Talk:Frank Stella

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Fair use rationale for Image:La scienza della laziness (The Science of Laziness) by Frank Stella, 1984, oil, enamel and alkyd paint on canvas, etched magnesium, aluminum and fiberglass, National Gallery of Art (Washington, D. C.).jpg[edit]

Image:La scienza della laziness (The Science of Laziness) by Frank Stella, 1984, oil, enamel and alkyd paint on canvas, etched magnesium, aluminum and fiberglass, National Gallery of Art (Washington, D. C.).jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.

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BetacommandBot 11:49, 7 November 2007 (UTC)[reply]

i think that he is a good person —Preceding unsigned comment added by 76.222.233.215 (talk) 01:47, 6 May 2009 (UTC)[reply]

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Prints[edit]

There is a major retrospective devoted to Frank Stella's prints at the Addison Art Museum in Massachusetts (Spring 2017). All the materials on display are from the Jordan Snitzer Family Foundation. With the catalog available this would make an excellent section on Stella's prints, which are much more varied and useful in thinking about his full body of work than many people might realize. QRfrag (talk) 18:36, 22 April 2017 (UTC)QRfrag[reply]

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Unsourced collections moved from article[edit]

The Menil Collection, Houston; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; San Francisco Museum of Modern Art; National Gallery of Art; the Toledo Museum of Art and the Whitney Museum of American Art, New York; the Portland Art Museum, Oregon; The Hunter Museum, Chattanooga, TN. — Preceding unsigned comment added by Lopifalko (talk • contribs) 07:14, 25 June 2019 (UTC)[reply]

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The Horst Wessel Lied, etc.[edit]

What organization, what format? I think I guess I might know what this is supposed to mean, but...? What if the analysis in the source here (see note) is complete nonsense?

PS.: Just read the Whitney staff piece (refered to in the notes) and it simply does not say what is stated in our article here.

And I can't remember any debate of "the NS theme in early Stella" in all the art critical literature I have ever read - I never was a specialist in Stella, though. I tried to find anything in Artforum (no success so far, but the Artforum archives are closed to me now).--Ralfdetlef (talk) 19:23, 5 May 2024 (UTC)[reply]

? The Whitney cite says : "While Stella insisted on the non-referentiality of his paintings, the German title Die Fahne hoch!, which translates as "hoist the flag," is taken from the "Horst Wessel Song," the Nazi Party’s marching anthem.
Our article says, "Die Fahne Hoch! (1959) takes its name ("Hoist the Flag!" or "Raise the Flag!") from the first line of the Horst-Wessel-Lied, an anthem of the Nazi Party." You seem to be missing something. Carlstak (talk) 20:19, 5 May 2024 (UTC)[reply]
I've moved the first cite, and added one by Carol Salus, with quote:
The artist provided a number of factors involved in his selection of Die Fahne Hoch! With its title taken from the first line of the Horst Wessel song (Die Fahne hoch! Die Reihen fest geschlossen!), the Nazi Party anthem, this march song was sung at public meetings and used as a musical background for the Nuremburg rallies of the 1930s. Stella said for him it recalled a waving flag, adding: "The thing that stuck in my mind was the Nazi newsreels—that big draped swastika—the big hanging flag—has pretty much those dimensions." Stella pointed out that the proportions of his canvas (10'1" x 6'1") are much the same as the large flags displayed by the Nazis.
As you say, you were never "a specialist in Stella". ;-) Carlstak (talk) 21:24, 5 May 2024 (UTC)[reply]
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