Portal:The arts
T H E A R T S P O R T A L
The arts or creative arts are a wide range of human practices of creative expression, storytelling, and cultural participation. They encompass multiple diverse and plural modes of thinking, doing, and being, in an extremely broad range of media. Both dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized, and sometimes intricate forms. This is often achieved through sustained and deliberate study, training, and/or theorizing within a particular tradition, across generations, and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.
Prominent examples of the arts include:
- visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting)
- literary arts (including fiction, drama, poetry, and prose)
- performing arts (including dance, music, and theatre)
They can employ skill and imagination to produce objects and performances, convey insights and experiences, and construct new environments and spaces.
The arts can refer to common, popular, or everyday practices as well as more sophisticated, systematic, or institutionalized ones. They can be discrete and self-contained or combine and interweave with other art forms, such as the combination of artwork with the written word in comics. They can also develop or contribute to some particular aspect of a more complex art form, as in cinematography. By definition, the arts themselves are open to being continually redefined. The practice of modern art, for example, is a testament to the shifting boundaries, improvisation and experimentation, reflexive nature, and self-criticism or questioning that art and its conditions of production, reception, and possibility can undergo.
As both a means of developing capacities of attention and sensitivity and as ends in themselves, the arts can simultaneously be a form of response to the world and a way that our responses and what we deem worthwhile goals or pursuits are transformed. From prehistoric cave paintings to ancient and contemporary forms of ritual to modern-day films, art has served to register, embody, and preserve our ever-shifting relationships to each other and to the world. (Full article...)
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Did you know...
- ... that Culver Randel manufactured pianos at his mill (pictured) in Florida, New York?
- ... that Down Among the Z Men (1952) is the only film starring all four original members of The Goons: Peter Sellers, Spike Milligan, Harry Secombe and Michael Bentine?
- ... that Engine Co. No. 27 served a dual function as a movie location and an operating firehouse serving the Hollywood studios?
In this month
- 5 May 1726 – Handel's opera Alessandro premieres at the King's Theatre in London with Italian castrato singer Senesino in the title role
- 12 May 1926 – Dmitri Shostakovich's Symphony No. 1, which he composed at the age of 19 while a student at Leningrad Conservatory, receives its first performance
- 22 May 1844 – Impressionst painter and printmaker Mary Cassatt (self-portrait pictured) is born in Allegheny, Pennsylvania
- 26 May 1897 – Bram Stoker's novel Dracula, which later became the subject of numerous theatrical, film and television interpretations, is published by Constable & Co.
- 29 May 1913 – Igor Stravinsky's ballet The Rite of Spring premieres in Paris and causes a riot in the audience between supporters and opponents of the work
News
- August 5: DaBaby Levitating remix losing US radio audiences after the rapper's comments on HIV/AIDS
- June 11: Taylor Swift's Evermore records biggest sales week of the year as it returns to No 1 on album chart
- May 27: Olivia Rodrigo's song good 4 u debuts at No 1 on US Billboard Hot 100 chart
- May 25: 'Rock and roll never dies': Italy wins Eurovision after 30 years
- February 10: Disney to shut down Blue Sky Studios, animation studio behind 'Ice Age'
Featured biography
André Kertész (1894–1985) was a Hungarian-born photographer distinguished by his photographic composition and by his early efforts in developing the photo essay.
In the early years of his lengthy career, his then-unorthodox camera angles, and his unwillingness to compromise his personal photographic style, prevented his work from gaining wider recognition. Even towards the end of his life, Kertész did not feel he had gained worldwide recognition. The first photographer to have an exposition devoted to his work, he is recognized as one of the seminal figures of photojournalism, if not photography as a whole.
Dedicated by his family to work as a stock broker, Kertész was an autodidact and his early work was mostly published in magazines. The imminent threat of WWII pushed him to immigrate to the United States, where he had a more difficult life and needed to rebuild his reputation through commissioned work. He would take offense with several editors that he felt did not recognize his work. In the 1940s and '50s he stopped working for magazines and began to achieve greater international success. Despite the numerous awards he collected over the years, he still felt unrecognized, a sentiment which did not change even at the time of his death.
His career is generally divided into four periods – the Hungarian period, the French period, the American period and, towards the end of his life, the International period. (Full article...)
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“ | Observe the accommodation of the most common artificer or daylabourer in a civilized and thriving country, and you will perceive that the number of people, of whose industry a part, though but a small part, has been employed in procuring him this accommodation, exceeds all computation. The woollen coat, for example, which covers the day-labourer, as coarse and rough as it may appear, is the produce of the joint labour of a great multitude of workmen. The shepherd, the sorter of the wool, the wool-comber or carder, the dyer, the scribbler, the spinner, the weaver, the fuller, the dresser, with many others, must all join their different arts in order to complete even this homely production. How many merchants and carriers, besides, must have been employed in transporting the materials from some of those workmen to others who often live in a very distant part of the country? How much commerce and navigation in particular, how many ship-builders, sailors, sail-makers, rope-makers, must have been employed in order to bring together the different drugs made use of by the dyer, which often come from the remotest corners of the world? What a variety of labour, too, is necessary in order to produce the tools of the meanest of those workmen! To say nothing of such complicated machines as the ship of the sailor, the mill of the fuller, or even the loom of the weaver, let us consider only what a variety of labour is requisite in order to form that very simple machine, the shears with which the shepherd clips the wool. The miner, the builder of the furnace for smelting the ore the feller of the timber, the burner of the charcoal to be made use of in the smelting-house, the brickmaker, the bricklayer, the workmen who attend the furnace, the millwright, the forger, the smith, must all of them join their different arts in order to produce them. | ” |
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