User:Constantinomar/sandbox
Submission declined on 10 March 2024 by Theroadislong (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
Where to get help
How to improve a draft
You can also browse Wikipedia:Featured articles and Wikipedia:Good articles to find examples of Wikipedia's best writing on topics similar to your proposed article. Improving your odds of a speedy review To improve your odds of a faster review, tag your draft with relevant WikiProject tags using the button below. This will let reviewers know a new draft has been submitted in their area of interest. For instance, if you wrote about a female astronomer, you would want to add the Biography, Astronomy, and Women scientists tags. Editor resources
|
Constantino Pereira Martins (Lisbon, 1974), father of Francisco Carneiro Gonçalves Pereira Martins and Guilherme Marques Matias Pereira Martins, is a thinker, director, researcher, teacher and author who has dedicated to the study of Philosophy, Politics, Aesthetics, Cinema, Theology, Architecture and Sport. He has a degree, a postgraduate degree, a master's degree and a doctorate from the Faculty of Social Sciences and Humanities of the Universidade Nova de Lisboa in Philosophy, as well as degrees (without a thesis) at master's and doctoral level from the Department of Communication Sciences of the Faculty of Social Sciences and Humanities of the Universidade Nova de Lisboa, and has been a high school teacher since 1999. He is currently (2024) a researcher at the Institute of Philosophical Studies at the University of Coimbra, and a collaborating researcher at the Center for Global Studies at the Open University. He was the creator and founder of FilArch and AFDLP.
He studied with Dr. Luís Gottschalk and Dr. Armando Nascimento Rosa at the Cidade Universitária Secondary School. He attended the 1st year of Law at the Faculty of Law in the University of Lisbon, the year Professor Palma Carlos died, and then changed his major to Philosophy at the New University of Lisbon. During his studies he was mainly influenced by the following professors: 1) in Law: Saldanha Sanchez, Palma Carlos, Ruy Albuquerque, Jorge Miranda, Soares Martinez, Bacelar Gouveia, etc.; 2) in Philosophy: Maria Filomena Molder, José Gil, Diogo Pires Aurélio, Nuno ferro, Mário Jorge Carvalho, etc.; 3) in Communication: José Bragança Miranda; 4) in Cinema: Frederick Wiseman, Jean-Luc Godard, Martin Scorsese, Federico Fellini, Gaspar Noé, etc. ; 5) in Sport: Michael Jordan, Jonah Lomu, Ramon Dekkers, Saenchai, Gae, etc; 6) in Theatre: Cornucópia, Luis Miguel Cintra; 7) in the Arts: Klimt, Bruegel, Egon Schiele, Hammershøi, Pina Bausch, Hieronymus Bosch, etc; 8) in Music: Bach, Handel, Cramps, Dead Kennedys, Portishead, Travadinha, Amália Rodrigues, Maria Callas, Cesária Évora, etc. From a more global point of view, his thinking and writing are directly influenced by Kant, Hobbes, Foucault, Kierkegaard, Ariano Suassuna, Wittgenstein, Kafka, among others.
Politically, he is as a Europeanist and a regionalist, at an ideological crossroads between conservatism and liberalism, having been heavily involved in ecological activism in defense of the River Vizela. He was the founder of a failed attempt at a political party (Liga Norte) which sought to build a political position in defense of the North of Portugal, and consequently of all the national regions, to consolidate in Portugal a political position based on pragmatism, co-opetition, combating corruption in defense of openness, honesty, and transparency, and committed to the country's economic and civic progress in deepening its true European integration.
As a sportsman, he practiced various sports and physical activities: Athletics, Futebol Salão, Basketball, Snorkeling, Ultimate Frisbee, and Muay Thai. In the last six years, he has dedicated himself to Thai Boxing, having trained in São Paulo, Montreal, Lisbon, Mafra, Odivelas, Seville, and Peniche.
WORKS
BOOKS (as author)
Pereira Martins, C., Da Política, São Paulo, 2023, Editora Dialética, São Paulo, 2023
Pereira Martins, C., Elements of Humor, São Paulo, Editora Dialética, São Paulo, 2023
BOOKS (as editor / co-editor)
Pereira Martins, C., Damásio, M.J.(Ed.), Seduction in Popular Culture, Psychology, and Philosophy, IGI, Hershey, 2017
Pereira Martins, C., Magalhães, P.T., (eds.), Politics and Image, IEF-Coimbra University, Coimbra, 2019
Pereira Martins , C., Capelotti, J.P. (Ed.), Incitatus , Editora Dialética, São Paulo, 2023
Pereira Martins, C., Technopolitics, IEF Coimbra, 2023( in press)
Pereira Martins, C.(ed.), Comedy for dinner, IEF-Coimbra University, Coimbra, 2019
Pereira Martins, C., Cyberpolitics, IEF Coimbra, 2021
Pereira Martins, C. (Ed.), Do Desporto - On Sports, Fundação do Desporto- IEF, 2021, Coimbra
Pereira Martins, C. (Ed.), In the clouds roots also grow / Even in clouds roots are born , OARN, Porto, 2021
Pereira Martins, C. (Ed.) , Vision, possibility, virtuality , OARN, Porto, 2022
Pereira Martins, C. (Ed.), (Para uma) Poética da água, Jorge Antunes Foundation, Vizela, 2022
Pereira Martins, C. (Ed.), On Gardens, OASRN, 2023 ( in press)
Pereira Martins, C. (Ed.), On Horses / Do cavalo / Del Caballo, Editora Dialética, São Paulo, 2023
Pereira Martins, C. (Ed.), On Surf, Editora Dialética, São Paulo, 2023 ( in press)
FILMOGRAPHY
Independent filmmaker. He dedicated himself to documentary filmmaking between 1998 and 2014. Initially, he filmed about music, then delved deeper into his relationship with Africa and particularly Cape Verde, ending his career with two film essays on the memory of the 20th and early 21st centuries in Portugal. His work is deposited at ANIM (National Archive of Moving Images https://www.cinemateca.pt/Servicos/Acesso-Arquivo-Filmico.aspx ).
WORKS:
GLORY DAYS1 (2024), TRAINING DAYS2 (2024), A VOZ HUMANA3 (2014), MEMENTO MORI4 (2012), LÁBIOS DE TERRA5 (2011), RESGATE6 (2008), DAS ILHAS7 (2008), A CONVERSA DOS OUTROS8 (2005), MORABEZA9 (2004), CAPITAL10 (2002), AMADOR11 (2000)
https://uc-pt.academia.edu/ConstantinoPereiraMartins
https://www.researchgate.net/profile/Constantino-Pereira-Martins
https://www.uc.pt/fluc/uidief/membros/CPM
https://www.cienciavitae.pt/pt/7C11-22D9-63EE
https://www.uc.pt/cech/investigacao/projetos-complementares/racionalidade-hermeneutica/filarch/