3 Faces

3 Faces is a 2018 Iranian drama film directed by Jafar Panahi and starring Behnaz Jafari and Panahi as themselves. The film was produced despite a ban on filmmaking imposed on Panahi. It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival, winning the award for Best Screenplay.

Plot
Behnaz Jafari, a popular Iranian actress, searches for a young girl (Marziyeh) in northwestern Iran with her friend Jafar Panahi, a director, after seeing a video of the girl asking for help to leave her conservative family.

The film takes the form of a road movie, much of it taking place in and around Panahi's SUV. Several whimsical encounters take place on the trip, with local characters and traditions. Marziyeh, ostracised from the village, is eventually discovered living with another older woman who lives as a recluse and who herself was an actress and was similarly ostracised following years of mistreatment by male directors.

Cast

 * Behnaz Jafari as herself
 * Jafar Panahi as himself
 * Marziyeh Rezaei credited as Marziyeh
 * Maedeh Erteghaei
 * Narges Del Aram

Production
3 Faces was Jafar Panahi's fourth film made under his 20-year filmmaking ban imposed by the government of Iran, after This Is Not a Film, Closed Curtain, and Taxi. It is filmed in a remote Turkish (Azerbaijani) speaking part of Iran where Panahi's parents hail from.

Of necessity the filming is often 'rough and ready', including an opening sequence filmed using a hand held mobile phone.

Critical response
3 Faces has an approval rating of 98% on review aggregator website Rotten Tomatoes, based on 102 reviews, and an average rating of 7.9/10. The website's critical consensus states: "Observational, insightful, and ultimately powerful, 3 Faces adds another quietly thought-provoking chapter to writer-director Jafar Panahi's filmography". Metacritic assigned the film a weighted average score of 78 out of 100, based on 18 critics, indicating "generaly favourable reviews".

Variety describes the film as an "absorbing paradox", where Panahi shifts the emphasis onto "a whole underclass of Iranian womanhood" in "what feels like his freest film" and "most elusive" since his film-making ban. The review says the film is a "quietly fierce act of cinematic defiance."

The Los Angeles Times described the film as a "multi-generational portrait" with "its quotidian poetry, its deep reserves of mystery and its rich rewards for an open-hearted audience".

Awards and recognition
The film was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. At Cannes, Panahi and co-writer Nader Saeivar won the award for Best Screenplay.

The film also won the Golden Orange at the Antalya Golden Orange Film Festival, the Douglas Sirk Award at the Hamburg Film Festival, and the Leon Cakoff Prize at the São Paulo International Film Festival