Wikipedia talk:Education program archive/Ohio University/Women and Writing - 3 (Spring 2015)

Tuesday In-Class Work
For my well developed article I choose to look at Agatha Christie's Wikipedia page.

https://en.wikipedia.org/wiki/Agatha_Christie#References

1. Is each fact referenced with an appropriate, reliable reference?

Yes. Mainly all of the references on Agatha Christie's Wikipedia page came from sources such as articles from newspapers, book reviews, and scholarly articles. These facts did not necessarily come from individual people, but instead articles and passages.

2. Is everything in the article relevant to the article topic? Is there anything that distracted you?

Not everything in the article is entirely relevant to the article topic. Although the article is about Agatha Christie, it did not always focus on her literary works and her theatre productions, but instead it would trail off often and talk about her personal life which is not technically in relation to her work as a female writer but her personal life did spark a lot of ideas for her writings.

3. Is the article neutral? Are there any claims, or frames, that appear heavily biased toward a particular position?

I wasn't able to read the entire article because it is pretty well developed but from what I could read I gathered that the article seemed to be neutral. There were not any instances where I noticed an author appearing biased about Agatha Christie in any way.

4. Where does the information come from? Are these neutral sources? If biased, is that biased noted?

The information comes from mostly scholarly articles, articles about her literary works, etc. So the sources seem like they would be neutral unless it was a source that had a biased opinion of her, but for the most part the articles tended to really state the facts about her and her work rather than giving their opinion of her.

5. Are there viewpoints that are overrepresented, or underrepresented?

I think the criticism of her literary works was underrepresented. I don't know whether that is a good or a bad thing but there are many sections just talking about how great she was perceived as a writer and then at the end there is a tiny section that briefly mentions the writers who criticized her work.

6. Check a few citations. Do the links work? Is there any close paraphrasing or plagiarism in the article? Is any information out of date? Is anything missing that could be added?

All of the citations that I checked seemed to be well working, well written, and pretty reliable and unbiased sources.

Annotated Bibliography on Annette Polan by Sarah Einstein
I'm going to create a Wikipedia entry for portrait artist Annette Polan.

U.S. Department of State - Art in Embassies." U.S. Department of State - Art in Embassies. Web. 31 Mar. 2015. Annette Polan graduated with a BA in Art History from Hollins College, and she completed additional graduate work at the Ecole du Louvre, the Tyler School of Art, and the Corcoran College of Art and Design.

Annotated Bibliography on Rhonda Mapp by Devon Alexander
I am going to create a Wikipedia entry for Rhonda Mapp.

"Mapp, Rhonda." Who's Who Among African Americans. Ed. Kristin B. Mallegg. 24th ed. Detroit: Gale, 2010. 785. Gale Virtual Reference Library. Web. 31 Mar. 2015.

Basketball player. Personal: Born Oct 13, 1969. Educ: NC State Univ, attended 1992. Career: Charlotte Sting, center-forward, 1997–2000; Los Angeles Sparks, 2001–03.

Annotated Bibliography on Sally Murphy by Caroline Pirchner
I'm creating a Wikipedia entry on the first female aviator in the U.S. Army, retired Col. Sally D. Murphy.

'''"Fort Myer Honors Pioneering Army Pilot." Washington Post. The Washington Post, 26 Mar. 2009. Web. 31 Mar. 2015.'''


 * Murphy became the first woman to graduate from the Army's flight school at Fort Rucker, Alabama, a milestone celebrated yesterday at Fort Myer in Arlington County.
 * She also became a fixed-wing pilot.
 * After flight school, she married a Huey helicopter pilot who had served in Vietnam. They have a son, now a 29-year-old captain with the 82nd Airborne Division who has deployed once to Afghanistan and once to Iraq. Her daughter-in-law is also a soldier and has served two tours in Iraq.

'''"Army Honors 1(st) Female Aviator in Recognition of Women's History Month." EuroInvestor. N.p., n.d. Web. 31 Mar. 2015.'''


 * She retired as a Colonel in 1999.
 * Murphy was honored in a formal ceremony last week at Fort Myer in Arlington, Virginia and received the U.S. Army Freedom Team Salute Veteran Commendation to commemorate her 27 years of service and her place in military history.
 * Murphy joined the Army’s Women Army Corps (WAC) program in 1972 and entered the Aviation School when the Army opened its ranks to women. She had previously attended the Military Intelligence School at Fort Huachuca, Arizona. After graduating from Aviation School, she served with the 330th Army Security Agency Company (Guardrail II) flying RU-21 airplanes as an intelligence officer along the border between Germany and the Soviet Union. Later she flew Huey helicopters and commanded a Company for the 1st infantry Division at Fort Riley, Kansas and went on to command the 62nd Aviation Company in Germany and the 78th Aviation Battalion (Provisional) in Japan.

'''"Welcome to Women in Aviation." Welcome to Women in Aviation. N.p., n.d. Web. 31 Mar. 2015.'''


 * Sally was returned to Germany and in 1986 was assigned Commander of the 62nd Aviation Company (The Coachmen) in support of V Corps headquarters. In 1991, Commander Murphy was assigned to the 78th Aviation Battalion at Camp Zama, Japan. The unit was much like the 62d Aviation Company in that it was a headquarters support unit, multi-missioned and mixed aircraft with its own airfield operations. Under the command of Sally D. Murphy, the unit flew and maintained UH-1 and UH-60 (Sikorsky Blackhawk) helicopters and C -12 (Beech Queen Air) airplanes.

'''"United States Department of Defense." Defense.gov News Article: Women Aviators Finally Fill Cockpits of Military Aircraft. N.p., 19 Mar. 2003. Web. 31 Mar. 2015.'''


 * Woolfolk (maiden name) entered the Army in January 1973, a month after receiving a master's degree in history from Kansas State College of Pittsburg, Kan.

'''"Keynote Speakers." 2012 Annual International WAI Conference -. N.p., n.d. Web. 31 Mar. 2015.'''


 * She graduated on June 4, 1974 as the first woman Army helicopter pilot
 * Major Murphy served in the Headquarters, Department of the Army, Office of the Deputy Chief of Staff for Operations, Force Development office for intelligence systems, including her responsibility for the Army’s unmanned aerial vehicle program. She wrote, staffed, and received approval for the first Joint requirements document plan for unmanned aerial vehicles, its master plan. After subsequent promotion to Colonel and assignments to the Joint and Army staffs, Colonel Sally Murphy retired from the Army with nearly 27 years of active service on July 1, 1999.

'''"The Kansas City Times from Kansas City, Missouri · Page 1." Newspapers.com. N.p., n.d. Web. 31 Mar. 2015.'''


 * She was born in Wichita Kansas
 * She grew up in Overland Park, Kansas
 * She went to Shawnee Missloo West High School in 1967. A first marriage ended in divorce. Her original plans called for a high school teaching job, but reflecting on the subject she decided she was too short of patience f^ that vocation. She joined the Army a month after graduation. She first attended an 11-week orientation course for women officers at Ft. McClellan, Alabama.

Annotated Bibliography for Jane Evelyn Atwood by Holly Blaha
I am going to edit and expand on the Wikipedia article for photographer and writer Jane Evelyn Atwood.

'''"Agence VU - Jane Evelyn Atwood." Agence VU - Jane Evelyn Atwood. Web. 31 Mar. 2015.'''

• American living in Paris for more than 30 years • Awards: 2005 - Charles Flint Kellog Award in Arts and Letters 2003 - Hasselblad foundation Grant 2000 - France Info Radio Award, for "trop de peines, femmes en prison" 1998 - Alfred Eisenstaedt Award for Magazine Photography 1997 - Leica-Oscar Barnack Award 1996 - Award SCAM Portfolio 1996 - Marc Flament of Ministry Defence Award 1994 - Hasselblad Foundation Grant 1990 - Paris-Match of journalism photo award 1988 - Fiacre Grant of Culture Ministry, France 1983 - Grant Fiacre of Culture Ministry, France 1980 - Foundation Eugène Smith Award

'''"1980: Jane Evelyn Atwood | W. Eugene Smith Memorial Fund, INC." W Eugene Smith Memorial Fund INC. Web. 31 Mar. 2015.'''

• Born in New York, has been living in France since 1971

• Works primarily in the tradition of documentary photography, following individuals or groups of people

• "She is the author of ten books - two on French prostitutes in Paris and one on the French Foreign Legion. A fourth, on the blind, Extérieur Nuit, was published in the series, Photo Poche Société, Editions Nathan, in 1998. In February, 2000, Too Much Time, a ten-year photographic study of women in prison was published by Phaidon Press Ltd. in the United States, and Trop de Peines, Femmes en Prison, Editions Albin Michel, in France. In 2004 Le Seuil published Sentinelles de l’ombre, photos and texts about landmine victims in Cambodia, Mozambique, Angola, Kosovo, and Afghanistan. Badate, an intimate story of the immigration phenomenon of Ukrainian women who care for the Italian elderly, is published by Editoriale Sylvana in 2005, three years of color work, Haiti, is published by Actes Sud in 2008, and in 2010, Atwood joins the prestigious PhotoPoche monography series, published by Actes Sud, with Jane Evelyn Atwood, PhotoPoche #125. In 2011, Editions Xavier Barral re-edits Atwood’s first story on French prostitutes, Rue Des Lombards, done in 1976."

Annotated Bibliography for Gabi Grecko by Emma Fisbeck
I am going to create a Wikipedia entry for Fashion Designer Gabi Grecko.

Danielle Gusmaroli for Daily Mail Australia. "Geoffrey Edelsten's Fiancée Gabi Grecko Reveals She Lost Her Father to a Cocaine Overdose When She Was 12 and Today Struggles Daily with ADHD ." Mail Online. Associated Newspapers, 8 Mar. 2015. Web. 31 Mar. 2015.

.

-She has revealed her father died when she was 12 but always stopped short of going into detail. But in a candid interview with glossy magazine Penthouse, aspiring model Gabi Grecko reveals her celebrity hairdresser father Michael died from a fatal cocaine overdose.

-she battled Attention deficit hyperactivity disorder (ADHD) in high school and smokes weed to channel her creative streak.

-Gabi opened up about her chequered childhood saying she spent her formative years being ferried between both parents saying: ‘He and my mother weren't married, ever.

-Gabi, who has a younger step brother and sister from her mother's second marriage to Brian Deering, says she is estranged from her siblings but remains close to her mother, Kathy Deering.

-The 25-year-old fiance of Geoffrey Edelsten, 71,

-'He [Dad] had a lot of girlfriends, so it was me in Miami either with him or my mom. ‘I feel like I got this kind of inner drive from him, that I want to create and express myself. 'I don't like to quit, ever. I always want to quit but I never do.’

Annotated Bliography on Germaine Émilie Krebs by Elena Grimm
'''Menkes, Suzy. "Madame Grès as Sculptor." The New York Times. The New York Times, 19 Apr. 2011. Web. 31 Mar. 2015.'''
 * She had an exhibit at the Musée Bourdelle called “Madame Grès: Couture at Work”in 2011 showcasing dresses such as goddess evening gowns
 * Daytime wear have the allure of simplicity and complicity: subtly hidden couture work and a respect for the female body.
 * Madame Grès business was liquidated and the name bought by the Japanese company Yagi Tsusho in the late 1980s.
 * Mr. Alaïa collected archive pieces,including the period between 1934-42 when the designer’s house was known as “Alix”, for the Fashion Museum in Marseille.
 * Duchess of Orleans or of Windsor and Hubert de Givenchy were notable clients.
 * The final creation of Madame Grès was a swelling-bodice dress ordered in 1989 by Hubert de Givenchy
 * The simplicity and minimalistic effects are what she is known for
 * This article would be useful in describing the techniques and designs Madame Gres specialized in

'''Sage, Alexandria. "Madame Gres Paris Exhibit Is Ode to Draped Fashion." Reuters. Reuters, 8 July 2011. Web. 31 Mar. 2015.'''
 * This celebrated couturier, who pleated and draped her way through a half-century career in fashion, the art of meticulously folding fabric over the body to create dramatic sculpted forms elevated craft to art.
 * Dresses include styles from modest Grecian simplicity to the avant-garde
 * 20th century designer for whom simplicity and perfection, rather than ostentation, were lifetime goals.
 * Purity of form, expert craftsmanship and an unwavering belief in her vision allowed Gres to find success making essentially the same neoclassical dress over and over
 * Gres, had wanted to be a sculptor but ended up spending a lifetime exploiting the myriad possibilities of draping fabric. She took the name Gres, the alias of her Russian painter husband.
 * First gaining notoriety in 1935 with the costumes for Jean Giraudoux's Surrealist play, "The Trojan War Will Not Take Place," she began to design under the name "Alix."
 * her gowns were worn by the glitterati from Marlene Dietrich
 * Gres could take 2.8 meters (9 feet) of fabric and reduce it through pleating to 7 cm (2.8 inches). That provided not only volume, but an inner structure that required no corseting or reinforcements.
 * With her generous use of fabric in wartime, she angered the Germans, who ordered her Paris shop to close.
 * Gres's signature work is two oversized billowing sleeves that burst forth from the shoulders and the humble pleat
 * This article features and details a lot of work done by Madame Gres and what was on display in Musee Galliera of fashion

'''Di Trocchio, Paola. "Madame Gres: Couturier At Work." Fashion Theory The Journal Of Dress, Body & Culture Volume: 18 Issue: 4 (2014): Academic OneFile. Web. 2 Apr. 2015.'''
 * Grès trained as a sculptor and applied her training to her fabric forms, yet in interviews she denied the influence of the classical
 * History labelled her queen of drapery, a title she hated
 * Grès, a private and infinitely complex woman, preferred her dresses to be read for themselves
 * statuesque, light in color, classically inspired, and its asymmetrical folds sensuously wrapped the bod (overall style)
 * for her it was the same thing to work in fabric or in stone
 * Grès was not only a classicist, but also an expert colorist and tailor.
 * Grès was exposed as a sculptor not just of fabric, but of metal, with jewels in silver and gold crafted into collars and wreaths.
 * First called Germaine Emilie Krebs, then Alix, Alix Barton, Alix Grès, and finally Madame Grès, she was as much a creation as her dresses. She adopted the name of her employer, Barton, and then the moniker of her husband, Grès. This was an anagram of his first name, Serge, which appropriately means stone. Much like her contemporary Chanel, she excelled at the art of invention

'''Cooke, Lynne. "Madame Grès. New York." The Burlington Magazine 2008: 360. JSTOR Journals. Web. 2 Apr. 2015.''' meaning pig-headed or stub born - launched in 1959.)
 * She died mired in obscurity, isolation and poverty in the south of France
 * Famously secretive, Gres chose to veil, if not deliberately misrepresent, the principal facts of her life on the rare occasions that she was willing to be interviewed.
 * her first business was founded at the beginning of the 1930s under the name of Alix, was sold during the Second World War in a period of great personal privation; the second, the couture house which she operated from the end of the War under the signature of Madame Gres, rapidly declined after her retirement in 1987, and closed shortly there after. (Poor business dealings meant that she also lost the fortune she built on the basis of the first of her licensing deals, the perfume 'Cabochard'
 * her daughter Anne not only concealed the fact of her mother's death but impersonated her in written exchanges
 * her stylistic hallmarks, a clear contour that reveals and enhances the female form beneath, and dexterous draping that encourages fluid graceful motion.
 * Although celebrated in the 1930s for an approach to draping that dispensed with corsets and padding, she proved far from indifferent to the impact of Dior's New Look in the immediate post-War years
 * Gres, by contrast, was attracted by the simple structures of certain regional traditions of dress in particular saris, kimonos and serapes.
 * Great article that details the timeline of her career, inspirations and her notable styling

'''"The graceful drapings of Madame Gres New York's Metropolitan Museum of Art honours the last of the great couturieres." Globe & Mail (Toronto, Canada) 1994: Opposing Viewpoints in Context. Web. 2 Apr. 2015.'''
 * Achievements honored in an exhibition, titled Madame Gres, at The Costume Institute of The Metropolitan Museum of Art in New York in 1994
 * early in life wanted to be a sculptor. Her family objected. Instead, she turned her hands to shaping dressmaker's material
 * silk jersey and paper taffeta being two of her preferred media.
 * In the early thirties, under the name of Alix Barton, she established her own couture house and with it the signature of that house, gowns exquisitely moulded in classical drapery
 * her interest in creating, directly on a mannequin, garments to hold ingeniously and gracefully to the human form.
 * Gres had "little relation to the fashions of the moment," and that a Gres show was always "a long-drawn-out, tense pyschological struggle
 * Gres was such a purist, such a perfectionist, that she anguished until the last minute and often sent out clothes that were half- finished.
 * panels of jersey, of neck-to-hemline length, were pleated, hand-stitched in place, gathered tightly towards the waist and thereafter released to fall in gentle folds
 * The dimension and contour of the Gres jacket from 1935 echoes in one that John Galliano presented last month. A 1949 ensemble of bustled tartan skirt and a jacket sectioned into curves is comparable to outfits that Vivienne Westwood has proposed for next spring. The spherical incisions in the bodice of a late-sixties angora-jersey gown suggest the sort of surgery Geoffrey Beene has lately performed.

'''FOREMAN, KATYA. "A Glimpse Of Grès." WWD: Women's Wear Daily 201.62 (2011): 8-1. Business Source Complete. Web. 2 Apr. 2015.'''
 * Working rarely with patterns, she constructed designs directly on the body.
 * designer as a pioneer of sophisticated minimalism.
 * Madame Grès essentially reworked the same dress, pursuing her ideal of the seamless garment with economy of line and volume. The designer was also a great colorist, using a broad palette of hues, from sand to sun yellow, bluebell, raspberry and coral.
 * Known as a designer's designer, Grès' heyday was in the Thirties, Forties and Fifties. But she also saw a comeback in the Seventies, with Yves Saint Laurent and Issey Miyake among advocates of her work. Marlene Dietrich, the Duchess of Windsor, Grace Kelly and Paloma Picasso were among the label's fans.
 * Grès' creations were extremely light, supple and unstructured
 * the designer liked her models to wear her dresses without underwear, as she wanted the clothes to be in direct contact with skin.
 * her focus remained riveted on one thing: couture dresses, which she continued to design into her 80s
 * She is remembered as a fiercely private, strong-willed workaholic who preferred to let her creations do the talking.
 * The late designer named her bestselling fragrance after herself, baptizing it Cabochard, which translates as “stubborn.”
 * Grès died in obscurity in 1993 in a retirement home near Toulon, France, a few days before her 90th birthday. Her death was only made public a year after the event.

'''Rose, Cynthia. "Finding Fidelity Within The Fashion House." Crafts (0306610X) 231 (2011): 65-66. Art & Architecture Complete. Web. 2 Apr. 2015.'''
 * The couturière Madame Grès is a French fashion legend, famous for her draped ‘Grecian’ gowns and stunning silhouettes.
 * Over her working life of six decades, Grès lived like a monk
 * In 1972, by a unanimous vote, she was elected head of Paris couture’s Chambre Syndicale. Four years later, that body gave her its highest award. Yet she was resolute in shunning all publicity
 * each robe consumed enormous amounts of jersey, the final shapes exuded sensuous, fluid charm.
 * Grès worked directly on live models, cutting and pinning each of her creations by hand.
 * During the 50s, Grès was inspired by ethnic traditions; she explored their histories for simpler cuts and purer lines
 * During the 70s, Grès pared away her drapes to highlight naked flesh.
 * In 1986, she unveiled a dress that was made without stitching.
 * All were merely versions of her singleminded vision, a very exact idea of the feminine that eschewed all artifice.
 * her training at Maison Premet – a house founded at the time when couture was defining itself. For Grès, it was a high art, requiring ‘extreme perfection’.

Annotated Bibliography on Westray Battle Long
I am going to create an entry for the second director of the Women's Army Corps, Westray Battle Boyce Long.

'''"Long, Westray Battle." Long, Westray Battle. Web. 31 Mar. 2015.''' Westray Battle Long, second director of the Women's Army Corps; Westray attended the Women's College of the University of North Carolina at Greensboro (1918–19), where she was president of her class, and Pell's Law School in Raleigh (1921–22);

'''"Truman Library - Westray Battle Boyce Long Papers." Truman Library - Westray Battle Boyce Long Papers. Web. 31 Mar. 2015.''' 1901 (August 10) Born Westray Battle, Rocky Mount, North Carolina 1918-1919 Attended North Carolina College for Women 1919-1934 Employed at the various insurance companies 1921-1922 Attended Pell's Law School 1924 (November 11) Married James Stacy Boyce 1934-1935 Worked for National Recovery Administration 1935-1941 Worked as Chief of the Insurance Section of the Rural Electrification Administration 1941-1942 Worked as Administrative Officer for Federal Works Agency 1942-1945 Served in various positions in the Women's Army Auxiliary Corps and the Women's Army Corps, rising to the rank of Colonel 1945 (July 12) 1947 (March 4) Director of the Women's Army Corps 1947-1948 Public relations representative for the National Society for Crippled Children and Adults, Inc. 1948 (July 30) Married William Leslie 1964 Married Willie Jones Long 1972 (January 31) Died at Walter Reed Army Hospital

'''"WAC's Colonel Westray Battle Boyce-A Proud North Carolinian." This Day in North Carolina History. 8 Feb. 2013. Web. 31 Mar. 2015.''' On February 8, 1944, Westray Battle Boyce was promoted to lieutenant colonel and became the first woman to receive the Legion of Merit. Few North Carolina men, and no Tar Heel women, had a more distinguished service record in World War II than Colonel Westray Battle Boyce. In August 1942 she entered training for the Women’s Army Auxiliary Corps, which became a part of the Army in September 1943 when the name was changed to the Women’s Army Corps (WACs).

'''Battle, H. B., and Lois Yelverton. The Battle Book; a Genealogy of the Battle Family in America, with Chapters Illustrating Certain Phases of Its History,. Montgomery, Ala.: Paragon, 1930. Print.''' Colonel Westray Battle Boyce was given the responsibility as head of the WAC for enforcing the racial integration of that segment of the armed forces. Martha Westray Battle Boyce (Long) (Aug. 10, 1901- Jan. 31, 1972), second director of the Women’s Army Corps, was born in Rocky Mount, North Carolina, the daughter of Jacob Battle, Jr. and Mattie Nash Wright

'''"Samuel Westray." Westray.org and Sallie Bradford Turner Short Page. Web. 31 Mar. 2015.''' Martha Westray Battle. B. 08-10-1901 Rocky Mount, North Carolina.

'''Fleming, Monika S. Rocky Mount and Nash County. Charleston, SC: Arcadia, 1998. Print.''' Great-grandfather was Turner Westray Battle, capatain of the Confederate Guards, grandfather was a state senator and superior court judge.

Annotated Bibliography For Samantha Gash
1. Getzels, Rachael. "Ultra Marathon Champion On Running The Most Extreme Race On Earth." The Huffington Post UK. Huffpost Lifestyle, 4 Nov. 2014. Web. 31 Mar. 2015.

Notes: Runs 250km in the desert, has done the "Grand Slam," of marathon runners

2. Mertens, Maggie. "Meet the Woman Running 1,500 Miles to Help Keep Girls in School." Glamour. 26 Sept. 2014. Web. 31 Mar. 2015.

Notes: Raising awareness throughout South Africa to obtain feminine hygiene products for young girls so they don't miss school. Ran an equivalent of two marathons per day.

Annotated Bibliography on Chiho Aoshima by James Conkle
I am going to format, extend and make the page of artist Chiho Aoshima more relevant and cohesive.

''' E-Artexte Administrator. "For the Record : Drawing Contemporary Life." Artexte. E-artexte, 17 Sept. 2003. Web. 31 Mar. 2015.'''

This exhibition of contemporary drawing features the work of 39 artists committed to the practice. Considering drawing as a convenient way to record and comment on contemporary life, Augaitis focuses on the representational work that is part of a trend that has seen drawing take prominence in the art world.

'''E-Artexte Administrator. "KRAZY ! : THE DELIRIOUS WORLD OF ANIME, COMICS, VIDEO GAMES, ART." Artexte. E-artexte, 24 Apr. 2009. Web. 31 Mar. 2015.'''

Event Title:	Krazy ! : The Delirious World of Anime, Comics, Video Games, Art

Type:	Exhibition

Location:	Vancouver Art Gallery (Vancouver, BC)

Dates:	17 May - 7 Sept. 2008

'''Darling, Michael. "Plumbing the Depths of Superflatness." Art Journal 60:3 (2014): 76-89. Routledge. Web. 31 Mar. 2015.'''

Chiho Aoshima is one of the most exciting artists to emerge from Superflat, and has developed a highly original practice entirely based on digital illustration programs. Drawing exclusively with computer tools. Aoshima makes her own Lolicom scenarios, featuring nymphettes cavorting with animals, cheerleaders gone awry, and blood- stained sashimi slicers, all depicted with soft, cool colors, little modeling, and a dreamy, teen point of view.

Annotated Bibliography of Rachel Abbott by Braylyn Dusenberry

1. "Rachel Abbott." Amazon. Web. 31 Mar. 2015. .

Rachel published Only the Innocent in November 2011. It raced up the UK charts to reach the top 100 within 12 weeks and quickly hit the #1 spot in the Amazon Kindle chart (all categories)  and remained there for four weeks.

2. Baddeley, Anna. "Ebooks: Why It Pays to Self-publish." The Guardian. 3 Mar. 2012. Web. 31 Mar. 2015. &lt;http://www.theguardian.com/books/2012/mar/04/self-publishing-ebooks-rachel-abbott&gt;.

Only the Innocent has been shifting more than 3,000 copies a day on Amazon. Contrast that with the 2,230 a day managed by last week's top-selling paperback, SJ Watson's Before I Go to Sleep. You can understand why the sight of a self-published writer would make a publisher run for the hills: Rachel Abbott and her ilk are the ghosts of publishing future.

3. Rahman, Khaleda. "Self-publishing Author Says She 'astounded' after Her Crime Thriller Which Was Rejected by Literary Agents Sells ONE MILLION Copies." Daily Mail. 7 Feb. 2015. Web. 31 Mar. 2015. &lt;http://www.dailymail.co.uk/news/article-2944387/Self-publishing-author-says-astounded-crime-thriller-rejected-literary-agents-sells-ONE-MILLION-copies.html&gt;.

Sheila Rodgers's first novel Only The Innocent, written under the pen name Rachel Abbott, and its two sequels, have together sold a million copies - but the 62-year-old had thought she would be 'lucky' to sell 1,000.

The three e-books have been bestsellers on Amazon's Kindle store - and remain in the top 100.

4. "Author Interview (Rachel Abbott)." Literary R&R. 21 Aug. 2014. Web. 6

Apr. 2015.

I wanted to write about what set of circumstances would give a woman no other option than to murder a man. So that’s what I wrote about.

5. Moushon, James. "Rachel Abbott-An Author Interview in the HBS Author's Spotlight." HBS Author's Spotlight. HBSystems Publications, 21 July 2014. Web. 6 Apr. 2015.

Most posts early on were about the whole process of self-publishing, and so the followers came that way. But then I started a second stream that was more aimed towards content for readers – so I try to talk about other people’s books as well as my own – anything that might interest readers in general.

Annotated Bibliography for Ida May Park by Kenneth Herron
I am planning on creating a Wikipedia page the film writer and director, Ida May Park

'''"Ida May Park." Women Film Pioneers Project. Web. 31 Mar. 2015.'''


 * In 1916 Motion Picture News Studio Directory credited Park with 12 years of screen experience at Pathé and the Universal Film Manufacturing Company
 * Worked as a scenario writer
 * Employed by Universal from 1914 to 1919. She wrote forty films there with half of them being feature lengths

Annotated Bibliography for Nicola Clayton by Abbey Mauch
I'm going to create a Wikipedia entry for cognitive psychologist Nicola Clayton.

"Professor Nicola S. Clayton FRS FSB FAPS C Psychol." Professor Nicola S. Clayton, FRS FSB FAPS C Psychol. Web. 31 Mar. 2015. Source Name
 * Nicola Clayton is Professor of Comparative Cognition in the Department of Psychology at the University of Cambridge, a Fellow of Clare College and a Fellow of the Royal Society.
 * expertise lies in the contemporary study of comparative cognition, integrating a knowledge of both biology and psychology to introduce new ways of thinking about the evolution and development of intelligence in non-verbal animals and pre-verbal children.
 * Nicky is also the first Scientist in Residence at Rambert (formerly Rambert Dance Company). She collaborates with Mark Baldwin, the Artistic Director, on new choreographic works inspired by science

"Professor Nicky Clayton, FRS." Cambridge Neuroscience. Web. 31 Mar. 2015. Source Name
 * Nicky studies the development and evolution of cognition in members of the crow family (including jackdaws, rooks and jays) and humans.
 * Her work has challenged many of the common-held assumptions that only humans can plan for the future and reminisce about the past, and that only humans can understand other minds as well as other times.
 * This work has led to a radical re-evaluation of animal cognition, and raises important issues about the evolution of cognition.
 * Nicky's most recent collaboration is with artist and write, Clive Wilkins, who is Artist in Residence in the Psychology department. It arose out of their mutual interest in mental time travel.

"The Captured Thought Is off to Florida University." The Captured Thought. Web. 6 Apr. 2015. Source Name ourselves
 * Professor Nicola Clayton FRS, a behavioral scientist who studies the minds of crows and humans, and writer and artist Clive Wilkins collaborated to create a unique series of lectures entitled, "The Captured Thought"
 * Sets out to explore the subjective experience of thinking, by drawing evidence from both the arts and science to investigate the nature of mental time travel and mechanisms we use to reminisce about the past and think about the future
 * Their goal to illuminate ideas concerning memories and question the power of analysis and sense we make of the environments in which we find

"Battle of Ideas 2014 | Speaker | Professor Nicola Clayton." Battle of Ideas 2014. Web. 7 Apr. 2015. Source Name
 * Her expertise as a scientist lies in the contemporary study of how animals and children think. This work has led to a re-evaluation of the cognitive capacities of animals, particularly birds, and resulted in a theory that intelligence evolved independently in at least two distantly related groups, the apes and the crows. She has also pioneered new procedures for the experimental study of memory and imagination in animals, investigating its relationship to human memory and consciousness, and how and when these abilities develop in young children.
 * Nicky is also a dancer, specializing in tango and salsa. In addition to her role as scientist in residence to Rambert, Britain’s flagship contemporary dance company, she collaborates with Mark Baldwin, the artistic director of Rambert, on new choreographic works inspired by science, including the Laurence Olivier Award-winning Comedy of Change, Seven For A Secret Never To Be Told, and What Wild Ecstasy.

Reisz, Matthew. "Third-culture Club." Times Higher Education. 15 Mar. 2012. Web. 6 Apr. 2015. Source Name
 * For the past 3 years, Clayton has worked with the Rambert Dance Company as science collaborator, then scientific adviser and now scientist-in-residence, she spends two days a week with the London-based company
 * Clayton became involved in a dance piece called The Comedy of Change in 2009 - the 150th anniversary of the publication of The Origin of Species - which was "inspired by Darwin's ideas of natural and sexual selection".
 * She met choreographer and artistic director Mark Baldwin, she recalls, and "brainstormed ideas about science that could inform the piece.

Gross, Michael. "Dances with Magpies." Current Biology 21.22 (2011): R905-907. Print. Source Name
 * their new science-inspired programme is based on the psychology of children, which has also been part of Clayton's research at Cambridge's Department of Experimental Psychology since 2002.
 * Clayton singled out three themes related to the behavioural development of children, which have helped to inspire the choreography, namely, inside versus outside, how imitation leads to innovation, and the importance of play.
 * Inside–outside refers to the fact that young children see the world very differently to that of adults. “As children develop, the tension between the inside and outside world shifts in perspective, and slowly but surely children start to see the world as adults do.”
 * to be an individual you need to know when to innovate, when to do and see things differently, and how to get creative. Indeed the dichotomy between copying other people's behaviour and developing your own individual approach is a crucial part of growing up.
 * Play is a way of allowing children to explore the world and ideas, and develop all kinds of important skills for dealing with life's problems.
 * Clayton and Baldwin also share a deep interest in the musical foundations of dance.
 * Clayton continues to study the intelligence of corvids. Much research has shown the remarkable intelligence of members of the Corvus genus, such as crows and rooks, but Clayton has shown that tool use can also occur in other members of the Corvidae, specifically in the Eurasian jay (Garrulus glandarius).
 * Clayton's group has also demonstrated that corvids can plan for the future in ways that were thought to be unique to humans (Nature (2007), 445, 919–921). In their most recent publication, Cheke and Clayton show that Eurasian jays can distinguish two separate future needs and plan for them accordingly, even if it conflicts with present motivations

Annotated Bibliography on Rhonda Mapp by Devon Alexander
I am going to create a Wikipedia entry for Rhonda Mapp.

1. "Mapp, Rhonda." Who's Who Among African Americans. Ed. Kristin B. Mallegg. 24th ed. Detroit: Gale, 2010. 785. Gale Virtual Reference Library. Web. 31 Mar. 2015.

Basketball player. Personal: Born Oct 13, 1969. Educ: NC State Univ, attended 1992. Career: Charlotte Sting, center-forward, 1997–2000; Los Angeles Sparks, 2001–03.

2. "ACC Announces the 2012 Women's Basketball Tournament Legends | - ACC News." Atlantic Coast Conference. N.p., 02 Feb. 2012. Web. 31 Mar. 2015.

Rhonda Mapp was named to the first-team All-ACC squad in 1991 and 1992.

Mapp helped lead the Wolfpack to a three-year record of 67-25 as well as NCAA Tournament appearances in 1989 and 1991

Annotated Bibliography Josephine Cochrane by Seth Klepper
"Josephine Cochrane." Josephine Cochrane. Soylent Communications, n.d. Web. 31 Mar. 2015. Her father, John Garis, was a civil engineer. Her mother, Irene Fitch Garis Her Sister, Irene Garis Ransom Her daughter, Katharine Cochran Her son, Hallie Cochran

"No. 1476 Inventing the Dishwasher." Engines of Ingenuity. N.p., n.d. Web. 31 Mar. 2015.

Josephine married a man William Cochran who was a politician and merchant. Then moved to Shelby County, IL. Kept William's last name but Josephine added the "e". Her husband died while she was at the age of 44, which led to her motivation. She died and Kitchen Aid bought dishwasher.

Brenner, Johanna. "Portland's Walk of the Heroines." Josephine Cochrane. N.p., n.d. Web. 01 Apr. 2015. She designed the first model in her shed. George Butters was a mechanic that assisted her in the construction of the first dishwasher. Hers was the first to used water pressure instead of scrubbers.

"Josephine Cochran, Dishwasher Inventor." Josephine Cochran, Dishwasher Inventor. N.p., n.d. Web. 01 Apr. 2015. Soapy water had to be forced into the machine by a hand pump. It didn't become a common household item until the 1950s, which was after Josephine's death. She had much support from her friends and neighbors.

"Josephine Cochrane." Lemelson-MIT Program. N.p., n.d. Web. 01 Apr. 2015. She was a sociallate. Dishwashers required a great amount of hot water and households could not handle it when she first came out with the dishwasher. Popularity increased tremendously in the the 1950s. She advertised the machine in local newspapers.

"Josephine Garis Cochrane." CooksInfo.com. N.p., n.d. Web. 01 Apr. 2015. . She was raised in Valparaiso,IN. She went to private school in Indiana until the school burnt down and she moved to Shelby county, IL. The company name came from the names of her father and husband. She later came out with the motorized dishwasher. She died of a stroke at the age 74.

Annotated Bibliography for Cora Bagley Marrett by Karissa Jones
I am going to create a Wikipedia page for Cora Bagley Marrett.


 * Marrett was born in Kenbridge, Virginia which was a tobacco-farming area
 * She was the youngest of 12 children
 * Her parents only received a 6th grade education
 * She received her undergraduate degree from Virginia Union University and pursued her graduate education at the University of Wisconsin
 * Marrett was a professor of Sociology and Afro-American studies from 1974-1997 at the University of Wisconsin
 * She facilitated programs for the United Negro College Fund
 * From 1992-1996 she worked at the National Science Foundation


 * Marrett was born in 1942
 * From 1992-1996 Marrett was the Assistant Director for Social, Behavioral, and Economic Studies at the National Science Foundation
 * From 1996-1998 when called upon she sat on the Board of Governors of the Argonne National Library while also being a member of a peer-review group for the National Institutes of Health
 * From 1997-2001 Marrett worked at the University of Massachusetts-Amherst as Provost, Senior Vice Chancellor of Academic Affairs, and a professor of Sociology and Afro-American Studies
 * In 1996 she received an honorary Doctorate from Wake Forrest University and became a member of the American Association for the Advancement of Science
 * In 1998 she became a fellow of the American Academy of Arts and Sciences


 * May 2011-August 2014 Marrett served as the Deputy Director of the National Science Foundation
 * Marrett also worked as the Assistant Director for Education and Human Resources
 * While working for the National Science Foundation from 1992-1996, she also received the Distinguished Service Award