Yasmeen Williams

Yasmeen Williams (Also known as Betty J. Williams, Bheti Yasmeen Williams, and Yasmeen Bheti Williams-Johnson) is an American gospel singer and former member of the African American a cappella ensemble Sweet Honey in the Rock.

Early life
Yasmeen Williams is the daughter of Baptist preacher Rev. Dr. Edgar L. Williams and Deaconess Gladys E. Weaver Williams. Her father pastored the Second New St. Paul Baptist Church in Washington, D.C. for approximately 45 years.

Williams grew up during the gospel explosion in Washington, D.C. As a youth, she received her training in gospel music from her cousin, Dr. Shirley Ables-Starks of the Joy Gospel Singers and her aunt, Vara Simpson, the founder of two gospel groups – The Service Gospel Singers and The Spiritualettes, who were often featured on the Metro D.C. WOOK Radio Station for early Sunday Morning worship.

According to a recent interview, in the mid 1970s Williams attended the Smithsonian Folklife Festival (then the Festival of American Folklife) and came across a stage that was set up like an old "stoop." She saw a group of Black women sitting on this simulated porch dressed in African attire. As they began to sing a cappella, Williams shared that she could "see my sister’s face in each of those women," and she had the vision of singing with them one day. That group was Sweet Honey in the Rock.

Sweet Honey in the Rock
About a year after she first heard them sing, Williams joined the D.C. Black Repertory Theatre Company. A community funded program, it was under the directorship of actor Robert Hooks and his wife Rosie. The leader of Sweet Honey in the Rock, Bernice Johnson Reagon, was the Director of the theatre's Music Department. In 1976, after hearing Williams sing in class one day, Bernice Johnson Reagon, asked Yasmeen to audition for Sweet Honey in the Rock and she was accepted into the group. She sang with Sweet Honey for 17 years. While her full-time involvement ended in 1985, she often returned for special events and recordings. Sweet Honey in the Rock traveled the world singing and grassroots organizing. The group was booked internationally by Roadwork, another woman's group that was co-organized by Bernice Johnson Reagon and Amy Horowitz. Roadwork not only worked with Sweet Honey in the Rock, but also created Sisterfire, an urban, global multiracial women's cultural festival that brought together diverse women artists like Sweet Honey in the Rock, and other radical women artists. Williams was part of Sweet Honey in the Rock during this time period along with Bernice Johnson Reagon, Evelyn Harris, Patricia Johnson, and later Ysaye Barnwell, and was heavily influenced by the management and organization of Roadwork.

The recipients of numerous awards, including a Grammy for their work on Folkways: A Vision Shared – A Tribute to Woody Guthrie & Leadbelly. Sweet Honey in the Rock is an American institution which is featured in the National Museum of African American History and Culture and the National Museum of American History.

Recordings and Major Performances
Major recordings and performances while Williams was active in the group include:


 * When I Die Tomorrow. (1999). Original song by Williams, recorded by Sweet Honey In The Rock with Williams as a contributing vocalist on Feel Something Drawing. Flying Fish Records.
 * Sweet Honey In The Rock (1998). Contributing vocalist on Twenty-Five. Rykodisc
 * Sweet Honey In The Rock. (1997). Contributing vocalist on Selections: 1976–1988. Rounder Records.
 * Colours. (1989). Original song by Williams recorded by Sweet Honey In The Rock and performed by Nitanju Bolade Casel. In This Land. Earthbeat Records.
 * Sweet Honey In The Rock. (1988). Drinking of the Wine Soundtrack to the Sweet Honey In The Rock Documentary. Flying Fish Records.
 * Sweet Honey In The Rock. (1988). Live at Carnegie Hall. Flying Fish Records.
 * Sweet Honey In The Rock. We All Everyone of Us. (1983). Flying Fish Records. Williams' vocals are featured on "Sweet Bird of Youth," and "We all Everyone of Us."
 * Sweet Honey In The Rock (December 1982). Performance at Baird Auditorium in Washington D.C. produced by the Smithsonian's Black American Culture Program honoring the Rev. William Herbert Brewster (a leading composer of gospel music) with a musical retrospective.
 * Sweet Honey in the Rock. (1981). Good News. Flying Fish Records.
 * Various Artists including Sweet Honey in the Rock. (1979). No Nukes: The Muse (Musicians United for Safe Energy) Concerts for a Non-Nuclear Future. Recorded Live at Madison Square Garden. Warner Brothers.
 * Sweet Honey in the Rock. (1978). Believe I'll Run On. Redwood Records. Williams' vocals are featured on the 2nd verse of "Sitting on Top of the World."
 * Sweet Honey in the Rock with Meg Christian. (1977). Face The Music. Olivia Records.

Featured Documentaries, Soundtracks, and Television

 * Wade in the Water, Vol. 3: African-American Gospel: The Pioneering Composers. (1994). Recorded in 1992 and produced by Smithsonian Folkways Recordings in collaboration with National Public Radio. Catalog No. SF40074.
 * Music of the American Civil War. (1990). Produced by Ken Burns.
 * Eyes on the Prize. (1987). Documentary Television Series. Produced by Blackside Productions.
 * The Oprah Winfrey Show. (1985). Sweet Honey in the Rock & The Barrett Sisters. Chicago.
 * Gotta Make This Journey. (1983). Award-winning documentary on Sweet Honey in the Rock by Michele Parkerson.

Publications
Yasmeen Williams, "Timeless." We Who Believe in Freedom: Sweet Honey In The Rock – Still on the Journey, edited by Bernice Johnson Reagon, Anchor Books Doubleday, 1993, pp. 75–86.

Solo career
Williams has recorded four solo albums and contributed to two others with JeffMajors.


 * (2016) Live Life (Single). Lyrics by Williams. Music by Jeffmajors.
 * (2014). Miraculous: Original Songs of Christmas and Easter. Lyrics by Williams. Music by Tim Adams of True Witness. Produced by Al Johnson & PaRock Productions, Atlanta, GA.
 * (2011). There Is A River. Lyrics by Williams. Music by Alvin “Bink” Wills. Produced by PaRock Productions, Atlanta, GA; Dante Harmon; and Al Johnson. * There Is A River reached #1 on the Top 30 Independent Gospel Songs Chart.
 * (1993). Walking in the Way of Love. Produced by Al Johnson, Andre’ Smith, Bill Washington with Dimensions Unlimited, and Washington, D.C. Commission on the Arts & Humanities.
 * JeffMajors and Bheti Yasmeen Williams. (1989). Back to Classics. Produced by JeffMajors & Williams: Classic Hymns and more on Glasswings Records.
 * JeffMajors. (1986). For Us All (Yoka Boka). Lead Vocals as Bheti Yasmeen Williams. Produced by JeffMajors & Glasswings Records. Includes a song named after her entitled “YASMEEN.”

Singles

 * 60 Million (2017).
 * When We All Get to Heaven (2014).
 * Live Life (2014).
 * So Busy (2015).
 * Couldn't Hear Nobody Pray (2010).
 * There Is a River (2015).

Featured Reviews
Mike Joyce, a columnist for The Washington Post who covered Williams and the D.C. music scene  wrote, "Opening was Yasmeen, the local singer best known for her work with Sweet Honey In The Rock. Her rich alto voice produced some sumptuous chest tones and silvery highs as she moved from a gospel tune to songs composed by Billie Holiday and Bob Dylan."

Richard Harrington from The Washington Post said this of Williams' contributions to Sweet Honey: “The readings of the church standards are excellent, but the most memorable moments come in Sweet Honey’s introduction of two stunning West African songs ‘When I Die Tomorrow,’ uncovered at a Baptist church in Liberia and re-arranged by Yasmeen Williams-Johnson, is a compulsive swirl of polyrhythms and congregational communion.”

Family
Yasmeen is the mother of Summer Williams and has six grandchildren.