Nathaniel Rogers (painter)

From Wikipedia, the free encyclopedia
Nathaniel Rogers
BornAugust 1, 1787
Bridgehampton, New York, U.S.
DiedDecember 6, 1844 (1844-12-07) (aged 57)
Bridgehampton, New York, U.S.
StyleMiniature portraits
Spouse
Caroline Matilda Denison
​
​
(m. 1817)​
ElectedAmerican Academy of the Fine Arts

Nathaniel Rogers (August 1, 1787 – December 6, 1844)[1] was an American painter from Long Island known as the preeminent miniature portrait painter in New York City.[2]

Early life[edit]

Rogers was born in Bridgehampton, New York on August 1, 1788.[3] He was the eldest son of a farmer, John T. Rogers, and Sarah Brown, the daughter of a Presbyterian minister.[4] Around the age of sixteen, he began to apprentice with a shipbuilder.[1]

Career[edit]

During his apprenticeship, he sustained a serious leg wound that rendered him unable to continue working. During his recovery, he taught himself to draw and paint and took up miniature painting. He eventually moved to New York City and studied with Uriah Brown and P. Howell.[1][5] He briefly worked as a school teacher, but upon working with fellow artist Joseph Wood, he went on his own, eventually becoming one of the most successful artists in miniature painting through the 1830s.[1] He painted miniatures of some of the most prominent people of his time, including Philip Livingston, Cornelia Patterson Van Rensselaer (the wife of Patroon Stephen Van Rensselaer and daughter of Gov. William Paterson), and Chancellor Robert Livingston. While Rogers painted several full-size portraits, his miniatures remain what his is known for.[2][6]

In 1817, he exhibited at the American Academy of the Fine Arts for the first time, subsequently showing each year until 1824.[2] In 1825, he was elected to the Academy.[2]

In 1825, Rogers was one of the founding members of the National Academy of Design[1] along with Samuel F. B. Morse, Asher B. Durand, Thomas Cole, Martin E. Thompson, Charles Cushing Wright and others "to promote the fine arts in America through instruction and exhibition."[7] After the National Academy was formed, he showed his painting there until around 1830.[2]

In 1839, Rogers retired and moved to his farm in Bridgehampton.[8]

Collections[edit]

His paintings are in the collections of the Metropolitan Museum of Art, Museum of the City of New York, New-York Historical Society, Yale University, Worcester Art Museum, Cleveland Museum of Art, and several others including The Suffolk County Historical Society.[2][9]

Personal life[edit]

In 1817, Rogers was married to Caroline Matilda Denison (d. 1857), the daughter of Captain Samuel Denison and Phoebe (née Topping) Denison.[10] Together, they were the parents of two daughters and four sons, including:[1]

  • Edmund Rogers, who married Mary Zephia Topping.[10]
  • Helen Courtney Rogers, who married Henry Manning, an owner of a steam mill in Madison, Wisconsin.[2]
  • James Rogers (1829–1901), a Williams College graduate who became a prominent physician.[2]

Rogers, who contracted tuberculosis in 1825, died in Bridgehampton, New York on December 6, 1844. He left a substantial estate and a large mansion, known as Hampton House, in Bridgehamton. His wife later died in 1857 while visiting their daughter in Wisconsin.[1]

Gallery[edit]

  • Cornelia Bell Paterson Van Rensselaer, ca. 1825
    Cornelia Bell Paterson Van Rensselaer, ca. 1825
  • Portrait of a Gentleman
    Portrait of a Gentleman
  • Portrait of a Lady
    Portrait of a Lady
  • Matilda Few (daughter of William Few)
    Matilda Few (daughter of William Few)
  • John Ludlow Morton, ca. 1829
    John Ludlow Morton, ca. 1829
  • Ferdinand Sands and his son, Joseph
    Ferdinand Sands and his son, Joseph

References[edit]

  1. ^ a b c d e f g Cincinnati Art Museum; Aronson, Julie; Wieseman, Marjorie E.; Art, Columbia Museum of (2006). Perfect Likeness: European and American Portrait Miniatures from the Cincinnati Art Museum. Yale University Press. p. 271. ISBN 0300115806. Retrieved 14 May 2018.
  2. ^ a b c d e f g h Naylor, Natalie A. (Professor Emerita, Hofstra University) (April 10, 2003). The Legacy of Nathaniel Rogers (1787-1844) | Long Island Artist from Bridgehampton (PDF). Retrieved 14 May 2018.{{cite book}}: CS1 maint: multiple names: authors list (link)
  3. ^ "Nathaniel Rogers | Portrait of a Gentleman | The Met". metmuseum.org. The Metropolitan Museum of Art. Retrieved 14 May 2018.
  4. ^ Johnson, Dale T. (1990). American Portrait Miniatures in the Manney Collection. Metropolitan Museum of Art. pp. 187–193. ISBN 9780870995972. Retrieved 14 May 2018.
  5. ^ Bolton, Theodore (1921). Early American Portrait Painters in Miniature. F. F. Sherman. p. 138. Retrieved 14 May 2018.
  6. ^ Bolton, Theodore. A Biographical Dictionary of the Artists, in American Miniatures, 1730-1850, One Hundred and Seventy-three Portraits Selected with a Descriptive Account, by Harry B. Wehle, pp. 101-2. Garden City, NY: Metropolitan Museum of Art/Doubleday, Page, 1927.
  7. ^ "Charles Cushing Wright (1796-1854)". Retrieved 14 August 2017.
  8. ^ "Nathaniel Rogers". americanart.si.edu. Smithsonian American Art Museum. Retrieved 14 May 2018.
  9. ^ Cowdry, Mary Bartlett. American Academy of Fine Arts and American Art-Union Introduction, 1816-1852. New York: New-York Historical Society, 1953 (pp. 309-10)
  10. ^ a b Sons of the American Revolution California Society (1901). Register of the California Society of the Sons of the American Revolution: instituted at San Francisco, California, October 22d, 1875 as Sons of Revolutionary Sires. p. 139. Retrieved 14 May 2018.

External links[edit]

Wikimedia Commons has media related to Nathaniel Rogers (artist).
Retrieved from "https://en.wikipedia.org/w/index.php?title=Nathaniel_Rogers_(painter)&oldid=1217857681"