The following discussion is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.
Consider listing the location of the premiere (the Concerts du Châtelet) in the infobox.
That's not a location; that's a concert series which took place, presumably, at the Théâtre du Châtelet, but this is not explicitly mentioned by any source. intforce (talk) 23:46, 9 July 2023 (UTC)[reply]
Understood. AM
More comments to follow shortly. I will cross out comments once they have been addressed. Amitchell125 (talk) 18:59, 3 July 2023 (UTC)[reply]
Background
Consider changing the title from Background to ‘History’, as the section provides more than background information connected with the work.
Saint-Saëns and Durand should be introduced, linked and given their full names at the start of the main part of the article (i.e. in the first paragraph of this section).
Saint-Saëns began sketching the composition in March 1891 while he was in Cairo and completed it by 1 April - This statement appears to be uncited, and also gives no information about how long Saint-Saens took to compose the work—presumably the reason why the sentence is included.
{There needs to be an indication of how long was spent between "March" and "1 April"—a week? a fortnight? Amitchell125 (talk) 07:33, 10 July 2023 (UTC)[reply]
I can't find a precise date, so I've amended the sentence to "completed within a month". intforce (talk) 21:18, 10 July 2023 (UTC)[reply]
The score was first published in Paris by Durand. - Ratner provides dates for the work’s publication, which I would include.
Because of copyright issues, the external link in this section cannot be used, and needs to be deleted (see WP:COPYVIOEL).
The linked video was provided to YouTube by Warner Classics and is there not a copyright violation intforce (talk) 23:46, 9 July 2023 (UTC)[reply]
Understood. AM
Link musicologist; folk-like (folk music); key (Key (music)); tempo; G major; sixteenth note (a term that may be unfamiliar to some readers —I would add 'semiquaver' in brackets; octave.
Arab music has a link (Arabic music), but as the genre is so diverse, I am unclear the term is appropriate here.
Sadly that is what the source says: "The effect of such successions resembles not only that of Hungarian rhapsodies but also Arab music" intforce (talk) 23:46, 9 July 2023 (UTC)[reply]
Understood, but my point is valid, and I wouldn't be the only reader/editor to query the text here. One way forward here is to quote the text (as you have done above), which would make it clear where the phrase originates from. Amitchell125 (talk) 06:47, 10 July 2023 (UTC)[reply]
It's perhaps best to remove this part entirely. intforce (talk) 21:18, 10 July 2023 (UTC)[reply]
A typical performance takes around 9 to 11 minutes - is uncited.
I can not find a reliable source which gives a direct figure. If the recordings are primary sources, I'm not sure if the state constitutes WP:SYNTH. intforce (talk) 23:46, 9 July 2023 (UTC)[reply]
As the information can be found in the Recordings section, it is not needed here.Amitchell125 (talk) 06:52, 10 July 2023 (UTC)[reply]
The link to political resentments doesn’t lead to where readers might expect it to. I would amend the text here to something more like the linked article’s title.
"exquisite finesse", its "captivating and stylish finish", and its "truly ingenious details in the orchestration" - I cannot access Stegemann, do we know who praised the work in this way?
Throughout his correspondence – Throughout implies “all the way through” or “during all of”, neither of which can possibly be the case here. I would replace the phrase with something like ‘In much of his correspondence during this period’, or something similar.
perhaps also due to political resentments – other reasons are presented in the sources (e.g. that the composer hadn’t been to Germany for many years), which I would include.
The last sentence in this section needs to be cited, as it is debatable.
I remember reading this somewhere during my research, but I can't remember where. Oh well, I removed the sentence. intforce (talk) 23:46, 9 July 2023 (UTC)[reply]
Recordings
The table's Source column consists of external links, and external links are not supposed to be placed within the text of the article. The external links are to commercial websites, and so should not be used as references. Also, there is no indication that the table is complete.
I've removed the external links; since these are in essence primary sources on their own, a citation for each may not be necessary. intforce (talk) 23:46, 9 July 2023 (UTC)[reply]
first concerted works to be recorded with its composer in the role of soloist – needs to be paraphrased, as it appears to have been taken directly from the source.
What makes you think Ref 18 20 (Stephenson) is a reliable source?
I sadly can not find a better source. If desired, the source can be removed and the sentence rephrased to cite the 1904 recording itself. intforce (talk) 23:46, 9 July 2023 (UTC)[reply]
I'm putting the article on hold for a week until 11 July to allow time for the issues raised to be addressed. Regards, Amitchell125 (talk) 20:06, 3 July 2023 (UTC)[reply]
Everything looks sorted, many thanks on producing an informative and well-written article. Amitchell125 (talk) 06:59, 11 July 2023 (UTC)[reply]
The discussion above is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.