Talk:The Blood Bond

	Film portal This article is within the scope of WikiProject Film. If you would like to participate, please visit the project page, where you can join the discussion and see lists of open tasks and regional and topical task forces. To use this banner, please refer to the documentation. To improve this article, please refer to the guidelines.FilmWikipedia:WikiProject FilmTemplate:WikiProject Filmfilm articles
	This article is supported by the Chinese cinema task force.
	This article is supported by the American cinema task force.

Uncited quoted in need of citations and paraphrasing[edit]

I am moving the following large, uncited, copyright-protected quote, which was lazily cut and pasted into the article by Ledoberman here until it can be properly sourced per WP:V, WP:NOR, WP:BLP, WP:CS, WP:IRS, etc., and properly paraphrased per WP:COPYVIO. Nightscream (talk) 04:09, 14 January 2018 (UTC)[reply]

To call the movie referenced above my directorial debut is a farce. The role of Director includes several aspects of movie making which I had no part in. I was not involved in the casting, (nor did I write the script), I was not involved with editing, sound mixing, colorization, music, ADR, or any other aspect of post production. Also, all of my dialogue in the movie was voice over from another person. The crew was the least experienced and the most unorganized that I've experienced in my 35 years of being involved with movies and I had very little say in both day to day production or the final product. In fact, I had so little to do with the movie that I haven't even seen it, to this day.
Basically, I went over to China to direct and write a movie. Well, I wrote it along with some other people. So, we made the movie over there, but we weren't shooting in Shanghai, we were shooting at a little studio and the crew there was not very experienced at all. They didn't have any experience and I wasn't ready for that. As a result, I had to take on multiple roles and it was very, very hard shooting it.
The actors didn't speak English. They were having to work phonetically at times. They didn't seem to have any money for cast, so we were pulling people off of the crew for roles and stuff like that. So, it was a very, very difficult shoot, but I thought I'd put something in the can that was decent and something I could be proud of.
What happened was... when I left China, the producer (Bey Logan) decided that he was going to cut the movie and he was going to do all of the Post Production and never give me a chance to cut my own movie. I was so busy when I was working on the movie putting in like twelve and fifteen hour days and doing everybody's job for them. I had a couple of people who knew what they were doing, but not very many. So, he took over the movie and he cut it and put the music on and went and did all of the sound... and that's that, really.
He sent me his rough cut which I thought left a lot to be desired. I thought there was a lot better film there than what he cut and what he made, so... I sort of washed my hands of it at that point and said, "Whatever..." He paid me, so I just kind of walked away from it. It was a tough experience because I'd put so much energy, so much time, and so much effort into getting it into Post and... After doing THE VICTIM, I realized that the Post is so important: the cutting and the music and the sound, just the whole deal. That's really where the music is made, really. That's where the movie comes together.
It's like being a quarterback on a football team and playing the first half of the game and you play another good team and you're really struggling, but you have it tied at half-time. Then, you get pulled and some other quarterback comes in and you end up getting beat by forty points. That's kind of how I felt in this situation. - Michael Biehn