Transfiguration (Alice Coltrane album)
| Transfiguration | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | 1978 | |||
| Recorded | April 16, 1978 | |||
| Venue | Schoenberg Hall, UCLA, Los Angeles, California | |||
| Genre | Free jazz | |||
| Length | 1:19:44 | |||
| Label | Warner Bros WB 3218 | |||
| Producer | Ed Michel | |||
| Alice Coltrane chronology | ||||
| ||||
Transfiguration is a live album by Alice Coltrane. It was recorded in Los Angeles, California, in April 1978, and was released as a double album later that year by Warner Bros. On the album, Coltrane appears on piano and organ, and is joined by bassist Reggie Workman and drummer Roy Haynes. One track, "Prema," also includes an overdubbed string section. Transfiguration features five original compositions plus an extended version of John Coltrane's "Leo."[1][2] It was her last jazz-oriented album, and last commercial release, until 2004's Translinear Light.[3] Coltrane biographer Franya J. Berkman called it "her farewell to the jazz business."[4]
Reception[edit]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Penguin Guide to Jazz |  [5] |
| The Vinyl District | A[6] |
| The Guardian | [7] |
In a review for AllMusic, Thom Jurek wrote: "If you can only own one Alice Coltrane record, this should be it."[1]
A writer for All About Jazz stated that the album "represents the culmination of her spiritual music via recordings," and commented: "Her Detroit church organist experience is on full display from the beginning. If she performed at this level in her church back in the '50s, it certainly would have appropriately foreshadowed perhaps the hippest of churches, the Saint John Coltrane African Orthodox Church in San Francisco."[8]
John Eyles of the BBC noted that Coltrane's "improvisations show little development... If that reads like a criticism, it isn't meant to be; the combination of Coltrane's keyboards with Workman and Haynes is highly successful. They provide the flexibility and responsiveness that Coltrane needs to support her playing and stop the minimalism becoming one-dimensional."[9]
The Vinyl District's Joseph Neff called the album "a return to roots but in no way a stylistic backslide" and "a wondrously searching gem," and described "Leo" as "an enthralling showstopper," in which "any lingering talk of the inadequacy of '70s exploratory jazz dissipates like so much hot air."[6]
The Guardian's John Fordham stated that Haynes and Workman are "perfect foils," and wrote: "Coltrane's highly distinctive organ sound at times resembles Northumbrian pipes, with added sitar-like whirrs and pitch bends, but there are moments of churning chordwork, warped melody and heated climaxes on this session."[7]
Writing for Spectrum Culture, Daniel Bromfield described the album as "a true masterpiece" and "Coltrane's most convincingly spiritual record." He commented: "It seems to summon up a presence greater than itself through the sheer force of the sound she and the rhythm section that backs her kicks up... Transfiguration is so extreme it feels like the logical limit to how far she can push the sound and form of jazz."[10]
Writer Jordannah Elizabeth stated: "This one is for the enthusiasts who don't want chocolate in their peanut butter. It's as if she respectfully left something for the people who she knew would not spiritually ascend into the clouds with her. She knew that it was end of the road for her and some of her loyal, purist followers, and she did a brilliant job of jamming her heart out and, in the process, creating a flawless piece of work."[11]
Track listing[edit]
"Leo" composed by John Coltrane. Remaining tracks composed by Alice Coltrane.
Side A[edit]
- "Transfiguration" – 11:43
- "Spoken Introduction & One For The Father" – 7:25
Side B[edit]
- "Prema" – 9:16
- "Affinity" – 10:50
Side C[edit]
- "Krishnaya" – 3:21
- "Leo, Part One" – 16:35
Side D[edit]
- "Leo, Part Two" – 20:10
- Recorded at Schoenberg Hall, UCLA, Los Angeles, California, on April 16, 1978. Overdubbed strings on "Prema" recorded at Westlake Audio, Los Angeles, California.
Personnel[edit]
- Alice Coltrane – organ, piano
- Reggie Workman – bass
- Roy Haynes – drums
- String ensemble (on "Prema")
Violins:
- Jay Rosen
- Murray Adler
- Noel Pointer
- Sherwyn Hirbod
- Michelle Sita Coltrane
Violas:
- Janice Ford
- Pamela Goldsmith
Cellos:
- Christina King
- Ray Kelley
References[edit]
- ^ a b c Jurek, Thom. "Alice Coltrane: Transfiguration". AllMusic. Retrieved October 23, 2022.
- ^ "Alice Coltrane - Transfiguration". Jazz Music Archives. Retrieved October 23, 2022.
- ^ Robson, Britt (May 3, 2016). "Universal Consciousness: The Spiritual Awakening of Alice Coltrane". Red Bull Music Academy. Retrieved October 23, 2022.
- ^ Berkman, Franya J. (2010). Monument Eternal: The Music of Alice Coltrane. Wesleyan University Press. p. 92.
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz. Penguin Books. p. 284.
- ^ a b Neff, Joseph (May 15, 2019). "Graded on a Curve: Alice Coltrane, Eternity, Radha-Krsna Nama Sankirtana, Transcendence, and Transfiguration". The Vinyl District. Retrieved October 23, 2022.
- ^ a b Fordham, John (January 17, 2002). "The heat is on". The Guardian. Retrieved October 23, 2022.
- ^ Staff, AAJ (June 22, 2002). "Alice Coltrane: Transfiguration". All About Jazz. Retrieved October 23, 2022.
- ^ Eyles, John (2002). "Alice Coltrane: Transfiguration Review". BBC. Retrieved October 23, 2022.
- ^ Bromfield, Daniel (April 30, 2019). "Alice Coltrane: Eternity/Radha-Krsna Nama Sankirtana/Transcendence/Transfiguration". Spectrum Culture. Retrieved October 23, 2022.
- ^ Elizabeth, Jordannah (2016). Don't Lose Track: 40 Selected Articles, Essays and Q&As - Volume 1. John Hunt Publishing.
