Draft:Federico Bardazzi

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  • Comment: For the same reason this was moved to draftspace. There is a lot of information in this draft that does not contain a source. You will need to either remove that information or add an WP:INCITE reference that verifies. CNMall41 (talk) 19:19, 24 January 2024 (UTC)
Federico Bardazzi
Background information
OriginItaly
Genres
Years active1975 - in activity
Albums released 18
Studio albums 17
Collections 1
Audiovisual works 3

Federico Bardazzi (born April 7, 1962, in Florence) is an Italian conductor and musician, specializing in early, baroque music, and Gregorian chant. He is also a choir director.

Biography[edit]

Born into a family of music enthusiasts, Federico Bardazzi began his musical journey at the age of 6, studying piano, organ, and guitar. In 1975, he became a choir director and organist at the Pieve di Sant'Alessandro in Giogoli, where he conducted his first Gregorian chant Mass. In 1976, he assumed the role of organist and choir director at the Certosa of Florence. During the same period, he commenced his cello studies at the Cherubini Conservatory in Florence under the guidance of Giovanni Bacchelli, eventually earning his diploma.[1] In 1981, he co-founded the Florence Chamber Orchestra (Orchestra da Camera Fiorentina). In 1987, he inaugurated a new season of concerts at the National Central Library of Florence, which had been suspended after the 1966 flood, a project he continued over the years thanks to his collaboration with Maria Adelaide Bacherini Bartoli,[2] the director of the Music Hall.

During the same year, he began collaborating with various ensembles, including the Toscanini Orchestra of Parma, the ORT - Orchestra della Toscana, the Abruzzo Symphonic Institution, and the orchestral groups of the Fiesole School of Music. In 1987, he continued his studies with André Navarra at the Chigiana Music Academy in Siena. In 1989, he began studying composition with Carlo Prosperi and Roberto Becheri, as well as choral direction with Roberto Gabbiani and Peter Phillips. At the Chigiana Academy, he studied orchestral direction with Myung Whun Chung.[3] In 1993, he obtained his degree in orchestral direction and delved into the study of Baroque music, following the productions of Philippe Herreweghe with the Collegium Vocale Gent and the La Chapelle Royale Orchestra. He studied Gregorian chant at the AISCGre in Cremona under Nino Albarosa, Johannes Göschl, and Franz Praßl. Concurrently, he pursued studies in choral music, choir direction, and the viola da gamba at the Cherubini Conservatory and the University of Tor Vergata in Rome.[1] In 1993, he founded the Choir and Orchestra of the Accademia San Felice, later known as Ensemble San Felice. In 1995, he collaborated as a choir director on Jacopo Peri's Euridice, a co-production between the Teatro Comunale of Florence and the Province of Florence, under the direction of Alan Curtis and directed by Luciano Alberti.[1] From 1997, following the loss of his five-year-old son Emanuele, he dedicated himself to sacred music for a decade and embarked on an artistic path focused on medieval music and Gregorian chant. During the 2000s, a core group of instrumentalists and soloists, including flutist Marco Di Manno, harpsichordist Dimitri Betti, multi-instrumentalist Fabio Tricomi, lutenist Giangiacomo Pinardi, Baroque violinist Fabrizio Cipriani, organist Elena Sartori, sopranos Barbara Zanichelli and Giulia Peri, and tenor Leonardo De Lisi,[1] was established within Ensemble San Felice. In 1995, Bardazzi directed Acis and Galatea[4][5] in co-production with Kammeroper Frankfurt and directed by Reiner Pudenz. The opera was also performed at the Astronave of the Centro Popolare Autogestito Firenze Sud. In 2000, he directed Handel's Tamerlano in San Gimignano, staged by Giancarlo Cauteruccio, while in 2008, he directed Rodrigo[6][7] by the same composer at the Lufthansa Festival in London. The production, directed by Luciano Alberti and featuring artists such as Susanna Rigacci, Leonardo De Lisi, and Laura Cherici, was presented in 2009 at the Teatro della Pergola in Florence. In 2010, he directed Handel's Giustino[8] in Genoa and Brescia. In 2013 and 2014, he directed Pergolesi's Il Flaminio in co- production with the Teatro Verdi in Pisa, directed by Marcello Lippi. In the same year, at the Teatro Goldoni in Florence, he directed Purcell's Fairy Queen[9][10] for the Maggio Fiorentino Formazione.

In 2015, he directed Scarlatti's Il trionfo dell'onore and Gazzaniga's Don Giovanni o sia il convitato di pietra[11] at the Teatro Verdi in Pisa. In the same year, he directed Puccini's Suor Angelica and Il barbiere di Siviglia with direction by Ellen Williams. In 2018, he worked on the opera Motezuma by Galuppi, for which he was responsible for the transcription along with Veronica Nosei. The opera was performed at the Puccini Festival and the Mozarteum in Salzburg with the Mozarteumorchester Salzburg. In 2019, he directed Monteverdi's L'incoronazione di Poppea[12] with direction by Marcello Lippi. In 2020, in co-production with the Cantiere Internazionale d'Arte in Montepulciano, he presented Mozart's Don Giovanni - Gazzaniga,[13] based on the Parisian version edited by Luigi Cherubini.

Opera[edit]

Ulisse - Odysseus - Il ritorno di Ulisse in patria 2022
L'orfeo - 2021

In 1995, he directed Acis e Galatea,[4][5] a co-production with Kammeroper Frankfurt, under the direction of Reiner Pudenz. The opera was also performed at the Astronave of the Centro Popolare Autogestito Firenze Sud. In 2000, he directed Handel's Tamerlano in San Gimignano, staged by Giancarlo Cauteruccio. In 2008, he directed Rodrigo[6][7] by the same composer at the Lufthansa Festival in London, directed by Luciano Alberti and featuring, among others, Susanna Rigacci, Leonardo De Lisi, and Laura Cherici. The production was presented in 2009 at the Teatro della Pergola in Florence. In 2010, he directed Handel's Giustino[8] in Genoa and Brescia.

In 2013 and 2014, he directed Il Flaminio by Pergolesi in co-production with the Teatro Verdi in Pisa, under the direction of Marcello Lippi. In the same year, at the Teatro Goldoni in Florence, he directed Purcell's Fairy Queen[9][10] for the Maggio Fiorentino Formazione. In 2015, he directed Scarlatti's Il trionfo dell'onore and Gazzaniga's Don Giovanni o sia il convitato di pietra[11] at the Festival Don Giovanni by Marcello Lippi at the Teatro Verdi in Pisa. In the same year, he directed Puccini's Suor Angelica and Il barbiere di Siviglia with direction by Ellen Williams. In 2018, he was involved in the opera Motezuma by Galuppi, for which he was responsible for the transcription along with

Veronica Nosei. The opera was performed at the Puccini Festival and at the Mozarteum in Salzburg with the Mozarteumorchester Salzburg. In 2019, he directed Monteverdi's L’incoronazione di Poppea[12] with the direction of Marcello Lippi. In 2020, in co-production with the Cantiere Internazionale d'Arte in Montepulciano, he presented Mozart's Don Giovanni - Gazzaniga,[13] based on the Parisian version edited by Luigi Cherubini.

With the onset of the pandemic, he dedicated himself to the digital transition in the opera sector and developed the Virtual Stage[14] concept by Carla Zanin for a new format of production, research, and training in the opera theater, supported by the European Union. The main productions realized include L'Orfeo (2021), Il ritorno di Ulisse in patria by Claudio Monteverdi (2022/2023), Don Giovanni (2021), Le nozze di Figaro by Mozart (2022), La Cenerentola by Rossini (2022), and L’elisir d’amore by Donizetti (2022). In 2023, he directed Orfeo & Lwanda in Nairobi as part of the European Project CAPHE-Communities and Artistic Participation in Hybrid Environment, which relates the myth of Orpheus and the legend of Lwanda Magere from the Luo community in a show with VR experiments that are live-streamed in a virtual environment on Second Life.[15]

Sacred and Baroque Music[edit]

In 1995, he retrieved works by an anonymous 17th-century author from the archives of the National Central Library of Florence, San Filippo Neri. He transcribed and directed these works in their premiere performance for the 400th anniversary of the saint's death, alongside Oratorio by Andrea Cavallari. From 1996 onwards, he devoted himself to Bach productions with Baroque instruments, including the Mass in B minor and the complete Motets.[16] In 1997, he encountered the composer Arvo Pärt,[17][18] drawing inspiration from him for a program centered around the Magnificat. The repertoire included Pärt's Sieben Magnificat Antiphonen and Magnificat from the Armenian and Georgian Middle Ages, progressing through Palestrina, Monteverdi, Gabrieli, contemporary works by Pärt and Andrea Cavallari. The program was performed during a tour in Germany.

Also in 1997, he produced Andrea Cavallari's Apocalypse with choreography and dance by Virgilio Sieni and conducted Mozart's Requiem[19][20] in a version curated through the analysis of Joseph Eybler's historical version and contemporary versions by Richard Maunder, Franz Beyer, and Robert Levin. The score was presented in tandem with Andrea Cavallari's Requiem for a Friend and installations by the Steinerian artist Simona Lotti. In 1998, he began work on Carissimi's oratorios.[21] In 1999, he proposed the project of medieval music El cant de la Sibilla. Also in 1999, he was invited to conduct in the Florence Baptistery the Mass on the Aria di Fiorenza by Frescobaldi for O flos colende, a Sacred Music festival of the Opera di Santa Maria del Fiore.[1]

Subsequently, he conducted Johann Sebastian Bach's Kirchenmusik: in 2003 and 2004, the Lutheran Masses in F major and G minor; in 2004, he performed the Berliner Messe in orchestral version in Florence with the Puchheimer Jugendkammerorchester at the Auditorium Santo Stefano al Ponte, and in the same year, in the Basilica di Santa Trinita, in the organ version with Cristina Bagnoli with the reconstruction of the Gregorian liturgy. In 2005 and 2007, he worked on the Johannespassion, in 2006 and 2008 on the Weinachts oratorium and the Öster oratorium. In 2008, he proposed the first modern performance of the Vespers of Stiava once again with the reconstruction of the liturgy of the time in Gregorian chant; the concert took place in the Basilica di San Lorenzo for the Friends of Music of Florence and was replicated in Brescia.

He dedicated himself to various versions of Leçons des ténèbres: by Couperin in 2004 and 2005, by Michel-Richard Delalande in 2007, presented with liturgical reconstruction through the inclusion of psalmody and Gregorian responsories. In this line, in 2008, he performed the Lamentations of Jan Dismas Zelenka. In 2009, he founded the Baroque Ensemble of Maggio Fiorentino Formazione, with the violinists Petru Ladislau Horvath, Luigi Cozzolino, and Anna Noferini, of the Maggio Orchestra; he then conducted the complete Brandenburg Concertos by Bach with the Florence Chamber Orchestra. In 2010, in collaboration with Alessandra Petrina of the University of Padua, he created a program of Scottish Renaissance music from a manuscript by Thomas Wade: the concert was replicated in the following years at various festivals and congresses in Italy and abroad. In 2011, at the Teatro della Pergola for the Friends of Music of Florence, he conducted Monteverdi's Vespers of the Blessed Virgin presented with the reconstruction of the liturgy in Gregorian chant. In the same year, he dedicated himself to broken singing, creating with Gabriele Giacomelli on the organ a monographic program on Frescobaldi with chants from the liturgy taken from manuscripts of the 14th century kept in Santa Felicita in Florence.

In 2012, he directed Handel's Messiah for Maggio Fiorentino Formazione; in the same year, O flos colende invited him to the Florence Cathedral to perform once again the Mass on the Aria di Fiorenza by Frescobaldi, this time with the reconstruction of the liturgy in Gregorian chant. In 2012, he reprised Buxtehude's Membra Jesu Nostri in the Cathedral of Massa. In 2013 and 2014, again Messiah in Poland and Hungary; Handel's oratorio was once again performed in Florence in 2019. In 2017, he performed Rossini's Petite Messe Solennelle with Giuseppe Bruno and Giacomo Benedetti on the piano, Dimitri Betti on the Harmonium, and the Ensemble Capriccio Armonico Choir of Gianni Mini.[1]

Medieval Music and Gregorian Chant[edit]

In 2002, he presented the liturgical drama Quem queritis, arranged from Florentine manuscripts, performed in a semi-staged form with direction and costumes by Eva Mabellini. In 2003, he co-founded the Festival in canto gregoriano in Florence with Enzo Ventroni.

Starting in 2006, he began a musical research project focused on the manuscripts of Hildegard von Bingen, proposing a liturgical reconstruction in Gregorian chant of the III Notturno. In 2007, together with Enzo Ventroni, he organized the Congress [22][23] of the AISCgre (International Association for Gregorian Chant Studies), which brought scholars and choirs from around the world to Florence.

From 2002 to 2006, he was a member of the National Board of Directors, and from 2009 to 2015, he served on the International Board of Directors of the AISCGre. During this period, he performed medieval music programs at festivals in Italy and abroad, in venues such as the Cathedral of Brussels, the Church of St. Andrew in Cologne, the Baptistery of Florence, and the Eglise de Notre Dame in Poët Laval.

In 2000, he created the program Nigra sum sed Formosa, based on the cult of Mary in monasteries and courts, featuring the Cantigas de Santa Maria by Alfonso X and the vesper of Mary in Gregorian chant.

In 2008, he conducted research at the University of Tor Vergata on San Zanobi in collaboration with Giacomo Baroffio, Agostino Ziino, and Marco Gozzi. He reconstructed the entire office and mass from the 14th century dedicated to the saint. The program was performed in Italy and abroad, and an essay was produced on this topic. In particular, in 2011, the program was performed at the Galleria Tretyakov in Moscow as part of the twinning between the Diocese of Florence and the Patriarchate of Moscow.

In 2009, he performed the complete works of Francesco Landini in contrafacta version, with sacred texts rediscovered in some Florentine manuscripts from the Marucelliana Library and the National Library of Florence. The project was curated with flutist and musicologist Jostein Gundersen in collaboration with the University of Bergen.

In 2015, he directed La Musica della Commedia, with Julia Bolton Holloway, Marco Di Manno, and Carla Zanin. The project was performed throughout Europe and in 2015 at the Ravenna Festival and in the Florence Cathedral, in a show featuring Alessio Boni, Marcello Prayer, Cristina Borgogni, and Paolo Lorimer in co-production with the Teatro della Pergola and the Opera of Santa Maria del Fiore. The program was also performed in 2017 as part of the Festival in canto armonico with Alessandra Montali.

In 2015, he performed the Passio Sancti Miniatis, an opera recovered through research on the Antiphonary of the Archbishopric of Florence (ca. 1250) by Giovanni Alpigiano. In 2017, he directed a theatrical and musical performance titled Ildegarda la Sibilla del Reno by Cristina Borgogni and Paolo Lorimer in the Florence Cathedral.

Also in 2017, he reconstructed the celebration of Easter at San Marco in Venice with the program Monteverdi & Gabrieli.

In 2018, he was invited by Katia Bach, a direct descendant of Johann Sebastian Bach, to give a lecture-concert titled Dante & Bob Dylan at the Marucelliana Library in Florence. This event marked the beginning of a new project on the figure of St. Francis of Assisi, curated by Carla Zanin with texts by Cristina Borgogni. The project includes medieval lauds and dances, ethno-inspired pieces, and international pop songs in a natural dialogue between different musical genres spanning the Middle Ages and contemporary music.

In 2019, he curated the music and conducted at Santa Croce and San Miniato al Monte in Florence for "Umiliana," a semi-staged theatrical piece by Silvia Bargellini dedicated to the figure of Blessed Umiliana de’ Cerchi, a Franciscan tertiary from Florence in the 13th century.[1]

Direction of Cultural Projects[edit]

In 1993, he co-founded the Concert Season of the Accademia San Felice with Andrea Cavallari. From 1994 to 1998, he co-hosted the program "Non solo Classica" on Novaradio with Andrea Cavallari. In the years 1995-1998, he organized the Musica Mundi Children’s Choir Festival in Florence, bringing together over 500 children from around the world under the artistic direction of Mark Andrew Shaull. In 1996, he, along with Andrea Cavallari, founded the Youth European Orchestra Festival.[1]

Since 2003, he has been a co-founder and artistic director, along with Enzo Ventroni, of "in canto gregoriano – incontri internazionali di Firenze" (Gregorian Chant International Meetings of Florence) with Ensemble San Felice, Viri Galilaei, and the Capitolo Metropolitano Fiorentino. In 2009, as part of Maggio Fiorentino Formazione, he collaborated with Paolo Bellocci and Carla Zanin on CSSR – Corso di specializzazione per Scenografi Realizzatori (Specialization Course for Set Designers and Creators) and CSCL – Corso di Specializzazione per Cantanti Lirici (Specialization Course for Lyric Singers), funded by the European Social Fund of the Province of Florence. This collaboration resulted in productions at the Teatro del Maggio, including Donizetti's "Il campanello," Nino Rota's "Il Cappello di paglia di Firenze," Jacques Offenbach's "Orfeo all’inferno," and INFARS - Industrie Formative Arti Sceniche, in collaboration with Teatro Studio di Scandicci. In 2011 and 2012, two editions of CFT – Centri Formativi Territoriali della Provincia di Firenze (Territorial Training Centers of the Province of Florence) were organized, offering over 20 training courses. Within this framework, he also taught courses in vocal and instrumental baroque music, leading to numerous valuable concerts, such as the complete Brandenburg Concertos with the Concertmaster of the Maggio Orchestra, Yehezkehel Yerushalmi, Handel's Messiah, and Monteverdi's Vespro della Beata Vergine.

Also with Maggio Fiorentino Formazione in 2011, he directed the project "Opera Futura," a project that involved professionals in the performing arts sector, both technical and artistic, in collaboration with Tuscan lyric institutions.

In 2012, he founded the FICF[24][25] (Florence International Choir Festival) with Carla Zanin. The FICF included the Competition of Choral Composition Ennio Morricone, a choral composition contest in which Ennio Morricone selected and named young winners. In 2013, in collaboration with Zhou Wanli, he initiated the tradition of musically celebrating Chinese New Year, with the participation of young Chinese musicians and the Waldensian community in La Spezia. In 2014, he conducted the Illumino training project to educate professionals in lighting for theater productions and live events at the Teatro Metastasio in Prato.[1]

In 2014, he founded, along with Alessandra Montali, the Harmonic Singing Festival to promote musical and historical initiatives in the upper Tuscany region. Within this framework, he conducted and curated repertoires of sacred, medieval, and baroque music. In 2014, with Carla Zanin and Marco Di Manno, he undertook two European projects: Cantus Posterius with Karl Praßl, focused on the study of late medieval singing in Europe, in collaboration with groups from Germany, Austria, Norway, Switzerland, Latvia, and Italy; Vet Music Pro, where he collaborated with musicians from the Ensemble San Felice in partnerships with prestigious European Conservatories in Poland, Hungary, Romania, Switzerland, and Slovenia. As part of this initiative, he directed his own version of Mozart's Requiem, Handel's Messiah, and sacred oratorios by Carissimi.

Since 2015, he, along with Paolo Bellocci and Carla Zanin, has opened an accredited Training Agency with the Tuscany Region at the Puccini Festival Foundation in Torre del Lago. With funding from the European Social Fund (ESF) of the Tuscany Region, they implemented projects such as SAEST - Scenographer for the Setting of Events and Theater Productions in 2017, Music Pro[26] and Sound & Light[27] in 2018.[1]

Kenyatta University, Nairobi 2023

In 2017-2018, he collaborated with Opera Network on a cultural and sports program for young students from the Xilingol Vocational College in Mongolia, featuring the participation of Luca Saudati.[1] In 2019, he served as the director of DIPAS[28] - Director of Stage and Show Setup, a project realized with Carla Zanin and Paolo Bellocci in collaboration with Opera Network and CSM&A - Centro Studi Musica e Arte di Firenze. In 2021, he directed the MOSAICO[29] project with Opera Network and Ensemble San Felice, in collaboration with CSM&A - Centro Studi Musica & Arte – funded by the European Social Fund (FSE) of the Tuscany Region in the Digital Job and Green Job sectors. In the same year, he partnered with Ensemble San Felice for the MI.FORM.O project in collaboration with the Academy of Arts Szczecin and the European Academy of Florence, funded by the Erasmus + Programme. In 2021, he also served as the scientific coordinator for the VIRTUAL STAGE[14] project by Carla Zanin with Ensemble San Felice, funded by Erasmus +, with partners including Silesian Theatre Opava CZ, ESME Sudria Lyon, Tisseurs de Sons Lyon, Heliosfero Amsterdam.

In 2022, he became a partner in two European projects: LSO – Lets Sing Opera (Creative Europe and Erasmus +) with Ensemble San Felice, Sofia Opera & Ballet, Silesian Theatre of Opava, and Experience Erasmus + with AEF-Accademia Europea di Firenze, Ensemble San Felice, and Prokopios Arts Festival. Additionally, in 2022, he directed the IFTS DMS - Digital Media Specialist project with Opera Network, Ensemble San Felice, and CSM&A - Centro Studi Musica & Arte, funded by the European Social Fund (FSE) of the Tuscany Region. In the same year, he served as the scientific coordinator for the Metamorphoses - Digital Aesthetic for the Next Music Training project, in collaboration with Ensemble San Felice, ESME Sudria, GRAME Lyon, Giunti Florence, Hellenic Opera Corporation, Fundacja Akademia Muzyki Dawnej Szczecin, Promusica Malaga.

In 2023, he is a partner in the CAPHE-Communities and Artistic Participation in Hybrid Environment Horizon Europe Program Action Marie Curie project with Opera Network, Conservatorio Puccini La Spezia, Jagiellonian University in Krakow, Kenyatta University in Nairobi, Polish Institute of Aesthetics, University of Athens. The project is transdisciplinary and focuses on the hybridity between physical and virtual reality, between digital and aesthetics, and its impact on communities.[30]

Teaching Activities[edit]

Nel 1991, he founded the Centro Studi Musica Siena with the violinist Chiara Cetica and the flutist Giovanna Mazzini. In the same year, he also founded the Accademia San Felice (formerly known as Accademia di San Leonardo in Arcetri) with Chiara Cetica, flutist Paola Mattei, and the Italo-American composer Andrea Cavallari. In 1993, he began teaching at the Bellini Conservatory in Palermo, and in 2003, he started teaching at the Marenzio Conservatory in Brescia. In 2007, he was invited by Fiamma Nicolodi[31] to offer a course on Gregorian chant and medieval music at the University of Florence.[1]

In 2009, he was appointed director of the courses at Maggio Fiorentino Formazione, initiating a collaboration with Carla Zanin and Paolo Bellocci, leading to the establishment of the Opera Network Association. This association developed multiple training programs funded by the European Social Fund (FSE) for both artistic and technical professions in lyric theater. In 2015, Opera Network became a CVCL Examination Center of the University for Foreigners of Perugia and began numerous projects in collaboration with Chinese and American conservatories, academies, and universities in the fields of music, art, and the Italian language. From 2015 to 2021, he served as the director of the Training Agency of the Puccini Festival Foundation with Paolo Bellocci. In 2012, he taught at the Puccini Conservatory in La Spezia, where, since 2021, he has been the Coordinator of International Relations and Projects for CAPHE-Communities and Artistic Participation in Hybrid Environment (Horizons Europe 2022-2026) and IMSV-In Media Stat Virtus (Erasmus+ 2021-2024). He is also a member of the academic council and the research committee.

In 2021, he collaborated with the Opera Studio Bel Canto in Foggia as a teacher and director for numerous productions at the Umberto Giordano Theater in Foggia and the historic Garibaldi Theater in Lucera. Additionally, over the years, he has organized various masterclasses both in Italy and abroad, focusing on orchestral conducting and baroque, Gregorian, and operatic repertoires.[1]

Discography[edit]

DVD[edit]

References[edit]

  1. ^ a b c d e f g h i j k l m "Dipartimento Strumenti ad arco e a corda – Conservatorio La Spezia" (in Italian). Retrieved 2023-08-09.
  2. ^ GROGORIO, MOPPI (24 March 2014). "Addio Bartoli Bacherini, bibliotecaria e musicista". la Repubblica.
  3. ^ "Federico Bardazzi curriculum vitae". Florence International Choir Festival. Retrieved 2023-08-08.
  4. ^ a b "Acis e Galatea".
  5. ^ a b "Acis e Galatea - Depliant" (PDF).
  6. ^ a b "Torna Rodrigo di Haendel dopo 300 anni alla Pergola Sabato debutta a Londra". La Nazione. 13 May 2008.
  7. ^ a b "Press Release - Rodrigo" (PDF).
  8. ^ a b "Giustino di Georg Friedrich Händel".
  9. ^ a b "The Fairy Queen - La Regina delle Fate di Purcell".
  10. ^ a b "GB Opera - The Fairy Queen di Purcell 2013" (PDF).
  11. ^ a b "Redazionale Don Giovanni di Gazzaniga - 2015" (PDF).
  12. ^ a b "Articolo - L'incoronazione di Poppea - La Nazione - 5 Maggio 2019" (PDF).
  13. ^ a b "DON GIOVANNI Mozart - Gazzaniga".
  14. ^ a b "Programma Operativo Regionale 2014 – 2020 progetto VIRTUAL STAGE" (PDF).
  15. ^ "Charlotte Zanin - Today at Italian time 4 pm, physical and..." (in Italian). Retrieved 2023-08-09 – via Facebook.
  16. ^ Elisabetta, Torselli (28 May 1997). "i gloriosi mottetti di Bach". L'unità - Mattina.
  17. ^ "Berlin Messe" (PDF).
  18. ^ "Settimana di musica sacra dal mondo". Il Corriere di Firenze. 4 April 2004.
  19. ^ "Requiem di Mozart 1997 - La repubblica" (PDF).
  20. ^ "Un requiem così appassionato". la Repubblica (in Italian).
  21. ^ "Carissimi" (PDF).
  22. ^ Roberto, Incerti (30 August 2006). "Canto Gregoriano". la Repubblica.
  23. ^ "Articolo - La Repubblica" (PDF).
  24. ^ "FICF" (PDF).
  25. ^ "sito ufficiale FICF".
  26. ^ "PROGETTO MUSIC PRO" (PDF).
  27. ^ "PROGETTO SOUND LIGHT" (PDF).
  28. ^ "PROGETTO IFT DIPAS" (PDF).
  29. ^ "PROGETTO MOSAICO" (PDF).
  30. ^ "Horizon Europe". Retrieved 2023-08-09 – via Facebook.
  31. ^ Elisabetta, Torselli (25 August 2021). "Ricordando Fiamma Nicolodi La musicologa e il Novecento musicale italiano". GDM.
  32. ^ Monteverdi: Vespro della beata Vergine. Bardazzi.
  33. ^ El Cant de la Sibilla
  34. ^ "Ensemble Capriccio Armonico" – via YouTube.
  35. ^ Monteverdi: Easter Celebration at St Mark’s in Venice 1600
  36. ^ "PLAYLIST CD - 2021 Dante, Orfeo e il viaggio kthònios - Claudio Monteverdi L'Orfeo" – via YouTube.
  37. ^ "PLAYLIST CD - 2023 Claudio Monteverdi Il ritorno di Ulisse in patria, Ensemble San Felice, Bongiovanni" – via YouTube.
  38. ^ "DVD - 2004 Giacomo Carissimi Oratori Sacri" – via YouTube.
  39. ^ "DVD - 2010 Hildegard von Bingen" – via YouTube.
  40. ^ "DVD - The Fairy Queen - HENRY PURCELL 2013" – via YouTube.
  41. ^ "DVD - 2014 Antonio Vivaldi Le quattro stagioni" – via YouTube.
  42. ^ "DVD - 2015 Giovan Battista Pergolesi Flaminio" – via YouTube.
  43. ^ "DVD - 2015 Wolfgang Amadeus Mozart Requiem K 626" – via YouTube.
  44. ^ "DVD - 2015 La Musica della Commedia, Ensemble San Felice, Classic Voice - Antiqua" – via YouTube.
  45. ^ "DVD - 2017 Gioachino Rossini Petite Messe Solennelle" – via YouTube.
  46. ^ "DVD - Claudio Monteverdi L'incoronazione di Poppea, Federico Bardazzi" – via YouTube.
  47. ^ "DVD - 2022 Georg Friederich Händel Messiah" – via YouTube.

External links[edit]


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