts from economics and opens to a totality of personal and social human existence." I could list other testimonials, but I believe the point is made. The nominator was only expressing a gratuitous opinion.
 * ...and as such his life and works have not been a common subject of academic study. || From all of the discussion in this debate, I think it is clear that (1) there has been a lot more academic study of Sarkar's works than the nominator acknowledges (2) that there may be reasons other than the nominator's opinion that Sarkar was just a "minor player in 20th C. Indian religious movements" that might have impacted the amount of "academic study" that has been carried out to date.
 * }
 * ...and as such his life and works have not been a common subject of academic study. || From all of the discussion in this debate, I think it is clear that (1) there has been a lot more academic study of Sarkar's works than the nominator acknowledges (2) that there may be reasons other than the nominator's opinion that Sarkar was just a "minor player in 20th C. Indian religious movements" that might have impacted the amount of "academic study" that has been carried out to date.
 * }
 * }
 * }
 * --Abhidevananda (talk) 10:36, 13 February 2013 (UTC)


 * A few final words regarding consensus: This AfD debate has been going on for 16 days now. During the course of this lengthy debate, only three persons have modified their position. One of those three is the nominator himself. His vote changed four times: Redirect (assuming that is a valid initial vote by a nominator for deletion) → Unacceptable compromise → Keep → Not yet speedy keep but close → Firm delete. Other than the nominator, the only other two persons to change their position were Tito Dutta and Jujutacular. In both of those cases, the change was in favor of 'keep'. In light of this fact - and keeping in mind the likely predisposition of some voters here (whether pro or con) - it seems that a clear consensus by impartial editors has been expressed, and that consensus is for 'keep'. --Abhidevananda (talk) 11:53, 13 February 2013 (UTC)


 * Do not move my comments into other sections (per WP:TPO). A summary was a reasonable idea, but as you're doing industrial-scale WP:IDHT instead, I'm going to reply here.


 * Well, some of this is wrong and the rest of it is misleading, and all of it has been discussed before. To point out just one example:  "a collection of songs that some experts consider to have established a new genre of music".  What experts?  Where did these experts publish their opinions?  I certainly remember seeing this claim in multiple newspaper puff pieces, but there have been zero citations to independent experts discussing this work at that level of detail.  (That would establish notability, btw.)


 * So what we have here is the Sarkar version of the Gish Gallop. Yes, it's possible to go through and point out every error in the above (again).  Writing that would not be a good use of my time and reading it would not be a good use of the admin's time.  Instead, I'll just point out that notability can be established with a single cite, and if you need more than three then you probably don't have a notable topic.  At this point, you're relying on a non-independent performances and recordings of non-notable songs to establish the notability of a collection of several thousand additional songs, most of which have never been performed.  And that's why you need two [three!] table's worth of citations.  Pick any three citations and it's trivial to take apart the argument.  Add another thirty and it certainly looks impressive, even though the thirty have the same flaws that impeached the first three.


 * But perhaps that's a way forward. Instead of two [now three!] tables, give me your best three cites and why they establish notability.  I've shown I'm willing to change my mind, and I'm still willing to change my mind.  Ananda Marga-sponsored publications are right out, of course, as are Ananda Marga-sponsored performances and recordings (and yes I mean RAWA).  Masters dissertations are out, of course, as are Ananda Marga press releases.  I believe that leaves you with a handful of newspaper puff pieces.  So pick your three best and let's see what kind of argument you can make from quality rather than quantity.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  08:53, 13 February 2013 (UTC)  Restored to intended section.  <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Garamond <span style="padding:3px;color:gray;font:400 0.9em 'Garamond', serif">Lethe  17:42, 13 February 2013 (UTC)

*Speedy keep: the sources on the article are more than enough.--Anta An (talk) 22:58, 13 February 2013 (UTC) — Anta An (talk • contribs) has made few or no other edits outside this topic. Correct Knowledge «৳alk»  23:26, 13 February 2013 (UTC)
 * The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.