Wikipedia:Meetup/HonouringIndigenousWriters/Research

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Asani Charles

Potential sources   Charles Red Corn
 * List of publications and awards (will need to find other sources to confirm)
 * Review Untitled] Brief mention of childhood
 * Interview
 * undefined

Potential sources  
 * Obituary
 * Charles Red Corn’s ‘A Pipe for February’ to be a Film”

Internal links   {{Collapsible list | title = Chris Bose | Bio  Chris Bose is a writer, multi-disciplinary artist, musician, curator and filmmaker. He is a founding member of the Arbour Collective, an Indigenous arts collective based in Kamloops, with a national membership. He is also a workshop facilitator of community arts events, digital storytelling, art workshops with people of all ages and backgrounds, curatorial work for Indigenous art shows and projects, research and writing for periodicals across Canada, project management and coordination, music festival producer, mixed-media productions, film, audio and video recording and editing, and more. He is Nlaka pamux/Secwepemc and currently spends his time in Kamloops BC  | Publications  “crumb” magazine (Volume I, Issue I, Spring 2003) Spirit magazine (Spring 2004) Redwire Magazine (Spring 2005) Secwepemc News (June 2007-June 2008) Visible Arts Society/Grunt Gallery (Winter 2008) Spirit Magazine (Spring 2008) Kamloops Art Gallery (Catalogue Essay/Tania Willard Exhibition Spring 2009} “Stone the Crow” a book of poetry W’daub Awae, Speaking True Anthology Salish Seas Anthology (2011) BC Musician Magazine: Musician as Artist Issue (Summer 2011) Strength and Struggle (Winter 2011) The Apology: A book of poetry Unit/Pitt Gallery (Winter 2012) Digital Natives: City of Vancouver Art Program (Winter 2012) Crossing Channels: medianet (Spring 2012) West Coast Line: Reconcile This! (Fall 2012) Copper Thunderbird: The Art of Norval Morriseau (Fall 2012) Underworld: The Hidden Art of Kamloops (Spring 2013) Witnesses: Art and Canada’s Indian Residential Schools (Fall 2013) Vancouver, Crawling, Weeping, Betting. (Winter 2014) “A Moon Made of Copper,” a book of poetry and non-fiction IBID: A selection of Canadian Poetry from All Lit Up (Spring 2015) The land we are: Artists and Writers unsettle the politics of reconciliation (Spring 2015) Cook’s Ferry Indian Band: Historical Context and Review (June 2016) Abort Magazine: Armstrong Metal Festival (July 2016) Nshaytkin: Those that came before us. (Dec/Jan 2019/2020)  | Self Published Works   | Music   | Film <ul> </ul> | Live Literary Events <ul> Chris has read and ranted at Universities, conferences, highschools, festivals, theatres and coffeehouses at all points from Victoria to Montreal, as well as at the BC Festival of the Arts as a literary delegate to the Talking Stick Aboriginal Arts Festival in Vancouver and the Word on the Street Festival in Toronto and Lethbridge, Alberta. </ul> | Exhibitions <ul> </ul> | Workshops/Research/Residencies/Miscellaneous: (ongoing) <ul> </ul> }} David Groulx
 * Jeri Redcorn (wife)
 * Theytus Books Gatherings Anthologies (Volumes 4, Volume 9, Volume 10: 10th Anniversary)
 * Ink Magazine {Winter 1997: Spring 1998}
 * Bywords {Winter 1998}
 * Raw Nervz Haiku (spring 1998 – fall 1998)
 * Dandelion (spring 1998, fall 1998)
 * Coyote U (Aboriginal Author Anthology 1999)
 * The Standard Exhibit (Vol. 1. Issue 4 1999)
 * Mosaic Arts Magazine (Vol. 2, Issue 1, 1999)
 * Canadian Literature (Spring 2001)
 * Praxis Magazine (Spring 2002)
 * Hubcap(Winter 2000, Winter 2002)
 * The Omega (Volume VII, Issue 5, Spring 2002) (Volume VIII, Issue 7, Fall 2003)
 * Dangerous Ideologies: 1999 ISBN: 0-9684983-1-0
 * Full Frontal Nudity: 1999 ISBN: 0-9684983-3-7
 * Works In Progress: 1998. ISBN: 0-9684983-0-2
 * Dime Store Indians and Other Tales: 1997 ISBN: 0-9684983-2-9
 * The Apology: 2010
 * A Moon Made of Copper: 2012
 * “SPIRIT” magazine music special issue: Spring 2006. (1 Song)
 * “Dig Your Roots” commercials for the DYR Aboriginal music competition. (1 Song)
 * Janet Rogers: Banff Art’s Centre Compilation “RED”. (4 Songs)
 * METAXU: A music commission by BC Living Arts: (5 songs/soundscape) Spring 2008
 * Janet Rogers: Firewater 2009 production and performance.
 * Unreleased Spoken Word Album based on poems from “Stone the Crow” 2009
 * Soundcloud (9 songs, free downloads!)
 * The Monster Project: 6 song ep with Dean Hunt and Bracken Hanuse Corlett 2015
 * “Adventures in Wonderland” a documentary about contemporary Aboriginal Canada.
 * “The Art of Self-Destruction” & “At the Heart of it All” have screened in four countries and more than a dozen film festivals and conferences this year (2008).
 * “Taagi Trio Project” 3 short films I put to the music of Dawn Avery and words of Janet Rogers, Washington, DC, Nov 10-14 . 2008
 * “Jesus Coyote TeeVee” 2010, 2011, 2012, 2016 Screenings at Cowichan Film festival, Reel Roots Kelowna, Terres En Vue Montreal, ImagineNative Toronto (including a screening at TIFF lightbox theatre), Winnipeg Aboriginal Film Festival. New Zealand, Iceland, France, Germany, Amsterdam, Italy, Switzerland, United Kingdom.
 * Kamloops Art Gallery: Pop Art show, Dec - Jan 2008/9
 * Kamloops Arts Council: February 2009
 * Arnica Artist Run Centre, Kamloops: April – May 2009
 * Kamloops Art Gallery: April – May 2009
 * Alternator Gallery Kelowna: February 2010
 * Native Arts Festival: Toronto: June 2010
 * Alternator Gallery Kelowna: June – July 2010
 * Digital Natives: Vancouver: February/March 2011
 * Guild Des Arts, Montreal: July –August 2011
 * Enowkin Centre: Penticton: October/November 2011
 * Unit/Pitt Gallery: Vancouver: January 2012
 * Alternator Centre, Kelowna: February/March 2012
 * Arnica Artist Run Centre: Kamloops: April/May 2012
 * Native Education Centre: Vancouver: August 2012
 * Fall Down Gallery: Ottawa: July 2012
 * Alternator Centre: Kelowna: September 2012
 * Algoma University: Sault Ste Marie: October 2012
 * 180 Projects: Sault Ste Marie: Feb/March 2013
 * Arnica Artist Run Centre: Kelowna: Aug – Sept 2013
 * Unit/Pitt projects: Vancouver: Sept – October 2013
 * Malaspina Printmakers: Vancouver: September 2013
 * Morris and Helen Belkin Art Gallery, Vancouver: Sept - Dec 2013
 * Art Gallery of Greater Victoria: Sept – Dec 2013
 * Unit/Pitt Gallery: January – February 2014
 * Kamloops Art Gallery: April – June 2014
 * Eastern Edge Gallery: St. Johns, Newfoundland: October 2014
 * Kamloops Art Gallery: January – February 2015
 * Alternator Centre for Contemporary Art: May-July 2015
 * Kamloops Luminosity Festival: Oct/Nov 2016
 * Kamloops Art Gallery: Jan-April 2017
 * Penticton Art Gallery: June - Sept 2018
 * Little Shuswap Indian Band = Storytelling Festival 2008/09/10
 * Simon Fraser University: Workshops on Literary/Performing Arts, 2008/9
 * Thompson Rivers University: Various Arts & Cultural Workshops 2008-12
 * All Nations Trust Company: Corporate Video, Research, and Marketing materials
 * Nuxalk Education Society: Storytelling Workshops, promotion of Arts careers
 * National Museum of the American Indian, Smithsonian, Washington, D.C.: Video production for concert performance featuring Dawn Avery (cello) and Janet Rogers (poems), two Mohawk artists. 2008
 * Kamloops Art Gallery: Various art workshops, research and essays, curatorial projects. 2008 to present
 * School District 73: Youth art workshops with Native youth, curatorial projects.
 * Cooksferry Indian Band: Art workshops with band members of all ages.
 * Chief Atahm Elementary School: Digital Storytelling, video production workshops.
 * Spirit Magazine: Articles and Stories.
 * First Nations Education Steering Committee: Keynote Speaker on Native literature at the launch of First Peoples 12 course provincially, corporate video filming, editing.
 * Keynote Speaker at various conferences by: Ullus Collective, White Buffalo Health Society, Secwepemc Cultural Education Society, LIVE: The Art of Engagement with Grunt Gallery.
 * Sookinchoot Youth Society: Vernon, BC, Digital Art & Filmmaking workshops
 * School Distric 36: Newton Learning Centre, film/video, & creative writing workshops, with Native youth.
 * Thompson Rivers University: Artist Residency Sept 2009-June 2010
 * Gulf Islands Film and Television School: mentor for 2 week Aboriginal Media Intensive Program ( 2009-2012)
 * Enow’kin Centre: Film mentor for NAPAT program 2009-11
 * Aboriginal Education Centre at Thompson Rivers University: Various Art Commissions, project coordination, research and technical support for web and video.
 * UNBC: Literary Workshops/Readings 2010
 * Emily Carr University of Art and Design: Readings/Workshops 2008 - 2011
 * Secwepemc Child and Family Services: Video/Art workshops 2011/2012/2013
 * Centre for Innovation in Culture and Arts in Canada (CICAC): Residency 2009/10
 * Sakwewake Artist Collective (Regina) Artist Residency 2010
 * Alternator Centre for Contemporary Art: Director Dec-June 2011
 * Twin Rivers Education Centre: Artist Residency March-May 2012
 * Arnica Artist Run Centre: Aboriginal Arts Administrator April – Dec 2012
 * Shingwauk/Algoma University: Residency/Incubation October 2012
 * The Arbour Collective: Creative Director July 2011 to Present.
 * Twin Rivers Education Centre: Street Art workshops March-May 2012
 * Arnica Artist Run Centre: Aboriginal Arts Administrator April – Dec 2012
 * Shingwauk/Algoma University: Residency/Incubation October 2012
 * 180 Projects Gallery: Mural project October 2012
 * Shingwauk/Algoma University: Residency January 2013
 * Skelep School of Excellence: Mural painting on glass, June 2013.
 * Battery Opera/Unit Pitt Gallery: Residency July/August 2013
 * Centre for Innovation and Culture in Arts in Canada (CICAC/TRU): Residency August 2013, along with 9 other Aboriginal and Metis artists from across Canada.
 * Secwepemc Child and Family Services: Artist in Residence Sept 2012 to October 2013
 * 4 Directions School, Kamloops: Art and Mural workshops, October 2013.
 * The Arbour Collective: Creative Director July 2011 to Present.
 * Nominated Filmmaker/New Media artist of the year, Kamloops Mayor’s Gala for the Arts. October 2013.
 * Grand Forks Secondary: documentary film mentor for art project November 2013
 * Kamloops Art Gallery: Arbour Collective workshop series and Artist Residency June2010 to December 2017
 * Enowkin Centre: Artist talk and 5 day intensive workshops February 2014
 * Stuart Wood Elementary: digital media and film workshops, January to June 2014
 * Artist in Residence: Lii Michif Opitasimiwak, Kamloops, January to June 2014
 * Artist in Residence: Kamloops Immigrant Services, Kamloops, April to August 2014
 * Decolonizing Street Art: Invited as a participatory artist and workshop facilitator Montreal August 2014
 * Artist in Residence: Indigenous Peoples’ Artist Collective, Prince Albert, Saskatchewan September 2014.
 * Artist in Residence: Grand Forks Secondary, art workshops and painting of a large mural 2014
 * Artist in Residence: South Kamloops Secondary, October 2014 – June 2015.
 * Visiting Artist: Lower Similkameen Indian Band, August 2015.
 * Artist in Residence: Cache Creek Elementary School, April 2016 – June 2016
 * Kamloops Art Gallery: Artist/Mentor in residence January 2014 – December 2016
 * 4 Directions School: Artist in residence Multi-media program March – June 2017 Kamloops.
 * Filmmaker Residency: Citxw Nlaka’pamux Assembly August 2017
 * Private Commission: An experimental film about the Secwepemullucw for the Primary Colours Festival June 2017
 * Art Starts Workshop Facilitator Training: Kelowna June 2018
 * Storyteller in Residence: Aberdeen Elementary, Parkcrest Elementary and Kay Bingham Elementary, (Art Starts Funding, AFS)  Sept 2017 - June 2018
 * Writer in Residence: Brock Middle School:(AFS)      Sept 2017 - February 2018
 * Artist in Residence: Valley View Secondary: (AFS)    Sept 2019 - January 2019

Bio <ul> David Groulx was raised in Ontario, Canada. He is proud of his aboriginal roots, Anishnabe and French Canadian. He won the 3rd annual Poetry NOW Battle of the Bards. He has published 11 books of poetry. His book, The Wabigoon River Poems was nominated for the Archibald Lampman award in 2015. Was the Writer-in-Residence for openbook.com Toronto for November 2012. His poetry has been translated into French, Ojibwa and Cree languages. Red River Review nominated his poetry for the Pushcart Prize in 2012. One Throne Magazine nominated his poetry for the National Magazine Awards in 2014. His poetry has appeared in over a 190 magazines in 15 countries. </ul>

Publications - Magazines <ul>
 * Magazine To-Re-Establish The Trickster Vol.1 No.1 1988
 * Council Fires Newspaper October 1994
 * Steal My Rage: New Native Voices 1995 Anthology
 * The Mill Vol.2 Is.11995
 * Ventriloquist Magazine Vol.4 Is.2 1995 & 1997
 * Alias No.20 1996
 * Let The Drums Be Your Heart: New Native Writers 1996 Anthology
 * The Argus Vol.32 No.20 1996
 * Gatherings VII 1996 Anthology
 * Black Cat 115 No.5 1996
 * Writers Ink 1996
 * Poet’s Podium 1996
 * Drift No.84 1996
 * Ash Magazine 1996
 * Scene By The Lamplight Vol.6 Is.1 1996
 * Permit No.81 1996 Germany
 * The People’s Poetry Letter 1996
 * America’s Intercultural Magazine 1997 USA
 * Hook & Ladder Vol.2 No.4 1997 “includes the always powerful David Groulx”-Broken Pencil# 8
 * Kick It Over 1997
 * Zygote 1997
 * Canadian Author 1997
 * Windsor Review Vol. 30 No.2 1997
 * Borderlines No.21 1997 England
 * Green’s Magazine 1997
 * Para*phrase 1997
 * Passage Vol.1 No.1 1997
 * Global Vision Platform 1997 (ezine)
 * The Doors Of The Morning 1997Anthology
 * Scrivener 1997
 * TickleAce 1997
 * Canadian Literature #154 1997 & #167 2000
 * Paperplates Vol.3 No.2 1998
 * On The Threshold: Writing Toward The Year 2000 1998 Anthology
 * Broken Pencil #6 1998
 * Bywords Vol.8 No.8 1998 & 2019
 * A Shade Of Spring: New Aboriginal Writers 1998 Anthology
 * Red Ink Vol.8.1 1999 & 2017 USA
 * Harpweaver Vol.6 1999
 * The Cormorant 199__
 * Canadian Ethnic Studies Journal Vol. 8.1 1999
 * Paradise Frost: a Renaissance Of Thunder Bay Writers 1999 Anthology
 * Border Crossings Is.69 1999
 * Taproot Literary Review Vol.3 Ed.13 2000 USA
 * Dalhousie Review Vol. 80 Is.2 2000 & 2019
 * Freefall Magazine Vol. 10 No.1 2000
 * Massachusetts Review Vol.41 Is.3 2000 USA
 * Filling Station Is 20 2000
 * New Quarterly Vol.21 No.1 2001
 * Gaspereau Review No.15 2001
 * The Prairie Journal No.31 &____ reviewed in Broken Pencil # 9 & No.57 2011
 * Urban Graffiti No.8 2001 “poetry by western wordsmith David Groulx”- Broken Pencil
 * CutBank: Vol. 1: Iss. 57 2002 USA
 * Canadian Writers Journal Vol.19 No.2 2002
 * Quadrant Vol. 46 Is.4 2002 Australia
 * New Hope International Vol.20 No.3 England “ this issue is/was one of the best" – Poetry Quarterly Review
 * Rampike Vol.9 1997 & Vol. 11 2000 & Vol.21 2012 & Vol. 23 2014
 * Ink Magazine
 * The Maryland Review USA
 * Whetstone
 * Jones Ave.
 * NOWW newsletter
 * Pottersfield Portfolio
 * The Amethyst Review
 * Rustic Rub England
 * Beneath The Surface
 * First Time England
 * The Writers Publishing
 * Sepia England
 * All Write
 * The New Orphic Review Vol.5 No.1 2002
 * International Poetry Review Vol.28 No.1 2002 USA
 * White Wall Review Is. 26 2002
 * Fire Is.19 2003 England
 * Oxford Anthology of Canadian Native Literature in English; 3rd Edition 2005
 * Ascent Aspirations Magazine Vol.4 No.9 2005 (ezine)
 * The Antigonish Review #145 2006
 * Tower Poetry Vol.56 No.1 2007
 * First Offense No.17 2007 England
 * Misunderstandings Magazine No.7 2007
 * Yellow Medicine Review 2007 & 2011 & 2018 USA
 * Pilot Pocket Book No.3 2007
 * Existere Vol.27 Is. 1 2007
 * Haight Asbury Literary Review Vol.26 No.1 2008 USA
 * Washington Literary Review No.1 2008 USA
 * Borderlands No. 31 2008 USA
 * Pennine Platform No.64 2008 England
 * Frogmore Papers No.73 2008 England
 * Caveat Lector 2009 Vol.20 No.1 USA
 * Event Vol.38 No.1 2009
 * Weyfarer Poetry Magazine No.105 2009 England
 * Blue Collar Review Vol.12 Is.4 2009 &Vol.14 Is.3 2011 & Vol. 15 Is.2 2012 USA
 * Prairie Fire Vol. 31 No.1 2010
 * Assent 63/3 2010 England
 * The Nashwaak Review Vol.24/25 2010
 * The Other Herald Vol.4 Is6 2010 USA
 * W’Daub Awae; Speaking True 2010 Anthology
 * Quercus 2010 USA
 * Blueskiespoetry February 2010 (ezine)
 * Sarasvati #013 2010 England
 * The New Chief Tongue #9 2010 & #10 2011
 * Alien Sloth Sex #12 2010
 * Stand Magazine #195 2011 England
 * The New Writer #106 2011 England
 * Poetry Salzburg Review No.19 2011 Austria
 * Do Hookers Kiss #1 2011 England
 * Island#126 2011 Australia
 * Istanbul Literary Review Sept. 2011 Turkey (ezine)
 * Coyote No.89 2011 Germany
 * Temporary Infinity 2011 USA (ezine)
 * The Single Hound 2011 USA (ezine)
 * XXX NDN 2011 Anthology
 * Breadcrumb Scabs 2011 USA (ezine)
 * Fresh #35 2011 New Zealand (ezine)
 * Recusant 2011 England (ezine)
 * Grey Borders 199?
 * Contemporary Literary Review 2011 India (ezine)
 * Honoring Indigenous Women (pamphlet) 2011
 * New Linear Perspectives 2011 Scotland (ezine)
 * Salt 2011 USA (ezine)
 * Red River Review 2012 USA & 2018 (ezine)
 * Bellow Literary Journal Is.1 USA 2012
 * McGraw-Hill Ryerson iLit Digital Collection 2012
 * Incandescent Poetry Magazine England 2012
 * Clean Sheets Magazine USA 2012 (ezine)
 * Blackmail Press #13 2012 New Zealand
 * Poets Against War Canada 2012 (ezine)
 * The Rusty Nail Is.2 USA 2012
 * Crate Literary Magazine USA 2012
 * Ottawa Arts Review 6.1 2012 & 2019
 * Inclement Magazine England 2012
 * 48th Street Press (broadsides) Venezuela 2012
 * Nineteen -O- Splash #16 New Zealand 2012
 * Taj Mahal Review India 2012
 * Two Thirds North Anthology Sweden 2012
 * Seek It: Writers Do Sleep Anthology 2012
 * Verse Afire 2012
 * Nazar Look Romania 2012?
 * The Rusty Toque 2012 (ezine)
 * The Avalon Literary Review USA 2012
 * The Indian Review (ezine) India 2012
 * The French Literary Review France 2013
 * Ricepaper 2013
 * Literary Review of Canada 2013
 * Primal Urge (ezine) USA 2013
 * SAND journal Germany 2013
 * Eclectic Eel (ezine) USA 2013
 * Kimiwan zine Is.2 2013
 * TOE good Poetry (ezine) USA 2013 & 2019
 * The Criterion: An International Journal in English India 2013
 * Matrix Magazine 2013
 * Literary Orphans (ezine) USA 2013
 * Mascara Review Australia 2013
 * Voicings Literary Magazine 2013
 * Arc Magazine 2014 & 2017
 * Aries: A Journal of Art & Literature USA 2014
 * Dreaming In Indian Anthology 2014
 * I Found It At The Movies Anthology 2014
 * Ramallah International Poetry Festival Anthology Palestine 2014
 * Catalyst Vol.10 New Zealand 2014
 * Trillium (ezine) Vol.2014
 * About Place Journal USA 2014 & 2016
 * One Thorne Magazine 2014 (ezine)
 * Black Heart Magazine USA 2014
 * Out of the Depths USA Anthology 2014
 * Four Winds Literary Magazine (ezine) USA 2015
 * Traida Magazine (ezine) Spain 2015
 * Poetry Pacific 2015
 * The Bitchin' Kitsch (ezine) USA 2015
 * Aji Magazine (ezine) USA 2015
 * The Cannon's Mouth England 2015
 * Whirlwind Magazine USA 2015
 * Angry Manifesto England 2016
 * Quail Bell Magazine USA 2016
 * Impact:Colonialism in Canada Anthology 2016
 * Lakeview International Journal of Literature and Arts Vol.4 No.2 India 2016
 * Bald Hip 2017
 * In The Veins 2017 USA Anthology
 * Rabbit :A journal for non-fiction poetry Australia 2017
 * The Stonecoast Review USA 2017
 * Digging Through The Fat USA 2017
 * The Muse - An International Journal of Poetry India 2017
 * Transmotion Vol 3, No 2 England 2017
 * The Coil 2019 USA
 * Contemporary Verse 2 2018
 * Juniper- A Poetry Journal Vol.3 Is.1 2019
 * Magnum Opus: A Poetry Anthology on Universal Oneness India 2019
 * Montreal Serai 2019
 * Canadian Journal of Native Studies 2019
 * Turangalîla-Palestine, Poems For Palestine People Ireland 2019 Anthology
 * Poetry in Voice Anthology 2019
 * Watch Your Head 2019
 * Tuesday Poem 2020

</ul>

Publications - Books <ul> </ul>
 * Night In The Exude, 1997
 * The Long Dance, 2000
 * Under God’s Pale Bones, 2010
 * A Difficult Beauty, 2011
 * Rising With A Distant Dawn, 2011
 * Imagine Mercy, 2013
 * In The Silhouette Of Your Silences, 2014
 * Wabigoon River Poems(s), 2015
 * These Threads Become A Thinner Light, 2015
 * The Windigo Chronicles, 2016
 * From Turtle Island To Gaza, 2019
 * Am A Skin Too, 2018
 * What the Haruspex read in the Small hours of my Body, 2020

Awards <ul> </ul>
 * Munro Poetry Prize 1995
 * Shaunt Basmajain Anthology Competition 1996 & 1997
 * Simon J. Lucas Jr. Memorial Award 1999
 * PoetryNOW Battle of the Bards 2011
 * Mamilla Poetry Festival 2013
 * Archibald Lampman Award 2015
 * John Newlove Award for Poetry 2019

Education <ul> </ul>
 * Lakehead University BA 1997
 * En’owkin Centre 1998-99
 * University of Victoria 1999-00

Poetry on Display <ul> </ul>
 * Le Sentier de la parole/Pathway of words, Sherbrooke QC 2019
 * Poetry & A Pizza, Regina, SK 2014
 * Rout/e Pathway at Petrie Island, ON 3014
 * Poetry in a Bubble Gum Machine, Vancouver, BC 2013

Misc <ul> </ul> Jónína Kirton
 * Jury Member for Ontario Arts Council Writer’s Reserve Grants 2011
 * Writer-in-Residence for openbookontario 2012
 * Jury Member for Manitoba Arts Council ABC Grants 2013
 * Jury Member for Canada Council Aboriginal Writing Grants 2014
 * Jury Member for Trillium Poetry Prize 2018
 * Jury Member for Ottawa Book Awards 2018
 * Jury Member for Ottawa Heritage Funding Program 2019

Publications <ul> </ul>
 * Two collections of poetry with Talonbooks: page as bone ~ ink as blood April 2015 and a second book of poetry, An Honest Woman, was released in April 2017.
 * Watch Your Head: Writers & Artists Respond to the Climate Crisis 2020: one poem, together we will rise or fall.
 * Held Magazine 2020: one poem online, ashes in my mouth
 * Fiddlehead: Atlantic Canada’s International Literary Journal 2020, 75th Anniversary Issue, short untitled essay in print and a poem online, I’m in Iceland Darling.
 * Capilano Review’s New Physicalities Writing Contest 2020: online issue, one poem, Dopplegángers.
 * Red Alder Review 2020: one poem online, tumbling.
 * The Capilano Review 3.39 Fall 2019: one essay, Everything is Waiting, one poem, Together We Walk the Labyrinth and a review of Indigenous Brilliance.
 * Salt Chuck City Review, an Aboriginal Writers Collective West Coast anthology 2019: three poems, instructions for surviving sexual assault, Conspiracy Theories and the last drop.
 * Body & Soul: Stories for Skeptics and Seekers anthology 2019: One essay, Star Women.
 * Another Dysfunctional Cancer Poem anthology 2018: Two poems, dear nephew and What Do Frida Khalo and My Mother Have in Common.
 * Migration Songs 2018: One poem, for the birds, featured in this chapbook collection edited by Stephen Collis, Lorna Crozier and Kurt Trzcinski.
 * Canada and Beyond, A Journal of Canadian and Literary Studies 2018: Two poems in Iceland Darling and Where I Come From.
 * Contemporary Verse 2 - Convergence/Samruni: a special Icelandic/Canadian Issue Vol. 40 Issue No. 1 Summer 2017: Four poems and one lyric prose piece, reconciliation, the bereaved, untethered, my tongue knows and Parched.
 * Royal BC Museum Curious Magazine 2017: The Ancestors are Calling.
 * Humber Literary Review Issue 3 Volume 2 fall and winter 2016/17: Two poems, more mother daughter father talks and body sings.
 * James Douglas: An Opera 2017: A libretto co-authored with Wayde Compton.
 * Icelandic Connection 2016: Volume 68 #2.
 * The Litter I See Project 2016: Litter inspired writing by Canadian writers for literacy. One poem, https://thelitteriseeproject.com/category/jonina-kirton (bin) discarded
 * Mashed Poetics #666: Iron Maiden, The Number of the Beast 2015, one poem, [|Run to the Hills].
 * Royal City Poets Anthology, Silver Bow Publishing 2013: Three poems, Apocalyptic Sunday, Exiled and The Mystery of Water.
 * Ricepaper’s Special Double Issue: Asian/Aboriginal issue 2013: One poem. dream kitchen.
 * The Science of Poetry - The Poetry of Science 2012 Volume 1, a Chapbook Anthology: One poem, every plant has a song.
 * between earth and sky an International Anthology, Silver Bow Publishing 2012: Three poems, Lovers Dance, Lake Manitou and Cedar Dreams.
 * V6A: Writing from Vancouver’s Downtown Eastside Anthology, Arsenal Pulp Press, 2012: Three poems, immaterial, unbroken chain and velvet.
 * home & away Chapbook Anthology 2012: Three poems, neat and tidy endings not required, obsidian and I dream.
 * Other Tongues: Mixed - Race Women Speak Out Anthology, Inanna Publications and Education Inc. 2010: Three poems, half-breed, Reflection and both sides.
 * Pagan Edge online and in print January 2010 Volume 1 Issue 1: Two poems, diversify and invocation.
 * First Nations Drum September issue 2009: An article, Highway of Tears: Looking for Answers.
 * Toronto Quarterly Issue Four 2009: One poem, Lone Traveller.
 * Quills Canadian Poetry Magazine 2008: One poem, touch.
 * New Breed Magazine Spring/Summer 2008: Three poems, Resonance, sun earth water air and the circling.
 * emerge - Simon Fraser University’s Writer's Studio Anthology 2007: Five poems, wish you away, there & then -- here & now, visitations (a collection with three poems on grief).

Awards <ul>
 * Longlisted for the Capilano Review’s 2020 New Physicalities Writing Contest.
 * Finalist in the 2018 Dorothy Livesay Poetry Prize
 * City of Vancouver’s 2016 Mayor’s Arts Award for Emerging Artist in Literary Arts.
 * Nominated for City of Vancouver 2014 Remarkable Women Award.
 * Won first prize and two honourable mentions in the poetry section of the 2013 Royal City Literary Arts Write On Contest.
 * Finalist in the 2013 Burnaby Writers Society Writing Contest.</ul>

Misc <ul> </ul>
 * Board member (member at large) of the Indigenous Editors Association

JudyLee Oliva

Potential sources <ul> </ul>
 * JudyLee Oliva's The Fire and the Rose and the Modeling of Platial Theories in Native American Dramaturgy.
 * Information about play, release, and tour
 * Profile
 * Native American Women Playrights Archive entry
 * “A history of Native American drama” Native American Drama: A Critical Perspective
 * OCU offers encore presentation of 'Te Ata'
 * Native Drama in the Mainstream: A Case Study of the Te Ata World Premiere / JudyLee Oliva and Christy Stanlake
 * Native American Drama: A Critical Perspective
 * Footpaths & bridges : voices from the Native American Women Playwrights Archive
 * Mapping the web of native american dramaturgy
 * Critical companion to native American and first nations theatre and performance : indigenous spaces (Chapter: Transforming Production Process)

Kim Senklip Harvey

Bio <ul> Kim Senklip Harvey is a proud Syilx and Tsilhqot’in with Ancestral ties to the Dakelh, Secwepemc and Ktunaxa communities. She is a Indigenous Theorist, Cultural Evolutionist and storyteller whose work focuses on the ignition of Indigenous power and innovating methodological processes with artistic sovereignty to create joy centered narratives that nourish the spirits of peoples oppressed by the imperial state. Kim creates artistic ceremonies to protect and evolve Indigenous cultures and believes that stories are the most powerful tool we have to provide every organism the opportunity to live peacefully. Kim is currently working on a tv adaptation of her award winning play Kamloopa, she is completing her first book entitled Salish Interiors: A collection of NDN dirtbag love stories, and is in the creation of her next artistic ceremony Break Horizons: A Rocking Indigenous Justice Ceremony. She is in her final year of her Masters in Creative Writing at the University of Victoria and all of her work is with respect to her Ancestors and for the future generations, whom we owe so much.</ul>

Nathan Niigan Noodin Adler

Bio <ul> Nathan Adler is the author of Wrist, an Indigenous monster story written from the monster's perspective (Kegedonce Press). He is a writer and artist who works in many different mediums, including audio & video, drawing & painting, as well as glass. He is an MFA candidate for Creative Writing from UBC and is working on a second novel, a graphic novel, a collection of short stories, and a dream-themed anthology of Indigenous Literature entitled Bawajigan for Exile Editions. Nathan was the first-place winner of the 2010 Aboriginal Writing Challenge, and a recipient for the Hnatyshyn Reveal award for Literature in May of 2017. He has had his writing published in Redwire magazine, Canada’s History magazine, as a part of the Ode’min Giizis Festival, Shtetl Magazine, Kimiwan Zine, Shameless magazine, Prairie Fire/CV2 magazine as well as in various blogs, and anthologies (Exile editions, Bedside Press). He is Anishinaabe and Jewish, a member of Lac Des Mille Lacs First Nation, and resides in Mono, Ontario. </ul>

Selected Publications <ul> </ul>
 * Wrist, an urban-fantasy/horror novel published by Kegedonce Press, 2016
 * Editor of Bawaajigan ~ Stories of Power, a dream themed anthology of stories by Indigenous writers, Exile Editions, Dec. 2019
 * Abacus, a short story in Love After The End, Two-Spirit Utopias & Dystopias, Bedside Press Dec. 2019 *to be picked up by Arsenal Pulp Press in 2020
 * Editor of Aki ~ Stories of Power, an anthology of land themed stories by Indigenous writers, Exile Editions, *expected publication date 2021-2022
 * Editor of Onwaachigewin ~ Stories of Power, an anthology of prophecy themed stories by Indigenous writers, Exile Editions, *expected publication date 2022-2023
 * Shards ~ Contest of Identity non-fiction story, Shameless Magazine Fall 2018
 * Miigwetch Nshoomis poetry/& a spoken-word audio piece, Event Magazine, Fall 2018
 * At the Avalon a non-fiction story published in the ndncountry joint-issue of CV2/Prairie Fire Magazine Volume 39, No.3, Fall 2018
 * Anishinaabe Word of the Day in Shameless Magazine, The Transformation Issue 36, Fall 2017
 * Book Recommendations for Indigenous Book Club Month, July 10th 2017 CBC.ca
 * Gift Guide for the All Lit Up website, published Nov. 30th 2016
 * Tyner’s Creek, a short story published in an Anthology of speculative fiction by Exile Editions called Those Who Make Us, Canadian Creature, Myth, and Monster Stories, Aug. 2016
 * Valediction at the Star View Motel, a short story published in an Anthology of Indigenous Two Spirit sci-fi, speculative-fiction & fantasy, called Love Beyond Space, body, and Time, by Bedside Press, Summer 2016
 * The Ghost Rattle, short story in The Playground of Lost Toys, an Anthology of speculative fiction, published by Exile Editions, Dec. 2015
 * Contributing writer for Shameless magazine: Nezaatiikaang Place of the Poplars, July 8th 2016, How Lake St. Martin First Nation Saved Winnipeg’s Ass, Environmental Justice issue 29, Spring 2015. * * The Colonization of Gender, Niin-Giin-Wiin, Sex issue 30, Fall 2015. MMIMW on the blog, Sept. 2014. Reclaiming Two-Spirit, Issue 25, Winter 2013.
 * #OldPeopleProblems#Dimentia#OjibwayGranny, and Wiisagendam, published in issue #4 of Kimiwan Zine, Fall 2013. Dindiisah, making in-roads and Never Say Goodbye, Published in Issue #2, Spring 2013
 * The Ten Plagues of Colonialism, published in Shtetl Magazine, March 27, 2013. they don’t like Indians, Missing and Murdered, and The Rybovski’s published in the Indigenous-Jewish edition, May 2012
 * Five-Petal Flowers Up-Side-Down Hearts, The Black Robe’s Prayer, Curry Palace, and Prayers Answered published in the Literary supplement to the Ode’min Giizis Festival June 20-24, 2012. “The Rope” *published in the 2011 Literary supplement.
 * The Search for a Truly Local Beer, article for the World Beer Collection website, March 9, 2012
 * The Story of my Step-Grandpa’s Destroyed Liver, Embracing Identity blog, Nov. 2011
 * A sample of poems from the poetry collection All Teeth, published in Vol. 90, No. 5, 2010, pp. 59-60, 2010 of Canada’s History Magazine
 * The Apology, Published in Vol. 11 issue 1 of Redwire Magazine, 2009

Film and Video <ul> </ul>
 * Dancing to the Eclipse in Neyashiinigming, *to be screened at the 15th annual Wairoa Maori Film Festival in May 2020
 * Keemooch, a short documentary on the subject of Indigenous love, *to be screened at the 15th annual Wairoa Maori Film Festival in May 2020
 * Keemooch screened at the ImagiNative Festival October 24th 2019 at the TIFF Bell Lightbox
 * Miigwetch Nshoomis video screened as part of the In Your Pocket Festival June 19th 2018 at Buddies in Bad Times Theatre
 * Dancing to the Eclipse in Neyashiinigming video screened at the Asinabka Festival 2018
 * CALVING screened at the Wairoa Film Festival in Aotearoa/New Zealand as part of the “Kiriata Ngaāhere/Bush Cinema” program at Morere Hall June 3, 2018
 * CALVING screened at the ImagiNative Festival Oct. 2017 at Bell Tiff Lightbox, at the Asinabka Festival, Aug. 2017
 * Miikina, short film screened in Aotearoa, New Zealand, Wairoa Film Festival “alterNATIVE: Takatapui Films” program, Auckland Art Gallery, February 7th 2016
 * Miikina screened as a part of the “Solar Flares: Experimental Program” at the ImagiNative Festival, October of 2015
 * Wiigwaas, “Pink Dolphin Experimental Shorts” program, Asinabka Festival, August 12th 2016
 * You Don’t Exist screened at Gallery 101 Create This Revolution exhibit, March-April 2013
 * Fossil Fuels, screened at the Library and Archives Canada, part of the Asinabka Film and Media Arts Festival, Ottawa, June 20th 2012
 * Short film You Don’t Exist, screened at the Weengushk Film Festival, Sudbury 2012.
 * Screened the documentary Niizatikaang: Place of the Poplars, Biindigaate film festival in Thunder Bay, 2010

Art <ul> </ul>
 * Miigwetch Nshoomis, audio soundscape showcased at the ImagiNative Festival in Oct, 2019 in the iNDigital Space at the TIFF Bell Lightbox
 * Miigwetch Nshoomis poetry/& a spoken-word audio piece, Event Magazine, Fall 2018
 * "We Don't Speak Ojibway, But We Have Mattresses" Poetry/art installation as part of the Mush Hole Project, at the Woodland Cultural Centre former Residential School, Brantford Sept. 16th-18th 2016
 * "We Don't Speak Ojibway, But We Have Mattresses" Poetry/art installation on display at the Ottawa Summer Solstice Festival June 23rd-25th 2017
 * Making In-Roads, painting published in Kimiwan zine issue #2, Spring 2013
 * Paintings displayed at the Fall Down Gallery in Ottawa July 24th-28th 2013
 * “Connecting Community: Community Based Media Practices,” Panel discussion, part of the Regent Park Film Festival, & screened A Common Experience and Shki’aya, Nov. 15th 2013
 * “We Don’t Speak Ojibway, But We Have Mattresses” Installation, Peterborough Artsweek, Sept. 2010
 * Member of the Riverbend Artists of Grand Valley, 2013-present

Awards <ul> </ul> Sy Hoahwah
 * Recipient of a Hnatyshyn Reveal award for Literature, May 2017
 * Valediction at the Star View Motel, short story from the Love Beyond Body, Space and Time anthology made the Longlist for the Sunburst Awards in the Short Story Fiction category 2018
 * Won first place in the Canadian Aboriginal Writing Challenge (20-29 age category) in 2010

Suggestions <ul> For the article, I suggest information about my literary aesthetics and how viewers respond to my work. Also, a bit of biographical information will do as well. </ul> Traci Sorell

Awards <ul> </ul>
 * 2019 Robert F Sibert Informational Book Medal
 * 2019 Orbis Pictus Honor Book
 * 2019 Notable Children's Books List by Association for Library Service to Children
 * 2019 Notable Social Studies Trade Books for Young People by the National Council for the Social Studies & Children's Book Council
 * 2019 Notable Books for a Global Society by the Int'l Literacy Association's Children's Literature & Reading Special Interest Group
 * 2018 Best Books List - Kirkus, School Library Journal, NPR
 * 2018 Best of the Books List - Informational Books for Young Readers - Chicago Public Library
 * Best Multicultural Children's Books of 2018 - Center for the Study of Multicultural Children's Literature
 * 2018 Nerdies: Best Nonfiction Picture Books List - Nerdy Book Club
 * 2018 Junior Library Guild Selection

Publications <ul> </ul> Tunchai Redvers
 * At the Mountain's Base, illustrated by Weshoyot Alvitre (Kokila, Sept. 17, 2019)
 * Indian No More, co-author with Charlene Willing McManis (Tu Books, Oct. 14, 2019)
 * Powwow Day, illustrated by Marlena Myles (Charlesbridge, Spring 2020)

Bio <ul> T’áncháy Redvers [she/they] is a Dene/Métis two-spirit social justice warrior, writer, creator, speaker, and multidisciplinary performer belonging to Deninu K’ue First Nation in Treaty 8 territory. With a BA in International Development Studies, Certificate in Civic Engagement & Global Citizenship, and a Master of Indigenous Social Work, she has been nationally and internationally recognized for her work and advocacy, featured in the likes of the Toronto Star, Buzzfeed, Globe and Mail, ETalk, TEDx, and more. At the age of 21, T’áncháy and her brother founded We Matter, a national Indigenous-led campaign and non-profit dedicated to Indigenous youth hope and life promotion. We Matter has become an international model for Indigenous youth life promotion efforts, garnering the Redvers siblings the Lawson Foundation's Emerging Leaders Award and a Governor General’s Meritorious Service Decoration – the highest honour in Canada. Her writing has been published in numerous creative, anthology and academic publications, and her debut book of poetry, Fireweed, was released in 2019 by Kegedonce Press. In addition to the over 100 talks T’áncháy has delivered across Canada, the U.S., and Australia, she is a touring drag king and performance artist with performances spanning stages such as Pride Toronto and the Fierce Queer International Burlesque Festival. Her alternate persona, Mx.Wolverine, was featured on CBC Gem’s Season 3 of Canada’s A Drag. With a passion for exploring and unpacking topics such as intergenerational trauma, non-profit work, gender and sexuality, youth and queer empowerment, and positive representation, her approach is one that aims to decolonize and indigenize identity, mental health and healing. Having spent considerable time living, travelling, speaking, and working with Indigenous communities internationally and across Canada, T’áncháy considers herself a nomad just like her ancestors. </ul> Yvonne Fly Onakeme Etaghene

Potential sources <ul> </ul>
 * Work included in anthology: Queer Africa: selected stories / edited by Makhosazana Xaba and Karen Martin].
 * Podcast she hosts: Nigerian Dyke Realness
 * About GUAVA performance: Artist works to take show to Africa
 * Poem used in art installation: Spectacles of Promise and Disappointment: Political Emotion and Quotidian Aesthetics in Video Installations by Berni Searle and Zanele Muholi