Sex O'Clock (album)

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Sex O'Clock
A photo of walking while holding an umbrella
Studio album by
Anita Lane
Released24 September 2001 (2001-09-24)
Recorded
  • August 1999 (vocals)
  • May 2000 (strings and vocals)
Studio
  • AAV, Melbourne, Australia (loops)
  • Abbey Road Studios, London, England, UK (drums)
  • Atlantis Studios, Melbourne, Australia
  • The Instrument, London, England, UK (vocals)
  • Tricatel, Paris, France
GenrePop[1][2]
Length44:31
LanguageEnglish
LabelMute
ProducerMick Harvey
Anita Lane chronology
Yadi Yadi
(1995) 		Sex O'Clock
(2001)

Sex O'Clock is a 2001 studio album by Australian rock musician Anita Lane, the final before her retirement from recording and her death 20 years later.[3] It has received positive reception from critics.

Reception[edit]

Editors at AllMusic chose this as an Album Pick in Lane's discography and rated this album 4.5 out of 5 stars, with critic Stewart Mason writing that "Sex O'Clock mixes sleek, creamy, and often danceable R&B-tinged pop tunes with the sort of lyrical plain-spokenness implied by the title".[1] In Exclaim!'s Rob Bolton characterized this release, "upon first glance, this looks to be a potentially cheeky mainstream album, but Sex O'Clock is actually a respectably good package of slick, sultry pop".[2] Writing for Louder Than War on the occasion of the album's 20th anniversary re-release, Mark Ray praised several tracks for showing the influences of genres as diverse as funk and jazz, summing up that Lane's "artistic merits can’t be summed up in one album, but the wisdom and smarts she brings to an album about sex and relationships is heads above anything most artists offer" and rating this work an 8 out of 10.[4]

Helen Wright of musicOMH noted that while all the songs are thematically about sex, "some are smooth and sensual others chill the heart" with lyrics that are occcasionally "pretty bleak, or at best bitter-sweet" as well as those which are "a bit silly, but fun all the same".[5] A review at PopMatters compares the vocal style on this recording to Vanessa Daou and states that it is distinct and has a "spoken word style [that] brings to mind sophisticated urban couples having a martinis at a dinner party where architecture is discussed at length and even after lethal aperitifs".[6] A retrospective on Lane's life by Eleanor Philpot of The Quietus stated that this discussion of women's sexuality and desire was "a signpost along the road to normalising such a representation of female identity" and has "power to encourage an open and honest conversation around the complex nature of female sexuality".[3] In Under the Radar, Joe W. Ragusa scored this work a 7 out of 10 for being "a provocative, if less than brilliant pop piece that could shake up a few Britney teenyboppers from their stupor if it ever reached their ears".[7]

Track listing[edit]

  1. "Home Is Where the Hatred Is" (Gil Scott-Heron) – 3:22
  2. "The Next Man That I See" (Mick Harvey, Anita Lane, James Sclavunos, and Thomas Wydler) – 5:46
  3. "Do That Thing" (Harvey and Lane) – 4:46
  4. "I Hate Myself" (Harvey and Lane) – 4:54
  5. "Light Possession" (Harvey and Lane) – 4:59
  6. "I Love You, I Am No More" (Harvey and Lane) – 3:24
  7. "Like Caesar Needs a Brutus" (Simon Bonney, Harvey, and Wydler) – 4:36
  8. "Do the Kamasutra" (Harvey and Lane) – 3:56
  9. "The Petrol Wife" (Lane and Tom Tykwer) – 3:44
  10. "Bella ciao" (traditional) – 5:08

Personnel[edit]

Additional musicians

Technical personnel

  • Bertrand Burgalat – string arranged, strings and vocals recording
  • Ross Cockle – mastering at Sing Sing Studios (Richmond, Australia)
  • Joe Dillworth – photography
  • Flood – drum recording on "Home Is Where the Hatred Is" and "I Hate Myself"
  • Mick Harvey – instrumentation,[1] production
  • Michael Hepworth – editing
  • Tim Johnston – loops recording on "Like Caesar Needs a Brutus"
  • Andrea Libonati – artwork
  • David McCluney – recording, mixing at Atlantis Studios (Melbourne, Australia) in June 2000 and January 2001
  • Kevin Paul – vocals recording, overdubbing

See also[edit]

References[edit]

  1. ^ a b c Mason, Stewart (n.d.). "Anita Lane – Sex O'Clock". AllMusic. RhythmOne. Retrieved 27 January 2024.
  2. ^ a b Bolton, Rob (17 November 2016). "Anita Lane". Exclaim!. ISSN 1207-6600. Retrieved 27 January 2024.
  3. ^ a b Philpot, Eleanor (9 March 2021). "Unearthing A Pearl: Praising The Sexual Mysticism of Anita Lane". Black Sky Thinking. The Quietus. Retrieved 27 January 2024.
  4. ^ Ray, Mark (5 December 2021). "Anita Lane: Sex O'Clock Album Review". Album Reviews. Louder Than War. Retrieved 27 January 2024.
  5. ^ Wright, Helen (24 September 2001). "Anita Lane – Sex O'Clock". Album Reviews. musicOMH. ISSN 2516-6220. Retrieved 27 January 2024.
  6. ^ "Anita Lane: Sex O'Clock". Reviews. PopMatters. 22 October 2001. Retrieved 27 January 2024.
  7. ^ "Show Reviews Issue 1". Reviews. Under the Radar. No. 1. ISSN 1553-2305. Archived from the original on 5 August 2007. Retrieved 27 January 2024.

External links[edit]

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