User:Freakmighty

This user contributed to "Blur (Blur album)" become a good article.
This user uses HotCat to work with categories.
This user uses Huggle to fight vandalism.
This user has pending changes reviewer rights on the English Wikipedia.
This user has rollback rights on the English Wikipedia.
This user uses Twinkle to fight vandalism.
From Wikipedia, the free encyclopedia

Freakmighty

Freakmighty.
Freakmighty.

Talk

Talk to me.
Talk to me.

Contributions

What I have done to Wikipedia.
What I have done to Wikipedia.

Sandbox

User:Freakmighty/Sandbox
User:Freakmighty/Sandbox

Javascript

Javascript
Javascript

Userboxes

User:Freakmighty/Userboxes
User:Freakmighty/Userboxes

Subpages

User:Freakmighty/Subpages
User:Freakmighty/Subpages
www.wikipedia.org
www.wikipedia.org






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Centralizing project discussion

When a project includes multiple operational pages, it is generally best to redirect their discussion pages to the main discussion page for the project. That way, participants remain aware of what is going on with the project without having to search out every nook and cranny where discussions may be taking place.

The exception to this strategy is when a task is delegated that would generate a great deal of discussion, and centralizing it with the project's other discussions would create a discussion page of unmanageable size.

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Today's featured picture

Monteleone chariot

The Monteleone chariot is an Etruscan chariot, dated to circa 530 BC, that was uncovered in 1902 at Monteleone di Spoleto in Umbria, Italy, in an underground tomb covered by a mound. It was part of a chariot burial, containing the remains of two human corpses along with two drinking cups. Measuring 131 centimetres (51+58 inches) in height and designed to be drawn by two horses, the chariot itself is constructed of wood covered with hammered bronze plates and carved ivory decoration. The Monteleone chariot is now in the collection of the Metropolitan Museum of Art in New York City.

Artifact credit: unknown Etruscan sculptor; photographed by the Rogers Fund and the Metropolitan Museum of Art

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