Talk:Peggy Gale

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Excessive Lists[edit]

FYI, it is best to avoid long lists of articles, as it reads like a resume. Maybe select five or ten key articles, and list them in a paragraph that articulates the arguments in each, as a way of showing the overall focus or vector of their work. I have included it below.--Theredproject (talk) 21:17, 5 March 2016 (UTC)[reply]

Magazine and Journal Articles[edit]

Vera Frenkel, (book review) in Prefix Photo Number 29 (May 2014), 94. ISSN 1492-4137

“Tipping Point.” In Millennium Film Journal: Since 1978, Vol. 1 (35th anniversary double issue), ed. Grahame Weinbren, Number 58, 2013, 38–45. ISSN 1064-5586

“Haunted: contemporary photography | video | performance,” (book review) Prefix Photo 22 (Vol 11, No 2), 88–89

“Steele + Tomczak” (review) Border Crossings Vol 29 No 2 (May 2010): 89–91

“Assembling the Givens,” Prefix Photo 19: Image Banks, (May 2009), 21–33. Reprinted (English and Korean) in 2009 Film and Video Festival in Seoul 2009.9.10 – 9.16, Seoul Korea, 71–77

“Wary Partners/Fellow Wayfarers: Artists and Institutions,” Switch 1:1, Winter 2008-09 (The Power Plant, Toronto): 28–31

“Masterworks … From Three Points of View” Dance Canada Danse, No. 55 (Spring 2003): 13

“For Kate,” FRONT Magazine 13:5 (November/December 2002): 14, 16–17

“Into the Light,” Film Waves (London, England) Spring 2002

"Toronto/Génératrice/Carrefour, Toronto/Generator/Crossroads," Visuel(s) revue d'arts (Rouen) #6, (Spring 1999), 28–30

"A White Light," Canadian Art 15:4 (Winter 1998), 58–65

"Jiangnan," Canadian Art 15:2 (Summer1998), 58–63

"The Sleeper: Rodney Graham in Venice," Canadian Art 14:2 (Summer 1997), 54–59

"Stan Douglas/Moving Targets," Paletten (Malmo, Sweden) No. 224 (1996), 4–9

"Stan Douglas: Evening and Others," Parachute 79 (June 1995), 20–27

"Thierry Kuntzel," (review) Parachute 78 (March 1995), 52–53

"Rodney Graham" (review) Canadian Art 11:4 (Winter 1994): 77–78

"Video and Orality" (review) Canadian Art 10:2 (Summer 1993): 79–80

"Muntadas: Searching 'Between the Frames'," Parachute 70 (Spring 1993): 8–13 (French translation 51–57)

"Rober Racine's Magnum Opus," Canadian Art 10:1 (Spring 1993): 48–53

"Noel Harding" (review), Canadian Art 10:1 (Spring 1993): 73–75

"To Tell the Truth ... narrative and fiction in artists' video," Texts 9 (Winter 1993): 4–13

" 'Crossroads' and 'Reading: Public Signs, Private Acts'" (review) Canadian Art 9:1 Spring 1992): 64–68

"James Coleman: Call to Mind," Parachute 63 (Summer 1991): 12–15

"Another Kind of Anthropology" (Robert Morin/Lorraine Dufour), Parachute 62 (Spring 1991): 12–17

"Skin Deep" (Genevieve Cadieux), Canadian Art 7:1 (Spring 1990): 58–65

"Tom Sherman. There's something perverse about this relationship ... ," Parachute 58 (Spring 1990): 24–27

"At the Silent Centre" (Irene Whittome), Canadian Art 6:3 (Fall 1989): 88–93

"Art as Embodied Conditions" (an interview with John Massey), Parachute 56 (Fall 1989): 34–36

"Focus on Jana Sterbak," Canadian Art 5:3 (Fall 1988): 125

"Snow, Weiner, Nannucci," Blackflash (Saskatoon) 6:2 (Summer 1988)

"Memory Work," Descant 60, 19:1 (Spring 1988): 91–108

"Duchampics, Duchampistry, Duchampology," Parachute 50 (Spring 1988): 62–63

"Stan Douglas," Canadian Art 5:1 (Spring 1988): 94–95

"Morbid Symptoms: Arcadia and the French Revolution," (Geoffrey James) Canadian Art 4:2 (Summer 1987): 91–92

"Outsiders In," (Jeff Wall and Ian Wallace) Canadian Art 4:2 (Summer 1987): 56–61

"... eventually a museum: The Castello di Rivoli at Turin," Parachute 46 (March 1987): 14–18 reprinted in full for Canadian Art’s twentieth anniversary at www.canadianart.ca : See 20 YEAR ARCHIVE page

"Dark/Light" (review), Parachute 46 (March 1987): 126–127

"Dark/Light" (review), Canadian Art 4:1 (Spring 1987): 96–97

"Liz Magor," Canadian Art 3:4 (Winter 1986): 94–95

"Lothar Baumgarten's 'Origin of the Night'," Parachute 43 (June 1986): 4–9 (French translation 54–57)

"Songs of Experience," Canadian Art 3:1 (Spring 1986): 38–43

"Beasts," Impulse (Cold City Fiction) 12:3 (Spring 1986): 94–97

"Betty Goodwin" (review), Parachute 42 (March 1986): 40–41

"Aurora Borealis," Canadian Art 2:4 (Winter 1985): 88–92

"Narratives," Parachute 41 (December 1985): 20–23 (commissioned for Video By Artists 2, Art Metropole, 1986)

"News from Nova Scotia" (review), Canadian Art 2:3 (Fall 1985): 94–95

"Distance, Desire: Shirley Wiitasalo's Landscape Images," C Magazine 7 (Fall 1985): 24–27

"A Tableau Vivant," Parachute 39 (June 1985): 33–35

"Culture Shock," Canadian Art 2:1 (Spring 1985): 52–57